CHICAGO (WGN) — TRANSITIONS functioned as a stress test for Chicago’s dance scene — and for the people moving between venues night after night.
The weeklong New Year’s series from Auris Presents spread across seven clubs, creating an experience that rewarded planning, stamina and a willingness to chase the right room at the right time.
The strongest throughline was pacing. Each night followed one of three themes — solid, liquid or vapor — and while the visual elements leaned subtle rather than spectacular, the idea landed in the programming.
DJs were generally given space to build, with sets that eased in patiently before hitting more ecstatic stretches closer to sunrise.
Lineups were consistently strong, if occasionally overwhelming in choice. Sets from artists like Four Tet and Purple Disco Machine drew packed rooms, while appearances by Cloonee and Claude VonStroke catered to different corners of the house and techno spectrum.
The standout was DAY ONE at SERUM, a 21-hour marathon that felt genuinely communal — part endurance challenge, part shared recovery session after a week of late nights.
TRANSITIONS’ nods to Chicago’s history were thoughtfully integrated rather than nostalgic. Visual references to The Warehouse and the legacy of Frankie Knuckles felt like context, not branding.
As an event, TRANSITIONS wasn’t without friction — overlapping schedules and late-night logistics occasionally tested even seasoned clubgoers — but those issues rarely outweighed the payoff.
At its best, the series felt expansive and alive, offering multiple ways to experience the city’s dance culture in a single week.
By leaning into long-form sets, genre variety and subtle historical grounding, TRANSITIONS captured a version of Chicago nightlife that’s ambitious, communal and still driven by the belief that the right room, at the right hour, is worth staying out for.
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