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In 1995, Noah Wyle<\/a> was nominated for his first Emmy, for Outstanding Supporting Actor in a Drama Series for his role as Dr. John Carter on\u00a0ER<\/a><\/em>. He was also nominated for the next four years in a row. Now, 26 years later, he\u2019s up for an Emmy again, this time for Outstanding Lead Actor in a Drama Series as Dr. Michael \u201cRobby\u201d Robinavitch on The Pitt<\/a><\/em>. He\u2019s also an executive producer, writer, and director on the HBO Max medical drama. According to the multi-hyphenate, it does feel different this time around, he tells TV Insider as part of our Scene Study<\/a>.<\/p>\n \u201cIn some ways, it means more, and in some ways, it means less. And I don\u2019t know if I can articulate it except to say, trophies mean less to me at this stage in my life but the recognition for my work at this stage in my life means more to me than it did when I was in my early 20s,\u201d Wyle explains.<\/p>\n \u201cAnd I\u2019ll be even more honest and say, it isn\u2019t that I didn\u2019t think that I deserved it back then, but I didn\u2019t deserve it back then. I was being nominated in the wake of a euphoria for a show that was commanding everybody\u2019s popular attention, and I was doing really good work, but I was being recognized in a category that had veteran venerable actors in it. And I felt always slightly out of place being nominated against people like Ray Walston<\/a> or Gordon Clapp<\/a> or whoever,\u201d he continues. \u201cAnd I remember thinking at the time, I hope that I\u2019m not front-loading my career with this and that I have another chance. So in some ways, this next invitation to the party has been extremely gratifying.\u201d<\/p>\n Looking back at those first five nominations, \u201cIt was a heady time and it was a lovely time and perspective is a beautiful thing. And I didn\u2019t have it back then because I was in the middle of it,\u201d he says. \u201cSo on the other side of it, I can recognize what a special and singular period of time it was, so rare, a real lightning strike. And it wasn\u2019t that I didn\u2019t hope it would happen again or think it would happen again, but I\u2019m just really thrilled that it did.\u201d<\/p>\n Wyle is so proud of the 13 Emmy nominations\u00a0The Pitt<\/em> received, and not just for the major categories \u2014 Outstanding Drama, acting for himself, Katherine LaNasa<\/a>, and Shawn Hatosy<\/a>, directing, and writing \u2014 but also down the list.<\/p>\n \u201cThe fact that they were spread over so many categories was the thing that meant the most to me. I would, of course, have loved to have seen Nina Ruscio recognized for her brilliant set design. I would\u2019ve loved to have seen Johanna Coelho recognized for her photography, and I would\u2019ve loved to have seen our editors \u2014 in particular Mark Strand \u2014 nominated for his work because our cinematography, our editing, and our set design is so much a part of what makes the show a show you would nominate for best show. But those who know know the quality of work that they\u2019re doing and sometimes the most effortless and elegant work is the least obvious. And they now find themselves in a very long list of people who\u2019ve done brilliant work and have it not gotten recognized,\u201d Wyle says.<\/p>\n \u201cThat said, I\u2019m extremely grateful for the ones we have received. For a freshman show to receive 13 nominations and to receive them in acting, writing, directing, casting, have our sound department recognize as significant because they\u2019re a huge part of the tapestry of our show is extremely gratifying. And maybe our makeup department being singled out not just for the special effects makeup, but also for the non-special effects makeup. I would also think hair is a big part of that, but maybe next year. We have such a talented group of people,\u201d he continues.<\/p>\n Wyle then reveals,\u00a0\u201cThis is going to sound corny, but I have a little daily gratitude practice. And one of the things I say and I have said for the last several years is as a mantra is, please put me in the company of first-class artists with good hearts and minds doing meaningful work. And there was a moment last year where I looked around at everybody I was working with and everything we were doing, and I thought, \u2018Oh my God, it came true.\u2019 It really did. I\u2019m working with first-class artists who have great hearts and great minds and we\u2019re doing meaningful work. I couldn\u2019t be happier.\u201d<\/p>\n