Even with an amped up body count and world-ending stakes, director Matt Bettinelli-Olpin’s and Tyler Gillett’s (known collectively as Radio Silence) “Ready or Not 2: Here I Come” feels like a case of diminishing returns.
Like a card game whose complicated rules you instantly forget when it’s explained to you, this maximalist follow-up to the original 2019 film gets hollower the more it expands in scope. It’s not just more of the same, but most of the same, and while there will always be a baseline thrill of seeing wealthy capitalists get their bloody comeuppance, this might just be the most stodgy of that cathartic subgenre. As…
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