The refreshed branding marks a shift towards a more contemporary aesthetic and has prompted discussion across social media platforms. Festival organisers say the update is intended to align the event with global festival trends while maintaining continuity with its long-established identity.
Several international artists have been confirmed for the upcoming edition, including jazz fusion group Yellowjackets, multi-instrumentalist and composer Jacob Collier, and UK saxophonist Jasmine Myra. The local line-up features veteran musicians and contemporary figures, among them Sipho “Hotstix” Mabuse, pianist Nduduzo Makhathini, Carlo Mombelli presents Chapter 7, Dr Sibusiso “Mash” Mashiloane, and the Ongoing Rehearsal Our-Ke(s)tra.
The programme also includes artists operating beyond traditional jazz boundaries, such as Scorpion Kings, Jazzwrld & Thukuthela, BCUC, Manana, Lordkez, Jabulile Majola and Rorisang Sechele. Festival organisers have indicated that additional performers will be announced in the coming weeks.
Alongside the performances, the CTIJF continues to roll out educational and community-focused initiatives. These include workshops on topics such as artist branding and professional development for jazz musicians, aimed at supporting emerging and established artists navigating the contemporary music industry.
A youth-focused programme is scheduled for 28 February, when the CTIJF Jazz Orchestra will host a workshop and showcase at the Artscape Theatre Centre for learners from disadvantaged communities. The initiative forms part of the festival’s broader commitment to skills development and audience growth.
Now in its 23rd edition, the Cape Town International Jazz Festival combines live performance with professional development and education. The announcement of the initial line-up, together with the brand revamp, signals the festival’s continued efforts to evolve while maintaining its status as a major event on Africa’s cultural calendar.
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source www.musicinafrica.net ’
