{"id":2028778,"date":"2025-09-17T12:16:57","date_gmt":"2025-09-17T12:16:57","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2028778"},"modified":"2025-09-17T12:16:57","modified_gmt":"2025-09-17T12:16:57","slug":"how-the-drummer-who-quit-when-xtc-stopped-touring-is-keeping-the-music-alive","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/how-the-drummer-who-quit-when-xtc-stopped-touring-is-keeping-the-music-alive\/","title":{"rendered":"How the drummer who quit when XTC stopped touring is keeping the music alive"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Led by two of the era\u2019s more distinctive songwriters (guitarist Andy Partridge and bassist Colin Moulding), XTC released a string of classic singles as the British rock scene shifted its attention from the punk years to a more experimental variation on the punk aesthetic, quickly labeled post-punk.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Partridge liked to scoff at such distinctions, as he did on one of XTC&#8217;s best early singles, &#8220;This is Pop.&#8221; But \u201cMaking Plans for Nigel,\u201d \u201cGenerals and Majors,\u201d \u201cTowers of London\u201d and \u201cSgt. Rock (is Going to Help Me)\u201d offered listeners the perfect blend of post-punk eccentricity and disarmingly Beatlesque pop sensibilities.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">XTC was coming off its highest-charting U.K. single yet, a Top 10 smash called \u201cSenses Working Overtime,\u201d and working on the follow-up to that song\u2019s parent album, \u201cEnglish Settlement,\u201d when drummer Terry Chambers quit the band.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">He wasn\u2019t wild about the music they were working on for \u201cMummer,\u201d an album his bandmates would go on to finish without him and release in 1983. But the bigger issue may have been the band\u2019s decision to stop touring and performing.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">XTC\u2019s last tour was 1982. But Chambers is back on the road with a new group he calls EXTC, treating XTC fans to a celebration of their catalog, including highlights of the albums they recorded after his departure.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">That tour arrives at Walter Studios on Tuesday, Sept. 23.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Here\u2019s what Chambers has to say about it all. <\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>EXTC, featuring XTC drummer Terry Chambers, in concert.<\/p>\n<\/figcaption><\/figure>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">How reconnecting with Colin Moulding paved the way for EXTC<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>It had been quite some time since you left XTC before you started doing this. What inspired you to reconnect with that material?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I came over for a wedding. My brother\u2019s eldest daughter. I was living in Australia at the time and during that period of time, I reacquainted myself with Colin and Andy.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Colin at that point was doing a solo project. He was getting a little disillusioned working on his own and asked if I would like to get involved in some way. I thought &#8220;Well, this is an opportunity that I didn\u2019t think would be coming and I\u2019ve always been a bit of an opportunist.&#8221;<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">So we put this thing together. I played drums on it. I hadn\u2019t played for some time. But it came out as an EP, and Colin decided he wanted to put a band together and see what this material might be like in the live situation with myself and him and a collection of other local musicians in the Swindon area. But after six shows, he decided he didn\u2019t want to get on the merry-go-round of touring again.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I, on the other hand, felt that it was an enjoyable experience. So I tried to hold the remnants of that group together. We\u2019ve had several member changes since, mainly due to the fact that the sort of touring schedule I had in mind didn\u2019t suit some of the people. They had other jobs, marriages, mortgages, children and general normal lives and couldn\u2019t afford the time.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">So I\u2019ve now ended up with Steve Hampton, Terry Lines and Karl Lornie. These guys can commit to the time. So it\u2019s taken a while but it\u2019s going very well.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>What was it like working with Colin again?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It was like putting on an old pair of comfortable slippers, really, because we\u2019d worked together for so long. You never really forget that connection. So it wasn\u2019t like starting again, really. It was like you\u2019d probably been asleep for a while and then woke up and things were back to normal.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><span class=\"exclude-from-newsgate\"><strong>Interview: <\/strong><a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/www.azcentral.com\/story\/entertainment\/music\/2018\/05\/11\/steven-wilson-interview-bone\/597002002\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Steven Wilson of Porcupine Tree on finding inspiration in XTC's progressive pop;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Steven Wilson of Porcupine Tree on finding inspiration in XTC&#8217;s progressive pop<\/a><\/span><\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Terry Chambers reflects on his departure from XTC in 1982<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Could you talk about why you left XTC when you did?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Mainly due to the fact that Andy Partridge decided he didn\u2019t want to do live work anymore.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Playing live is what attracted me to joining a band in the first place. The fact that we ended up getting a recording contract was the icing on the cake. I never ever thought that would materialize. But I couldn\u2019t see much future, to be fair, in a band that doesn\u2019t tour, especially when you\u2019ve got pressure from a record company expecting you to go out.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I mean, that was the norm \u2014 to make a record, go out and promote it. If you\u2019re not prepared to promote your own product, can you expect anybody else to do so? To a degree, it was the beginning of the end of the relationship between XTC as a band and Virgin Records as a record company. I thought, \u201cIf I\u2019m not playing live, I might as well get out.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">And the material that was being written at the time, which turned out to be the \u201cMummer\u201d album, I didn\u2019t think the songs were as strong as what they were on the previous couple of albums. I think maybe Andy Patridge needed a bit of a rest from everything to come up with some better material. But that\u2019s just my thought line.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>You were working on \u201cMummer\u201d at that point, right?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">We were. And I thought, \u201cWell, it just doesn\u2019t seem to have the same gusto as the others.\u201d Not only was Partridge sort of fatigued by the touring side of things, I think mentally, he needed a bit of a rest, maybe 12 months off just to sort of recharge the batteries. But as I say, that\u2019s my opinion.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Terry Chambers says he feels Andy Partridge just needed a rest<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Have you ever wished you could\u2019ve figured out a way to make it work back then?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I think it could\u2019ve done had we had sympathetic management. We had management who their idea was while we were reasonably popular to maximize the opportunities we had and just keep the band working, because you never know when you\u2019re going to become unpopular and people won\u2019t bother to turn up and maybe you\u2019re last year\u2019s thing.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">They didn\u2019t really have a good grasp on the way this thing works, in as much as if you haven\u2019t got good health \u2014 mental health and all the rest of it \u2014 you\u2019re not functioning properly. Partridge, in particular, was flogged like a horse. He needed a rest. But they couldn\u2019t see that. They felt if you don\u2019t continue striving on the treadmill of the rock \u2018n\u2019 roll business, somebody else is gonna take your place.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">So that was the situation, in retrospect, that could\u2019ve been dealt with differently.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Do you talk to Andy much these days?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">No. We exchange birthday greetings and Christmas greetings. That\u2019s about it, really. He\u2019s doing whatever he\u2019s doing and I\u2019m pretty much busy doing this. I haven\u2019t spoken to him personally for a couple of years now.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>What did you think of the music XTC did after you had left?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Well, I think there\u2019s some damn good songs there. But Andy was a bit like a kid in a candy store when it came to the studio. There\u2019s probably too much stuff on there at times. I think the whole thing got a little clouded with overdubs and such. A good song is a good song if it\u2019s played on acoustic guitar and somebody\u2019s singing it.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Sometimes you can throw too much stuff at it and the essence of the song can get a little bit drowned. But I\u2019m not a songwriter. That\u2019s just what I\u2019m listening to and how I see it.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">&#8216;Drums and Wires&#8217; through &#8216;English Settlement&#8217; tour as XTC&#8217;s peak<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Do you have a favorite era of the band?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Well, arguably, between \u201cDrums and Wires\u201d and the end of the \u201cEnglish Settlement\u201d tour, really.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">By the time we got to the \u201cDrums and Wires\u201d album, we started to know a little bit more about the recording process, having done two previous albums. We were playing a lot better as a live band. We knew our craft a little better. And we were young and stronger at that point in time. I think we were probably at our peak.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>You started playing with Andy and Colin in a group called Star Park in 1972. What kind of music were you doing?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It was a lot of covers in order to get gigs in the early days, some Rolling Stones, the Turtles. But also some of Partridge\u2019s early material. We actually changed the name because Partridge had another band called Star Park with a different drummer, bass player and guitar player.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">So we ended up changing the name to the Helium Kids. We did do some shows under Star Park but we changed it pretty quickly.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Do you recall a point at which you through you\u2019d found your voice as a band?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I guess it was really the \u201cDrums and Wires\u201d album. They were still sort of learning their songwriting craft. A lot of the pressure was put on the songwriters in particular for that album because \u201cDrums and Wires\u201d was our third album and we hadn\u2019t had a hit single. It was all about hit singles and recording success, really, as far as the record company was concerned. So they were under a lot of pressure there.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">And luckily for us, Colin came up with a thing called \u201cMaking Plans for Nigel,\u201d which was reasonably successful. And it sort of saved our bacon, really. I think on that third album, Virgin Records were gonna dump us if we didn\u2019t get a single out of that.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Chambers on XTC feeling they needed to connect with punk<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Did you feel a connection to the punk scene going on in England at the time?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Well, it was something we felt that we needed to get connected with, really, in order to get the gigs, because most of the venues in London were obviously putting these sort of bands on, and in order to get gigs you had to sort of be somewhere in the ballpark with that type of thing, rather than playing Deep Purple or Black Sabbath, those sort of songs. So we got a little bit tangled with it.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">And Partridge started writing some songs that were quite frenetic, I guess, in order to be associated with it. But we didn\u2019t really want to go down the safety pin and all the frizzy hair sort of thing. We didn\u2019t really have an image going on at all.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">From a musical point of view, we weren\u2019t too disassociated from it. But we all knew or had a pretty good idea anyway that this thing wouldn\u2019t have the longevity. I think it only lasted five years, then people started to move on to something else. Because the old 1-2-3-4 thing got a bit tiresome.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">What to explain when EXTC plays XTC on US tour<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>I understand you\u2019re doing songs from the records after you left XTC as well on tour?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">That\u2019s right. We felt that it wouldn\u2019t be doing the band justice, really, to sort of concentrate on the songs that I was on. Because a lot of people only discovered XTC after they finished playing live. There are some good songs there. And people enjoy listening to them.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">So I only thought it was fair to do the songbook, not only the ones I played on but some of the arguably better songs off of those albums later on that we could do justice to and we felt would be good in a live situation without having to resort to getting a string section, what we could do as a three- or four-piece band. I thought it would be unfair not to play certain songs.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Are the arrangements fairly faithful?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I think so, yeah. I mean, we put our own twist on it but as soon as we strike up the chords or a drum pattern and begin the song whichever way the song starts, most people recognize it within a few chords. So we\u2019re playing it somewhere near where it should be.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Was it hard to find musicians who could play this material?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Yeah, well, Steve Hampton\u2019s been with me four years now. Terry Lines has been with us for two years and a bit. And Karl\u2019s been with us for a few months now because it was a bit of a workload for Steve to do it on his own when we were a three-piece, singing and playing guitar and playing solos, all that sort of thing.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Karl\u2019s come along with a guitar and keyboards, which is what Dick Gregory did, and he\u2019s made a massive impact.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Chambers says XTC records &#8216;seem to stand up even today&#8217;<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>How would you like XTC to be remembered?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I\u2019m pleasantly surprised that people are still talking about it even now. That alone is something that I\u2019d never have thought would happen. And not that I listen to CDs much, but when I do, the records seem to stand up even today. The recordings were very good. And I\u2019m not really embarrassed by them. You listen to some records and you think \u201cThat really does sound as if it was recorded back in the day.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Do you think there could be an occasion where you guys could work together again?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It\u2019s highly unlikely. I mean, you never know. But unlikely, certainly in a live situation. I don\u2019t know. Maybe on our death bed or something like that. It\u2019s not looking likely at the moment, but I wouldn\u2019t rule it out totally.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>What\u2019s the best part of doing this band?<\/strong><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It\u2019s great fun. At this age, I\u2019m 70 now, to be able to have the opportunity to do this? It\u2019s unimaginable really. And seeing the reaction of people who come to the shows, it\u2019s quite touching. Some people get quite emotional, thinking that they\u2019d never have the opportunity to listen to this stuff in the real world.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">EXTC: XTC&#8217;s Terry Chambers &amp; Friends<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>When: <\/strong>7:30 p.m. Tuesday, Sept. 23.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Where:<\/strong> Walter Studios, 747 W. Roosevelt St., Phoenix.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Admission:<\/strong> $29.97 and up.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>Details:<\/strong> 602-586-5906, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/walterstudios.com\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:walterstudios.com;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">walterstudios.com<\/a>.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Ed has covered pop music for The Republic since 2007, reviewing festivals and concerts, interviewing legends, covering the local scene and more. He did the same in Pittsburgh for more than a decade. Follow him on X and Instagram @edmasley and on\u00a0<\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.facebook.com\/ed.masley\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Facebook;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Facebook<\/a><em>\u00a0as Ed Masley. Email him at\u00a0<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.yahoo.com\/entertainment\/music\/articles\/mailto:ed.masley@arizonarepublic.com\" data-ylk=\"slk:ed.masley@arizonarepublic.com;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">ed.masley@arizonarepublic.com<\/a>.<\/em><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>This article originally appeared on Arizona Republic: <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.azcentral.com\/story\/entertainment\/music\/2025\/09\/17\/xtc-band-drummer-terry-chambers-extc\/86102840007\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:How XTC drummer Terry Chambers keeps band's legacy alive with EXTC;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">How XTC drummer Terry Chambers keeps band&#8217;s legacy alive with EXTC<\/a><\/em><\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Led by two of the era\u2019s more distinctive songwriters (guitarist Andy Partridge and bassist Colin Moulding), XTC released a string of classic singles as the British rock scene shifted its attention from the punk years to a more experimental variation on the punk aesthetic, quickly labeled post-punk. Partridge liked to scoff at such distinctions, as [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2028779,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[373943,373946,342570,373944,373945],"class_list":["post-2028778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-andy-partridge","tag-andy-patridge","tag-colin-moulding","tag-terry-chambers","tag-xtc"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/09\/How-the-drummer-who-quit-when-XTC-stopped-touring-is.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2028778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2028778"}],"version-history":[{"count":0,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2028778\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2028779"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2028778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2028778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2028778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}