\t<\/p>\n
Media Play News<\/a><\/p>\n July 28, 2025<\/p>\n \t<\/p>\n Welcome to Media Play News<\/em>\u2019 eighth annual 40 Under 40, in which we spotlight and celebrate the rising stars in digital entertainment, as well as established young executives whose career paths took them to soaring heights early in the game.<\/p>\n Media Play News<\/em> believes in shining the spotlight on not just the industry\u2019s top C-suite leaders, but also on the many other talented executives in content, distribution and technology who might not get front-row seats to the Oscars, but who are nevertheless key players in the \u201clast mile\u201d of entertainment: delivering movies, TV shows and other filmed content directly to consumers.<\/p>\n As usual, our honorees are listed in random order. Some were nominated by their peers, while others were nominated by their companies \u2014 or by outsiders who knew of their work and felt they deserved special consideration for everything they\u2019ve accomplished in their relatively brief careers. Our editorial team made the final selections, based on many emails, texts and even late-night phone calls with industry insiders.<\/p>\n \u00a0<\/p>\n Head of New Ventures Fan focuses on emerging business opportunities for Prime Video. Since joining Amazon in 2017, she has been a key player in the company\u2019s investments in Young Adult content, both at Prime Video and at Freevee, paving the way for hits such as \u201cThe Summer I Turned Pretty.\u201d Prior to assuming her present position in December 2024, Fan served as Head of Film at Freevee, where she worked in content acquisition and creative development. Before joining Amazon, Fan began her career as an Equity Research Analyst in the Technology, Media and Telecommunications Group at Goldman Sachs.<\/p>\n \u00a0<\/p>\n Senior Manager, Global Brand and Social Marketing Baker is a strategy and creative leader for Sony Pictures\u2019 global film and television distribution business. He is responsible for implementing 360-degree marketing campaigns for Sony Pictures Classics, Sony Pictures Worldwide Acquisitions and Sony Pictures Television, including such recent titles as Becoming Led Zeppelin, In the Land of Saints and Sinners<\/em>, and \u201cThe Boys.\u201d Prior to joining Sony in July 2023, Baker led marketing strategy for originals programming at HBO Max. He began his career at Sony Pictures in 2018 at Sony Pictures Animation. Since rejoining Sony, Baker has become integral for collaboration with filmmakers and partners to deliver innovative campaigns.<\/p>\n \u00a0<\/p>\n Director, Customer Experience<\/strong> Eshghieh leads retailer strategy and activations across all digital retailers for Sony Pictures films in the transactional (TVOD) window. Partnering with cross-functional teams and retailers, she drives consumer purchases for at-home viewing. Most recently, Eshghieh oversaw launches for Karate Kid: Legends, 28 Years Later<\/em> and Spider-Man: Across the Spider-Verse<\/em>, and collaborated with her theatrical counterparts to create full lifecycle programs. Since beginning her career at Sony in 2013 as a research trainee, she has held a range of positions across the studio, including roles in sales planning and network distribution. From 2020 to 2022 she worked at Paramount, managing AVOD partnerships.<\/p>\n \u00a0<\/p>\n Manager, Digital Sales Planning<\/strong> Yamada is a key member of Sony Pictures Entertainment\u2019s Digital Sales Planning team, where he provides insights, analysis and strategic guidance across SPE\u2019s library of film and television content. He leads planning efforts for the studio\u2019s largest home entertainment partner, Amazon, driving partnership strategies and supporting high-impact initiatives across transactional (TVOD) and subscription (SVOD) windows. Known for his precision with data and systems optimization, Yamada is frequently tapped to lead SPE\u2019s most-critical projects. Since joining Sony Pictures in 2022, he has championed cross-platform strategies that unlock incremental value and align with evolving distribution models. Prior to joining SPE, Yamada held an analytical role at Honda.<\/p>\n \u00a0<\/p>\n Executive Director, Innovation, Special Projects and Global Community Management<\/strong> Gomez Garcia runs primary research on WBD\u2019s Content Sales Global Research team, which supports all content lifecycle windows following the first release. Since joining the company in 2021, she\u2019s worked across multiple disciplines supporting home entertainment releases, immersive entertainment, and content sales and global content licensing initiatives. She also manages the Warner Bros. \u2018A\u2019-List, a multi-territory insights community that serves as a valuable cost-savings research tool across the organization. Born and raised in Mexico, Gomez Garcia began her career in film development and production, and strives to keep a storytelling mentality when bridging the gap between entertainment consumers and the movies or shows they enjoy.<\/p>\n \u00a0<\/p>\n Global Head of Strategic Partnerships and business development<\/strong> Nelson leads content acquisition and platform partnerships across 30 countries for connected-TV leader Samsung TV Plus. Under her leadership, the service has become one of the largest FAST platforms globally, reaching more than 88 million monthly users across 630 million devices, with 3,500 channels and a vast on-demand library. Nelson has secured exclusive partnerships with top creators and brands, including Spotify, the Jonas Brothers, Mark Rober, Mattel and A+E. Prior to assuming her present position in December 2022, Nelson led strategic partnerships for Samsung TV and Mobile, driving major deals across content, distribution and emerging tech. She joined Samsung in 2013.<\/p>\n \u00a0<\/p>\n Senior Manager, Business Intelligence<\/strong> Since joining PBS Distribution in 2022, Marszalkowski has transformed the way the Business Intelligence unit provides data and analytics to the organization. She has developed and refined corporate projection models, allowing leadership to make fact-based decisions regarding acquisitions and partnership opportunities. She has been the primary driver of improved end-user reporting, allowing teams to access data when and how they need it. Promoted into her present position in November 2024, Marszalkowski is now mentoring others to strive for the same level of excellence and innovation. Prior to joining PBS Distribution, Marszalkowski spent more than three years at Greenlight Networks, a broadband service provider based in Rochester, N.Y.<\/p>\n \u00a0<\/p>\n Director, Digital Marketing<\/strong> Winston leads digital marketing for new releases, acquisitions and original titles across home entertainment and Paramount+. A storyteller at heart, Winston is known for connecting with fans in authentic and unexpected ways \u2014 most notably earning a Grand Clio Award for his work on Scream VI<\/em>. His past campaigns for Top Gun: Maverick, Teenage Mutant Ninja Turtles<\/em> and A Quiet Place<\/em> have garnered both industry recognition and cultural impact. He excels in all aspects of digital marketing, from social strategy to influencer marketing and brand collaborations. Winston joined Paramount in 2011 and held a series of positions before assuming his present role in September 2021.<\/p>\n \u00a0<\/p>\n Manager, Digital Distribution<\/strong> Torres Villafa\u00f1a plays a pivotal role within the Paramount Home Entertainment sales team, providing account management support for digital retail partners including Prime Video and Microsoft. She collaborates across brand, marketing and planning to drive growth of the Paramount Pictures catalog to execute best-in-class digital releases. Most recently, Torres Villafa\u00f1a and the team launched the pioneering pre-theatrical digital product page on Prime Video for Mission: Impossible \u2014 The Final Reckoning<\/em>. Torres Villafa\u00f1a joined Paramount in 2021 and has worked across sales, customer marketing and physical operations. She was promoted into her present position in 2022. Prior to joining Paramount she worked at insurer Hub International and Echelon Studios.<\/p>\n \u00a0<\/p>\n Senior Marketing Manager<\/strong> Based in Sydney, Australia, Hart-Brown oversees the marketing for Paramount Pictures Australia and New Zealand, leading launch campaigns for major titles including Gladiator II<\/em> and the \u201cMission: Impossible\u201d films. She manages iconic franchises such as \u201cTransformers\u201d and \u201cA Quiet Place\u201d within the catalog business, as well as the expansive Paramount TV slate. Hart-Brown has driven innovative pricing and windowing strategies and plays a pivotal role in cross-industry initiatives to grow digital adoption and consumer engagement. Hart-Brown joined Paramount in October 2019 after more than five years at 20th Century Fox, where she most recently served as Theatrical New Release Marketing Manager.<\/p>\n \u00a0<\/p>\n Director, Content Partnerships<\/strong> Dominguez drives CTV app partnerships at Xperi for TiVo OS and Automotive. He joined Xperi \u2014 a technology that develops and delivers solutions for consumer electronics, connected cars, and entertainment, including platforms for pay-TV and video services \u2014 in June 2024 from the Cox Media Group, where he scaled the company\u2019s FAST business to 13 platforms and grew revenue by more than 3,000%. Dominguez blends technical savvy with sharp commercial instincts. Recognized with the StreamTV Emerging Leaders Award, he\u2019s a sought-after speaker and trusted voice in the evolving FAST and CTV landscape. His strategic thinking, industry foresight, and collaborative approach make him a rising force in entertainment technology.<\/p>\n \u00a0<\/p>\n EVP and Head of Business Development<\/strong> Ollwerther leads the identification and execution of new business opportunities that align with Kartoon Studios\u2019 vision of creating, distributing and licensing engaging content for kids and families. He is a key architect of Kartoon Studios\u2019 transformation, leading initiatives that span digital, content and corporate strategy. He launched Kartoon Channel!, the company\u2019s first direct-to-consumer platform, and drove the acquisition of Ameba, expanding content reach and recurring revenue. As a senior leader of the Stan Lee Universe, he secured a multi-film deal and graphic novel series, extending the iconic brand across generations. He also oversaw the company\u2019s rebranding and NYSE uplisting, boosting market visibility.<\/p>\n \u00a0<\/p>\n Director, Growth<\/strong> As Director of Growth at Plex, Broek blends data-driven strategy with creative brand thinking to drive audience expansion for the streaming platform, which has FAST channels, premium movie rentals, and live-TV channels available to stream in more than 180 countries and 81 languages. With roots in the entertainment industry \u2014 starting at DreamWorks Animation and later holding leadership roles at POPSUGAR, Chive Media Group and Atmosphere TV \u2014 Broek has spent her career at the intersection of content, marketing, and growth. At Plex, she leads performance and omni-channel campaigns across Web, mobile and CTV, while also tapping into upper-funnel tactics like brand partnerships and cultural moments.<\/p>\n \u00a0<\/p>\n Senior Manager, Content Licensing<\/strong> Jackman is the founder of webOS licensing activities at LG Electronics, along with Samsung and Vizio a leader in the CTV field. Since joining the company in 2023, Jackman has licensed thousands of titles that have been instrumental to the growth of LG Channels. He recently licensed the entire series of \u201cSuits\u201d for LG\u2019s FAST audience, as well as such movie franchises as \u201cJohn Wick,\u201d \u201cRed,\u201d \u201cMission: Impossible,\u201d \u201cThe Hunger Games\u201d and more. Jackman has also developed exclusive content for LG Channels such as \u201cFantasy Life,\u201d a fantasy sports show. Prior to joining LG, Jackman oversaw global TVOD licensing and North America FAST licensing for MGM for 11 years.<\/p>\n \u00a0<\/p>\n Manager, Film<\/strong> Since joining Netflix\u2019s Film team in 2022, Haney has worked on A Family Affair, The Piano Lesson, Pain Hustlers, Good Grief<\/em> and The Six Triple Eight<\/em>. She is currently helping shepherd adaptations such as People We Meet on Vacation, The Woman in Cabin 10<\/em> and The Seven Husbands of Evelyn Hugo<\/em>. Haney is also working on such upcoming projects as Lena Dunham\u2019s Good Sex<\/em>, Voicemails for Isabelle<\/em> with Zoey Deutch, Mrs. Claus<\/em> with Jennifer Garner, and The Fifth Wheel<\/em> with Kim Kardashian. Haney began her career at The Walt Disney Co. and Lucasfilm, and later joined ACE Entertainment, where she co-produced Time Cut for Netflix and Love in Taipei on Paramount+.<\/p>\n \u00a0<\/p>\n Senior Manager, Documentary Film and Series Awards<\/strong> Moore has worked on campaigns for award-winning films including Will & Harper, American Symphony, The Greatest Night in Pop, Daughters, Crip Camp, The Last Dance, Tiger King, Our Planet<\/em> and Oscar winners Icarus, American Factory, My Octopus Teacher, Period. End of Sentence.<\/em> and, most recently, The Only Girl in the Orchestra<\/em>. Moore holds an Executive MBA from the University of Nevada, where she in 2021 established the Liv Moore Scholarship for undergraduate students in the journalism school. Moore\u2019s TEDx talk on the power of giving back has received more than 130,000 views. In 2022 she was named to Forbes\u2019 30 Under 30 list and received the University of Nevada\u2019s Distinguished Young Alumni Award.<\/p>\n \u00a0<\/p>\n Counsel<\/strong> Zinsmeyer\u2019s primary responsibilities include legal guidance for SDS\u2019s Canadian operations and for the HR team. Additionally, she has played a key role in SDS\u2019s growing partner business, in which she has drafted a number of SDS\u2019s key partner distribution agreements. SDS is the joint venture formed in April 2021 by Warner Bros. and Universal Pictures to sell and distribute their physical-media releases in the North American market. Zinsmeyer came to SDS from Warner Bros., where her responsibilities included legal work on original live-action and animated content in development through production. Prior to joining Warner Bros., she held roles with Lionsgate and in private practice for David Boyle, APC.<\/p>\n \u00a0<\/p>\n Senior Manager, MRP Production<\/strong> Haroian leads the team at SDS that is responsible for product planning, manufacturing and execution for the company\u2019s growing portfolio of partner studio accounts, which include BBC, Shout! Studios, Angel Studios and others. She is proficient in leading high-performing teams in production, inventory management, demand planning, sourcing and purchasing. Haroian joined SDS when the joint venture was formed in April 2021 and has grown from managing four partner studios to 14. Haroian spent the first eight years of her career in banking, at Citi, and in 2014 shifted to supply chain when she joined NBCUniversal as a buyer and planner. There, she ultimately rose to Manager of Supply Chain.<\/p>\n \u00a0<\/p>\n Chief Delivery Officer<\/strong> A vital force in Giant\u2019s sales and engineering efforts, Jayasinghe is a dynamic leader in the digital and OTT space. Promoted into his current role in May 2025, Jayasinghe joined Giant Worldwide in 2023 as Executive Director of Project Management and was soon elevated to VP. He has driven innovation through custom workflows, automation tools and large-scale RFP strategies, significantly elevating studio operations. Jayasinghe has deep expertise in client-facing supervision, strategic problem-solving and cross-functional team leadership. Prior to joining Giant Worldwide, a provider of cutting-edge solutions for the media industry, he spearheaded client initiatives at Deluxe and served as Executive Director of Client Services at PDS.<\/p>\n Manager, Content Strategy and Analytics<\/strong> Promoted into her present position in May 2024, Bigelow supports Hulu\u2019s Content Partnerships team \u2014 part of the broader Direct-to-Consumer organization within The Walt Disney Co. \u2014 by analyzing content portfolios and developing strategic recommendations to guide acquisition and renewal decisions. She works closely with cross-functional stakeholders to implement initiatives that drive content portfolio health and viewer engagement on the platform. Prior to joining Hulu in December 2021 as a Senior Analyst, Bigelow worked for nearly three years at NBCUniversal on the Digital Distribution team, where she supported the Accounts team by analyzing sales performance across NBCUniversal\u2019s extensive catalog of films.<\/p>\n \u00a0<\/p>\n Director, Global Marketing Strategy<\/strong> Smith helps set worldwide strategies for Lionsgate\u2019s highest-profile multiplatform releases and select wide releases throughout their lifecycles. She collaborates with cross-functional teams and third-party distributors, and oversees marketing campaigns with international distributors. In 2024 she set the global marketing strategy for two of the studio\u2019s highest-performing releases: The Strangers: Chapter 1<\/em>, initiating the \u201cStrangers Everywhere\u201d campaign, and The Best Christmas Pageant Ever<\/em>. Her next projects include The Strangers: Chapter 2, She Rides Shotgun<\/em> and I Wish You All the Best<\/em>. Promoted into her current position in March 2023, Smith began her career at Lionsgate in 2017 in the Worldwide TV & Digital Distribution Group and later worked in theatrical marketing.<\/p>\n \u00a0<\/p>\n Senior Analyst, Sales Planning and Analysis<\/strong> Thrower oversees new-release forecasting, with a focus on go-to-market strategy. He plays a key role in evaluating new projects for commercial viability, forecasting expected revenues for greenlight consideration, contextualizing slate performance and translating industry trends into actionable insights. Beyond his work in sales and distribution, Thrower also serves on Lionsgate\u2019s internal think tank, where he evaluates in-development scripts for cultural authenticity, inclusivity and creative originality. He began his career at Google, managing more than $650 million in annual operating expenses and developing Alphabet Inc.\u2019s first consolidated income statement. He later joined Pixar, where he helped manage the production budget for the Academy Award-winning Soul<\/em>.<\/p>\n VP, North American Digital Distribution<\/strong> Qasem works closely with Julie Dansker, SVP of Streaming and Content Strategy, securing licensing for Radial\u2019s film and TV series library and new releases across major platforms in the digital streaming space, as well as pitching and launching FAST channels. With a keen, data-driven understanding of industry trends, Qasem serves as an account manager for key AVOD, SVOD and FAST partnerships across the globe, collaborates with the acquisition team to offer insight into sales projections, and works closely with senior leadership on overarching strategy. Qasem joined Radial predecessor Shout! Studios in 2019 after spending seven years at Millennium Films in international sales and financing.<\/p>\n \u00a0<\/p>\n Director, Content Licensing<\/strong> Devorsky serves an account manager for key AVOD, SVOD and FAST partnerships across the globe. Working with Radial\u2019s Content Licensing and Strategy team, he is responsible for securing licensing for Shout!\u2019s film and TV series library and new releases across major platforms in the digital streaming space, as well as pitching and launching FAST channels. Additionally, he works closely with the Radial Entertainment acquisition team, providing insight into department sales projections. Devorsky joined Radial predecessor Shout! Studios in September 2022. Previously, he spent five years working in content sales at independent film distributor Samuel Goldwyn Films, where he rose to Director of Sales.<\/p>\n \u00a0<\/p>\n VP, Digital Operations<\/strong> As VP of Digital Operations, Ekum has scaled digital media delivery from dozens of titles to more than 33,000 assets annually across platforms such as Netflix, Amazon and Pluto TV. With more than 15 years of experience in post-production and IT, he\u2019s led transformative workflows, spearheaded 4K HDR adoption, and built in-house infrastructure powering global distribution. A PMP-certified leader, Ekum manages teams and vendors while designing scalable solutions that blend creative and technical excellence. Prior to joining Radial predecessor Shout! Studios in 2014, Ekum was Media Asset Manager at Playboy Plus Entertainment and, before that, Associate Editor and Director of Media at Famous Monsters of Filmland.<\/p>\n \u00a0<\/p>\n VP, Media Architecture<\/strong> Cava leads the evolution of media architecture for Disney\u2019s direct-to-consumer portfolio, encompassing Disney+, Hulu and ESPN. While at Hulu, Cava pioneered the Patch Manifest and Server-Guided Ad Insertion (SGAI) technologies, which were crucial for launching Hulu + Live TV and served as the basis for innovations that later informed industry standards. At Disney, Cava has been instrumental in integrating the Disney and Hulu media ecosystems and founded the media architecture team to drive strategic initiatives across their DTC offerings. Additionally, he chairs the CTA WAVE group, focusing on DASH-HLS interoperability. Cava interned at Hulu while attending the University of Washington and joined the company upon graduation.<\/p>\n \u00a0<\/p>\n Director, Marketing Strategy<\/strong> Yankala is a strategic marketing leader with a decade of experience at The Walt Disney Co. She currently leads a global integrated marketing function across Disney+, where she is responsible for advancing new business initiatives, standardizing global planning frameworks, and streamlining processes, tools and playbooks to drive greater business impact. Yankala recently earned recognition in the Disney division\u2019s \u201cStreamer\u2019s Choice Awards\u201d for her commitment to teamwork and collective problem-solving skills. Before joining Disney in 2015, Yankala launched her career at Publicis, working across the Procter & Gamble account \u2014 an experience that grounded her in strategy, consumer behavior and integrated planning.<\/p>\n \u00a0<\/p>\n Director, Brand and marketing Strategy<\/strong> Slesinger leads global brand and marketing strategy for The Walt Disney Co.\u2019s signature streamer, overseeing strategic positioning, messaging, and go-to-market planning across product launches, subscriber retention campaigns, and Disney\u2019s bundle streaming offerings. Recently, he played a key role in the integration of Hulu and ESPN into the Disney+ app experience \u2014 guiding brand expression across audiences and channels. As a part of the Disney+ team since its inception in 2019, Slesinger serves as a central strategic hub for the entire marketing organization \u2014 leading global strategy development, cross-functional planning and campaign execution. He has worked across Disney\u2019s diverse businesses and marketing functions since 2011.<\/p>\n \u00a0<\/p>\n VP, Partnerships and Platform Management<\/strong> Winter joined this independent film distributor in October 2023 in a newly formed role. She oversees strategic distribution partnerships and new business development across all Kino Lorber brands and streaming services, including MHz Choice and Topic. She is tasked with driving revenue growth by distributing films and series from the Kino Lorber catalog across all means of distribution, including streaming and on-demand platforms. Winter joined Kino Lorber after eight years at AMC Networks, most recently serving as Director of Partner Management and Digital Distribution. In that position, she worked across AMC Networks\u2019 brands and streaming services, and managed platform partnerships with Amazon Prime Video, Apple TV and Samsung.<\/p>\n \u00a0<\/p>\n Director, Business Development and Ad Sales<\/strong> Hillman supports revenue growth through direct and programmatic ad strategies across global FAST and OTT platforms for OTTera, a Sarasota, Fla.-based OTT services provider. He collaborates with brands, agencies and publishers to optimize monetization using OTTera\u2019s proprietary tools, including the company\u2019s monetization service, EMAI, and AdNet+, which acts as the supply arm for a diverse network of publishers, providing full inventory control for both domestic and international markets. Hillman joined OTTera in 2023 as Sales Director and was promoted into his present position in March 2025. Prior to joining OTTera, he held key roles at various tech-forward media companies, building high-impact partnerships and scaling revenue operations.<\/p>\n \u00a0<\/p>\n VP, Business Development<\/strong> Warkol leads OTTera\u2019s global sales team, spearheading strategic partnerships and revenue growth across OTTera\u2019s service lines, including Streambridge (global content distribution) and AdNet+ (monetization). Known for his cross-functional leadership and executive collaboration, Warkol plays a vital role in expanding global distribution and monetization strategies. He joined OTTera in 2017. Warkol has a lifelong connection to entertainment and a decade of OTT expertise. He began his career as a child actor \u2014 he played Froggy in the 1994 Amblin Entertainment film The Little Rascals<\/em>, and Travis in 1996\u2019s Carpool<\/em> \u2014 and then transitioned to the business side after college. He began at Toon Goggles and joined OTTera in 2017.<\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/001_0725MPN_v2-238x300.jpg\")
<\/a>Jessica Fan, 31<\/h2>\n
Prime Video<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Jessica-Fan-2025-225x300.jpg\")
Robert Baker, 30<\/h2>\n
Sony Pictures Entertainment<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Robert-Baker-2025-225x300.jpeg\")
Bita Eshghieh, 34<\/h2>\n
Sony Pictures Entertainment<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Bita-Eshghieh-2025-225x300.jpg\")
Kei Yamada, 35<\/h2>\n
Sony Pictures Entertainment<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Kei-Yamada-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Sony-Pictures.png\")
<\/a><\/p>\nSofia Gomez Garcia, 37<\/h2>\n
Warner Bros. Discovery Content Sales<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Sofia-Gomez-Garcia-2025-225x300.jpg\")
Sarah Nelson, 38<\/h2>\n
Samsung TV Plus<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Sarah-Nelson-2025-225x300.jpg\")
Sara Marszalkowski, 30<\/h2>\n
PBS Distribution<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Sara-Marszalkowski-2025-225x300.jpg\")
Dashiell Winston, 36<\/h2>\n
Paramount Home Entertainment<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Dashiell-Winston-2025-225x300.jpg\")
Melisa Torres Villafa\u00f1a, 34<\/h2>\n
Paramount Home Entertainment<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Melisa-Torres-Villafana-2025-225x300.jpg\")
Rebecca Hart-Brown, 38<\/h2>\n
Paramount Home Entertainment<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Rebecca-Hart-Brown-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Paramount-Ad-Full.png\")
<\/a><\/p>\nMatthew Dominguez, 33<\/h2>\n
Xperi<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Matthew-Dominguez-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Xperi-Ad-Full.png\")
<\/a><\/p>\nJon Ollwerther, 39<\/h2>\n
Kartoon Studios<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Jon-Ollwerther-2025-225x300.jpg\")
Jillian Broek, 36<\/h2>\n
Plex<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Jillian-Broek-2025-225x300.jpg\")
Aaron Jackman, 39<\/h2>\n
LG Electronics<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Aaron-Jackman-2025-225x300.jpeg\")
Angie Haney, 30<\/h2>\n
Netflix<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Angie-Haney-2025-225x300.jpg\")
Liv Moore, 31<\/h2>\n
Netflix<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Liv-Moore-2025-225x300.jpg\")
Corinna Zinsmeyer, 35<\/h2>\n
Studio Distribution Services (SDS)<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Corinna-Zinsmeyer-2025-225x300.jpg\")
Aleen Haroian, 38<\/h2>\n
Studio Distribution Services (SDS)<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Aleen-Haroian-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/SDS-Ad-Full.png\")
<\/a><\/p>\nChris Jayasinghe, 32<\/h2>\n
Giant Worldwide<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Chris-Jayasinghe-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Giant-Ad-Half.png\")
<\/a><\/p>\n\u00a0<\/h2>\n
Tory Bigelow, 28<\/h2>\n
Hulu<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Tory-Bigelow-2025-225x300.jpg\")
McKenzie Smith, 29<\/h2>\n
Lionsgate Motion Picture Group<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/McKenzie-Smith-2025-225x300.jpg\")
Arthur Thrower, 32<\/h2>\n
Lionsgate Motion Picture Group<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Arthur-Thrower-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Lionsgate-Ad-Full.png\")
<\/a><\/p>\n\u00a0<\/h2>\n
Rashad Qasem, 36<\/h2>\n
Radial Entertainment<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Rashad-Qasem-2025-225x300.jpg\")
Taylor Devorsky, 31<\/h2>\n
Radial Entertainment<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Taylor-Devorsky-225x300.jpg\")
Nick Ekum, 38<\/h2>\n
Radial Entertainment<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Nick-Ekum-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Shout-Ad-Full.png\")
<\/a><\/p>\nZachary Cava, 33<\/h2>\n
The Walt Disney Co.<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Zachary-Cava-2025-225x300.jpg\")
Cass Yankala, 34<\/h2>\n
Disney+<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Cass-Yankala-2025-225x300.jpg\")
Scott Slesinger, 36<\/h2>\n
Disney+<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Scott-Slesinger-2025-225x300.jpg\")
Rebecca Winter, 34<\/h2>\n
Kino Lorber Media Group<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Rebecca-Winter-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Kino-Ad-Full.png\")
<\/a><\/p>\nKevin Hillman, 39<\/h2>\n
OTTera<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Kevin-Hillman-2025-225x300.jpg\")
Jordan Warkol, 38<\/h2>\n
OTTera<\/strong><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Jordan-Warkol-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/OTTera-Ad-Half.png\")
<\/a><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Brooke-Kahn-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Edgar-Conroy-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Deliver-Ad-Half.png\")
<\/a><\/p>\n![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Danielle-Canepa-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Kenesha-Luney-2025-225x300.jpg\")
![\"\"](\"https:\/\/www.mediaplaynews.com\/wp-content\/uploads\/2025\/07\/Savannah-Cohn-2025-225x300.jpeg\")