{"id":1975301,"date":"2025-08-22T22:00:59","date_gmt":"2025-08-22T22:00:59","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=1975301"},"modified":"2025-08-22T22:00:59","modified_gmt":"2025-08-22T22:00:59","slug":"how-yunchan-lim-changed-my-mind-about-tchaikovskys-seasons-npr","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/how-yunchan-lim-changed-my-mind-about-tchaikovskys-seasons-npr\/","title":{"rendered":"How Yunchan Lim changed my mind about Tchaikovsky\u2019s \u2018Seasons\u2019 : NPR"},"content":{"rendered":"<p><\/p>\n<div id=\"storytext\">\n<div id=\"resg-s1-84382\" class=\"bucketwrap image large\">\n<div class=\"imagewrap has-source-dimensions\" data-crop-type=\"\" style=\"&#10;        --source-width: 2560;&#10;        --source-height: 1707;&#10;    \">\n        <picture><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/400\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 400w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/600\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/800\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/900\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 900w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/1200\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 1200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/1600\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 1600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/1800\/quality\/85\/format\/webp\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 1800w\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg\" sizes=\"(min-width: 1025px) 650px, calc(100vw - 30px)\" class=\"img\" type=\"image\/webp\"\/><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/400\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 400w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/600\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/800\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 800w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/900\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 900w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/1200\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 1200w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/1600\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 1600w,&#10;https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/1800\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg 1800w\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/2560x1707+0+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2F14%2F93%2F6fc4d64a4b0082c0ef6170c03227%2Fyunchan-lim-bonsook-koo-moc.jpg\" sizes=\"(min-width: 1025px) 650px, calc(100vw - 30px)\" class=\"img\" type=\"image\/jpeg\"\/>\n        <\/picture>\n<\/div>\n<div class=\"credit-caption\">\n<div class=\"caption-wrap\">\n<div class=\"caption\" aria-label=\"Image caption\">\n<p>\n                The 21-year-old South Korean pianist Yunchan Lim plays like an old soul. On a new album, he puts his own stamp on lesser-known music by Tchaikovsky.<br \/>\n                <b class=\"credit\" aria-label=\"Image credit\"><\/p>\n<p>                    Bonsook Koo<\/p>\n<p>                <\/b><br \/>\n                <b class=\"hide-caption\"><b>hide caption<\/b><\/b>\n            <\/p>\n<\/p><\/div>\n<p>            <b class=\"toggle-caption\"><b>toggle caption<\/b><\/b>\n    <\/div>\n<p>    <span class=\"credit\" aria-label=\"Image credit\"><\/p>\n<p>        Bonsook Koo<\/p>\n<p>    <\/span>\n<\/div><\/div>\n<p>Sometimes it takes a first-rate artist to breathe life into a second-rate piece of music.<\/p>\n<p>Let&#8217;s be honest, the set of piano miniatures called <em>The Seasons<\/em> is not top-shelf <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.npr.org\/artists\/90515326\/peter-ilyich-tchaikovsky\" target=\"_blank\">Tchaikovsky<\/a>. Especially if you compare it to <em>Swan Lake<\/em>, the ballet he was finishing in late 1875 when he was approached by the editor of a St. Petersburg music periodical. The composer was offered handsome payment to write a series of piano postcards depicting each month of the year, in chronological order. The publisher added his own descriptive subtitles for each piece.<\/p>\n<p>Only a few pianists have recorded the complete cycle, offering competent performances of these serviceable little pieces. But something unequalled is happening in a new live recording of <em>The Seasons<\/em> by the young sensation <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.npr.org\/artists\/g-s1-33859\/yunchan-lim\" target=\"_blank\">Yunchan Lim<\/a>. At age 18, the South Korean was the youngest ever to capture the gold medal at the Van Cliburn International Piano Competition in 2022. It was another Russian&#8217;s music \u2014 <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.npr.org\/artists\/15438778\/sergey-rachmaninov\" target=\"_blank\">Rachmaninov<\/a>&#8216;s thunderous Third Piano Concerto \u2014 that <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=DPJL488cfRw&amp;t=1s\" target=\"_blank\">clinched<\/a> Lim&#8217;s victory. Tchaikovsky&#8217;s salon-like, mid-tempo <em>Seasons<\/em> couldn&#8217;t be more different.<\/p>\n<aside id=\"ad-backstage-wrap\" class=\"ad-wrap backstage\" aria-label=\"advertisement\">\n<\/aside>\n<p>It all begins cozied up to a crackling fire in the month of January, where Lim finds much tenderness in Tchaikovsky&#8217;s delicately rolled chords. But for Lim, that fire isn&#8217;t blazing, it&#8217;s fizzling out. He has concocted a storyline for the cycle, detailed in the album&#8217;s liner notes, which renders the publisher&#8217;s picturesque subtitles all but useless. Lim views <em>The Seasons<\/em> as the final, somber, year in an old man&#8217;s life. And that sets up a potentially interesting paradox of the young and robust envisioning the old and feeble.<\/p>\n<p>Whether you buy Lim&#8217;s melodramatic narrative or not, the album is evidence that his swelling romanticism is becoming his greatest strength. &#8220;I have made up my mind I will live my life only for the sake of music, and I decided that I will give up everything for music,&#8221; Lim has said. That sounds like something the heart-on-sleeve Tchaikovsky might say himself.<\/p>\n<p>The month of February depicts an effervescent carnival, while March, titled &#8220;Song of the Lark&#8221; by Tchaikovsky&#8217;s publisher, is lyrically rich. But in Lim&#8217;s eyes, it&#8217;s fraught with tears, tragedy and the unexplained loss of a child. No matter. Here we find one of Lim&#8217;s finest performances, sounding ethereal, off-the-cuff, as if improvised, almost like jazz.<\/p>\n<p>Tchaikovsky&#8217;s <em>Seasons<\/em> contains something of a hit single. It&#8217;s the month of June (&#8220;Barcarolle&#8221;), one of the composer&#8217;s most wistful and beautiful melodies, propelled by a gently swaying beat. And here is a moment to get molecular \u2014 to hear the Yunchan Lim difference \u2014 by comparing the opening phrase of &#8220;June.&#8221; In his perfectly fine 2014 recording, pianist Pavel Kolesnikov seems to<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=9JGirBh67fk&amp;list=RD9JGirBh67fk&amp;start_radio=1\" target=\"_blank\"> <u>measure each note<\/u><\/a> with a ruler to make sure they&#8217;re equidistant. But Lim opts for a nuanced rhythmic push and pull, and subtle dynamic control which offers an extra emotional tug.<\/p>\n<div id=\"resnx-s1-5494689-100\" class=\"bucketwrap video youtube-video large\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Yunchan Lim - Tchaikovsky The Seasons, Op 37a VI, June,  Barcarolle (Album Audio)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/V2q95tZuaE0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>                <b class=\"credit\"><\/p>\n<p>                    <b class=\"source\">YouTube<\/b><br \/>\n                <\/b>\n        <\/p>\n<\/div>\n<p>Lim is only 21 now, but he plays like an old soul. In the month of October, another highlight of the album, his astounding, featherlight touch intertwines a pair of heartbreaking melodies, one seemingly calling out from a distance. It&#8217;s a probing, intense, introspective account, not unlike the performance Lim gave last year before a stunned audience at NPR&#8217;s <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.npr.org\/2024\/11\/12\/g-s1-33912\/yunchan-lim-tiny-desk-concert\" target=\"_blank\"><u>Tiny Desk<\/u><\/a>. The pianist compares the darkly lit music to <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.npr.org\/artists\/15031897\/johann-sebastian-bach\" target=\"_blank\">J.S. Bach<\/a>&#8216;s Goldberg Variation No. 25, often nicknamed the &#8220;Black Pearl&#8221; for its crepuscular vibe.<\/p>\n<div id=\"resnx-s1-5494689-101\" class=\"bucketwrap internallink insettwocolumn inset2col \">\n<div class=\"bucket img\">\n                  <a rel=\"nofollow\" target=\"_blank\" class=\"imagewrap\" id=\"featuredStackSquareImageg-s1-33912\" href=\"https:\/\/www.npr.org\/2024\/11\/12\/g-s1-33912\/yunchan-lim-tiny-desk-concert\" data-metrics-ga4=\"{&quot;category&quot;:&quot;recirculation&quot;,&quot;action&quot;:&quot;story_recirculation_click&quot;,&quot;clickType&quot;:&quot;inset box&quot;,&quot;clickUrl&quot;:&quot;https:\\\/\\\/www.npr.org\\\/2024\\\/11\\\/12\\\/g-s1-33912\\\/yunchan-lim-tiny-desk-concert&quot;}\"><picture><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1125x1125+438+0\/resize\/100\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd7%2F87%2Fa2b1d7884978a2912d2f5cbbcde3%2F20240926-yunchan-lim-73.jpg\" data-original=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1125x1125+438+0\/resize\/100\/quality\/100\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd7%2F87%2Fa2b1d7884978a2912d2f5cbbcde3%2F20240926-yunchan-lim-73.jpg\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1125x1125+438+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd7%2F87%2Fa2b1d7884978a2912d2f5cbbcde3%2F20240926-yunchan-lim-73.jpg\" data-format=\"webp\" class=\"img lazyOnLoad\" type=\"image\/webp\"\/><source srcset=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1125x1125+438+0\/resize\/100\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd7%2F87%2Fa2b1d7884978a2912d2f5cbbcde3%2F20240926-yunchan-lim-73.jpg\" data-original=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1125x1125+438+0\/resize\/100\/quality\/100\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd7%2F87%2Fa2b1d7884978a2912d2f5cbbcde3%2F20240926-yunchan-lim-73.jpg\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1125x1125+438+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd7%2F87%2Fa2b1d7884978a2912d2f5cbbcde3%2F20240926-yunchan-lim-73.jpg\" data-format=\"jpeg\" class=\"img lazyOnLoad\" type=\"image\/jpeg\"\/><img decoding=\"async\" src=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1125x1125+438+0\/resize\/100\/quality\/85\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd7%2F87%2Fa2b1d7884978a2912d2f5cbbcde3%2F20240926-yunchan-lim-73.jpg\" data-original=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1125x1125+438+0\/resize\/100\/quality\/100\/format\/jpeg\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd7%2F87%2Fa2b1d7884978a2912d2f5cbbcde3%2F20240926-yunchan-lim-73.jpg\" data-template=\"https:\/\/npr.brightspotcdn.com\/dims3\/default\/strip\/false\/crop\/1125x1125+438+0\/resize\/{width}\/quality\/{quality}\/format\/{format}\/?url=http%3A%2F%2Fnpr-brightspot.s3.amazonaws.com%2Fd7%2F87%2Fa2b1d7884978a2912d2f5cbbcde3%2F20240926-yunchan-lim-73.jpg\" data-format=\"jpeg\" class=\"img lazyOnLoad\" alt=\"Yunchan Lim performs a Tiny Desk concert at NPR Music in Washington, D.C.\" loading=\"lazy\"\/><\/picture><\/a>         <\/p>\n<p><!-- END CLASS=\"BUCKETBLOCK\" -->\n      <\/div>\n<p><!-- END CLASS=\"BUCKET IMG\" -->\n   <\/div>\n<p><!-- END ID=\"RESNX-S1-5494689-101\" CLASS=\"BUCKETWRAP INTERNALLINK INSETTWOCOLUMN INSET2COL \" --><\/p>\n<p><em>The<\/em> <em>Seasons<\/em> concludes at Christmastime. Lim&#8217;s protagonist is, as usual, filled with regret, but you wouldn&#8217;t be able to tell by Tchaikovsky&#8217;s jaunty waltz, which Lim dares to render just slightly off kilter at one point.<\/p>\n<p>In the end, Lim&#8217;s imposed storyline might not add up. But does it matter? The poetry of his performances has transformed these ordinary pieces into something extraordinary. The album proves that Lim&#8217;s sensitive side might be his most audacious \u2014 and has forced me to change my mind about Tchaikovsky&#8217;s <em>Seasons<\/em>.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.npr.org \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 21-year-old South Korean pianist Yunchan Lim plays like an old soul. On a new album, he puts his own stamp on lesser-known music by Tchaikovsky. Bonsook Koo hide caption toggle caption Bonsook Koo Sometimes it takes a first-rate artist to breathe life into a second-rate piece of music. Let&#8217;s be honest, the set of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1975302,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[],"class_list":["post-1975301","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/08\/How-Yunchan-Lim-changed-my-mind-about-Tchaikovskys-\u2018Seasons.com2F142F932F6fc4d64a4b0082c0ef6170c032272Fyunchan.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1975301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=1975301"}],"version-history":[{"count":0,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1975301\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/1975302"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=1975301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=1975301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=1975301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}