{"id":1962664,"date":"2025-08-15T18:46:24","date_gmt":"2025-08-15T18:46:24","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=1962664"},"modified":"2025-08-15T18:46:24","modified_gmt":"2025-08-15T18:46:24","slug":"bosnian-director-srdan-vuletic-on-sarajevo-world-premiere-otter-movie-jail-and-shooting-two-films-back-to-back-after-a-17-year-gap","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/bosnian-director-srdan-vuletic-on-sarajevo-world-premiere-otter-movie-jail-and-shooting-two-films-back-to-back-after-a-17-year-gap\/","title":{"rendered":"Bosnian Director Srdan Vuletic on Sarajevo World Premiere \u2018Otter,\u2019 \u2018Movie Jail\u2019 and Shooting Two Films Back-to-Back After a 17-Year Gap"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><\/div>\n<\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">In the decade between the late 90s and mid-2000s, Bosnian director Srdan Vuletic helmed several award-winning films such as \u201cSummer in the Golden Valley\u201d and \u201cIt\u2019s Hard to Be Nice,\u201d which premiered in major festivals such as Toronto and Berlin. After the latter, the director did not helm a project for 17 years, returning to cinema last year in quite the prolific comeback with \u201cGym\u201d and now \u201cOtter,\u201d which will have its world premiere at the Sarajevo Film Festival.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The coming-of-age drama is adapted from Stefan Bo\u0161kovi\u0107\u2019s (also the film\u2019s scriptwriter) short story and trails Hana (Ma\u0161a Dra\u0161ler), a shy 16-year-old who is in love with popular kid Mario (Savin Peri\u0161i\u0107). On the morning of their first unofficial date, a rare solar eclipse is set to take place, and Hana\u2019s dad dies, starting a chain of events that will see the teenager face not only a flood of unprocessed grief but also great pain at the hands of young boys raised under sexist ideals.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>More from Variety<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Speaking to <em>Variety <\/em>ahead of Sarajevo, Vuletic says he was \u201cstuck in movie jail\u201d for the almost two decades that preceded his two last films. \u201cI realized I had to work on different things, and in a different way. It was a really challenging period, but circumstances aligned for all these projects to come around at the same time, and I am really glad to be working again.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The director adds that some of the issues that kept him away from directing have to do with Bosnia\u2019s film industry itself, with Vuletic saying that he feels politicians have filmmakers \u201cin a state of prolonged euthanasia.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cIt is a very strange situation because if there is one single field where our country is really successful, it is filmmaking,\u201d he continues. \u201cWe have an Oscar, we have nominations, we are respected, but we have a big problem in that filmmakers and film workers can\u2019t have an open dialogue with the government. It is something easily solvable.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Zuletic says there is still a government reluctance to offer state money to filmmaking, a practice widely adopted across Europe. \u201cIn Bosnia, even if you get domestic film funds, they are very small and the wait is very long. We want to use the festival to bring this conversation back into focus and have an actual dialogue with the government,\u201d he says, also highlighting that one of the main issues is that Bosnia does not have a film center. \u201cAll the other countries of the former Yugoslavia have one. Serbia, Montenegro, and Slovenia all have film centers. It is unbelievable we still don\u2019t have one.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">This disappointment with the national support offered in his home country made Zuletic all the more appreciative of Montenegro, where he shot \u201cOtter.\u201d The film is a Montenegrin production, with a Montenegrin cast and a largely national crew.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cAfter shooting the film, I keep telling everyone how Montenegro\u2019s film industry is much healthier than ours in Bosnia,\u201d the director points out. \u201cThey may have fewer auteurs, but they have vision and a strategy, which has worked really well over the last decade. In Montenegro, the state and the film fund actually follow your project from an early development stage until distribution, which makes a lot of difference.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The filmmaker highlights how surprised he was by the level of acting talent in the country, recalling how he expected around 40 boys and girls to audition for the main roles, but ended up having over 300 candidates. \u201cDuring the auditions, I learned that over a hundred of them were from this organization called Empty Space, where the kids learn not only to act but to dance and play. Montenegro is a country of 600,000 people, and the level of cultural infrastructure that takes the kids away from their cellphones and into art is incredible.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Zuletic is particularly praiseful when it comes to Dra\u0161ler, who he says enabled them to shoot the film \u201cexactly the way we wanted it.\u201d Working with non-actors, he adds, was not an issue in \u201cOtter,\u201d and also allowed for the crew and cast to build the level of trust needed to explore sensitive issues such as death and sexual abuse. Following his producer\u2019s advice, Zuletic included the young cast\u2019s parents from the very beginning and made them aware of the movie\u2019s themes.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cOur producer insisted on having psychological support on set, which worked more or less as an intimacy coordinator,\u201d he clarifies. \u201cThe parents were also there from the first rehearsals and knew what we were doing, because sometimes when you send a script to the kids, they will not tell the parents the details of the film, and we did not want to get into a situation where we start shooting and parents only then realize and think it is too much for their kid.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Asked how he\u2019s feeling ahead of the film\u2019s world premiere in his home country, the director says: \u201cHonestly? I\u2019m impatient because I believe we made a very interesting, exciting, and different film, especially for this region. I am now impatient to see how audiences will react and can hardly wait to see people going out of the cinema and hear what they have to say.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cOtter\u201d is produced by Ivan \u0110urovi\u0107 of Montenegro\u2019s Artikulacija Film in co-production with Daniele Segre of Italy\u2019s Redibis Film, Katarina Prpi\u0107 of Croatia\u2019s Izazov 365, Fatmir Spahiju of Kosovo\u2019s Buka Productions, and Ishak Jaliman of Bosnia\u2019s Realstage. The film is supported by the Film Centre of Montenegro, the Ministry of Culture of Italy, the Croatian Audiovisual Centre (HAVC), the Ministry of Culture and Sports of the Sarajevo Canton, the Sarajevo Film Foundation, and the Kosovo Cinematography Center.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Best of Variety<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Sign up for <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/cloud.email.variety.com\/signup\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Variety's Newsletter;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Variety&#8217;s Newsletter<\/a>. For the latest news, follow us on <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/bit.ly\/31XsHSx\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Facebook;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Facebook<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/bit.ly\/2TkcoeG\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Twitter;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Twitter<\/a>, and <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/bit.ly\/2TntOHq\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Instagram;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Instagram<\/a>.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the decade between the late 90s and mid-2000s, Bosnian director Srdan Vuletic helmed several award-winning films such as \u201cSummer in the Golden Valley\u201d and \u201cIt\u2019s Hard to Be Nice,\u201d which premiered in major festivals such as Toronto and Berlin. After the latter, the director did not helm a project for 17 years, returning to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1962665,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[346165,346164,345852,346163],"class_list":["post-1962664","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-bosnia","tag-otter","tag-sarajevo-film-festival","tag-srdan-vuletic"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/08\/Bosnian-Director-Srdan-Vuletic-on-Sarajevo-World-Premiere-\u2018Otter-\u2018Movie.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1962664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=1962664"}],"version-history":[{"count":0,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1962664\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/1962665"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=1962664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=1962664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=1962664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}