{"id":2004437,"date":"2025-09-07T18:50:31","date_gmt":"2025-09-07T18:50:31","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2004437"},"modified":"2025-09-07T18:50:31","modified_gmt":"2025-09-07T18:50:31","slug":"next-week-in-music-september-8-14-14-new-books","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/next-week-in-music-september-8-14-14-new-books\/","title":{"rendered":"Next Week in Music | September 8-14 \u2022 14 New Books"},"content":{"rendered":"

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I<\/span> visited Stonehenge<\/strong> earlier this year. I\u2019ll give you one guess what song was going through my head the whole time. Still, even I was surprised \u2014\u00a0happily so \u2014 to see Spinal Tap<\/strong> pictured in an exhibit in the visitors\u2019 center. Truly, \u2019tis a magic place. Speaking of the Tap, yeah, I know, I should have cut this list down to 11. But even for me, that seemed cheap and lazy. Plus, who am I to choose between these fine options? Peruse them all as the children dance to the pipes of Pan:<\/h4>\n

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\"\"A Fine Line Between Stupid And Clever: The Story Of Spinal Tap<\/strong><\/span><\/em>
By Rob Reiner, Christopher Guest, Michael McKean & Harry Shearer<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cSince its original release in 1984, This Is Spinal Tap<\/em> has evolved from a beloved cult film into a cinematic landmark: An all-time comedy classic that pioneered an entire genre, the mockumentary. Now, director Rob Reiner<\/strong> and his cowriters and costars, Christopher Guest<\/strong>, Michael McKean<\/strong>\u00a0and Harry Shearer<\/strong>, tell the complete story of the movie and its fictitious band \u2014 how they met, how Spinal Tap<\/strong> came to be, and how their low-budget indie film took on a life of its own. Years after the movie first came out, the Library of Congress<\/strong> selected This Is Spinal Tap<\/em> for inclusion in the National Film Registry<\/strong> and Tap went on to play The Royal Albert Hall<\/strong>, Wembley Stadium<\/strong>, and to over 100,000 fans at the Glastonbury Festival<\/strong> in England. Reiner, Guest, McKean, and Shearer provide the backstories to the movie\u2019s famous lines \u2014 among them \u201cHello, Cleveland!,\u201d \u201cNone more black,\u201d \u201cYou can\u2019t dust for vomit,\u201d and \u201cThese go to 11\u201d \u2014 and to such Tap anthems as Big Bottom<\/em> and Stonehenge<\/em>. Featuring never-before-seen photographs, band memorabilia, and personal reminiscences of their enduring creative partnership, A Fine Line Between Stupid and Clever<\/em> will delight Tap-heads of all ages \u2014 just as the long-awaited sequel is hitting theaters. But wait, there\u2019s more! A Fine Line Between Stupid and Clever<\/em> also comes with a bonus memoir by Reiner\u2019s directorial alter ego, Marty DiBergi<\/strong>, in which he interviews Tap band members Nigel Tufnel<\/strong>, David St. Hubbins<\/strong>, and Derek Smalls<\/strong> about their musical journey and their drummers who paid the ultimate sacrifice to the rock gods.\u201d<\/p>\n

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168 Songs of Hatred and Failure: The Music Of Manic Street Preachers<\/strong><\/span><\/em>
By Keith Cameron<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cThe story of Manic Street Preachers<\/strong> is unique in pop. Raging out of the stricken mining communities of south Wales in the late \u201980s, they were bonded by friendships, family ties and a self-styled \u2018geometry of contempt\u2019, whereby James Dean Bradfield<\/strong> and Sean Moore<\/strong> would orchestrate the daring intellectual broadsides written by Richey Edwards<\/strong> and Nicky Wire<\/strong>. Seemingly condemned to mere cult status by a cruel juncture of artistic triumph, commercial failure and personal despair, the story took an agonising twist when the tragedy of Edwards\u2019 1995 disappearance was followed by a remarkable rebirth built upon A Design For Life\u2019<\/em>s hymn to the band\u2019s working-class roots, and then the award-winning, multi-million-selling album Everything Must Go<\/em>, a majestic soundtrack to history and loss. Less than five years later, Manic Street Preachers<\/strong> played to 60,000 at the national stadium of Wales and had their second U.K. No. 1 single. Subsequent output has confirmed the band as both a wellspring of restless creativity and a barometer of the cultural conversation. Because it was music that saved them, it\u2019s through the prism of their music that Keith Cameron<\/strong> tells the definitive history of Manic Street Preachers<\/strong>, drawing on many hours of new interviews to dive deep into 168 songs, from 1988\u2019s debut single Suicide Alley<\/em>\u00a0to the late day peaks of 2025\u2019s album Critical Thinking<\/em>. Writing with the band\u2019s full co-operation, his book charts the dynamic evolution of a universe in which Karl Marx<\/strong> and Kylie Minogue<\/strong> happily co-exist, that accords Rush<\/strong> and The Clash<\/strong> equal favor, and where Morrissey & Marr<\/strong> meet Torvill & Dean<\/strong> via Nietzsche<\/strong> & New Order<\/strong> in a single four-minute pop song \u2014 all in the name of what Wire himself calls \u2018the fabulous disaster\u2019 of Manic Street Preachers<\/strong>.\u201d<\/p>\n

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Living In The Present With John Prine<\/strong><\/span><\/em>
By Tom Piazza<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cIn the spring of 2018, Tom Piazza<\/strong> climbed into a 1977 Coupe de Ville<\/strong> with the great singer-songwriter John Prine<\/strong> to write an article for the Oxford American<\/em>. Their Florida road trip ignited a deep friendship, full of tall tales over epic meals, long nights playing guitar and trading songs, and visits back and forth between their homes in Nashville and New Orleans. Along the way, Prine invited Piazza to work with him on a memoir, with John telling sprawling, often hilarious stories of his youth and family in Chicago and Kentucky, his breakthrough into the national spotlight, his riotous early years in the Nashville country scene, and much more. When Prine died suddenly of COVID in April 2020, that unfinished memoir evolved into an intimate and very personal narrative of the artist\u2019s final years. In it, Piazza offers fans an unforgettable portrait of the beloved musician in his late glory \u2014 as a boyish cut-up, an epic raconteur, a great American poet, and, most important, a beloved friend.\u201d<\/p>\n

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The Last Outlaw: My 50 Years in Southern Rock & Country<\/strong><\/span><\/em>
By Henry Paul & Gary Hertz<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cHenry Paul<\/strong> is the co-founder of \u201970s Southern Rock legends The Outlaws<\/strong>, founder of \u201980s hitmakers The Henry Paul Band<\/strong>, co-founder of \u201990s country superstars Blackhawk<\/strong>, and one of music\u2019s most distinctive voices for over half a century. This is Henry\u2019s own story of brotherhood and betrayal, triumph and tragedy, and the resolve and resilience that\u2019s built a life in music like no other. Along the way, there\u2019s also memorable relationships with virtually every icon of \u201970s\/\u201980s Southern Rock and \u201990s Country, as well as unforgettable encounters with Tom Waits<\/strong>, Keith Moon<\/strong>, Dick Clark<\/strong>, psychotic Southies, armed hippie radicals, and Bette Davis<\/strong>\u2019s cat. The Last Outlaw<\/em> is Paul\u2019s 50-plus year journey through music and beyond.\u201d<\/p>\n

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An Anarchy of Demons<\/strong><\/span><\/em>
By Charlie Harper<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cCharlie\u2019s fascinating story is told in his own unique style, taking the reader through his early years as a war baby, his time at boarding schools for misfit boys, his adventurous youth, his struggles and escapades as a bass player, his turbulent personal life as well as his incredible journey with The U.K. Subs<\/strong>, as a solo artist and with his many side-project bands. Illustrated throughout with many unseen photos from his own collection, this will be without doubt, the most talked about punk rock book of the year. The book boasts a wonderful Foreword written by Rancid<\/strong>\u2019s Lars Frederiksen<\/strong>, with the book\u2019s stunning cover artwork being supplied by Steve Dann<\/strong> (Magpie Art<\/strong>), of which the original hangs in Charlie\u2019s house. Harper\u2019s An Anarchy of Demons<\/em>\u00a0contains 478 full-colour pages providing a unique insight into what made him the punk icon he is today.\u201d<\/p>\n

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A Chance To Harmonize: How FDR\u2019s Hidden Music Unit Sought To Save America From The Great Depression \u2014 One Song At A Time<\/strong><\/span>
By Sheryl Kaskowitz<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cIn 1934, The Great Depression<\/strong> had destroyed the U.S. economy, leaving residents poverty-stricken. First Lady Eleanor Roosevelt<\/strong> urged President Roosevelt<\/strong> to take radical action to help those hit hardest \u2014 Appalachian miners and mill workers stranded after factories closed, city dwellers with no hope of getting work, farmers whose land had failed. They set up government homesteads in rural areas across the country, an experiment in cooperative living where people could start over. To boost morale and encourage the homesteaders to find community in their own traditions, the administration brought in artists to lead group activities \u2014including folk music. As part of a music unit led by Charles Seeger<\/strong> (father of Pete<\/strong>), staffer Sidney Robertson<\/strong> traveled the country to record hundreds of folk songs. Music leaders, most notably Margaret Valiant<\/strong>, were sent to homesteads to use the collected songs to foster community and cooperation. Working almost entirely (and purposely) under the radar, the music unit would collect more than 800 songs and operate for nearly two years, until they were shut down under fire from a conservative coalition in Congress that deemed the entire homestead enterprise dangerously \u201csocialistic.\u201d Despite its early demise, the music unit proved that music can provide hope and a sense of belonging even in the darkest times. It also laid the groundwork for the folk revival that followed, seeing the rise of artists like Woody Guthrie<\/strong>, Pete Seeger<\/strong>, Odetta<\/strong>\u00a0and Bob Dylan<\/strong>. Award-winning author and Harvard-trained American music scholar Sheryl Kaskowitz<\/strong> has had the unique opportunity to listen to the music unit\u2019s entire collection of recordings and examine a trove of archival materials, some of which have never been made available to the public. A Chance To Harmonize<\/em> reveals this untold story and will delight readers with the revelation of a new and previously undiscovered chapter in American cultural history.\u201d<\/p>\n

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Unscripted Moments: Conversations With Propagandhi (2020-2025)<\/strong><\/span><\/em>
By Greg Soden<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cPropagandhi<\/strong> formed in 1986 in Portage la Prairie, Manitoba and are now based in Winnipeg. Their outspoken influence and consistency in anti-fascist, animal-friendly, gay-positive, and pro-feminist ideas have inspired thousands of hardcore, thrash metal and punk rock music fans across four decades. Unscripted Moments: A Podcast About Propagandhi<\/em> began in 2020 as a fan-made song-by-song podcast exploring each release by the band. The podcast also features bonus episodes about touring, recording and more with friends, fans and collaborators from throughout the bands musical career. Among the hundreds of episodes about the band\u2019s music are more than 15 hours of candid interviews with past and present members of Propagandhi<\/strong> recorded between 2020 and 2025. The conversations vary widely in topic and discuss songwriting, touring stories, favourite cover songs and side projects, as well as personal hobbies and interests of the band members. These edited interviews with Chris Hannah<\/strong>, Jord Samolesky<\/strong>, John Samson Fellows<\/strong>, Todd Kowalski<\/strong>, David Guillas<\/strong>\u00a0and Sulynn Hago<\/strong> span the career of the band from their earliest demos through to the recording of their eighth album At Peace<\/em>, released in May. Propagandhi<\/strong> have released music with G7 Welcoming Committee<\/strong>, Recess Records<\/strong>, Fat Wreck Chords<\/strong>\u00a0and Epitaph Records<\/strong>. The 200+ episodes of Unscripted Moments: A Podcast About Propagandhi<\/em> have been downloaded more than half a million times and are available to stream everywhere podcasts are available.\u201d<\/p>\n

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What Punk Taught Me<\/strong><\/span><\/em>
Edited by Gregory Blair & Jason Swift<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cFrom personal anecdotes to philosophical inquiries, What Punk Taught Me<\/em> gathers essays from 15 different contributors whose lives have all been touched upon by punk culture in some meaningful way. Many years after hearing their first blast of distorted punk guitar as a youth or teenagers, these individuals (like so many others) have come to realize later in life that their experience of punk has provided them with an incredibly valuable tutelage in becoming an artist, writer, educator, or overall human being. For these contributors, the experience of punk has been the source of community and ethics, philosophy and aesthetics, or even an attitude and identity. This anthology explores how various individuals have connected with punk in a variety of distinctive ways-through music, venues, fashion, art, writing, activism, collecting culture, rebellion, subversion, or DIY projects. These essays document the lessons of punk, bringing together people from a wide array of backgrounds. Each of them shares their own unique story of what punk has taught them \u2014 how those experiences have been formative in their lives and how punk has supported their personal and professional development. These narratives serve as a reflection on the myriad influences of punk \u2014 as a methodology, a philosophy, an ontology, an aesthetic, a strategy, a cultural phenomenon, or a worldview. The culmination of this collection provides a deeper understanding of the individualized and personal influences of punk but also the wider arch and overall legacy of punk culture. Through this analysis, an explicit correlation is drawn between the world of punk, the educations it provides, and the ripples of its wider socio-cultural impact.\u201d<\/p>\n

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Mark Kermode\u2019s Surround Sound: The Stories of Movie Music<\/strong><\/span><\/em>
By Mark Kermode & Jenny Nelson<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cHow can a film score make you cheer, shiver, cry or punch the air in exhilaration? How do directors communicate their musical vision to composers? And when does a soundtrack take on a life of its own? Award-winning film critic Mark Kermode<\/strong> and radio producer Jenny Nelson<\/strong> embark on a full-throttle trip down the glorious rabbit hole of film composition to answer these questions and more. Celebrating the emotional connection that audiences form with film music, discovering composers\u2019 varied creative working methods and exploring how what we hear has an impact on what we see, Mark talks to his favourite composers about the scores that have been most influential in their careers, and delves into the music he has appreciated with a passion. Including interviews with extraordinary talents from Radiohead<\/strong>\u2019s Jonny Greenwood<\/strong> to Oscar-winning composer Anne Dudley<\/strong>, telling the stories behind iconic soundtracks such as Rachel Portman<\/strong>\u2019s Never Let Me Go<\/em>, Vangelis<\/strong>\u2019s Blade Runner<\/em>, and ranging from classics to blockbusters to horrors, Mark Kermode\u2019s Surround Sound<\/em> is a thrilling take on how great scores are brought to life on the silver screen.\u201d<\/p>\n

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Hip-Hop Rivalries: East Coast Versus West Coast<\/strong><\/span><\/em>
By Njasang Nji<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cIt was the best of times, it was the worst of times. In A Tale of Two Cities,<\/em> the duality of changing times was poignantly highlighted and almost the same thing is true in Hip-Hop Rivalries: East Coast Versus West Coast<\/em>. As music in the general arts and people in general society have changed over the decades, politics has reflected these changes, sometimes for the best but often for the worst. Hip-hop was fulgurant with promise, a machine steadily gaining influence worldwide, a newly birthed political powerhouse. With its aggrandisement also came the inflation of egos until suddenly, everyone wanted to be the King of Hip-Hop, the King of Rap, or the King of New York \u2014 all of which were interchangeable terms. Those who grew up in times when lyrical witticisms had to be cultrate in order to be truly appreciated were galvanised back into life by the rivalry between Kendrick Lamar<\/strong> and Drake<\/strong> \u2014 which served as proof that hip-hop had graduated from simply rhyming rapping into a multiverse of praiseworthy diction, the stunning displays of lyrical thespians who amaze with ever-evolving presentations full of entertainment, and battle rappers who boast a mighty grasp of nuanced literary contraptions. There is evidence of this growth in the haymaker equivokes tacitly enunciated in their performances, and never more so than during \u201cbeef\u201d: Those times of dissent, discontent, or malcontent among classic rap groups, or between individuals. From Nas<\/strong> and Jay-Z<\/strong> to Drake<\/strong> and Pusha T<\/strong>, the book delves into the origins of hip-hop, its past and current artists, and the methods they employed in their rivalries that brought excitement and appreciation of this genre of music to followers worldwide. This informative, amusing, and nostalgic tour explores the greatest moments in hip-hop and battle rap that helped to put certain superstars on pedestals and thrones, while others were humiliated and became objects of scorn, clownery, or abject ridicule to this very day.\u201d<\/p>\n

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VINYL NYC: 33 1\/3 of the Best Record Stores Across All Five Boroughs<\/strong><\/span><\/em>
by Hattie Lindert, James Murray and Karla Murray<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cSpanning all five boroughs, these havens have become essential to the cultural fabric of the city, bringing together communities through a shared passion for music. This book takes readers on a journey through New York City\u2019s iconic record shops, celebrating their history, character, and cultural significance. Featuring stunning new photographs by James<\/strong> and Karla Murray<\/strong>, it captures the vibrant exteriors, intimate interiors, and countless musical treasures that make these shops special. Detailed profiles penned by journalist Hattie Lindert<\/strong> reveal the stories behind each location, with insights from the owners and founders about their passion for music and the communities they serve. From the punk rock legacy of Generation Records<\/strong> in Greenwich Village to the jazz treasures of Manhattan\u2019s Jazz Record Center<\/strong>; the Latin music heritage of Casa Amadeo<\/strong> in the Bronx, and the rare finds at Brooklyn\u2019s Human Head Records<\/strong>; the book showcases the diversity and richness of N.Y.C.\u2019s vinyl culture. It also includes profiles on legendary local musicians who frequent these stores, including producer and rapper Large Professor<\/strong>, DJ and nightclub owner Eli Escobar<\/strong>, and DJ and music supervisor Kristine Barilli<\/strong>. Designed with colorful elements inspired by record shop ephemera, it\u2019s a must-have for music lovers and vinyl collectors alike.\u201d<\/p>\n

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Strike While The Needle Is Hot<\/strong><\/span><\/em>
By Josh MacPhee & Kennedy Block<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cWorkers have been producing culture for as long as they\u2019ve been fighting for better working conditions, higher wages, and sometimes even revolution. One form this culture has often taken is song, and we\u2019re lucky enough that many of these songs were captured on vinyl records between 1960 and 1990. Strike While The Needle Is Hot<\/em> takes the reader through these records one by one, providing both a broad overview of how militant unionists used music as a tool of struggle, as well as fine details about specific worker revolts that would be lost to history if they hadn\u2019t captured them on small discs of vinyl.\u201d<\/p>\n

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Dear Reader: An Immersive Literary Journey Through Taylor Swift\u2019s Lyrics<\/strong><\/span><\/em>
By Viktoria Capek<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cDive into the literary world of Taylor Swift<\/strong> like never before. Between the pages of this interactive journal you will meet iconic characters of classic literature, soak up the magic of folklore and fairytales, delve into the imagery of tortured poets, and so much more. Welcome to Taylor\u2019s cozy library and lose yourself in the pages of ancient and modern literary classics. The journal is organised into 10 themes, from the unreliable narrator of The Great Gatsby<\/em>, the feminism of The Bell Jar<\/em>, coming-of-age struggles of To Kill A Mockingbird<\/em> or the social commentary of The Crucible<\/em>. Discover the influence of Wuthering Heights<\/em> running through songs like Enchanted and ivy, or the inspiration of The Picture of Dorian Gray<\/em> in mirrorball and Anti-Hero<\/em>.\u201d<\/p>\n

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Good Ideas And Power Moves: Ten Lessons For Success From Taylor Swift<\/strong><\/span><\/em>
By Sin\u00e9ad O\u2019Sullivan<\/strong><\/span><\/h3>\n

THE EDITED PRESS RELEASE:<\/strong> \u201cTaylor Swift<\/strong>\u2019s genius is not limited to her singing and songcraft: as the founder of her own multi-billion dollar enterprise she has higher returns than 99.9% of hedge funds, and has built a stronger global corporation than nearly every other American conglomerate CEO. She is the only person that the U.S. Federal Reserve<\/strong> and European Central Bank<\/strong> track with precision. She has a larger impact on the world economy than most economists that have ever lived, and has done more for U.S. antitrust law than any sitting member of Congress<\/strong>. There is a lot to learn from Swift. Global investment fund manager and former head of strategy at HBS<\/strong> (and Swiftie!) Sinead O\u2019Sullivan<\/strong> taps into the same genius that sells out stadiums and shuts down the internet to give Taylor \u2015 the CEO, the strategist \u2015 the respect she deserves. O\u2019Sullivan sums up Swift\u2019s business savvy into 10 big, teachable lessons.\u201d<\/p>\n

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\u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n

\u2018 Some details of this article were extracted from the following source tinnitist.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

I visited Stonehenge earlier this year. I\u2019ll give you one guess what song was going through my head the whole time. Still, even I was surprised \u2014\u00a0happily so \u2014 to see Spinal Tap pictured in an exhibit in the visitors\u2019 center. Truly, \u2019tis a magic place. Speaking of the Tap, yeah, I know, I should […]<\/p>\n","protected":false},"author":2,"featured_media":2004438,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[],"class_list":["post-2004437","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/09\/Next-Week-in-Music-September-8-14-\u2022-14-New.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2004437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2004437"}],"version-history":[{"count":0,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2004437\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2004438"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2004437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2004437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2004437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}