ELLE’S October 2025 cover star Victoria Beckham is coming (back) to your Netflix screen. Two years after appearing in Beckham, which followed the life and career of her husband, David Beckham, Victoria is now telling her own story in Victoria Beckham, a three-part docuseries, which will premiere in just a few short weeks. Here’s everything we know about the project so far.
What is Victoria Beckham about?
Here’s the official synopsis from Netflix:
The series traces Beckham’s story from her formative years and rise to unprecedented success with the Spice Girls, through her high-profile relationship with football legend David Beckham, to her relentless work to establish herself in the cutthroat world of haute couture. Following her journey as she prepares for her most ambitious runway show yet at Paris Fashion Week, the docuseries weaves together past and present to reveal the challenges and triumphs that have defined her—and continue to drive her forward.
When will it be released?
The three-part docuseries will premiere on Oct. 9, 2025 on Netflix.
What has Victoria Beckham said about the docuseries?
In her ELLE October 2025 cover story, Beckham revealed that David convinced her to do the project. “I genuinely couldn’t understand why anybody was that interested,” she said. “I love what I do, but I was a bit shocked. But throughout the process, I’ve really enjoyed it. I love the fact that I have an opportunity to shine a light on our industry—how serious an industry it is.”
She also shared that filming the series allowed her to “reflect on the journey, and talk a little bit about the career I had before, without it being to the detriment of my brand. I was in the Spice Girls for four years, and I’ve been so defined by that period. I’ve been in the fashion industry for almost two decades.”
Beckham added that she often had to forget that the cameras were even there. “I had to leave my vanity at the door, because every time they were following me at work, I had a job to do,” she said. “I couldn’t think about the fact there were cameras there, because I was preparing for a show. One minute we’re creating the collection, picking the fabrics, casting the models. ‘Is this the right flooring? What’s the show music like?’ There was so much going on that I had to turn a blind eye to the fact that they were there. Otherwise, I wouldn’t have gotten anything done. I was like, ‘Guys, I’ve got a day job to be getting on with.’”
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