{"id":2092990,"date":"2025-10-15T13:48:07","date_gmt":"2025-10-15T13:48:07","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2092990"},"modified":"2025-10-15T13:48:07","modified_gmt":"2025-10-15T13:48:07","slug":"bob-mould-reunites-sugar-for-new-song-concerts","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/bob-mould-reunites-sugar-for-new-song-concerts\/","title":{"rendered":"Bob Mould Reunites Sugar for New Song, Concerts"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStart with the laundry. Of the many times <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/bob-mould\/\" id=\"auto-tag_bob-mould\" data-tag=\"bob-mould\">Bob Mould<\/a>\u2018s band <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/sugar\/\" id=\"auto-tag_sugar\" data-tag=\"sugar\">Sugar<\/a> unexpectedly found itself at the center of pop culture in the Nineties, one in particular springs to mind for him: a 1992 festival in Belgium where Sugar were on the same bill as Metallica, Neil Young and Crazy Horse, Lenny Kravitz, and the Black Crowes. For <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/bob-mould-interview-husker-du-trump-wrestling-1235286509\/\">Mould<\/a>, who emerged from indie rock the previous decade with Minneapolis\u2019 mighty H\u00fcsker D\u00fc, it was far from a typical gig. \u201cBeing on the periphery of the excess of those times was pretty crazy,\u201d he says. \u201cIt was very, very different than jumping in a van and doing a punk rock tour. It was like, \u2018So, Metallica bring washers and dryers out with them. I get it now.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCompared with his years in H\u00fcsker D\u00fc\u00a0and the many decades after on his own, Sugar was a streaking comet in Mould\u2019s career: two albums and one EP in two years, then over and out. But within that compressed time, Sugar brought Mould, bassist David Barbe, and drummer Malcolm Travis as close to the mainstream as Mould would ever get. In addition to that Belgium festival, the band played others with headliners like the Cure, powering through sandblasters like <a rel=\"nofollow\" target=\"_blank\" rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=aHnFIaLp_ys\">\u201cIf I Can\u2019t Change Your Mind,\u201d<\/a> \u201c<a rel=\"nofollow\" target=\"_blank\" rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=f9VL-9Sg1fw&amp;list=RDf9VL-9Sg1fw&amp;start_radio=1\">JC Auto<\/a>,\u201d and \u201cYour Favorite Thing,\u201d which found a home on alt-rock radio.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNow, 30 years after Sugar played its last show \u2014 and more than a dozen years after an attempted but abandoned reunion \u2014 the band has returned. The group teased something was in the works on social media last week and this week unveiled a newly recorded raver, \u201cHouse of Dead Memories.\u201d There are shows announced in London and New York, too, set for May 2026.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Sugar \u2013 House of Dead Memories (Official Music Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/-S72djtUIFk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIronically, Sugar wasn\u2019t even originally intended to <em>be<\/em> a band. Mould\u2019s first post-H\u00fcskers album, <em>Workbook<\/em>, was critically lauded \u2014 \u201cSee a Little Light\u201d was a college radio hit and found its way onto soundtracks \u2014 but the follow-up, the bleaker and tenser <em>Black Sheets of Rain<\/em>, received a more muted response. Mould plowed on, recruiting former Mercyland bassist Barbe and Human Switchboard and Zulus drummer Travis as his new rhythm section. As they were rehearsing in Athens, Georgia, to make a Mould album, the trio was invited to play a one-off show at the 40 Watt Club there. <\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe were like, \u2018Sure, why not?\u2019\u201d Mould says. \u201cIt was already feeling like a band.\u201d Next came a name, inspired by a packet on a coffeeshop table, and Mould unexpectedly had his first group after the glorious but often fraught ride that was H\u00fcsker D\u00fc. \u201cI knew David and Malcom and their abilities and personalities, and I thought, \u2018I bet this will work \u2014 I think it <em>should<\/em> work,\u2019\u201d he recalls. \u201cAnd it did work.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tReleased in 1992, just after Nirvana\u2019s <em>Nevermind<\/em> and Pearl Jam\u2019s <em>Ten<\/em> messed with everyone\u2019s expectations of how rock could sound and sell, Sugar\u2019s debut, <em>Copper Blue<\/em>, was the right record at the right moment in the culture. \u201cI was over in Europe in the summer of \u201991, playing a lot of festivals with Nirvana and Dinosaur Jr., and the table was getting set then for everything,\u201d he says. \u201cAnd to have Nirvana blow up like that, at the moment I\u2019m coming back with a power pop thing as opposed to what <em>Workbook<\/em> and <em>Black Sheets<\/em> were: I wish I could say, \u2018Oh yeah, I knew this was coming.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile not quite <em>Nevermind<\/em> in terms of sales, <em>Copper Blue<\/em> <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=FnzKO1Nc2Yk&amp;list=RDFnzKO1Nc2Yk&amp;start_radio=1\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">introduced Mould<\/a> and his raging voice and guitar to a raft of Lollapalooza-minded kids \u2014 who probably didn\u2019t know much about his previous band but loved Mould\u2019s razor-edged songs and the MTV-friendly videos that accompanied them. \u201cI got my ass handed to me a little bit by <em>Black Sheets of Rain<\/em>, so I went into Sugar with a little bit of \u2018I\u2019ll show everybody,\u2019\u201d he says. \u201cAnd everything sort of blew up immediately. I didn\u2019t <em>wish<\/em> for it, but when it happened It was like, \u2018Well, here we are.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWith Sugar\u2019s success, Mould was thrust into a world of big-league alt-rock he\u2019d only slightly experienced before. \u201cIt was a crazy time,\u201d he says. \u201cWhether I was in the office or doing press or writing and recording in the studio, I did not have a life beyond keeping that rocket in the sky for as long as I could. I wasn\u2019t a stranger to mainstream stuff, since H\u00fcsker D\u00fc was on <em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=vefkvjcjNj8\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">The Joan Rivers Show<\/a><\/em>. But when it\u2019s coming at you every day, that was sort of wild.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Sugar - Your Favorite Thing (Music Video) (HQ)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/jcjFkNtFHA8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLate in 1994, Barbe told Mould he wanted to spend more time with his family, and the timing proved right for Sugar to wind down: A few months before, Kurt Cobain had killed himself. \u201cKurt\u2019s passing really hit me personally,\u201d Mould says. \u201cSugar were in Atlanta, working in the studio, and to see <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/mtv-news-layoffs-kurt-loder-nirvana-kurt-cobain-1234736352\/\">Kurt Loder<\/a> pop up on the TV and say, \u2018Kurt Cobain is dead,\u2019 it was pretty demoralizing. It made me wonder, \u2018What is this?\u2019 Kurt\u2019s situation was unique to him but not dissimilar to what was starting to happen when young people get really successful and lose track of things. And I thought, \u2018Wow, this business is sort of harsh.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSugar played one week of shows in Japan early in 1995 and called it a day, with Travis moving on to other bands and Barbe shifting to academia (he currently teaches music business at the University of Georgia\u2019s Terry College of Business). In the 30 years since, Mould has made <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/bob-mould-here-we-go-crazy-review-1235288141\/\">innumerable records on his own<\/a>, ventured into DJing and electronica, wrote scripts for World Championship Wrestling, and toured and recorded regularly with his current rhythm section, Jason Narducy and Jon Wurster. Sugar first resurfaced in 2011, as the 20th anniversary of <em>Copper Blue<\/em> approached. Mould, Barbe, and Travis got together and rehearsed for a possible reunion, but the musical vibe was not as inspiring as Mould had hoped. \u201cI was a little resistant to the idea of going out on a 20-year thing,\u201d he says. \u201cI know a lot of people were doing it. So we got together and took a shot at it, and I think we all walked away thinking, \u2018Eh, not right now.\u2019\u00a0At least for me, it was like, \u2018I think I\u2019m going to do what I\u2019m doing.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLast fall, as he was working what would be his next record,<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/bob-mould-here-we-go-crazy-review-1235288141\/\"> <em>Here We Go Crazy<\/em><\/a><em>,<\/em> Mould began to sense a surge of interest in his old band, from music business folks who sensed a market and BMG, which was planning a <em>Copper Blue<\/em> reissue and a Sugar singles collection. \u201cFans have always shown interest,\u201d he says. \u201cBut people in the business, whether it was BMG to different promoters around the country, were voicing things.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMould and Barbe had toured together, playing separate sets, but a year ago, the trio reconvened once more, at Barbe\u2019s Athens, Georgia, studio, to play the old material. \u201cThis second time felt much, much better for all three of us, personally and as a former band,\u201d Mould says. \u201cSo we started looking at getting back together to do a few things.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEarlier this year, they took the next step. When the band reformed 14 years ago, Mould had just written \u201cHouse of Dead Memories,\u201d which he never recorded but unearthed for Sugar\u2019s resurrection. \u201cIt\u2019s a failed-relationship song,\u00a0nothing too unique for me,\u201d he says with a chuckle. \u201cBut the riff is definitely a Sugar-type riff, and it was fun to get the three of us on the floor together to record for the first time in ages.\u201d So much so, apparently, that the take of \u201cHouse of Dead Memories\u201d we\u2019re hearing is the first one. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn a curious bit of timing, another part of Mould\u2019s past will be resurfacing this fall. Arriving next month is <em>1985: The Miracle Year<\/em>, a collection of unreleased H\u00fcsker D\u00fc\u00a0live recordings from that pivotal moment in the band\u2019s history. Centered around a tape of an entire set recorded at Minneapolis\u2019 First Avenue club in January of that year, and fleshed out with other recordings from 1985, the album captures the blistering roar, frenetic energy, and punchy songs that Mould, Greg Norton, and the late Grant Hart made (along with covers of Donovan\u2019s \u201cSunshine Superman,\u201d the Beatles\u2019 \u201cTicket to Ride\u201d and \u201cHelter Skelter,\u201d and \u201cLove Is All Around,\u201d the <em>Mary Tyler Moore Show<\/em> theme song). It\u2019s a sound that, decades later, still surprised Mould when he heard the restored tapes. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI was pretty speechless,\u201d he says. \u201cAt that period, we were firing on so many cylinders at once that I never had a moment to stop and think. I just knew we were the best. I didn\u2019t know how much fire we had, so to hear it close to 40 years later, I was like, \u2018Jesus Christ, this is insane.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs Mould has talked about and written about in his memoir <em>See a Little Light<\/em>, H\u00fcsker D\u00fc could be an insane experience unto itself, thanks to tension between Mould and Hart, but the time frame of the collection brought back largely positive memories. \u201cWhat we did in January \u201985 is in such contrast to whatever collapse happened in December of \u201987 and whatever animus happened in the decades after,\u201d he says. \u201cGrant and I were in touch, but it was a complicated, complex situation. We were very strong-minded, very stubborn, opinionated young men in a band. But 1985 was the year <em>New Day Rising<\/em> came out, and going into the summer Grant and I took full control of everything and we made \u2018Makes No Sense at All\u2019 and then <em>Flip Your Wig<\/em>. Those were good times.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMould particularly feels the absence of Hart (<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/grant-hart-husker-du-drummer-and-singer-dead-at-56-196792\/\">who died in 2017<\/a> of liver cancer) in the album\u2019s packaging. \u201cGrant was always in charge of the art department, and it\u2019s been tough,\u201d he says. \u201cWhen a new designer comes along, I\u2019m like, \u2018Well, let me think about what Grant would have think of this.\u2019 People step in and do what they can. But for me personally, it\u2019s always, \u2018What would Grant do with this?\u2019 It\u2019s a big chair to fill.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs far as Sugar, Mould says the response to their reunion announcement and \u201cHouse of Dead Memories\u201d will determine what to do beyond the two sets of concerts already set. \u201cI don\u2019t want to get out too far in front of the skis, as they say,\u201d he says. \u201cPeople\u2019s reactions will probably guide a lot of the possibilities in front of us, whether it\u2019s more songs or more shows. All three of us are all in for whatever feels right. I just want to see if people are still interested.\u201d<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.rollingstone.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Start with the laundry. Of the many times Bob Mould\u2018s band Sugar unexpectedly found itself at the center of pop culture in the Nineties, one in particular springs to mind for him: a 1992 festival in Belgium where Sugar were on the same bill as Metallica, Neil Young and Crazy Horse, Lenny Kravitz, and the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2092991,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[386411,394906,394907],"class_list":["post-2092990","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-bob-mould","tag-husker-du","tag-sugar"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/10\/Bob-Mould-Reunites-Sugar-for-New-Song-Concerts.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2092990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2092990"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2092990\/revisions"}],"predecessor-version":[{"id":2092992,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2092990\/revisions\/2092992"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2092991"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2092990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2092990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2092990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}