{"id":2089942,"date":"2025-10-14T10:21:05","date_gmt":"2025-10-14T10:21:05","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2089942"},"modified":"2025-10-14T10:21:05","modified_gmt":"2025-10-14T10:21:05","slug":"dropout-is-the-part-internet-part-studio-streaming-service-that-built-its-own-comedy-ecosystem","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/dropout-is-the-part-internet-part-studio-streaming-service-that-built-its-own-comedy-ecosystem\/","title":{"rendered":"Dropout is the part-internet, part-studio streaming service that built its own comedy ecosystem"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\">When Netflix launched the streaming era it had a simple promise: One place for everything. But when entertainment studios launched their own services, suddenly every major company wanted to be The Streamer, racing to fill their platforms with the most content possible to beat out competitors.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Amid the chaos of the 2010s streaming wars Dropout \u2014 a streaming service launched by comedy internet-video giant College Humor in 2018 \u2014 was born. The platform specializes in unscripted comedy shows bolstered by its large cast of comedians from the world of improv.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cDropout has to differentiate itself,\u201d says the company\u2019s Chief Executive Sam Reich about developing the streamer\u2019s brand. \u201cI\u2019m interested in, \u2018If you\u2019re gonna do comedy right now, what does that mean?\u2019\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">After College Humor\u2019s parent company InterActiveCorp was dissatisfied with the streaming service\u2019s subscriber numbers in 2019, it became apparent that a sale was on the way. Then-chief creative officer Reich pitched a radical alternative to selling the service to a major media company: have Reich take control of College Humor in exchange for IAC maintaining a minority stake in the company. According to Reich, the deal was approved in less than two months.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">To keep the company afloat, College Humor laid off the majority of its more than 100-person staff in early 2020. Reich and Chief Operating Officer David Kerns whittled the company down to seven full-time employees. The company shifted the business\u2019 focus to making content for its streaming service and later rebranded from College Humor to Dropout.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><b>Read more:<\/b> <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2025-07-23\/elixir-you-tube-production-company-tv-date-on-a-plate-comedy-dating-shows?utm_source=yahoo&amp;utm_medium=promo_module&amp;utm_campaign=rss_feed\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:They built their careers in network TV. Then they started a production company for the influencer age;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">They built their careers in network TV. Then they started a production company for the influencer age<\/a><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWe needed to be profitable the moment that we took over the company,\u201d Kerns explains. And despite a global pandemic that brought major entertainment studios heavy losses, in 2020 Dropout succeeded in making a minor profit in its first year under Reich\u2019s ownership.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The key to Dropout\u2019s success was its streamlined approach to developing shows for the platform. The team focused on what was most successful on the service before Reich\u2019s acquisition. \u201cI believed you could boil Dropout down to just its most celebrated programming, and it would survive well enough on that,\u201d says Reich.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Those shows now include \u2018Dimension 20\u2019 \u2014 a series depicting comedians playing \u2018Dungeons &amp; Dragons\u2019 campaigns \u2014 that is in its 26th season. There\u2019s also &#8220;Game Changers,&#8221; a game show where the game changes every episode that is hosted by Reich; &#8220;Make Some Noise,&#8221; where players attempt short improv challenges; and &#8220;Um, Actually,&#8221; a game show where guests prove their knowledge on niche and nerdy topics.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Dropout CEO Sam Reich has a background in sketch comedy. <span class=\"copyright\">(Anthony Avellano \/ For The Times)<\/span><\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWe are doing loosely scripted, improvisational content. And this can be batch recorded and batch shot,\u201d says Brennan Lee Mulligan on the common thread between Dropout\u2019s shows that made &#8220;Dimension 20&#8221; appealing to the company as it was being relaunched. Mulligan, creator of &#8220;Dimension 20,&#8221; has a background in improv and is a minority owner in Dropout.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The company&#8217;s development process varies from each show. For something like &#8220;Game Changer,&#8221; which Dropout\u2019s supervising producer Ebony Elaine Hardin describes as \u201cself-contained chaos,\u201d the show is in constant development. Hardin says the team debriefs after each season to discuss what worked as they develop the next installment. Director of development Paul Robalino says that rather than traditional writers rooms in TV development, &#8220;Game Changer&#8221; is more \u201cassignment-based\u201d: a collection of 10 writers are given a week to write for an episode.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Reich\u2019s involvement in &#8220;Game Changer&#8221; is not only as host. With a background in sketch comedy, Reich is also involved in its development and production, describing his time spent as 30% on Dropout shows and 70% on the company. \u201cI took the classic actor to director to producer to internet executive to CEO to game show host pipeline,\u201d Reich says. \u201cIt\u2019s a good thing \u2018Game Changer\u2019 is as popular as it is or I would never be able to justify the amount of my job that\u2019s putting that show together.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cOne of the main things that our CEO does is work. He makes a show \u2026 I think it\u2019s pretty cool that our CEO is in there thinking about a good joke and a good idea for an episode,\u201d says Mulligan on Reich\u2019s creative involvement with Dropout\u2019s shows.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">So how does a niche streaming service sustain over a dozen shows ongoing at any given time? \u201cDropout is a very practical place,\u201d says Hardin. The company operates out of a modest studio in Silver Lake with two soundstages: one a permanent set for &#8220;Dimension 20&#8221; and the other rotating between several of its shows. They own the majority of their filming equipment, eliminating the need for costly camera rentals. Dropout also has an on-site art studio where props are constructed and designed by production designer Rick Perry. And while a network TV comedy episode is often shot over the course of several 12-hour days, many of Dropout\u2019s shows shoot several episodes in an eight-hour day.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Dropout's David Kerns, Sam Reich, Paul Robalino and Ebony Elaine Hardin\" loading=\"lazy\" width=\"960\" height=\"1439\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/8Uvc3UEJ3stTODSVb_89VA--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0Mzk7Y2Y9d2VicA--\/https:\/\/media.zenfs.com\/en\/la_times_articles_853\/1c7fd38d32809fb424e960b705b5ea84\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Dropout&#8217;s David Kerns, from left, Sam Reich, Paul Robalino and Ebony Elaine Hardin. <span class=\"copyright\">(Anthony Avellano \/ For The Times)<\/span><\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">But the ethos behind Dropout\u2019s mission is based around people. Hardin emphasizes their sets have a \u201cno toxic behavior\u201d rule. The chemistry between its cast members is a major part of the company\u2019s success, many previously worked together in improv troupes. For the audience, the effect of watching a Dropout show can be the feeling of hanging out with your friends. And Dropout\u2019s leadership is mindful of that relationship; Kerns says the company avoids ads and sponsored content on the site due to an \u201cunderstanding with our audience of this is a safe and comfortable space \u2026 the moment we\u2019re trying to get people to buy Sprite inside of that ecosystem I think that feels icky.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWe get messages every day from people letting us know what this silly stuff we\u2019re doing online means to them,\u201d says Dropout cast member Vic Michaelis, who hosts the streamer\u2019s improv interview show &#8220;Very Important People.&#8221;<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWe have by some people been called a friendship simulator,\u201d says Reich, who acknowledges that the dedicated way its community engages with Dropout\u2019s cast is an \u201cinevitable byproduct of producing content for the internet.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Dropout\u2019s growth has also been fueled by the company\u2019s social media accounts, which post clips from the streamer\u2019s shows. While the company has become known for its online savvy, Reich explains that it\u2019s not a complicated plan. \u201cWe\u2019re doing very little socially apart from posting clips from our show. That is chiefly the social strategy, which is not rocket science.\u201d Dropout also taps into social media when developing ideas for new shows: Its recent stand-up-based series &#8220;Crowd Control&#8221; was inspired by a recent boom in crowd work comedy driven by TikTok and social media algorithms.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Dropout now boasts over 1 million subscribers and 40 full-time employees. Reich describes the demographic of the average subscriber as being in their mid-20s, skewing nerdy, being a comedy or internet fan, and often from a diverse background with progressive politics. But as the company has grown so has its subscriber base, with growing numbers of older fans and interest in more countries outside of the U.S.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Dropout Chief Operating Officer David Kerns with a rubber duckie wearing sunglasses atop his head\" loading=\"lazy\" width=\"960\" height=\"1439\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/gkQ9rqDta5ov2WiT4h02.Q--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0Mzk7Y2Y9d2VicA--\/https:\/\/media.zenfs.com\/en\/la_times_articles_853\/daae5da0947fcab1ba485965b7da4df0\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>&#8220;We needed to be profitable the moment that we took over the company,&#8221; says Chief Operating Officer David Kerns of Dropout&#8217;s nimble rebrand. <span class=\"copyright\">(Anthony Avellano \/ For The Times)<\/span><\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Part of the appeal of Dropout is its public socially-conscious business practices. Since the company\u2019s productions aren\u2019t staffed entirely by union employees, Dropout engages in profit-sharing in lieu of traditional residuals. Full-time employees receive yearly bonuses and all people who work on Dropout productions, from cast members to production assistants, receive a share or profit calculated based on the number of days worked in a given year.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Reich describes the company as \u201cpro-labor,\u201d which is fitting since his father is Robert Reich, former secretary of Labor under President Clinton. For the people who work for Dropout, this philosophy is an extension of the human-centered way the company operates. \u201cWe talk about Dropout as an individual entity and it\u2019s not,\u201d says Michaelis. \u201cDropout is the people that run it.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">While L.A. is experiencing a downturn in production rates, Dropout\u2019s cast and employees are thankful to be able to create a \u201csustained comedy eco-system,\u201d in Robalino&#8217;s words, as many cast members appear on multiple Dropout shows. Michaelis adds that \u201cthe comedy scene, especially the improv scene in L.A., has always been a ladder of people raising themselves up and then you\u2019re pulling the people up from behind you. And the nice part about Dropout is there\u2019s a very real and tangible way to do that for your friends.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Hardin says that Dropout is \u201cdoing their own thing by intention.\u201d For Reich that \u201cthing\u201d is being unapologetically and whole-heartedly focused on comedy. Describing a landscape with streaming services filled with genre mash-ups \u2014 comedy thrillers or comedy dramas \u2014 aside from stand-up specials, Reich sees a gap in the market for comedy that exists only as comedy.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><b>Read more:<\/b> <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2025-10-09\/frankie-quinones-damn-thats-crazy-hulu-special-ali-wong-standup-comedy?utm_source=yahoo&amp;utm_medium=promo_module&amp;utm_campaign=rss_feed\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:How Frankie Qui\u00f1ones went from \u2018CholoFit\u2019 fame to working out his demons in new Hulu special;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">How Frankie Qui\u00f1ones went from \u2018CholoFit\u2019 fame to working out his demons in new Hulu special<\/a><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Now Dropout is figuring out how to grow. The company has recently expanded its live show efforts, touring its comedy programming and &#8220;Dimension 20&#8221; \u2014 which sold out Madison Square Garden to almost 20,000 fans in January. Dropout is also looking to expand into scripted programming, including an animated series in development. And mainstream media is beginning to notice what Dropout is creating: The latest season of &#8220;Saturday Night Live&#8221; has Jeremy Culhane, a Dropout regular, joining the main cast.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The company still has one major white whale: an Emmy nomination. Dropout has invested in several Emmy campaigns for its shows but despite its efforts (and a $50,000 investment for this year\u2019s campaign), it has yet to break through. Kerns says that this push goes beyond just a publicity campaign and speaks to a lack of innovation in the Television Academy\u2019s rules. \u201cInternet content, or new media, is actually just media,\u201d Kerns says. \u201c[An Emmy] is the acknowledgment of something that I think is already a reality \u2026 [it] would solidify for many others that this is our time, that we are on par with all these other TV shows.\u201d<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Dropout CEO Sam Reich holds a life-size cutout of himself\" loading=\"lazy\" width=\"960\" height=\"1200\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/mjXnb7DvP3_SwPyQXb9vOw--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTEyMDA7Y2Y9d2VicA--\/https:\/\/media.zenfs.com\/en\/la_times_articles_853\/bcc48ba61cd7331c5c5224a09ff807b2\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Dropout CEO Sam Reich also hosts the streamer&#8217;s game show &#8220;Game Changers.&#8221; <span class=\"copyright\">(Anthony Avellano \/ For The Times)<\/span><\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Dropout is not the first niche streaming service. But over the past five years it has slowly proved how internet content can turn into a profitable business with a stable infrastructure. And while Reich says the company does not have a strict plan for its future (\u201cwe are stitching these pants as we\u2019re wearing them\u201d), he is tapping into that hopefulness of the online comedy space that started his career 20 years ago to guide Dropout.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cI love that internet, and that almost feels like a weirdly controversial statement to make at this point in time,\u201d Reich says. \u201cI feel like there\u2019s lots of very appropriate conversation about the way social media has toxified us but I still love the internet as a place where weird can thrive. \u2026 And I think that my, and some of our other creatives\u2019, sheer enthusiasm for that continues to dictate some of the direction for Dropout.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">And for those who work for Dropout in any capacity, the company\u2019s approach to creativity reveals a possible model in the media industry that decades of corporate restructuring and mega-mergers had previously made impossible: one fueled by individual creators and small companies being able to sustain a living off of making entertainment for dedicated pockets of fans.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWe don\u2019t want to be f\u2014 billionaires,\u201d says Mulligan. \u201cWe just want to make art and pay our rent and have a family. Most people are normal, most people just want a community and a family and to do some work and be with people that they love and respect. And we get to do that. And whatever\u2019s going on in Hollywood at large, if you have eyes to look there\u2019s Dropout, and there are many places like Dropout, and they\u2019re bubbling up like a mycelium network all over the world.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.latimes.com\/newsletters\/sign-up-for-our-entertainment-alerts?utm_source=yahoo&amp;utm_medium=newsletter_module&amp;utm_campaign=entertainment-alerts\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Get notified when the biggest stories in Hollywood, culture and entertainment go live. Sign up for L.A. Times entertainment alerts.;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Get notified when the biggest stories in Hollywood, culture and entertainment go live. Sign up for L.A. Times entertainment alerts. <\/a><\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">This story originally appeared in <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2025-10-14\/dropout-is-the-part-internet-part-studio-streaming-service-that-built-its-own-comedy-ecosystem\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Los Angeles Times;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Los Angeles Times<\/a>.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Netflix launched the streaming era it had a simple promise: One place for everything. But when entertainment studios launched their own services, suddenly every major company wanted to be The Streamer, racing to fill their platforms with the most content possible to beat out competitors. Amid the chaos of the 2010s streaming wars Dropout [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2089943,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[394061,394058,384421,394059,394062,394060,394057,327177],"class_list":["post-2089942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-anthony-avellano","tag-college-humor","tag-comedy-shows","tag-david-kerns","tag-dropout","tag-robert-reich","tag-sam-reich","tag-streaming-service"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/10\/Dropout-is-the-part-internet-part-studio-streaming-service-that-built-its.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2089942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2089942"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2089942\/revisions"}],"predecessor-version":[{"id":2089944,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2089942\/revisions\/2089944"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2089943"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2089942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2089942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2089942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}