{"id":1972620,"date":"2025-08-21T16:21:43","date_gmt":"2025-08-21T16:21:43","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=1972620"},"modified":"2025-08-21T16:21:43","modified_gmt":"2025-08-21T16:21:43","slug":"new-features-fandom-the-future-of-streaming","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/new-features-fandom-the-future-of-streaming\/","title":{"rendered":"New Features, Fandom &#038; the Future of Streaming"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<span>I<\/span>n 2015, YouTube hired MOG and Beats Music veteran <strong>T. Jay Fowler<\/strong> to oversee the creation of a division that would help define the company\u2019s future: its music team. At the time, YouTube had licenses with all the major and indie labels and publishers to host official music, but it also contained a tangled thicket of user-generated content, live performance videos, cover versions, remixes and fan-made uploads, all monetized through ad-supported streams, leading to a situation of confusion for many users and frustration from the industry at the low payouts that YouTube generated.<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-align-items-center u-align-items-flex-start@mobile-max  lrv-u-background-color-grey-lightest  lrv-u-flex lrv-u-flex-direction-column@mobile-max u-width-710@desktop lrv-u-margin-lr-auto lrv-u-margin-tb-1 u-margin-b-250@mobile-max u-margin-t-275@mobile-max u-margin-t-250@desktop u-margin-b-250@desktop u-margin-lr-n1@mobile-max lrv-u-border-b-1 lrv-u-border-color-brand-secondary-dark lrv-u-border-t-1 lrv-u-padding-tb-1  lrv-u-padding-tb-1@mobile-max lrv-u-padding-r-1@mobile-max lrv-u-padding-l-00@mobile-max u-grid-gap-18@desktop u-grid-gap-0@mobile-max\">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-article-related-module-title a-article-related-module-title--color-brand-primary a-font-accent-xl u-font-weight-800 u-letter-spacing-0179 u-line-height-normal lrv-u-color-grey-dark bb-pro-related-stories-label lrv-u-text-transform-uppercase\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3>\n<div class=\"injected-related-story-wrapper lrv-u-flex lrv-u-justify-content-space-between  a-children-border-vertical a-children-border--grey a-children-border-width-050\">\n<div class=\"o-card  lrv-u-width-100p\">\n<div class=\"o-card__image-wrap lrv-u-flex-shrink-0 u-width-191 u-width-150@mobile-max\">\n<div class=\"c-lazy-image   lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max lrv-u-margin-b-00@mobile-max\">\n\t\t\t<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/business\/tech\/uphigh-upnex-uphigh-university-launch-comedians-1236045975\/\" class=\"c-lazy-image__link lrv-a-unstyle-link\"><\/p>\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\" style=\"\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<p>\t\t\t<\/a>\n\t<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith the formation of Fowler\u2019s music team, and the launch of the official YouTube Music service that fall, the company slowly began to change that narrative. \u201cWhat\u2019s really changed over the last 10 years is us specializing in the journeys that a music user wants,\u201d Fowler, YouTube Music\u2019s senior director of product, tells <em>Billboard<\/em>. \u201cAnd we built a scaled subscription business and a global footprint. When I joined, we launched in five countries. Now we\u2019re in every country that YouTube does business, we have a whole team that thinks about growth and retention, and we provide excellent experiences that give users value.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNow, as YouTube Music turns 10, the company is rolling out a <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/blog.youtube\/news-and-events\/celebrating-10-years-of-youtube-music\/\" rel=\"nofollow\" target=\"_blank\">suite of new features<\/a> surrounding community, playlisting and fandom that it hopes will help differentiate it as it continues to grow through the next 10 years of the streaming era. \u201cThe competitive space has matured quite a bit, and I think that has given us the resolve to lean into what makes YouTube uniquely YouTube: the community, the fandom, the catalog,\u201d Fowlers says. \u201cWhen you start a fandom journey with a hook and a 15-second video, and then we take you to buying tickets and merch, it\u2019s a big win for us.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe first of those initiatives is around community, specifically commenting \u2014 users have always been able to comment on individual videos, but now there will be an additional ability to comment specifically on albums and playlists, broadening the connective tissue for fans on the platform. In terms of playlists, the company is now rolling out what it calls \u201ctaste match playlists,\u201d where multiple users can connect on a single playlist that will pull from the musical tastes of each to create a shared playlist that is automatically updated daily.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAnother aspect is a new exclusive partnership with Bandsintown, which will expand concert notifications and ticket sales to users in 35 countries, inclusive of small venues, bigger arenas and stadiums, and festivals, with a focus on notifications ahead of time so that fans will be aware when their favorite artists are coming to town. That notification strategy will also expand to new merch drops, new album or single releases and other events nearby.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tYouTube Music is also leaning into one of the industry\u2019s favorite buzzwords over the past 18 months \u2014 superfans, from both the fandom side and the artist side. The service is rolling out new badges for fans on platform for those who are among the first listeners or viewers for a song or album, for top listeners per artist, and for particular view count milestones \u2014 10,000, or 100,000, or 1 million or more \u2014 for fans to boast about on their own pages, and for artists to encourage their early fans to achieve.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWe wanted to make sure that we were doing everything we could to enable the superfan journey,\u201d Fowler says. \u201cWe wanted to make sure that there was a bi-directional feeling from artists and fans. There\u2019s a risk that people think of us as a distributor, that we just put music in front of users. But actually, there\u2019s a lot of community going on, and artists are participating at scale on the platform. So we have been investing in tools that celebrate this fandom, and a couple of these are pretty fun.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image   lrv-u-margin-t-125 u-padding-b-10 u-margin-t-26@mobile-max lrv-u-display-inline-block lrv-u-width-100p\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/YTM-blog-post-Badges-billboard-1800.jpg?w=300\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/YTM-blog-post-Badges-billboard-1800.jpg?w=300\" alt=\"Youtube music badges\" data-lazy-srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/YTM-blog-post-Badges-billboard-1800.jpg 1800w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/YTM-blog-post-Badges-billboard-1800.jpg?resize=300,200 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/YTM-blog-post-Badges-billboard-1800.jpg?resize=681,454 681w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 100vw\" height=\"683\" width=\"1024\" decoding=\"async\"\/><\/p><\/div><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column a-font-accent-xs lrv-u-color-black u-margin-t-n4px lrv-u-padding-lr-00@mobile-max lrv-u-padding-b-1 u-font-size-11 u-line-height-19px u-word-spacing-n0156px u-letter-spacing-0026 u-padding-b-0625@mobile-max\">\n<p>\t\t\t\t\t<span class=\"\">Youtube music badges<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"u-letter-spacing-0094 lrv-u-text-transform-uppercase lrv-u-font-size-10 u-margin-t-2px\">Courtesy Photo<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>What other ways are you looking to monetize fandom?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWe\u2019ve seen that merch is really impactful for converting people into consumers on the platform in the moment of watching. So you\u2019ll see these things show up on the watch page. They\u2019ll also show up in your inbox in the app when new merch drops, and then we are exploring everything from channel memberships to paid digital goods to the other ecosystems that we have on the platform. That stuff isn\u2019t necessarily native to artists, but I think it\u2019s a great way to bolster their income on our platform in a way that seems to be working really well for, say, creators or podcasters.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>You\u2019ve been at YouTube for 10 years, and you said you created the music team there. What was YouTube\u2019s music strategy prior to that, and how has it evolved?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBack then, largely our music business was ad-supported. And if you think about 10 years ago in the subscription streaming space, it wasn\u2019t yet what it is today. There were superfans and people who were very leaned in; we used to call the people that were paid subscribers \u201cLarry,\u201d and they were roughly 41 years old and male. That was our archetypal user.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhat we had here was something that was special, because we had this incredible catalog of this multi dimensional stuff \u2014 it\u2019s like the Smithsonian of music history, where you can watch a Johnny Cash performance from the late \u201950s, and you can also see Lady Gaga\u2019s \u201cPoker Face\u201d video. But it was unorganized, right? We had this amazing archive, but it required a tremendous amount of effort from users to find those gems. If they wanted to find an album, it was really hard because you had to search and then go to playlists, which doesn\u2019t make sense, or you had to sort between the Tiny Desk concert and the official video versus the live version from <em>Saturday Night Live<\/em>. So just making it super easy for users to go on those journeys. And it\u2019s simple things, like square cover art instead of 16\u00d79 video thumbnails, right?\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>How has streaming changed over the past 10 years?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTen years ago, the novelty was just having all-you-can-eat access to the entire catalog. The promise of that waned pretty quickly, because you have that blank search box problem. I think what users then wanted was value from the service. And the industry has shifted in many different directions. It used to be pure social, like when Facebook launched their music.listens API, and it was just this fire hose of what your friends were listening to. And I think we all realized that our friends have not great musical taste. That only scaled so far.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAnd then I think people started to realize that that they needed a companion, somebody that actually introduced them to the world of music and guided them. And I think that\u2019s where you\u2019re seeing a set of innovative features. We\u2019re doubling down on these, creating collections and contextual entry points so that people know that they\u2019re going to enter a listening experience that\u2019s familiar, that\u2019s full of their favorites, or they\u2019re entering a listening experience where they know it\u2019s going to be adventurous and maybe a little bit dangerous, they\u2019re going to hear things they\u2019ve never heard before, and introducing them to people like them, because people are an important factor of music discovery.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI think that\u2019s the biggest thing that\u2019s changed. The novelty was purely just, you get everything for the price of one CD at the time. And I think people were investing a little bit less. One of the things that I\u2019m excited about, specifically in this fandom journey, is really getting people to see all the dimensions of a recording, whether it\u2019s the full album or if it\u2019s an individual performance, or if it\u2019s a single, or if it\u2019s a premium music video. And I think that\u2019s that\u2019s the stuff that I think is really the foundation of these fandom investments. How do you get people to engage and go deeper and learn more about the artist and become a fan?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>So what does the next 10 years of streaming look like?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOne of the things that I\u2019m super excited about is the idea of this companion. And I think that with LLMs [large language models] and some of the investment in agentic AI, there\u2019s an opportunity for you to have a conversation with somebody \u2014 or a something, I should say \u2014 that is an advocate for you, who understands what you like and can provide you the context to go deeper and understand what we\u2019re recommending to you, why we\u2019re recommending it to you, and and to do it in a natural conversational way.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMusic has a very distinct vocabulary about how people talk about it, and we have multiple dimensions in how to organize it. And conventional user interfaces today just aren\u2019t conducive to allowing this type of exploration. So let me give you an example. The Beastie Boys book that came out several years ago, where they put that playlist up that was all the samples and all the influences \u2014 wouldn\u2019t it be great to have a way to explore <em>Paul\u2019s Boutique<\/em> where the context that exists, the reference points, the 600 or 700 songs sampled are in a playlist, the right versions, [are all there]?\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI think that\u2019s the companion. Or like, \u201cHey, I don\u2019t know what I want to listen to today.\u201d I think that\u2019s the future, right? It\u2019s a companion. And I\u2019m super excited to see where that goes.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.billboard.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2015, YouTube hired MOG and Beats Music veteran T. Jay Fowler to oversee the creation of a division that would help define the company\u2019s future: its music team. At the time, YouTube had licenses with all the major and indie labels and publishers to host official music, but it also contained a tangled thicket [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1972621,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[23844],"class_list":["post-1972620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-youtube"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/08\/New-Features-Fandom-the-Future-of-Streaming.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1972620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=1972620"}],"version-history":[{"count":0,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1972620\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/1972621"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=1972620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=1972620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=1972620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}