All you need to make a movie is a girl and a gun. Cameras, actors, and locations help as well. Scripts are, of course, totally optional. What is really required, however, is passion and determination. Jean-Luc Godard has these qualities in abundance. It’s 1959, and he’s just watched his fellow-critic-slash-obsessive at the esteemed magazine Cahiers du Cinéma, François Truffaut, debut his first feature The 400 Blows at Cannes. Godard has some shorts under his belt. But he’s the last of his gang at the journal to go from…
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source www.imdb.com ’
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