With AI the hot topic at Filmart, but nobody really sure how it’s going to impact the industry, leading Hong Kong producer-director Peter Ho-sun Chan said he could envisage a world in which mainstream cinema is dominated by technology rather than humans – pushing directors like himself into arthouse filmmaking.
“Those days of the blockbusters are gone,” said Chan, one of the first Hong Kong filmmakers to experiment with pan-Asian co-productions, as well as work in Hollywood back in the ‘90s. “I think this is a time where really nobody knows anything, with the fragmentation of the market, vertical short dramas, AI and everything. I think we’re at the worst time for cinema.
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