{"id":1988376,"date":"2025-08-30T13:40:02","date_gmt":"2025-08-30T13:40:02","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=1988376"},"modified":"2025-08-30T13:40:02","modified_gmt":"2025-08-30T13:40:02","slug":"come-hell-and-high-water-to-be-just-another-documentary-heres-why-i-was-very-wrong","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/come-hell-and-high-water-to-be-just-another-documentary-heres-why-i-was-very-wrong\/","title":{"rendered":"Come Hell And High Water To Be Just Another Documentary. Here&#8217;s Why I Was Very Wrong"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><i>When you buy through links on our articles, Future and its syndication partners may earn a commission.<\/i><\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Credit: Netflix<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Twenty years ago this month, Hurricane Katrina swept into New Orleans and nearby communities along the Gulf Coast, leaving behind more than 1,000 lost souls, shattered homes and businesses, and flooding on a scale never seen before. Though I didn\u2019t grow up in NOLA, I was a senior in high school in northern Louisiana when the storm made landfall on August 29, 2005, and my life was never the same.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">When I heard about <em>Katrina: Come Hell and High Water<\/em>, the <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.cinemablend.com\/streaming-news\/2025-netflix-movie-tv-show-release-dates\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:new Netflix original;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">new Netflix original<\/a> chronicling the storm and its impact on my fellow Louisianans, I thought it was going to be just another documentary. Now that I\u2019ve watched all three episodes full of pain and triumph, and experienced one of <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.cinemablend.com\/news\/2548745\/spike-lees-most-socially-relevant-movies-ranked\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Spike Lee\u2019s best projects in years;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Spike Lee\u2019s best projects in years<\/a>, I can say that I was very wrong. Here\u2019s why\u2026<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"New Orleans residents on a roof during the flood in Katrina: Come Hell and High Water\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/VZyekI504OC_XPXetR8wvg--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/cinemablend_388\/ac43b9b1f4fffd6c4e80b2cc1f06b5a5\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Credit: Netflix<\/p>\n<\/figcaption><\/figure>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">I Went Into The Three-Part Netflix Doc Thinking I Had Seen It All<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Before I pressed play on the three-part <em>Katrina: Come Hell and High Water<\/em>, I thought I had heard and seen it all when it came to Hurricane Katrina and its impact on New Orleans. I watched the coverage nonstop when it was going down in August 2005, made friends with teenagers displaced by the storm when they came to my high school, volunteered at the local college, and so on. I\u2019ve visited New Orlease multiple times over the years, including a trip a year or so after the storm, when you could still see watermarks on buildings and overpasses and piles of debris in vacant lots where houses once stood.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">However, watching the documentary, hearing the stories of those who survived and carried on, and being exposed to parts of the story that aren\u2019t discussed as much as issues at the Superdome or Convention Center, really opened my eyes and left me an emotional wreck.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Russel L. Honor\u00e9 in Katrina: Come Hell and High Water\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/h6SQnZynTa3uirDpPr6asA--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/cinemablend_388\/bd737e74b1454610d81c21965b5b2559\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Credit: Netflix<\/p>\n<\/figcaption><\/figure>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">But Then It Started Unburying All These Old Memories From 2005<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Whether it was <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.cinemablend.com\/television\/2548414\/wendell-pierce-things-to-know-about-the-jack-ryan-and-the-wire-actor\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:New Orleans native Wendell Pierce;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">New Orleans native Wendell Pierce<\/a>, local musicians and poets, or everyday residents sharing stories of survival, death, and rebirth, watching <em>Katrina <\/em>forced deeply buried memories to resurface after 20 years of hiding out in my brain.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Early on in the first episode of the documentary, various people talk about how Hurricane Ivan missing the city in 2004 led them to believe that it would be the same for Katrina. For the first time in 21 years, I remembered an interview with a musician in the French Quarter talking about how he would never leave, no matter what. As Katrina hit one year later, I remember wondering about him and whether his confidence was still unshaken in the face of the devastating storm.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">And there are others, like the almost jovial tone of people going to the Superdome, thinking everything was going to be okay. Or the footage of people trying to survive in the days following the levees being breached and turning New Orleans into a swamp. All of these memories came rushing in, flooding me with raw emotions I haven\u2019t felt in two decades.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Kimberly Smith in Katrina: Come Hell and High Water\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/xirURRjzpVFMPolJc2Bi2w--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/cinemablend_388\/77cc5ae083a0b2be39b56f62091a9c9f\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Credit: Netflix<\/p>\n<\/figcaption><\/figure>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">The Interviews With Parents Talking About Losing Their Children In The Flood Cut Deep<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Going in, I knew that death, loss, and grief were going to be unavoidable throughout the three episodes, but I was not ready to hear parents talk about losing their young children in the storm and ensuing flood.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The opening of the third and final episode (more on that next) features an interview with a woman recounting her five-year-old daughter\u2019s death during the natural disaster and how she still feels her spirit 20 years later. My daughter is the same age. After I finished the documentary late at night, I went into her room, sat down, and counted my blessings, hoping that I never have to experience anything like that in my own life.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">That\u2019s just one of the stories of loss that make up this nearly four-hour documentary. I <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.yahoo.com\/entertainment\/32-movies-dare-not-cry-143448881.html\" data-ylk=\"slk:tried to watch all of this without crying;elm:context_link;itc:0;sec:content-canvas;outcm:mb_qualified_link;_E:mb_qualified_link;ct:story;\" class=\"link  yahoo-link\">tried to watch all of this without crying<\/a>, but it was a losing battle, and I was left in tears.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Wendell Pierce in Katrina: Come Hell and High Water\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/09endTL1Ct5bLsYNBRPFww--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/cinemablend_388\/b7db84eadca1dd6f49654966c77fff21\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Credit: Netflix<\/p>\n<\/figcaption><\/figure>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">The Third And Final Episode (Directed By Spike Lee) Painted A Beautiful Portrait Of A Healing City<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The first two episodes \u2013 \u201cWe Gonna Ride it Out Like We Always Do\u201d by Geeta Gandbhir and \u201cShelter of Last Resort\u201d by Samantha Knowles \u2013 are stunning, personal, and engaging deconstructions of the storm, the events that led to it, and the triumph and tragedy that followed. However, the documentary really shines when it gets to the third and final episode, \u201cGod Takes Care of Fools and Babies,\u201d which was directed by none other than Spike Lee.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">While the first two chapters take a more straightforward approach to the tragedy, Lee\u2019s closing act is best compared to a visual poem with its freeze-frames on, text appearing on the screen, and a portrait of a healing city. Don\u2019t get me wrong, there\u2019s a lot of heartbreak in the final episode, especially when it comes to the way lower-income families got the shaft in the rebuild, but there\u2019s also this triumphant spirit that can be felt throughout its nearly 90-minute runtime. It\u2019s raw, it\u2019s honest, and it\u2019s uplifting\u2026<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Donald Harrison playing a sax in Katrina: Come Hell and High Water\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/WqVqaDp2brtcyjdDYH9nfQ--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/cinemablend_388\/d47d207be5f115578dd1a11a31da72b4\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Credit: Netflix<\/p>\n<\/figcaption><\/figure>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">This Is The Most Impactful Katrina Documentary I&#8217;ve Watched Since Spike Lee&#8217;s When The Levees Broke<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It should come as no surprise, but <em>Katrina: Come Hell and High Water<\/em> is the most impactful documentary about the storm that I\u2019ve watched since Spike Lee\u2019s <em>When The Levees Broke: A Requiem in Four Parts<\/em> came out one year after the storm in 2006. The epic documentary, which is streaming with an <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.yahoo.com\/entertainment\/hbo-max-subscription-know-price-130351204.html\" data-ylk=\"slk:HBO Max subscription;elm:context_link;itc:0;sec:content-canvas;outcm:mb_qualified_link;_E:mb_qualified_link;ct:story;\" class=\"link  yahoo-link\">HBO Max subscription<\/a>, along with <em>If God Is Willing and Da Creek Don\u2019t Rise<\/em>, centered on the lives of New Orleanians in the days, weeks, and months following the storm and documented their struggle to rise above the floodwaters, life-and-death situations, and the political and cultural fallout of the disaster.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It\u2019s still too early to tell if Lee\u2019s latest chronicling of the most devastating storm in New Orleans&#8217; history will be held in as high a regard as his first exploration of a hurting city, but it\u2019s honestly a remarkable achievement for the documentary format.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">All three parts of <em>Katrina: Come Hell and High Water<\/em> are available with a <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/tech.yahoo.com\/streaming\/articles\/netflix-subscription-plans-price-included-174717448.html\" data-ylk=\"slk:Netflix subscription;elm:context_link;itc:0;sec:content-canvas;outcm:mb_qualified_link;_E:mb_qualified_link;ct:story;\" class=\"link  yahoo-link\">Netflix subscription<\/a>. If you want, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=2gyBK3UMT34&amp;pp=ygUfY29tZSBoZWxsIG9yIGhpZ2ggd2F0ZXIgdHJhaWxlcg%3D%3D\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:the documentary\u2019s trailer;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">the documentary\u2019s trailer<\/a> does a great job of teasing what you\u2019ll see over the course of nearly four hours.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When you buy through links on our articles, Future and its syndication partners may earn a commission. Credit: Netflix Twenty years ago this month, Hurricane Katrina swept into New Orleans and nearby communities along the Gulf Coast, leaving behind more than 1,000 lost souls, shattered homes and businesses, and flooding on a scale never seen [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1988377,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[314147,358599,343745,23191,27141,45167],"class_list":["post-1988376","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-documentary","tag-hell-and-high-water","tag-hurricane-katrina","tag-netflix","tag-new-orleans","tag-spike-lee"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/08\/Come-Hell-And-High-Water-To-Be-Just-Another-Documentary.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1988376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=1988376"}],"version-history":[{"count":0,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/1988376\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/1988377"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=1988376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=1988376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=1988376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}