On the first night of Passover, Ye — the superstar rapper, the artist formerly known as Kanye West, the man who once threatened in a tweet to go “death con 3 On JEWISH PEOPLE” — performed for what looked like a full house at Inglewood’s SoFi Stadium.
The first of a pair of Ye concerts this week at the gigantic NFL palace, Wednesday’s show came two months after the 48-year-old musician apologized for his past antisemitic comments, attributing his behavior to injuries he sustained in a 2002 car crash.
More to the point, perhaps, the gig came on the heels of last week’s release of “Bully,” Ye’s first solo LP since 2022’s “Donda 2,” which the trade journal Hits predicts will enter the album chart at No. 2, right behind the latest from BTS.
In other words, Ye’s trying to get a comeback going — and, to judge by the very warm reception he got at SoFi, he might prove successful.
Wednesday’s concert — Ye’s first full live performance in Los Angeles since a 2021 gig at the L.A. Memorial Coliseum — lasted about two hours and featured guest appearances by Don Toliver and Ye’s 12-year-old daughter, North.
The rapper performed atop an enormous dome set up on the stadium’s floor; for much of the night, a spinning globe was projected onto the dome so that Ye looked to be — well, on top of the world is how he might’ve put it.
Early in the set, Ye asked his technical crew to “make the earth move slower,” which somebody made happen.
Accompanied by what sounded like prerecorded backing tracks, Ye opened with a handful of songs from “Bully,” which seeks a middle ground between the soulful, sample-heavy sound of his early work and the gloomier, synthed-up vibe of more recent records like “Donda” and his and Ty Dolla Sign’s “Vultures 1” and “Vultures 2.”
After an extended version of the new album’s “All the Love,” he reached back for an assortment of oldies, including all-timers like “Father, Stretch My Hands, Pt. 1,” “Mercy,” “Black Skinhead” and “Can’t Tell Me Nothing,” which he stopped and restarted after telling the crew to mute the music during the song’s line about getting his money right so that he could hear the crowd join in.
He also did his and Jay-Z’s collaborative 2011 hit — the one whose title contains the N-word — which made you think about how he and his old frenemy are both mounting comebacks at the same time, Jay-Z as a kind of retiree’s victory lap and Ye in hopes of moving past a mess of his own making.
Other classics Ye performed included “Bound 2” and “Heartless,” to name two of his most emotionally potent songs, though thick smoke in the stadium made it hard to feel a sense of connection with him as he moved back and forth atop the dome.
Ye brought out Don Toliver to perform “Moon” and Toliver’s “E85,” then cycled again through the “Bully” tracks he’d done earlier. North West came out to perform “Talking” and “Piercing on My Hand,” after which Ye did his and Ty Dolla Sign’s “Everybody,” which prominently samples the Backstreet Boys’ “Everybody (Backstreet’s Back).”
Then he finished with a sprint through some of his most beloved hits: “All Falls Down” into “Jesus Walks” into “Through the Wire” into “Good Life,” which he restarted several times because he said the lights were “corny.”
“Is this like an ‘SNL’ skit or something?” he asked when nobody made the changes he was looking for.
Ye ended the show with “All of the Lights,” which got a huge pryo display, and “Runaway,” his epic 2010 warning to anyone foolish enough to consider falling in love with him.
“Run away fast as you can,” he sang, and the crowd roared right along.
‘ The preceding article may include information circulated by third parties ’
‘ Some details of this article were extracted from the following source www.latimes.com ’
