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Top Gear, Plugins & Software You Need

Story Center by Story Center
January 1, 2026
Reading Time: 13 mins read
0
Top Gear, Plugins & Software You Need

2025 was a strong year for music tech. We saw high-profile releases from top companies, niche offerings from independent developers, new gear for both production and monitoring, and massive sales and giveaways over the Black Friday and Christmas periods. There were also updates to classic software, and a lot of this year’s standout offerings were modernised versions of older plugins and gear. From ground-breaking synths and mixing tools to powerful standalone hardware and precision monitoring gear, here’s our curated list of the best music tech of 2025.

Synths & Creative Software

Spectrasonics Omnisphere 3

In 2025 Spectrasonics released Omnisphere 3, the latest update to their flagship hybrid synth. A fan-favourite among producers, Omnisphere is one of the most powerful and feature-filled synthesisers on the market, with a deep control set and thousands of high-quality built-in presets. It combines sample playback with wavetable, granular, and FM synthesis, and has huge potential for modulation to create evolving and unique patches. 


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Arturia Pigments 7

Arturia’s Pigments is known for its versatility, intuitive interface and rich preset library. Version 7 brought new sound shaping options, expanded modulation and sequencer features, and a fresh batch of curated presets with everything from sparkling digital textures to gritty basslines. It’s easy to understand and fun to use, making it a go-to for many producers and sound designers. 


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Soundtoys SpaceBlender

Released as part of the Soundtoys 5.5 bundle, SpaceBlender is an experimental reverb designed to quickly create texturally interesting spaces. The innovative main display lets you control the envelope of the reverb tail, allowing for unique swells and strange, unrealistic reflections. It has some basic reverb controls and some more advanced options, but the main selling point here is the manual control over the decay, which can be used for subtle rhythmic reflections to deep, evolving sound design. It was offered for free for a short time after its release.


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iZotope FXEQ

Another plugin that centres around its visual display, FXEQ lets you control a range of effects (saturation, reverb, delay, modulation and lo-fi) with its EQ-like interface. You can use EQ bands to control the frequencies that are affected, like a multi-band multi-effect combination, but with even deeper control due to the EQ band shaping. The presets are all high-quality and interesting, and it encourages playing around with the parameters to dial in unique and interesting effects each time.


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izotope fxeqizotope fxeq
iZotope

Mixing & Mastering Tools

Newfangled Articulate

Articulate from Newfangled Audio is a tool for refined control over transients and envelope shaping, combining musical responsiveness with straightforward controls. It has full ADSR controls (unlike most transient shapers, which usually focus on just the attack and sustain), as well as a sidechain option and a host of controls like A/B, delta signal and safety limiting that make it easy to use. Newfangled is known for its high-quality algorithms, and Articulate is no different, allowing you to really push your sound without artifacts or distorting. As far as transient shapers go, this one is hard to beat.


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Antares Auto‑Tune 2026

The latest update to the famous Antares Auto-Tune brought improvements in real-time tracking, expanded modes for creative effects and more quality-of-life changes. It’s hard to find any flaws in what is probably the most famous and popular music software of all time, and it’s a go-to for most producers working with vocals. Auto-tune is simply the most flexible and detailed pitch-correction tool on the market, and with its regular updates it looks like it’s staying that way.


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autotune pro 11autotune pro 11
Antares

iZotope Ozone 12

Ozone 12 is the latest update to iZotopes’ mastering suite, with improved AI assistance, an enhanced limiter, and a number of useful new modules. It’s known for its hybrid workflow, letting you work manually or use its intelligent assistant as a guide. It goes beyond the typical mastering tools with advanced modules for sculpting every area of your song, and has a host of tools (like Delta, Bypass, Solo and other monitoring options) that make it easy to understand the changes you make. With Ozone, you can make small changes that quickly add up to a more rounded, professional and polished sound, and then hit your loudness targets with the new and improved limiter. 


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ozone 12 reviewozone 12 review
iZotope

FabFilter Pro‑Q 4

Pro-Q 4 continues the legacy of the previous version as the most complete and surgical equalisation tool on the market. The interface is easy to navigate, and the controls go incredibly deep, allowing for sidechain inputs, clean phase handling, dynamic response and the new Sketch tool for freehand drawing of EQ curves. There are a few similarly powerful EQ options available, but none with the ease-of-use and deep controls that are built into Pro-Q.


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FabFilter Pro Q4FabFilter Pro Q4
FabFilter Pro Q4

AI‑Assisted Tech

Sonarworks SoundID VoiceAI

VoiceAI is a resynthesis tool designed for transforming vocals. It uses machine-learning to recreate your vocal performance with an entirely new voice, which you can select from their bank of vocal tones (which also includes instruments, allowing you to transform your voice into an instrument line). The translation is very faithful to the original input, capturing the same timing, phrasing and dynamics. You can use cloud-based or local processing, create harmonies or vocal doubles, and transform your voice in unique and creative ways. VoiceAI is excellent for quickly creating demos, trying out new vocal styles and layering your performances, making it useful for traditional songwriting and advanced sound design alike. 


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Sonarworks SoundID VoiceAISonarworks SoundID VoiceAI
VoiceAI Instrument Mode

Acon Digital Remix:Drums

Remix:Drums is an AI-driven stem separator and transformation, making editing drum recordings easier and more detailed than ever before. With its stem splitter, you can isolate individual rhythmic components in order to shape your percussion with much more control than full-track processing. It’s primarily for remixing, but can be used on any percussion loop or drum sample to help you rebalance and reimagine the sound. Highly-practical and super transparent compared to traditional stem splitting, Remix:Drums is a useful addition to any producer’s toolkit.

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Creative Hardware & Instruments

AKAI MPC Live III

The latest version of the legendary AKAI MPC has more processing power, more expressive pads and better sequencing control. Famously used for chopping up loops and live performing sounds, the MPC is the gold standard in intuitive sampling and beat creation. The interface gives you a detailed view of your samples and effects, and the whole system is perfectly designed for quickly sketching ideas, creating on the go, and live performing your sounds for that humanized touch. 


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Roland TR‑1000 Rhythm Creator

The TR-1000 is the latest in the line of iconic rhythm machines from Roland. It keeps the analog engine and circuitry that gave the 808 and 909 their iconic sounds, and adds a number of modern conveniences, such as advanced sequencing with off-grid capabilities and motion recording, extensive effects and layering tools, and improved storage and connectivity.


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Ableton Move

Ableton’s Move is an instrument, sequencer and controller that offers a portable production interface with clip launching, expressive pad control and seamless integration with Ableton Live. The layout is incredibly simple and intuitive, and the built in speaker and microphone make it a great option for mobile music making. It also has over 1500 built-in samples, presets and one-shots, as well as a host of effects, making it versatile enough to start creating straight out of the box.


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Ableton MoveAbleton Move
Ableton

Monitoring & Listening Gear

Sony WH-1000XM6

Sony’s WH-1000XM6 brings back the classic folding design of earlier Sony Headphones, with a new QN3 processor that elevates the audio quality, making these an excellent choice for critical listening. They also include a new “AI-Natural” transparency mode for a more lifelike way to hear music and your surroundings at the same time, and a noise cancellation mode that adapts to changing environments for focused listening. 


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Bose QuietComfort Ultra (2nd Gen)

The second-generation Bose QuietComfort Ultra improves upon the comfort that the brand is known for with even better audio quality. For the audiophiles, they’ve added fully lossless digital audio via a USB C connection, and for the casual listener they now have a “Cinema Mode”, for clearer dialogue and advanced spatial audio when watching film or TV. They’re aimed more towards enjoyable listening than surgical monitoring, but they’re nonetheless a great option for checking your mixes, day-to-day listening and watching films with immersive audio.


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Neumann KH 805, 810 and 870 II DSP

Neumann delivers top quality products with every release, and their latest subwoofers are a perfect example. The KH 805s, 810s and 870s are reference quality woofers, each designed to be paired with a different main speaker system and room size. Each goes all the way down to 16 Hz and has a strong dynamic response, allowing you to hear sub frequencies that most speakers cannot reach. These are meant for high-level mixing and mastering, and will find a home in high-end studios everywhere.

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All in all, 2025 reminded us that music tech isn’t slowing down. There were thoughtful updates, bold new ideas, and plenty of tools that feel genuinely creative rather than just catchy buzzwords. From the plugins you’ll reach for first to the hardware you’ll record with most, this year was stacked, and we’re buzzing to see what 2026 has in store.

Also Read:

  1. Universal Music Group Partners With Splice on AI-Powered Music Tools
  2. Eventide Temperance Pro Review: A New Way of Thinking About Reverb

‘ The preceding article may include information circulated by third parties ’

‘ Some details of this article were extracted from the following source weraveyou.com ’

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