{"id":1981211,"date":"2025-08-26T20:53:17","date_gmt":"2025-08-26T20:53:17","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=1981211"},"modified":"2025-08-26T20:53:17","modified_gmt":"2025-08-26T20:53:17","slug":"nyc-rock-band-talks-new-album","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/nyc-rock-band-talks-new-album\/","title":{"rendered":"NYC Rock Band Talks New Album"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<span class=\"a-style-intro lrv-a-floated-left lrv-u-display-inline-block lrv-u-margin-r-050 u-margin-b-n025\"><br \/>\n\t\t\t<span class=\"a-font-theme-primary lrv-u-align-items-center lrv-u-flex lrv-u-height-100p lrv-u-justify-content-center lrv-u-width-100p u-font-size-150 u-font-size-104@mobile-max u-line-height-124 u-line-height-94@mobile-max\">T<\/span><br \/>\n\t\t<\/span>he members of <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/geese\/\" id=\"auto-tag_geese\" data-tag=\"geese\">Geese<\/a> are sitting around a hibachi grill at a Brooklyn restaurant, talking about the time they lost an entire day in the studio listening to handclaps. While making their new album, <em>Getting Killed<\/em>, they wanted to incorporate the sound onto a track. So their producer, Kenneth Blume (better known as Kenny Beats), promptly opened a folder of sample files.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cHe pulled up 7,000 claps,\u201d frontman Cameron Winter recalls. \u201cWe spent all day choosing a clap.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEven months later, Winter, drummer Max Bassin, guitarist Emily Green, and bassist Dominic DiGesu are still incredulous as they recall the intensity with which they conducted this search. And its ultimate futility.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThat was one of the days we went home sad,\u201d Green says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhy? \u201cWe spent too long looking at claps!\u201d she answers.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe forgot to make the song,\u201d says Winter.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cYou think you\u2019re gonna make a song, and then the day ends and it\u2019s like, \u2018Let\u2019s hear what we got,\u2019\u201d Bassin says. \u201cAnd it\u2019s a clap.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe restaurant, in the upscale, home-y neighborhood of Park Slope, isn\u2019t far from where several members of Geese grew up and first started playing music together at an after-school <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/rock\/\" id=\"auto-tag_rock\" data-tag=\"rock\">rock<\/a> program. Now all in their early twenties, they formed the band in 2016, when everyone was still in high school; college was deferred after their early demos sparked a bidding war among several top-tier indie labels. Geese were quickly pegged as NYC wunderkinds, and have since earned a reputation as one of the most original young bands out there.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTheir proper debut, 2021\u2019s <em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/geese-projector-1247383\/\">Projector<\/a><\/em>, was a buzzy collection of post-punk pastiche; 2023\u2019s <em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/geese-3d-country-1234775721\/\">3D Country<\/a><\/em> was an assured swerve into inventive yet familiar rock &amp; roll. Support runs for King Gizzard and the Wizard Lizard, Greta Van Fleet, and Vampire Weekend bolstered an already avid fanbase. As did the surprise success of Winter\u2019s phenomenal solo debut, the more subdued <em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-albums-2025-1235342974\/cameron-winter-heavy-metal-1235343636\/\">Heavy Metal<\/a><\/em>, released late last year.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Getting Killed<\/em>, out Sept. 26, is Geese\u2019s most formidable album yet. DiGesu and Bassin cut deeper, craggier grooves. Green swings her guitar between halcyon and haywire, and Winter sings \u2014 he just flat-out sings, a nimble and mighty vocal contortionist with one of the most distinct voices in music.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThey\u2019ve been put in this jam-band space. They\u2019ve been put in this \u2018smart kids in New York who play instruments good\u2019 space,\u201d Blume says. \u201cThey\u2019ve been branded in all of these different ways. And they really wanted to say something different with this music.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Geese - Taxes (Official Music Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Phh3oVCtzBg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut as self-assured as this record often sounds, the empty toiling of hand-clap day shows just how different everything was when Geese flew to Los Angeles in early January to record with Blume, who\u2019s produced several rock records but is still best known for his work with <a rel=\"nofollow\" target=\"_blank\" rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/kenny-beats-rap-03-greedo-vince-staples-rico-nasty-770433\/\">rappers<\/a> like Vince Staples, Denzel Curry, and Rico Nasty. The band arrived in his studio with about 20 demos, but few resembled full songs. Blume says he could hear in them a \u201chuge shift in texture, ambiance, and purpose,\u201d but it was far from clear how they could actualize it all. For a group driven by a creative restlessness, a desire to distinguish themselves from both predecessor and peer, Geese felt woefully underprepared. Completely directionless. Also, Los Angeles was on fire.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cAs stressed as they were about making a great record,\u201d Blume says, \u201cadd this on top of it, it wasn\u2019t easy.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor a full month, Geese trekked back and forth between their shared home in Mid City and Blume\u2019s studio near the University of Southern California. There was little to do but work. They weren\u2019t particularly close to the fires, but smoke choked the skies and the open-air atrium Blume had built into the studio was covered in dust and ash.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTrue New Yorkers, no one in Geese has a driver\u2019s license. And L.A. isn\u2019t exactly a walkable city, as many stranded East Coasters have learned before.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe amount of steps I got daily was atrocious,\u201d Green deadpans.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cOh, buddy, it was great,\u201d Bassin says. \u201cI love Uber.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen Winter wanted to get to the studio early, he took the bus and even developed a fondness for L.A.\u2019s much-maligned public transit. \u201cIt was better than the New York bus,\u201d he argues, \u201cbecause it has these little screens at the station telling you when it\u2019s gonna come.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe chef lights the onion volcano and spurs the flame with spurts of oil from a bottle shaped like a pissing baby. Hibachi, go figure, is not particularly conducive to in-depth interviews, but it\u2019s not a bad place to observe a band of friends. Bassin and Winter tend to be the most talkative; the drummer is blunt and boisterous, the singer more measured with both his sincerity and sarcasm. DiGesu is quiet, but keen when he speaks, and Green balances her candor with a wry reserve.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThey all have that slouchy, effortless aura so fitting for a New York band. During the meal, they get distracted by <em>Jeopardy!<\/em> questions on the TV and follow tangents on topics such as sashimi vending machines in Japan and ASMR-style videos of dirty rugs getting cleaned. When it comes to music, Geese are open, frank, and considered, at least when they want to be.\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMaking <em>Getting Killed<\/em> wasn\u2019t easy, Winter admits. \u201cI was unhappy until the last possible moment,\u201d he says. \u201cMaybe even still. The whole process \u2014 maybe this is just how we make albums \u2014 but it\u2019s all kind of a waking nightmare until it\u2019s mastered.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt does feel like a brute-force effort until the very end,\u201d Green adds.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnd then a few minutes later, Winter\u2019s joking about how, if they ever want to make a triumphant comeback album, they have to start \u201cmaking dogshit quick.\u201d He adds: \u201cWe just do it for the \u2018critical reception\u2019 part of the Wikipedia article.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThat and the fucking snacks, dude,\u201d Bassin says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tROCK &amp; ROLL HAS been around for so long, endured so many deaths, that even its most striking revivals can resemble grave robberies. The risks of tumbling into that pit \u2014 a literal nostalgia trap \u2014 are high. Geese have garnered comparisons to Television and Zeppelin, the Strokes and the Stones, Deep Purple and Gang of Four, just to name a few. But like rock\u2019s best crooks, they are beginning to excel at leaving a trail of tantalizing clues while always getting away with the heist.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cFor a band that reminds people of so many acts they were really trying to combat nostalgia in certain ways, without having to say that,\u201d Blume tells me.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLoren Humphrey, a close studio collaborator of Geese who co-produced Winter\u2019s solo album, echoes the sentiment. \u201cThey\u2019re really passionate about trying to do something different,\u201d he says. \u201cA lot of the artists that I\u2019ve worked with, or even just sessions that I\u2019ve been around, all of the production seems so referential. Like, \u2018Let\u2019s make the drum sound exactly like this.\u2019 It was cool to see these kids coming and it\u2019s the opposite. They don\u2019t want to reference anything.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBlume, too, mentions Geese\u2019s aversion to nostalgia while discussing the way they incorporated samples on <em>Getting Killed<\/em>, like the auxiliary production clattering off Bassin\u2019s drums in \u201cTaxes\u201d and the chopped loop of a Ukrainian choir ululating over crunchy guitar riffs on \u201cGetting Killed\u201d (though not, sadly, handclaps).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThey wanted these samples not to reinforce music that was already there,\u201d Blume says. \u201cIt was almost to fight against it.\u201d\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Geese - 100 Horses (Official Audio)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/DT0RBSpDiKo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis allure towards the vanguard feels linked to the way Geese came up in <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/new-york-city\/\" id=\"auto-tag_new-york-city\" data-tag=\"new-york-city\">New York City<\/a>. Everyone in the band attended progressive schools like Brooklyn Friends and the Little Red School House, and many grew up in households filled with music. Green\u2019s dad is an accomplished sound designer and Bassin\u2019s father, who died when he was eight, worked at the Alternative Distribution Alliance, the indie distribution wing of Warner Music. Winter has <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/youtu.be\/LN9b-mZ0Tcc?si=AYsqC8-3xpcr7NTq&amp;t=1652\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">spoken<\/a> about how his father \u2014 a professional composer who oversees a production music library \u2014 gave him old recording equipment to play with as a kid, as well as \u201cbrutal\u201d but constructive criticism on the songs he then made.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs teenagers, they all joined after-school music programs where they were trained on the classic rock canon and encouraged to write their own tunes. The earliest Geese practices and recording sessions took place in Bassin\u2019s basement. Between 2018 and 2019, they self-released an album and two EPs, and while all have since been scrubbed from the web, it\u2019s an output that suggests an impressive determination and drive for high school students.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNot that Geese remember it that way. They say they worked slowly, in a haze of weed smoke and <em>Mario Party<\/em> marathons. They blew some money on a projector and hooked it up to a Wii; if they hadn\u2019t, Winter cracks, they \u201cprobably would\u2019ve made <em>three<\/em> albums.\u201d Still, he adds, the band \u201clearned a lot,\u201d and by the time they started making <em>Projector<\/em>, Geese were turning out nearly a song a week.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTim Putnam, president and co-founder of Partisan Records, the label that signed Geese in<strong> <\/strong>2020, remembers them during these days as \u201cyoung, but deliberate.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt was obvious how fast they were going to evolve artistically once we started working together; however, I didn\u2019t yet understand how prolific a songwriter Cameron was, who consistently writes so far ahead of the curve,\u201d he says via email. \u201cThe creative leap from <em>Projector<\/em> to <em>3D Country<\/em> (which has continued on <em>Getting Killed<\/em>) was pretty staggering.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s not that Geese don\u2019t sound like Geese on that first widely released album, but it\u2019s striking how different it is from everything they\u2019ve made since. \u201cWe didn\u2019t think anyone was gonna hear it,\u201d Winter says, \u201cso we got really into talk-y post-punk, which is already a rip off of the Fall and stuff like that. Not that it\u2019s bad. But we just did a fucking facsimile of a copy of a goddamn ripoff.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen I ask about their aversion to so clearly citing their sources, Bassin throws up his hands. \u201cFucking everyone\u2019s telling us we\u2019re fucking \u2018Greta Van Fleet if they did it right.\u2019 And it\u2019s like, \u2018Yo, what are you listening to?\u2019\u201d (To be clear, this seems less like a dig at their old tourmates than a shot at anyone wanting to rag on GVF.)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cA lot of <em>3D Country<\/em> was running as far away from what we did before, because we were disgusted with ourselves,\u201d Winter adds, running with the bit. \u201cWe decided, \u2018This won\u2019t stand. We have to rip off different music!\u2019\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSo who were they ripping off most on <em>Getting Killed<\/em>?\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBassin pauses: \u201cUhh, Beethoven, mostly.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cRavel,\u201d Winter says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cBeen listening to a lot of Goose recently,\u201d quips Bassin. (This one is certainly a jokey dig at the <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/goose-everything-must-go-review-1235317574\/\">popular jam band<\/a> with the confusingly similar name.)\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWinter cites a few fictional acts for good measure \u2014 Cheese Boys, Cornbread Sally \u2014 but in the middle of the riffing, Green offers a genuine answer: <em>Heavy Metal<\/em>.\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((640\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">Geese onstage at Music Hall of Williamsburg in December 2024.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Griffin Lotz<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWINTER BEGAN WORKING on his solo debut in July 2023, just one month after <em>3D Country<\/em> was released, but also in the thick of what was a long, fallow period for the band. \u201cOur lost weekend,\u201d he jokes.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThey\u2019d recorded most of <em>3D Country <\/em>in the first half of 2022. After it was finished, Geese toured a bunch, but also spent a lot of time hanging around at home. Bassin played video games. DiGesu worked at a restaurant. Green took a few classes at Columbia. Winter started to write his solo songs.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI was depressed,\u201d he says. \u201cThere was just not much going on. <em>3D Country<\/em> hadn\u2019t come out, so very few people gave a shit about the band. We had nothing to show for a lot of the tours we\u2019d been doing. Or just not enough in my mind. I tried to make a point of going in and making songs.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe worked on the album through the summer of 2023, reuniting with Humphrey over the ensuing months to complete it in between tour dates. Winter has crafted little legends around <em>Heavy Metal<\/em>, claiming it was partially recorded at Guitar Centers around NYC with a five-year-old bassist and a steelworker from Boston on cello. Much of it was actually done at Humphrey\u2019s studio, located in the guest house of a former estate in Tuxedo, New York, where new radar technologies were developed in secret during World War II.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWith its welcoming yet offbeat eddies of piano, acoustic guitar, woodwinds, and horns, <em>Heavy Metal<\/em> was a far cry from Geese\u2019s livewire rock. It was also not, Humphrey thinks, the \u201ctraditional singer-songwriter\u201d material Winter\u2019s label was expecting. Winter has been open about just how negative the reactions to <em>Heavy Metal<\/em> were after he turned it in. He\u2019s previously<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nytimes.com\/2025\/04\/05\/style\/cameron-winter-geese.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"> confirmed<\/a> that a quote in an early press statement \u2014 \u201cI\u2019m young and not afraid of living with my parents\u201d \u2014 was a shot back at the label higher-up who told him <em>Heavy Metal <\/em>was not \u201cthe album to get you out of your parents\u2019 house.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHumphrey backs up Winter\u2019s account: \u201cWhat he says is true, and probably tenfold. It was really gnarly.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tPutnam, for his part, now calls <em>Heavy Metal<\/em> \u201canother evolutionary step\u201d for Winter, adding: \u201cHe had stepped out on a limb creatively, which can be a vulnerable place to be, and when he began sharing the music with people in his close orbit, he was feeling it from all sides.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Partisan president acknowledges that, as ever at a record label, the album was discussed in those knotty terms of art and commerce. And he sounds contrite about a loose comment that may have gotten caught in that tangle.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWhen Cameron and I spoke about <em>Heavy Metal<\/em> after he turned in the final masters, I made the joke that strictly on a commercial level, I wasn\u2019t sure if it would be the album to get him out of living at his parents house,\u201d Putnam writes. \u201cIn response, Cameron said, \u2018I didn\u2019t make this record thinking about its commerciality. People want the real shit.\u2019 He\u2019s now living in his new apartment. Cameron was right, people want the real shit. As he does with all his music, he poured himself into the record, put himself out there, and eight months later sold out Carnegie Hall. It has been nothing short of incredible to see the response.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"$0\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ETZKZzz7MWo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThroughout the whole experience, Winter says his bandmates were \u201calways supportive. That was very important.\u201d As Bassin says of <em>Heavy Metal<\/em>, \u201cI think it scratched an itch that\u2019s always been there.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStill, the first few weeks after that album\u2019s release in early December 2024, as Geese prepared to head to L.A., \u201cwere not good,\u201d Winter says. \u201cIt was the Christmas season, no one gave a fuck. There were no reviews coming out. It was all a pretty big disappointment, honestly. I was going into the Geese sessions like, \u2018OK, at least now I have a chance to correct things and run as far as I can in the other direction.\u2019\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSoon, though, reviews started to come in for <em>Heavy Metal<\/em> \u2014 and they were largely glowing. Blume remembers seeing the band celebrate together: \u201cThey\u2019d all be in a huddle like, \u2018Let\u2019s fucking go!\u2019 There\u2019s so much love between them.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSince its release, <em>Heavy Metal <\/em>has garnered more than 14 million streams through Aug. 21, according to data provided by Luminate. But it didn\u2019t hit its peak weekly stream total (nearly 556,000) until early April, and even now, it\u2019s still racking up streams in the 430,000 to 470,000-per-week range. Winter has has also sold out numerous solo shows and increasingly larger venues, including the aforementioned Carnegie Hall gig, which will take place in December.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt became such a word-of-mouth hit that, by the end of the <em>Getting Killed<\/em> sessions, Blume says, certain people in the industry were reaching out to him. \u201cI could tell it wasn\u2019t just because they missed me,\u201d he says with a laugh. \u201cI don\u2019t mean like friends or peers that I respect \u2014 I mean big executives, and them being like, \u2018We want to come hear Geese.\u2019 And I\u2019m like, dope! Everything seemed to change while the record was being made.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWHEN THEY WERE MAKING <em>Heavy Metal<\/em>, Humphrey says, he and Winter were keen to make it \u201csound really haphazard, like a bunch of people playing live in a room,\u201d even if it was often just the two of them. \u201cWe felt like something special would happen just off the idea of trying to do something that it could never possibly be,\u201d he adds.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor <em>Getting Killed<\/em>, there actually were a bunch of people in the room, and they made the most of it. \u201cA lot of the parts were made through 30-minute jams,\u201d DiGesu says.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWinter, who has taken up more guitar work since the departure of former member Foster Hudson at the end of 2023, liked the off-kilter instrumental balance they ended up with on this album. Because Green is so \u201con the mark\u201d as a guitar player, he half-jokes, that gives him \u201ca lot of license to be really unprofessional.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWinter isn\u2019t interested in talking about what he brought from <em>Heavy Metal <\/em>to <em>Getting Killed<\/em>, saying only, \u201cIt gave me ideas.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLuckily, Bassin and Green are willing to elaborate. The solo record helped Winter figure out what did and didn\u2019t work in the studio, says the drummer. It made him a better singer, adds the guitarist.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cYeah it did,\u201d Winter acknowledges. \u201cWell, you know, a great many people may disagree.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWinter has one of those voices on which opinions hinge. It\u2019s fantastically mutable, resonant and weathered, wizened and playful, capable of drifting through soft falsetto clouds or running ragged through the gravel. It has a raw power all its own, but Humphrey also notes Winter\u2019s ability to do something \u201creally contrived\u201d with his voice that still sounds \u201cmore emotive in the long run.\u201d Like on <em>Getting Killed<\/em>\u2018s closing track, \u201cLong Island City Here I Come,\u201d when he turns a howl into a sneer into a lament over just two lines: \u201cHe said, \u2018Hang me from a yo-yo\/Or a rope, and I\u2019ll be hanging by my neck all the same.\u2019\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNailing performances like this was an all-consuming process of trial-and-error. Winter says he\u2019ll either get a vocal right on \u201ctake one, take two, or take 47.\u201d Humphrey distills the process of making <em>Heavy Metal <\/em>down to Winter \u201csinging it 1,000 times to get to the guy that ended up singing the final cuts. He had to wear himself down to the point where the person singing was that burnt-out.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRight now, Winter still records most of his vocals in his childhood bedroom at his parents\u2019 house in Brooklyn. For work so demanding, is there a particular comfort that space encourages, I ask?\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThere\u2019s a particular convenience,\u201d Winter says, laughing. \u201cMy parents don\u2019t mind me screaming.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:683px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/683)*100%);\">\n<p>\t\t\t\t\t\t<img class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2025\/08\/GEESE-RN-SECONDARY.jpg?w=683\" alt=\"\" data-lazy-srcset=\"\" data-lazy-sizes=\"\" height=\"1024\" width=\"683\" decoding=\"async\"\/><\/p><\/div><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">From left: DiGesu, Bassin (on ground), Winter, Green.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Griffin Lotz for Rolling Stone<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWHEN I NEXT SEE Geese, they\u2019re ordering sandwiches, PBRs, and their drink of choice, Shirley Temples, at a Brooklyn dive bar, agog at the number of streaming playlists that have added their latest single, \u201cTrinidad.\u201d \u201cThis has not happened in the past,\u201d DiGesu says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s a nice boon after a rough weekend of shows. Their <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/newport-folk-festival-2025-best-public-enemy-luke-combs-1235394919\/\" target=\"_blank\" rel=\"noreferrer noopener\">Newport Folk Festival<\/a> set was cut short after three songs because of bad weather. (Or, if you prefer a rock &amp; roll conspiracy that is almost definitely fictional: \u201cJeff Tweedy took an axe and tried to cut our sound,\u201d Winter cracks.) They then flew to Virginia to play another festival. It was scorching hot, and their set did not go over well.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI think we got mistaken for a band with a similar name,\u201d Winter says, diplomatically. \u201cIt was this sort of jam festival.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn a few weeks, Geese will return to Los Angeles for more sessions with Blume. Whether this is for a deluxe edition of <em>Getting Killed<\/em> or a whole new album, they won\u2019t say. Nor are these new sessions necessarily indicative of a fertile creative period for Geese amid the success of <em>Heavy Metal<\/em> and the swelling anticipation for <em>Getting Killed<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cMore like we\u2019re taking corrective measures after the first pass,\u201d Winter says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe\u2019ll kill it dead for sure this time,\u201d Green adds.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cEvery time we\u2019ve finished an album in the past, we get a call that\u2019s like, \u2018Re-do the album,\u2019\u201d Winter continues. \u201cWe have to fight really hard <em>not <\/em>to re-do it. But this time, everyone was like, \u2018It\u2019s fantastic! Put it out!\u2019 So we were kind of suspicious. Like, man, we really fell off. We used to be cool, now we\u2019re just making product.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen Blume recalls his first meeting with Geese last fall \u2014 backstage at ACL Fest in a green room filled with bong smoke \u2014 the producer posits one comment that may have helped him convince the band to work with him: \u201cI\u2019ve been really horny for mistakes.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWinter deadpans that Blume could\u2019ve just said, \u201cLeave the imperfections in,\u201d but acknowledges, \u201cThe sentiment was appreciated.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMistakes do abound on <em>Getting Killed<\/em>, from cacophonous guitar skronks to stumble-drunk hi-hat taps that completely throw off a song\u2019s rhythm. Geese wanted their songs to \u201cfeel unpredictable,\u201d as Bassin says. But getting there involved painstaking perfectionism and frequent 16-hour days. It wasn\u2019t until two weeks into recording that Blume even felt like Geese were enjoying themselves.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019m just worried if the songs are good enough,\u201d Blume remembers Winter telling him one night, the frontman\u2019s six-foot-three-inch frame splayed out on a couch in the control room, too exhausted to move.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEven after the band left L.A., the work didn\u2019t stop. One day, Blume says he called Winter to check in and the frontman told him he\u2019d just gotten out of the hospital after a panic attack.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI was like, \u2018Brother, you gotta get a break,\u2019\u201d Blume says. \u201cBut that man did not take one break until it was mastered. And then he was sending master notes for four days.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen I ask Winter if he wants to speak more on this, he declines, choosing to say only, \u201cEat your vegetables. Take your multivitamins.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBassin, there to back up his friend, adds: \u201cThose Flintstones gummies are good for you. But don\u2019t take too many.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Geese - Trinidad (Official Audio)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/nT43dsYhw0k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tONE OF THE MOST passionate discussions Geese have in my presence begins as I\u2019m preparing to leave after our second interview. Winter is checking his phone when he suddenly exclaims, \u201cThey\u2019re building a new train!\u201d Consummate city kids, the rest of the band listen, rapt and hype, as he describes the Interborough Express, a planned light rail that will connect the outer edges of Brooklyn and Queens by the early 2030s.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe other most passionate discussion Geese have in my presence is one I cannot repeat. Sitting in the bar\u2019s backyard, afternoon sun high, condensation pouring off those Shirley Temples, a joint going back and forth between Bassin and DiGesu, Winter begins to share an idea he\u2019s had for a new live rig for his guitar.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cCut this out, cut this out,\u201d he says. \u201cI don\u2019t want anyone stealing this.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe specifics were too nerdy for me to follow, anyway. As Winter expounds, Green, DiGesu, and Bassin listen intently, responding with <em>whoa<\/em>\u2019s, <em>holy shit<\/em>\u2019s, and additional ideas of their own. I tell them this is maybe the most animated I\u2019ve seen them all afternoon.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWell, it\u2019s the fun part,\u201d Winter says with a laugh.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIf I didn\u2019t enjoy that stuff, then it would just be miserable,\u201d Green adds. \u201cI might just be miserable the whole time.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tGeese have been playing music together for nearly 10 years now. They know how to navigate disagreements and spend two months in a van together. They\u2019ve also spread out over the city. DiGesu still resides on Manhattan\u2019s Upper West Side, where he grew up; Winter has landed in Bed-Stuy; and Bassin and Green have found homes in Ridgewood, Queens. They see each other at shows, and at practice of course, but the hangs are less frequent than they used to be.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThere\u2019s so many parts in my life that fulfill requirements that can\u2019t be met by these three people,\u201d Green says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cExactly,\u201d Bassin adds. \u201cIt helps that we remain close, but it certainly feels like a work and play separation.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis is maybe most revealing in light of Winter\u2019s own breakthrough. There\u2019s no more classic rock &amp; roll story than that of the frontman who goes solo, but Geese seem only to see it as a success for all.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI don\u2019t think this is one of those fluke situations with the unbelievable frontman and everybody else is cool,\u201d Blume says. \u201cAll four of them are fucking genius freaks and I can\u2019t wait for everybody else to figure it out.\u201d<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.rollingstone.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>T he members of Geese are sitting around a hibachi grill at a Brooklyn restaurant, talking about the time they lost an entire day in the studio listening to handclaps. While making their new album, Getting Killed, they wanted to incorporate the sound onto a track. So their producer, Kenneth Blume (better known as Kenny [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1981212,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[355371,25614,21939],"class_list":["post-1981211","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-geese","tag-new-york-city","tag-rock"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/08\/NYC-Rock-Band-Talks-New-Album.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1981211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=1981211"}],"version-history":[{"count":0,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1981211\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/1981212"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=1981211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=1981211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=1981211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}