{"id":2000460,"date":"2025-09-05T22:23:50","date_gmt":"2025-09-05T22:23:50","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2000460"},"modified":"2025-09-05T22:23:50","modified_gmt":"2025-09-05T22:23:50","slug":"tame-impalas-loser-is-our-song-of-the-week-review","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/tame-impalas-loser-is-our-song-of-the-week-review\/","title":{"rendered":"Tame Impala&#8217;s &#8220;Loser&#8221; Is Our Song of the Week: Review"},"content":{"rendered":"<p><\/p>\n<div data-id=\"1510681\" data-title=\"Song of the Week: Tame Impala\u2019s \u201cLoser\u201d Turns Self-Loathing into a Banger\" data-url=\"https:\/\/consequence.net\/2025\/09\/tame-impala-loser-new-song-review\/\" data-page=\"1\" data-pages=\"1\" data-total-posts=\"1\">\n<p><em>Each week,\u00a0<\/em>our<em>\u00a0<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/consequence.net\/category\/cos-exclusive-features\/top-song-of-the-week\/\" target=\"_blank\" rel=\"noopener\">Songs of the Week<\/a> column highlights the best new tracks from the last seven days. This week, we dig into Tame Impala\u2019s latest single \u201cLoser,\u201d the second offering from their upcoming album\u00a0<\/em>Deadbeat.<\/p>\n<hr\/>\n<p>10 years ago, Kevin Parker released a <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/consequence.net\/artist\/tame-impala\/\" target=\"_blank\" rel=\"noopener\">Tame Impala<\/a> song called \u201c\u2018Cause I\u2019m a Man\u201d for the band\u2019s beloved third album,\u00a0<em>Currents<\/em>. A lot like \u201cFeels Like We Only Go Backwards\u201d and \u201cNew Person, Same Old Mistakes,\u201d \u201c\u2018Cause I\u2019m a Man\u201d took aim at habitual fuck-ups and the excuses that men make when they can\u2019t escape their own destructive patterns, blaming biology with a clever shrug and letting the song\u2019s majestic chorus do most of the talking.<\/p>\n<p>This theme of Parker lamenting his inherent flaws resurfaces with even sharper self-awareness on Tame Impala\u2019s latest single, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/consequence.net\/2025\/09\/tame-impala-loser-new-song-stream\/\" target=\"_blank\" rel=\"noopener\">\u201cLoser,\u201d<\/a> the new offering from the band\u2019s upcoming fifth album, <em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/consequence.net\/2025\/09\/tame-impala-deadbeat-new-album\/\" target=\"_blank\" rel=\"noopener\">Deadbeat<\/a>, <\/em>out October 17th. \u201cLoser,\u201d with its modest trot and front-and-center vocals from Parker, feels intrinsically linked to \u201c\u2018Cause I\u2019m a Man;\u201d but where the songs merge with regards to tempo, lyrical content, and production, Parker makes \u201cLoser\u201d a lot spikier than his usual psych pop bliss.<\/p>\n<p>Related Video<\/p>\n<p>\u201cI got the message, I learned my lesson,\u201d Parker croons in his shimmering head voice, channeling both dejection and wistful yearning. He recalls Beck\u2019s <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/consequence.net\/2025\/08\/dirtbag-anthem-evolution\/\" target=\"_blank\" rel=\"noopener\">eternal dirtbag anthem of the same name<\/a> in the chorus, offering a similarly dramatic suggestion regarding his pathetic streak: \u201cI\u2019m a loser, babe\/ Do you want to tear my heart out?\u201d It\u2019s all deeply in line with the type of psych-tinged slacker rock that Parker is going for, complete with a sharp electric guitar line and enough space in between the drum beat to let his self-loathing breathe.<\/p>\n<p>It\u2019s a far cry even from prior single <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/consequence.net\/2025\/07\/tame-impala-new-song-end-of-summer\/\" target=\"_blank\" rel=\"noopener\">\u201cEnd of Summer,\u201d<\/a> which provided a brief trip to the Tame Impala Acid House Factory and brought a repetitive buoyancy found mostly in the band\u2019s extended odysseys like \u201cLet It Happen.\u201d But \u201cLoser\u201d is a lot less concerned with tripping out and much more focused on the id; the raw impulses and self-destructive tendencies that Parker usually wraps in layers of dreamy production are presented here with minimal cushioning, save for the touch of atmosphere on his vocals and the kaleidoscopic synths that warm up around the bridge.<\/p>\n<p>But self-deprecation aside, \u201cLoser\u201d is great because it\u00a0<em>grooves<\/em>. The song\u2019s bounce and plucky keyboard touches are almost like a \u201990s hip-hop cut; Parker\u2019s descending pre-chorus, layered with harmonies, is sweet like syrup. It\u2019s this tension between Parker\u2019s harsh self-assessment and the song\u2019s catchiness that makes \u201cLoser\u201d such an intriguing preview of <em>Deadbeat<\/em>. Even when he\u2019s calling himself pathetic, he can\u2019t help but make bangers.<\/p>\n<p style=\"text-align: right\">\u2014\u00a0<em>Paolo Ragusa<br \/>Live Music Editor<\/em><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Tame Impala - Loser (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/s3a4OQR-10M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<hr\/>\n<p><strong>Hatchie \u2014 \u201cLose It Again\u201d<\/strong><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Hatchie - Lose It Again (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/P_43o-pDRJc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>Hatchie\u2019s back! With \u201cLose It Again,\u201d the Australian dream pop star continues her use of psychedelic instrumentation and indestructible hooks for a powerful final product. \u201cYou are the star I\u2019m chasing,\u201d she sings, with romance swirling all around her; the song\u2019s chorus is so open and cathartic that it sounds like something Hatchie has been waiting to say for ages. Following from the majestic peaks of her 2022 album <em>Giving the World Away<\/em>, \u201cLose It Again\u201d once again serves as a pain reliever, soothing the listener with lush tones while livening them with another pure-hearted refrain. Gorgeous is an understatement. \u2014\u00a0<em>P. Ragusa<\/em><\/p>\n<p><strong>Horse Jumper of Love \u2014 \u201cBlue Factory Flame\u201d<\/strong><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Horse Jumper of Love - &quot;Blue Factory Flame (Songs: Ohia Cover)&quot; (Official Visualizer)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/jshw7sZSl-E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>Run for Cover\u2019s tribute compilation celebrating the work of Jason Molina \u2014 the creative mind behind Songs: Ohio and Magnolia Electric Co. \u2014 <em>I Will Swim to You, <\/em>drops today and includes previously released covers from folks like MJ Lenderman, Trace Mountains, Friendship, Lutalo, and more. Just prior to the release of the full project, the label shared Horse Jumper of Love\u2019s take on the <em>Didn\u2019t It Rain <\/em>cut \u201cBlue Factory Flame.\u201d In the hands of the slowcore experimentalists, the sparse and dejected tone of the original becomes thorny and jagged. There are tempo changes, wailing guitar lines soaked in reverb, and raw, strained lead vocals. It\u2019s (blue) fire. \u2014 <em>Jonah Krueger<\/em><\/p>\n<p><strong>SG Lewis \u2014 \u201cBaby Blue\u201d featuring Oliver Sim<\/strong><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"SG Lewis - Baby Blue (feat. Oliver Sim)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/xqsWZaiKz1w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>Along with the release of his great new album <em>Anemonia<\/em>, SG Lewis has offered the standout cut \u201cBaby Blue,\u201d which features The xx\u2019s Oliver Sim for a rather effervescent vocal performance. SG Lewis makes music for golden hour, like you can hear the warmth and light of the sun harmoniously meeting the revelry of night in real time. \u201cBaby Blue\u201d is exactly the kind of open-hearted, transcendent dance music he\u2019s become known for, and just like his best collaborations \u2014 like \u201cHeat\u201d and \u201cHurting\u201d \u2014 it\u2019s endlessly replayable. \u2014 <em>P. Ragusa<\/em><\/p>\n<p><strong>Shallowater \u2014 \u201cAtivan\u201d<\/strong><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Ativan\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/HDoGkzL5vS0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>Shallowater, one of our artists to watch in 2025, return today with their sophomore effort, the excellent (and excellently titled)\u00a0<em>God\u2019s Gonna Give You a Million Dollars<\/em>. The record is primarily made up of extended slowcore epics with a tinge of twang, and one of the most enthralling is the penultimate track \u201cAtivan.\u201d Extending almost to nine minutes in length, the tune boasts beautiful performances, an ever-compelling structure, and a grand payoff that rewards those patient enough to stick around for it. Come to think of it, those descriptions really could apply to just about the entire album. \u2014 <em>J. Krueger<\/em><\/p>\n<p><strong>Softcult \u2014 \u201c16\/25\u201d<\/strong><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Softcult - 16\/25 [official video]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/tyLWfmMcWRs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>After several years of standout EPs, Canadian rock duo Softcult (one of our <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/consequence.net\/list\/emerging-artists-to-watch-2025\/softcult\/\" target=\"_blank\" rel=\"noopener\">2025 artists to watch<\/a>) have finally announced their debut album, <em>When a Flower Doesn\u2019t Grow,\u00a0<\/em>out in early 2026. They\u2019ve shared the rollicking, furious \u201c16\/25,\u201d an anthemic slice of shoegaze taking aim at predatory older men who groom younger women. \u201cShe doesn\u2019t know how to love you,\u201d they sing over pummeling drums, a line rendered less abstract each time they repeat it. \u201cShe\u2019s 16, you\u2019re 25.\u201d Though cloaked in the warm haze of down-tuned guitars, that final lyric leaps out. She\u2019s 16, you\u2019re 25. Gross! \u2014 <em>P. Ragusa<\/em><\/p>\n<p><strong>Sword II \u2014 \u201cEven If It\u2019s Just a Dream\u201d<\/strong><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Sword II - Even if it&#039;s Just a Dream (Official Music Video)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/tcPXequGXrQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>\u201cEven If It\u2019s Just a Dream,\u201d the first single from Sword II\u2019s recently announced new album\u00a0<em>Electric Hour<\/em>, finds the Atlanta outfit embracing their dreamiest, most melodic tendencies. Over top acoustic chords and jangly electric lines, as well as synth arpeggios that wouldn\u2019t sound all that out of place on a Beach House tune, the track is a shockingly warm and cozy affair \u2014 especially when juxtaposed with the angsty imagery of the music video. \u2014 <em>J. Krueger<\/em><\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source consequence.net \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Each week,\u00a0our\u00a0Songs of the Week column highlights the best new tracks from the last seven days. This week, we dig into Tame Impala\u2019s latest single \u201cLoser,\u201d the second offering from their upcoming album\u00a0Deadbeat. 10 years ago, Kevin Parker released a Tame Impala song called \u201c\u2018Cause I\u2019m a Man\u201d for the band\u2019s beloved third album,\u00a0Currents. A [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2000461,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[],"class_list":["post-2000460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/09\/Tame-Impalas-Loser-Is-Our-Song-of-the-Week-Review.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2000460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2000460"}],"version-history":[{"count":0,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2000460\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2000461"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2000460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2000460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2000460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}