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Roxy Music released its final album, Avalon<\/em>, in 1982, capping off a decade that saw the group morph from the shimmering art rock of its debut to something more majestic but wearier. Seven years had passed since the group\u2019s last masterpiece (Siren<\/em>). The uneven Manifesto <\/em>(1979) and Flesh + Blood <\/em>(1980) felt like a group staggering to its end. However, Bryan Ferry and company rebounded with the lovely and ghostly Avalon, <\/em>allowing Roxy Music to finish with a triumph.<\/p>\n Nation of Language, the Brooklyn-based purveyors of \u201980s-inspired synth-pop, return with Dance Called Memory <\/em>on September 19. And while the band\u2019s fourth album in five years sounds like it could be its Avalon<\/em>, maybe the trio just hasn\u2019t earned the same world-weariness after such a short time putting out music.<\/p>\n More from Spin:<\/p>\n If Strange Disciple<\/em> (2023) expanded the group\u2019s sonic palette with live guitars and drums, Dance Called Memory <\/em>feels like a willful retreat from that ecstatic sound. If Strange Disciple <\/em>saw Nation of Language getting ready for a night at the club, this new album feels like a soundtrack for the night drive home. There is nothing as immediately catchy as \u201cSpare Me the Decision\u201d or \u201cSole Obsession.\u201d Instead, Dance Called Memory <\/em>exists in wisps and tendrils.<\/p>\n It is a well-worn story that Nation of Language grew from Ian Devaney\u2019s obsession with early Orchestral Manoeuvres in the Dark tracks. We can clearly hear Andy McCluskey in his vocals as the creeping of other influences show up here. Devaney goes full-Ferry on \u201cSilhouette,\u201d a track that could slot nicely onto Avalon. <\/em>Meanwhile, Devaney wades into the smear of Kevin Shields in the My Bloody Valentine-inspired \u201cI\u2019m Not Ready for the Change.\u201d<\/p>\n Working once again with producer Nick Millhiser (of LCD Soundsystem and Holy Ghost! fame), Dance Called Memory <\/em>could feel like a bummer of an album after Strange Disciple<\/em>. Aidan Noell\u2019s synths feel icy while Alex MacKay\u2019s bass never really menaces. The closest the band comes to a dance track is lead single \u201cNow That You\u2019re Gone,\u201d which feels like a variation on OMD\u2019s \u201cIf You Leave.\u201d Inspired by the death of Devaney\u2019s godfather from ALS, the song explores the idea of empathy that spans the record\u2019s 10 tracks.<\/p>\n Life in America circa 2025 is difficult for many. Instead of going bigger, Nation of Language withdraws into itself, the same way Roxy Music did 43 years ago. Much of this record feels subdued, the hangover after a party. It feels like Devaney is intent on pushing past the superficiality of the \u201980s in the hopes of crafting a sound that is more vulnerable. That weariness hangs over these 10 tracks. Devaney is just out of reach, a sad and knowing ghost that we cannot ever touch.<\/p>\n