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2026 Media & Entertainment Industry Outlook

Story Center by Story Center
March 21, 2026
Reading Time: 7 mins read
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2026 Media & Entertainment Industry Outlook

  • BBC, “YouTube turns 20! The numbers behind the platform,” accessed Feb. 24, 2026; NBC News, “Google buys YouTube for $1.65 billion,” Oct. 9, 2006; Lisa Setyon, “How TikTok’s rise sparked a short-form video race,” CNBC, April 26, 2025.

  • Arvind Narayanan, “Understanding social media recommendation algorithms,” Knight First Amendment Institute, March 9, 2023; Kevin Westcott, Jana Arbanas, Jeff Loucks, and Bree Matheson, “Social media and creators drive viewers to TV shows, movies, and games,” Deloitte Insights, March 20, 2024; Jason Kincaid, “EdgeRank: The secret sauce that makes Facebook’s news feed tick, TechCrunch, April 22, 2010.

  • Sonja Anderson, “The way we listened to music changed forever when Apple launched iTunes in 2001,” Smithsonian Magazine, Jan. 9, 2025; Tony Smith, “Apple iTunes sales tally passes 350 million,” The Register, April 14, 2005.

  • Ashley Rodriguez, “Ten years ago, Netflix launched streaming video and changed the way we watch everything,” QZ, July 20, 2022.

  • Lorna Hughes, “How tech brands are winning the turf war with traditional media,” Harvard Communications, July 25, 2017; Lucas Shaw, “The race is on to build the next profitable streaming service,” Bloomberg, Aug. 11, 2024; Brad Agate, “Streaming units are beginning to be profitable. Here’s why.” Forbes, Oct. 11, 2024.

  • Wendy Lee and Thomas Suh Lauder, “The cheap streaming era is over. How’s why your bills are going up,” Los Angeles Times, Oct. 11, 2025.

  • Jana Arbanas, Jeff Loucks, and Chris Arkenberg, “Can SVOD survive the future of media?” Deloitte, accessed Feb. 24, 2026; Shashank Srivastava and Kevin Downs, “How streaming is changing the music industry,” Deloitte Insights, June 10, 2020.

  • Advanced Television, “Analysis: Original content vital for SVOD differentiation,” Nov. 6, 2019; Ross Benes, “Users still demand licensed content from OTT platforms,” eMarketer, May 10, 2019.

  • Rani Molla and Peter Kafka, “Who owns what in Big Media today,” Vox, Sept. 21, 2022.

  • Westcott, Arbanas, Loucks, and Matheson, “Social media and creators drive viewers to TV shows, movies, and games.”

  • Chris Arkenberg, Jeff Loucks, Brooke Auxier, and Doug Van Dyke, “‘TV’ today can be described as anything on a screen that feels relevant, authentic, and worth an audience’s time,” Deloitte Insights, Oct. 26, 2025.

  • Ibid; China Widener, Jana Arbanas, Doug Van Dyke, Chris Arkenberg, Bree Matheson, and Brooke Auxier, “Social platforms are becoming a dominant force in media and entertainment,” Deloitte Insights, March 25, 2025.

  • Ibid; Kevin Westcott, Jana Arbanas, Brooke Auxier, Jeff Loucks, and Wenny Katzenstein, “Beyond mass appeal: The untapped potential of fandom,” Deloitte Insights, March 20, 2025.

  • Jana Arbanas, Kevin Westcott, Brooke Auxier, Bree Matheson, and Akash Rawat, “‘Funflation’—and live event hype—goes up against more cost-conscious consumers,” Deloitte Insights, Oct. 8, 2024; Westcott, Arbanas, Auxier, Loucks, and Katzenstein, “Beyond mass appeal.”

  • Dennis Ortiz, Noor Chawla, and Kris Tzankov, “Driving lifetime value in a content creator ecosystem,” Deloitte, accessed Feb. 24, 2026; Wenny Katzenstein, “Tap into the power of fans,” Deloitte, accessed Feb. 24, 2026.

  • Widener, Arbanas, Van Dyke, Arkenberg, Matheson, and Auxier, “Social platforms are becoming a dominant force in media and entertainment”; Kevin Westcott, et. al, Social media and creators drive viewers to TV shows, movies, and games, Deloitte, March 20, 2024.

  • Ibid.

  • Chris Arkenberg, Ankit Dhameja, Tim Bottke, and Gillian Crossan, “Tiny episodes, massive appeal: Short-form serials are gaining viewers and empowering independent studios,” Deloitte Insights, Nov. 18, 2025.

  • Widener, Arbanas, Van Dyke, Arkenberg, Matheson, and Auxier, “Social platforms are becoming a dominant force in media and entertainment.”

  • Pete Giorgio, David Jarvis, Brooke Auxier, Hannah Bobich, and Kat Harwood, “2023 sports fan insights: The beginning of the immersive sports era,” Deloitte Insights, June 26, 2023; Kevin Westcott, Kevin Downs, Jana Arbanas, Chris Arkenberg, and David Jarvis, “Digital media trends, 15th edition,” Deloitte Insights, April 16, 2021; Paul Silverglate and Brooke Auxier, “Digital fatigue overwhelms consumers,” The Wall Street Journal, Oct. 21, 2021.

  • Deloitte, “Improving the ROI of media content,” accessed Feb. 24, 2026; Dan Clarendon, “How streaming viewership is measured in this ‘chaotic’ era for TV data,” TV Insider, Feb. 15, 2025.

  • Bevin Fletcher, “Studios and streamers’ next measurement need and challenge: content,” StreamTV Insider, Jan. 13, 2025.

  • Alexander Patino, “Recommendation engines: How they work and why they matter,” Aerospike, April 18, 2025; Chris Arkenberg, Jeff Loucks, Kevin Westcott, Danny Ledger, and Doug Van Dyke, “2025 media and entertainment outlook,” Deloitte Insights, April 23, 2025.

  • James Capo, “Tuning into the audience: Why first-party data is broadcast’s next big signal,” TV News Check, Oct. 14, 2025; Fletcher, “Studios and streamers’ next measurement need and challenge: content.”

  • Deloitte Digital, “The keys to a successful customer experience personalization strategy,” Oct. 18, 2024.

  • Deloitte, “Improving the ROI of media content.”

  • Chris Arkenberg, Gillian Crossan, and Tim Bottke, “Generative AI video is perfect for social media, but could disrupt social media companies,” Deloitte Insights, Nov. 18, 2025; Tony Maglio, “Disney+ to allow user-generated content via AI,” The Hollywood Reporter, Nov. 13, 2025; Anna Kaufman, “AI actor Tilly Norwood looks startingly real. Hollywood is not amused,” USA Today, Oct. 1, 2025.

  • Chris Arkenberg, Danny Ledger, Ricky Franks, Kevin Westcott, and Ariane Bucaille, “Large studios will likely take their time adopting generative AI for content creation. Social media isn’t hesitating,” Deloitte Insights, Nov. 19, 2025; Dylan Butts, “Netflix ‘all in’ on leveraging AI as the tech creeps into entertainment industry,” CNBC, Oct. 21, 2025.

  • Aamish Ahmad Bed, “The agentic workforce: how AI is redefining back-office efficiency and strategy,” Forbes, March 28, 2025.

  • Alexander Lee, “Creators hire AI like interns as they look to save costs on the creative process,” DigiDay, Aug. 19, 2025.

  • Diana Lodderhose, “Former OpenAI exec Zack Kass on why indies stand to benefit from AI more than studios: ‘It lowers the barrier to creating value’—The Deadline Q&A, Deadline, June 4, 2025.

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  • Maglio, “Disney+ to allow user-generated content via AI.”

  • Huayu Li et al., Meta’s generative ads model (GEM): The central brain accelerating ads recommendation AI innovation, Engineering at Meta, Nov. 10, 2025.

  • ‘ The preceding article may include information circulated by third parties ’

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    ‘ Some details of this article were extracted from the following source www.deloitte.com ’

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