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Florence + The Machine<\/a> have shared a preview of a new song called \u2018One Of The Greats\u2019. Listen below.<\/p>\n The London band are due to release\u00a0their sixth studio album \u2018Everybody Scream\u2019<\/a> on October 31, and have already previewed the project with its epic title track<\/a>.<\/p>\n Now, frontwoman Florence Welch<\/a> has posted a brief snippet of what is likely to be her next single.<\/p>\n \u201cI clawed up from under the earth\/ Broken nails and coughing dirt\/ Spitting out my songs so\/ You can sing along, oh<\/em>,\u201d Welch sings over a raw, electric guitar part in a stripped-back verse.<\/p>\n In the caption, Welch added: \u201cDid I get it right? Do I win the prize? Do you regret bringing me back to life?\u201d<\/p>\n Elsewhere, fans on Reddit<\/a> have reported that Ethel Cain<\/a> was credited on the forthcoming \u2018One Of The Greats\u2019 in the description of a now-deleted preview clip on YouTube. No release date has been confirmed, at the time of writing.<\/p>\n Check out the preview here:<\/p>\n Florence + The Machine\u2019s new album features contributions from IDLES<\/a>\u2018 Mark Bowen, Mitski<\/a>, and\u00a0The National<\/a>\u2019s\u00a0Aaron Dessner<\/a> \u2013 all of whom worked with Welch on the title track, too. The LP will follow on from 2022\u2019s\u00a0\u2018Dance Fever\u2019<\/a>.<\/p>\n Welch and co. recently announced a UK and European arena tour<\/a> in support of \u2018Everybody Scream\u2019. The run of shows is set to kick off in February, and will include two dates at The O2 in London. Find any remaining tickets here<\/a>.<\/p>\n The singer recently revealed that the inspiration for the \u2018Everybody Scream\u2019 album<\/a>\u00a0came from\u00a0undergoing lifesaving surgery during the \u2018Dance Fever\u2019 tour in 2023<\/a>. She also began to look into spiritual mysticism and folk horror \u2013 understanding the limits of her body and questioning what it means to be \u201chealed\u201d.<\/p>\n These are themes that helped shape the record, along with exploration of womanhood, partnership, ageing and dying.<\/p>\n Elsewhere, Welch opened up about being inspired by JADE<\/a> and the current \u201cexperimental\u201d side of pop on her \u201cmost personal\u201d record yet, while recalling working with \u201cone of [her] favourite artists of all time\u201d, Mitski<\/a>.<\/p>\n \u201cShe came to the studio one day and was like, \u2018You need a chorus. I just feel like there\u2019s a chorus coming after this drone \u2013\u00a0 it\u2019s so striking\u2019,\u201d she explained.<\/p>\n \u201cGetting to work with Bowen and Mitski on this record is just so special to me. I didn\u2019t know if she even worked on other people\u2019s records, but I reached out: \u2018I know you\u2019re in town for shows, would you like to come to the studio?\u2019 And she said yes!\u201d<\/p>\n<\/div>\n\n
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