{"id":2063035,"date":"2025-10-01T21:57:04","date_gmt":"2025-10-01T21:57:04","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2063035"},"modified":"2025-10-01T21:57:04","modified_gmt":"2025-10-01T21:57:04","slug":"the-smashing-machine-review","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/the-smashing-machine-review\/","title":{"rendered":"\u2018The Smashing Machine\u2019 Review"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>The Smashing Machine<\/em> is a frustrating movie. Occasionally kind of brilliant and an undeniable actor\u2019s showcase, but ultimately very frustrating.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I want to focus on the good first, and the acting in this movie is frequently quite good. If you go to the cinema to see stars fully inhabit other people, this is the flick for you.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Dwayne Johnson, who stars as MMA fighter Mark Kerr making the rounds on the Pride fighting circuit in the late 1990s, has clearly gotten tired of being dismissed as a generic action lunkhead. His bulk is a misdirection here, one that distracts from the quiet, calm, almost wheedling that emanates from his bourbon-barrel-sized chest. He\u2019s dolled up in prosthetics that render him almost unrecognizable, at least until he shaves his head and turns just the right way and the light hits him just right and you\u2019re like \u201cOh yeah, that\u2019s the Rock.\u201d Not Dwayne Johnson: the Rock, the WWE superstar, a man the size of a tank with traps that could tear down a temple. Ultimately, you can\u2019t fake muscles, and there are only a handful of people in the world who could play this role.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Johnson plays Kerr with a childlike sensibility here: Benny Safdie\u2019s script has him constantly complaining about his girlfriend, Dawn (Emily Blunt), not being \u201cnice\u201d to him, how she\u2019s \u201crude.\u201d There\u2019s a wheedling tone to his voice, a whininess that undercuts his enormous girth, and that incongruity plays throughout the film; in an opening voiceover, as we see Kerr dismantle a series of opponents with headbutts and eye gouges, we hear that same tone of juvenile wonder at his own brutality.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Blunt\u2019s work as Dawn Staples is trickier: She\u2019s a fundamentally unlikable character in that she\u2019s not quite a nag or a harpy, but she is clearly unintentionally destructive to Kerr\u2019s career and not particularly thoughtful about his personal needs. With a wardrobe pulled from the closet of <em>Sopranos<\/em> moll Adriana La Cerva, Blunt walks a fine line between supportive, oblivious, annoying, and self-destructive.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Give the gift of Sonny: Pop this review into a friend\u2019s inbox or post it to social media:<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.thebulwark.com\/p\/the-smashing-machine-review?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Share;elm:context_link;itc:0;sec:content-canvas\"><span>Share<\/span><\/a><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">There\u2019s a scene late in the film set to Bruce Springsteen\u2019s \u201cJungleland\u201d\u2014diegetic at first as background music in their shared home, then soaringly nondiegetic as things come to a head and Roy Bittan\u2019s thunderous organ sends us out\u2014that is either the best scene of the year or the most self-parodic, a lover\u2019s quarrel that turns heated then ugly then potentially deadly. I\u2019m biased here (\u201cJungleland\u201d is, maybe, my favorite song), but there\u2019s something perfectly overwhelming about that track\u2019s booming wall of sound scoring the moment that Dawn and Mark\u2019s life comes tumbling down.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It\u2019s a genius musical cue by Safdie, who directed <em>The Smashing Machine<\/em> in addition to writing, and it\u2019s the best sequence in the movie. But something about the film as a whole never quite gelled for me: It\u2019s a series of great sequences that left me a little cold. Safdie doesn\u2019t hew tightly to formula\u2014I can\u2019t think of another fighting movie that ends this way\u2014but <em>The Smashing Machine<\/em> still feels relatively generic, walking us through the familiar beats of a legend-in-the-making who succumbs to drugs and relationship demons only to attempt a return to glory.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div>\n<\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Not to wear my philistine badge too proudly, but my problem with <em>The Smashing Machine<\/em> may be that it needed to be a bit <em>more<\/em> formulaic. Formulas are good; formulas work; that\u2019s why they\u2019re formulas. And Kerr exists on the periphery of one such formulaic story: Kerr\u2019s training partner and good friend Mark Coleman (played by Ryan Bader, a UFC fighter who is making his big-screen debut here in a deeply charming supporting performance) is in the same series of tournaments. He\u2019s constantly on the periphery of the film, working hard, juggling family and health, fighting Father Time in addition to the meatheads in the ring.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">A more formulaic sports movie has Coleman at the center of it, with Kerr his fuckup, cautionary-tale friend. And while there\u2019s something intellectually pleasing about making a sports movie about a character who should be on the film\u2019s periphery and putting him at the center of it\u2014subverting all our expectations about who will win and how, etc.\u2014it\u2019s still emotionally unsatisfying.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.thebulwark.com\/p\/the-smashing-machine-review\/comments\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Leave a comment;elm:context_link;itc:0;sec:content-canvas\"><span>Leave a comment<\/span><\/a><\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Smashing Machine is a frustrating movie. Occasionally kind of brilliant and an undeniable actor\u2019s showcase, but ultimately very frustrating. I want to focus on the good first, and the acting in this movie is frequently quite good. If you go to the cinema to see stars fully inhabit other people, this is the flick [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2063036,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[305874,313617,344655,360534],"class_list":["post-2063035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-dwayne-johnson","tag-emily-blunt","tag-mark-kerr","tag-smashing-machine"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/10\/\u2018The-Smashing-Machine-Review.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2063035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2063035"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2063035\/revisions"}],"predecessor-version":[{"id":2063037,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2063035\/revisions\/2063037"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2063036"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2063035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2063035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2063035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}