Creative Arts Emmy Awards<\/a>, while \u201cThe Studio\u201d will take nine trophies and \u201cThe Penguin\u201d will take eight into next weekend\u2019s main Emmys ceremony.\n <\/p>\n\n Andrews won for best character voice-over performance for her work on Netflix\u2019s \u201cBridgerton,\u201d her first Emmy since 2005.\n <\/p>\n
\n \u201cThe Studio,\u201d the Hollywood satire from Apple TV+ that is this year\u2019s top-nominated comedy series, won for its cinematography, production design, casting and other craft categories.\n <\/p>\n
\n \u201cThank you, Sal Saperstein,\u201d nearly all the \u201cStudio\u201d winners said from the stage, a running gag that is a reference to Ike Barinholtz\u2019s character who gets unexpectedly thanked on the show.\n <\/p>\n
\n The show\u2019s winners got to use their real filmmaking chops to recreate a fake one, including Adam Newport-Berra, whose cinematography evoked the beauty the show\u2019s comic characters were trying to capture.\n <\/p>\n
\n He won for a very meta episode called \u201cThe Oner,\u201d in which an on-screen crew is trying to capture a long single shot in an episode that is itself done in a single shot.\n <\/p>\n
\n \u201c\u2018The Oner\u2019 was sort of the pinnacle of what we were trying to achieve,\u201d Newport-Berra said backstage.\n <\/p>\n
\n In a similar visual vein, \u201cAdolescence,\u201d the acclaimed Netflix show where every episode is a single shot, won best cinematography in a limited series.\n <\/p>\n