{"id":1968165,"date":"2025-08-19T07:30:09","date_gmt":"2025-08-19T07:30:09","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=1968165"},"modified":"2025-08-19T07:30:09","modified_gmt":"2025-08-19T07:30:09","slug":"the-best-of-play-for-today-from-the-seminal-to-forgotten-gems","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/the-best-of-play-for-today-from-the-seminal-to-forgotten-gems\/","title":{"rendered":"The best of Play for Today \u2013 from the seminal to forgotten gems"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\">At a time when it seems as if original one-off drama on <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/tv\/0\/serious-television-dying-melvyn-brag-south-bank-show\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:British television is all but dead;elm:context_link;itc:0;sec:content-canvas\">British television is all but dead<\/a>, three cheers to <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/channel-5\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Channel 5;elm:context_link;itc:0;sec:content-canvas\">Channel 5<\/a> for having the vision and courage to resurrect the Play for Today strand. Between 1970 and 1984, the BBC produced more than 300 individual television plays, which ranged from adaptations of high-profile plays and novels to original, authored dramas by writers of the calibre of Dennis Potter, Alan Clarke, Mike Leigh and many more. (Men, inevitably, dominated the commissioning structure: it was of its time.)<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Now, Channel 5 have announced four new individual films that will feature leading actors including Nigel Havers, Alan Davies, Sue Johnston, Nikki Amuka-Bird and Tracy-Ann Oberman, who will appear in work from hitherto little-known or first-time writers and directors. All of them will air on the channel later this year.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The resurrection of the Play for Today strand is a welcome reminder just how many consequential and important films were made. So which can you watch, and which are worth watching? Here\u2019s 10 of the best.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">The Hallelujah Handshake (1970)<\/h2>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>John Phillips as the Anglican Vicar and Tony Calvin as Henry in The Hallelujah Handshake, an examination of faith and self-deception &#8211; BBC<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The director Alan Clarke was one of the mainstays of the Play for Today series, and this is one of his lighter entries. It follows Tony Calvin\u2019s pathological liar and fantasist who finds a place for himself in that most elevated of institutions, the Church of England. Working from a script by regular Play for Today screenwriter Colin Welland, who would later go on to win an Oscar for Chariots of Fire, The Hallelujah Handshake asks big questions about faith and self-deception. It is said of Calvin\u2019s character David Williams that \u201cIt\u2019s as if he\u2019s in constant chaos, reaching out for outstretched hands that just crumble in his grasp.\u201d Whether Williams is actively bad or simply a lonely, misguided figure is the crux of this fascinating, thoughtful drama.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Available on the Alan Clarke at the BBC boxed set (volume 1)<\/em><\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Edna, the Inebriate Woman (1971)<\/h2>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Patricia Hayes in 'Edna The Inebriate Woman', part of the 'Play For Today' strand.\" loading=\"lazy\" width=\"960\" height=\"599\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/EiOr.vbvzbUaVu760cvElw--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU5OTtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/71931de613a536d13ed794297a7c680f\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Edna, the Inebriate Woman \u2013 featuring Patricia Hayes \u2013 was an inspiration in the creation of Withnail and I &#8211; BBC<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Although the title of Jeremy Sandford\u2019s show might have led audiences to expect a mannered comedy in the Joe Orton vein, this early Play for Today film was in fact <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/health-fitness\/diet\/alcohol\/alcoholic-danger-zone\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:an uncompromising look at alcoholism;elm:context_link;itc:0;sec:content-canvas\">an uncompromising look at alcoholism<\/a>. The central character, Patricia Hayes\u2019 60-year-old Edna, is a homeless woman who wanders dejectedly from hostel to prison to psychiatric ward, seemingly unable to control her drinking or her increasingly chaotic lifestyle. The show deservedly won Baftas for Best Actress and Best Drama. Fans of <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/theatre\/what-to-see\/bruce-robinson-interview-withnail-and-i-johnny-depp\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Withnail and I;elm:context_link;itc:0;sec:content-canvas\">Withnail and I<\/a> might be intrigued to see the model for Withnail, the actor Vivian MacKerrell, in one of his relatively few acting roles as, fittingly enough, a tramp.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Available to buy on Amazon Prime Video<\/em><\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Home (1972)<\/h2>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Picture shows - (left to right) Timothy Spall as Gordon, Eric Richard as Stan and Tim Barker as Harold in 'Home Sweet Home', the 'Play For Today', on BBC 1, Tuesday March 16th 1982. Gordon, Harold and Stan are postmen. Stan lives alone and when Harold and Gordon are working he calls in to see their wives. It could be a carefree life for Stan, but there are problems.....Directed by Mike Leigh.\" loading=\"lazy\" width=\"960\" height=\"600\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/5nFcaOvitgCrOhPZqfvOnw--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/c5f103e071708f66741fff3a02671415\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Timothy Spall, Eric Richard and Tim Barker in Home, a 1972 satire on upper-middle-class aspirations &#8211; BBC<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Play for Today may have had something of a reputation for being gritty and often socially conscious in its programming, which is why this relatively early film, starring the great theatrical knights John Gielgud and Ralph Richardson, stands out. It is adapted from David Storey\u2019s 1970 play and at first seems to be a light-hearted satire on upper-middle-class aspirations and interplay. As the film continues, however, it becomes clear that the two characters are residents in a mental health hospital \u2013 or, in the parlance of the day, an asylum \u2013 and that all of their delusions and fantastical ideas are the result of illness. Or, of course, simply a reaction to society itself. For those too young to see the play when first performed, this is as close as one can get to seeing Gielgud and Richardson on stage.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Available on DVD<\/em><\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Sunset Across the Bay (1975)<\/h2>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Gabrielle Daye and Harry Markham played an elderly retired couple who moved from inner-city Leeds to Morecambe in Alan Bennett's Sunset Across the Bay\" loading=\"lazy\" width=\"960\" height=\"600\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/9f5Jsw2Lap1TqyZoSI2MdA--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/5c360b2a8a4d4deb96ce1fa2df61cd70\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Gabrielle Daye and Harry Markham played an elderly retired couple who moved from inner-city Leeds to Morecambe in Alan Bennett\u2019s Sunset Across the Bay &#8211; BBC<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Alan Bennett has brought his beautifully observed, mournful observations about the human condition to all media, but television feels like his natural home. This drama (one of two entries written by Bennett for the series) is about the existential angst that greets an ordinary couple when they move out of inner-city Leeds to enjoy their retirement in Morecambe. It is one of several plays by Bennett which reflects on <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/money\/pensions\/retirees-short-changed-state-pension\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:how we, as a society, care for the elderly;elm:context_link;itc:0;sec:content-canvas\">how we, as a society, care for the elderly<\/a>, and it\u2019s topped by a riveting performance from Harry Markham as the fish-out-of-water Dad, sad to find that he can no longer buy his local Leeds newspaper.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Available to buy on Amazon Prime Video<\/em><\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Abigail\u2019s Party (1977)<\/h2>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Tim Stern and Alison Steadman\" loading=\"lazy\" width=\"960\" height=\"600\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/Fa8u2Sbir9Qx3nhL_S032Q--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/dd9526be55d9ea5b63feccc9dde99bce\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Abigail\u2019s Party provided hilarious satire on British conceptions of class (pictured: Tim Stern and Alison Steadman) &#8211; BBC<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Perhaps the single greatest Play For Today \u2013 and certainly the best known \u2013 is Mike Leigh\u2019s coruscating, hilarious satire on lower-middle-class mores. It began life as a play at the Hampstead Theatre in April 1977, and was so successful there that it made a swift and welcome transfer to screen in November that year. Leigh commented that \u201cThe first thing I\u2019d say is, this is not a film. And not only that: for a film-maker, it\u2019s a work of deep embarrassment and pain.\u201d In its depiction of Alison Steadman\u2019s Beverley, the self-described \u201cquondam beautician\u201d, and the way in which she attempts to hold a wholly embarrassing and doomed drinks party for her neighbours, chilled red wine and all, it was a merciless yet still compassionate account of British class, and the folly of social aspirations.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Available to buy on YouTube or Amazon Prime Video<\/em><\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Scum (1977)<\/h2>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Ray Winstone as Carlin in the original BBC Television production of Scum\" loading=\"lazy\" width=\"960\" height=\"808\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/v4rtkscFTQy_7TcjRkRRug--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTgwODtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/d2c2410691e0cca56bcf549c3864bbe8\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Ray Winstone earned a career-defining early role as Carlin in 1977\u2019s Scum &#8211; BBC<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">One of the most famous (and controversial) entries in the series, this hard-hitting, often difficult to watch drama about life in a British borstal, as scripted by Roy Minton, is considered one of his masterpieces. It was, however, so contentious that it was not screened on the BBC until 1991, allowing an inferior cinema version, made in 1979, to emerge in its stead. However, the BBC original, which dials down the violence and brutality in favour of chilling suggestion and implication, remains more powerful. It also gives the great Ray Winstone a career-defining early role as Carlin, a young prisoner with ambitions to become the \u201cdaddy\u201d or most feared inmate.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Available on the Alan Clarke at the BBC boxed set (volume 1)<\/em><\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">The Spongers (1978)<\/h2>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Christine Hargreaves as Pauline. &quot;The Spongers&quot;, a play by Jim Allen\" loading=\"lazy\" width=\"960\" height=\"601\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/RJsKcGzLtkBXvjM1G55ZFw--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMTtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/6dff7e6a711d3eaf757bfdd359abe02e\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Christine Hargreaves as Pauline depicted a struggling single mother coping with welfare cuts and looking after a child with Down\u2019s syndrome &#8211; Dave Edwards\/BBC<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Rarely did Play for Today punch as hard as this. The title of Jim Clark\u2019s drama may sound derogatory about those on benefits, but clearly it is a provocation. Pauline, a single mother with several children, struggles to deal with welfare cuts and looking after one of her daughters, who has Down\u2019s syndrome. This is not some tub-thumping socialist manifesto, but an urgent and at times deeply disturbing play which shows how the vulnerable can fall into a black hole all too easily, and even the well-intentioned are unable to catch them.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Available on the Play for Today boxed set (volume 3)<\/em><\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Blue Remembered Hills (1979)<\/h2>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Janine Duvitski as Audrey and Helen Mirren as Angela in 'Blue Remembered Hills' which goes out as part of the 'Play For Today Strand'\" loading=\"lazy\" width=\"960\" height=\"600\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/gpRfpX5FjZ.xO1ySy6YbqA--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/9e63be0debe6d14e2f9fcc46c498536f\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>All the children in Blue Remembered Hills were played by adult actors \u2013 among them Janine Duvitski and Helen Mirren (pictured) &#8211; BBC<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Dennis Potter was arguably the most important voice in British television drama throughout the 1960s, 1970s and 1980s, and he frequently contributed to the Play for Today strand. His work for the format alternated between highly \u201cauthored\u201d shows and more conventional dramas. This is one of the former, a haunting and offbeat examination of an apparently idyllic childhood in the Forest of Dean that is given grim resonance firstly by all the seven-year-old children being played by adult actors (including Helen Mirren and Colin Welland) and secondly by one of the characters dying violently at the end, shaking the protagonists out of their prelapsarian bliss. Potter took his title from an AE Housman poem, and recites it himself at the end, making quite clear that this \u201cland of lost content\u201d is one that cannot be recaptured.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Available to buy on Amazon Prime Video<\/em><\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">The Black Stuff (1980)<\/h2>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Boys From The Black Stuff (From top left): Alan Igbon, Michael Angelis, Bernard Hill, Peter Kerrigan, Tom Georgson and Gary Bleasdale\" loading=\"lazy\" width=\"960\" height=\"600\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/DYElroJ.A3BddieEysxA5g--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/9a3a03d580908100378868a2a423e770\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>The Boys From The Black Stuff (From top left): Alan Igbon, Michael Angelis, Bernard Hill, Peter Kerrigan, Tom Georgson and Gary Bleasdale &#8211; BBC<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Alan Bleasdale\u2019s 1982 social realist series Boys From The Black Stuff remains one of the most loved British shows of the 1980s, not least due to the late Bernard Hill\u2019s desperate Yosser Hughes, complete with his catchphrase \u201cGizza [Give us a] job\u201d. It began as a one-off film two years before, and focused on a group of Liverpudlian tarmac layers who were (temporarily) gainfully employed on a job in the North of England. Bleasdale excels at teasing out the insecurity and unhappiness that is found underneath the working-class bravado of his jobless boys. The resulting show was magnificent, seminal stuff, but the earlier film is every bit as good, too.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Available to buy on Amazon Prime Video<\/em><\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">The Billy Plays (1982\u20131984)<\/h2>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"James Ellis and Kenneth Branagh in The Billy Plays\" loading=\"lazy\" width=\"670\" height=\"420\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/QeEVwjqRHzT4CD5upOjnUw--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMjtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/c87b31fa77526bd1c26e49dd19b521d9\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>The Billy Plays series, featuring the above-pictured James Ellis and Kenneth Branagh, explored life in Northern Ireland during The Troubles &#8211; BBC<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Long before Kenneth Branagh became a great Shakespearean, and a knight of the realm, he began his screen career with three Play for Today films written by the Belfast playwright Graham Reid. The plays, all set in Northern Ireland, explored the Troubles but in an opaque fashion, as they concentrated on the relationship between Branagh\u2019s character Billy and his family, which is significantly strained in the last film, A Coming to Terms for Billy, when his father Norman returns to Belfast with his new English partner. Branagh has given bigger, gutsier performances since but he\u2019s seldom been so subtle, and so effective, as he was here. And he\u2019s ably matched by Brid Brennan as his subdued sister Lorna, charged with trying to keep the family together.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Watch: available to buy on Amazon Prime Video<\/em><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.telegraph.co.uk\/customer\/subscribe\/01doysa\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.;elm:context_link;itc:0;sec:content-canvas\" class=\"link \"><b>Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.<\/b><\/a><\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At a time when it seems as if original one-off drama on British television is all but dead, three cheers to Channel 5 for having the vision and courage to resurrect the Play for Today strand. Between 1970 and 1984, the BBC produced more than 300 individual television plays, which ranged from adaptations of high-profile [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1968166,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[349082,349086,349096,349083,349087,349091,32533,306113,349081,349092,349079,349097,349095,349084,349093,349089,349100,349080,349088,349090,349099,349094,345850,349098,349085],"class_list":["post-1968165","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-abigails-party","tag-alan-bennett","tag-alan-bleasdale","tag-alan-clarke","tag-alan-davies","tag-alison-steadman","tag-amazon-prime","tag-amazon-prime-video","tag-british-television","tag-colin-welland","tag-dennis-potter","tag-gary-bleasdale","tag-harry-markham","tag-janine-duvitski","tag-john-gielgud","tag-john-salthouse","tag-kenneth-branagh","tag-mike-leigh","tag-nigel-havers","tag-patricia-hayes","tag-play-for-today","tag-ralph-richardson","tag-ray-winstone","tag-self-deception","tag-tony-calvin"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/08\/The-best-of-Play-for-Today-\u2013-from-the-seminal.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1968165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=1968165"}],"version-history":[{"count":0,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1968165\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/1968166"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=1968165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=1968165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=1968165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}