{"id":2094051,"date":"2025-10-15T22:48:24","date_gmt":"2025-10-15T22:48:24","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2094051"},"modified":"2025-10-15T22:48:24","modified_gmt":"2025-10-15T22:48:24","slug":"what-inspires-indigenous-ballet-dancer-jock-soto","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/what-inspires-indigenous-ballet-dancer-jock-soto\/","title":{"rendered":"What Inspires Indigenous Ballet Dancer Jock Soto"},"content":{"rendered":"<p><\/p>\n<div itemprop=\"articleBody\">\n<div class=\"pull-none item-image\">  <\/div>\n<dl class=\"article-info muted\">\n<dt class=\"article-info-term\">\n\t\t\t\t\t\t\t\t\tDetails\t\t\t\t\t\t\t<\/dt>\n<dd class=\"createdby\" itemprop=\"author\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Person\">\n\t\t\t\t\tBy <span itemprop=\"name\">Shaun Griswold<\/span>\t<\/dd>\n<dd class=\"create\">\n\t\t\t\t\t<span class=\"icon-calendar\" aria-hidden=\"true\"\/><br \/>\n\t\t\t\t\t<time datetime=\"2025-10-15T12:30:54-04:00\" itemprop=\"dateCreated\"><br \/>\n\t\t\t\t\t\tOctober 15, 2025\t\t\t\t\t<\/time>\n\t\t\t<\/dd>\n<\/dl>\n<p>At the premiere of the new short film,\u00a0<em>Following Enchantment\u2019s Line<\/em>, Jock Soto, the Din\u00e9 and Puerto Rican ballet dancer, could be seen gliding underneath vast blue New Mexico skies \u2014 the only time the audience saw him dance.<\/p>\n<p><span style=\"color: #ff0000;\"><em>This article was originally published in <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.hcn.org\/articles\/what-inspires-indigenous-ballet-dancer-jock-soto\/\" target=\"_blank\" rel=\"noopener\">High Country News<\/a>.\u00a0<\/em><\/span><\/p>\n<p>Afterward, as the lights went up in Santa Fe\u2019s Lensic Performing Arts Center, lightning cracked the summer monsoon clouds. Hard rain echoed inside the theater, as Soto led a live rehearsal with dancers from Ballet Taos accompanied by classical music from his friend Laura Ortman.<\/p>\n<div class=\"custom nno-mc-in-article\">\n<div class=\"in-article-signupbox\">\n<p><strong>Never miss Indian Country\u2019s biggest stories and breaking news.<\/strong>\u00a0Sign up to get our reporting sent straight to your inbox every weekday morning.\u00a0<\/p>\n<p><!--End mc_embed_signup--><\/div>\n<\/div>\n<p>The evening exemplified Soto\u2019s desire to share the rhythm and grace he cultivated during 24 years with the New York City Ballet.<\/p>\n<p>\u201cI started hoop dancing with my mother,\u201d Soto said. \u201cAnd I continued hoop dancing until I discovered ballet. And ballet was just my life. That\u2019s all I wanted to do. My mother and father found the only local ballet school in Phoenix, Arizona, which was hours from my house. So my dad would drive there every day, and I got a full scholarship because I was the only guy in the class.\u201d<\/p>\n<p>It\u2019s a long way from Arizona to New York City, especially for a Din\u00e9-Puerto Rican man, the son of Josephine Towne and Jos\u00e9 Soto.<\/p>\n<p>\u201cMy dad loved salsa. He loved the Beach Boys, all that kind of stuff. That\u2019s what I remember listening to. And I always got a warm feeling when I heard salsa or drums from the reservation. My heart jumps when I hear\u00a0<em>thump, thump, thump<\/em>. And I always felt like, oh, God, I want to do this. I want to do this,\u201d Soto said.<\/p>\n<p>It is one of those universally acknowledged truths that anyone born in a small rural town will have to leave it to pursue their dreams \u2014 especially if they dream of classical ballet.<\/p>\n<p>And so, at 13, Soto dropped out of school and left for New York. Now 60 and retired from the stage, he is committed to sharing his story across the nation\u2019s tribal communities.<\/p>\n<p>At the premiere, the rain slowed and then stopped as the celebration concluded. Soto and his husband, Luis Fuentes, were eager to return to their home in the northern New Mexico mountains. But first, they posed with friends underneath the Lensic\u2019s marquee, which proudly announced:\u00a0 INT MUSEUM OF DANCE &amp; CD: AN EVENING WITH JOCK SOTO.<\/p>\n<p>\u201cI\u2019m liking the marquee saying my name,\u201d Soto said.<\/p>\n<h3 class=\"wp-block-heading\"><strong>From stage to digital cloud<\/strong><\/h3>\n<p>Just before the premiere, I sat down with Soto in the theater lobby. While preparing for our talk, I\u2019d practiced pronouncing his name his name correctly. I sometimes work best in binary, so I framed a reference point under the guise of the antagonists in the film\u00a0<em>Revenge of the Nerds.<\/em>\u00a0Soto, I thought, was not a nerd; he was a jock \u2014\u00a0<em>the<\/em>\u00a0Jock.<\/p>\n<p>And he is clear about who he is.<\/p>\n<p>When Soto\u2019s name was misspelled in the\u00a0<em>Navajo Times<\/em>\u00a0art section, he corrected it with a black Sharpie, turning the \u201cA\u201d into an \u201cO.\u201d But he kept the newspaper on the table in the lobby, relishing the sense of local pride despite the error. The article outlined how the International Museum of Dance was building a digital archive for his career, titled: \u201cJock Soto: The Dancer and His Life.\u201d<\/p>\n<p>It was when he finally took the stage that I realized something: Soto had sacrificed his body to dance. When he walked, he reminded me of NBA Hall of Fame greats like Bill Russell and Kareem Abdul-Jabbar, who moved with pain from decades of physical achievements on the basketball court.<\/p>\n<p>\u201cIt\u2019s not an easy career at all,\u201d Soto told the crowd, from a chair on the stage. \u201cYou know, it\u2019s often painful. Like, I can\u2019t even get out of this chair if I want to right now.\u201d<\/p>\n<p>\u201cWe can arrange that anytime,\u201d Joel Aalberts, executive director at the Lensic, responded.<\/p>\n<p><span class=\"wf_caption\" style=\"margin-right: auto; margin-left: auto; display: block; max-width: 800px; width: 100%;\" role=\"figure\"><img decoding=\"async\" src=\"https:\/\/nativenewsonline.net\/images\/2022\/Jack_Soto_02.jpg\" alt=\"Jack Soto 02\" width=\"800\" height=\"500\" style=\"display: block; margin: initial; float: none; width: 100%;\"\/><span style=\"display: block;\">Jock Soto at 15 years old during training for \u201cThe Magic Flute.\u201d(photo\/Steven Caras)<\/span><\/span><\/p>\n<p>\u00a0<\/p>\n<p>The obvious health impacts explain the urgency behind Soto\u2019s desire to partner with the International Museum of Dance, sharing his lifework with the public and encouraging the next generation of dancers.<\/p>\n<p>The digital archives the museum is creating preserve dance legacies and education programs. A similar project with the Dance Theater of Harlem inspired a history book about the group\u2019s influence on Black ballet dancers.<\/p>\n<p>The museum has a larger goal: creating a physical space, slated to open in 2026, to host artist residencies, performances and public events. But since a location has yet to be determined, the archives currently live in a digital cloud hosted by the nonprofit arts organization ChromaDiverse, which sifts through websites for information on the careers of dancers like Soto, unearthing forgotten photos, videos, posters, press and other ephemera.<\/p>\n<p>The archive is the quickest way to immerse yourself in Soto\u2019s life as a dancer. It also hosts the Moving Memories Fund, which established the Jock Soto Scholarship, whose first recipient is a Chickasaw dancer, Heloha Tate.<\/p>\n<p>\u00a0<\/p>\n<p><span class=\"wf_caption\" style=\"margin-right: auto; margin-left: auto; display: block; max-width: 600px; width: 100%;\" role=\"figure\"><img decoding=\"async\" src=\"https:\/\/nativenewsonline.net\/images\/2022\/Jack_Soto_04.jpg\" alt=\"Jack Soto 04\" width=\"600\" height=\"800\" style=\"display: block; margin: initial; float: none; width: 100%;\"\/><span style=\"display: block;\">Wendy Whelan and Jock Soto in the New York City Ballet production of Agon. Choreography by George Balanchine, \u00a9\ufe0fThe George Balanchine Trust. (photo\/Paul Kolnik)<\/span><\/span><\/p>\n<h3 class=\"wp-block-heading\"><strong>The ripple effect<\/strong><\/h3>\n<p>Soto was only 12 when he received a full scholarship to the School of American Ballet in New York City. There, his talent blossomed among the other dancers seeking the limited roles available to men in ballet.<\/p>\n<p>\u201cI felt amazing, because (in Phoenix) I was in the class with all girls. And when I got to New York, I was in a class with all men \u2014 40 men,\u201d Soto said. \u201cThat was my competition, or the way that I evolved.\u201d<\/p>\n<p>At 16, he accepted an invitation from legendary choreographer George Balanchine to join the New York City Ballet. Four years later, Soto was the theater\u2019s principal dancer \u2014 a pinnacle that any ballet dancer in the world would be delighted to reach.<\/p>\n<p>\u201cI became an adult very quickly,\u201d Soto said. \u201cI became very good friends with a couple of the guys. We lived in an apartment together. We had no money, but we would go buy hot dogs on the street or eat pizza and stuff like that. We lived three blocks from the school, so we spent all day till 7 every night, dancing. That\u2019s all we did.\u201d<\/p>\n<p><span class=\"wf_caption\" style=\"margin-right: auto; margin-left: auto; display: block; max-width: 800px; width: 100%;\" role=\"figure\"><img decoding=\"async\" src=\"https:\/\/nativenewsonline.net\/images\/2022\/Jack_Soto_03.jpg\" alt=\"Jack Soto 03\" width=\"800\" height=\"500\" style=\"display: block; margin: initial; float: none; width: 100%;\"\/><span style=\"display: block;\">Jock Soto in a photo with Andy Warhol from his time living in New York as a young dancer. (photo\/Courtesy Jock Soto)<\/span><\/span><\/p>\n<p>Soto\u2019s finest performances occurred when he partnered with ballerinas, taking the masculine role to lift or sometimes lead the female dancer, making sure that she remained the dominant presence onstage. He became what the ballet world calls a \u201cnatural partner,\u201d dancing as his mother had taught him to dance, as a way to gracefully walk with beauty.<\/p>\n<p>\u00a0Soto\u2019s mother was his first partner in the Southwest powwow circles. She led, he followed, until he was good enough to lead; that was how he learned the significance of each dancer\u2019s role. In ballet, he mastered the masculine role. Now, as a teacher he holds firmly to the traditional gender role necessary for successful performance.<\/p>\n<p>As a teacher and openly gay man, he tells his dancers to follow traditional gender roles onstage.<\/p>\n<p>\u201cI try to teach the dancers that a man is a man onstage. And if I see anything other than that, I correct it right away. And I\u2019m like, \u2018No, no, you\u2019re behind a ballerina, you\u2019re a man. Don\u2019t act like the ballerina.\u2019 So that\u2019s what I try to teach,\u201d Soto said. \u201cMasculine is masculine. It\u2019s not that hard to teach, but it can be a lot.\u201d<\/p>\n<p>Soto\u2019s Din\u00e9 clan comes from his mother. He was born for T\u00f3\u2019aheedl\u00edinii, meaning \u201cwater flowing together,\u201d which is also the title of a\u00a0<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/video.alexanderstreet.com\/watch\/water-flowing-together-jock-soto\">2007 documentary<\/a>\u00a0about Soto\u2019s life. He was born 90 minutes away from his home in Chinle, Arizona, at the closest Indian Health Services Hospital in Gallup.<\/p>\n<p>Soto said his mother was a vital inspiration.<\/p>\n<p>\u201cMy mother was my strength. She was my strength, and my dad was such a macho Puerto Rican, you know,\u201d Soto shared. \u201cThey said it was OK to be gay. And I didn\u2019t tell them until I was 30. My mom laughed so hard on the phone. She said, \u2018We\u2019ve known that ever since you were 18.\u2019\u201d<\/p>\n<p>More than 700 dancers are alumni of the New York City Ballet, but only several dozen men have achieved Soto\u2019s status as a principal dancer. Elite ballet training and performance skills like his are rare. Soto has deep roots in the Navajo Nation, but his ascent to the rarefied world of ballet left him feeling distant from the Indigenous community. Today, Indigenous communities are still just getting to know Soto \u2014 something that should prompt state lawmakers and education reformers to work with local ballet theater groups to expand arts programming in Native communities and schools.<\/p>\n<p>ChromaDiverse wants Soto\u2019s digital archive to be available in New Mexico public schools within a year. Since 2018, New Mexico has invested billions in education reform as mandated by a state court order aimed at students that are Indigenous or non-English speakers or have disabilities. Making Soto\u2019s career archive accessible excites lawmakers like Shannon Pinto, who attended Soto\u2019s premiere, where she met him for the first time.<\/p>\n<p>\u201cWe need to make sure that the arts are something we bring forward with some funding, at least, because we know it\u2019s been on the back burner,\u201d Pinto said.<\/p>\n<p><span class=\"wf_caption\" style=\"margin-right: auto; margin-left: auto; display: block; max-width: 600px; width: 100%;\" role=\"figure\"><img decoding=\"async\" src=\"https:\/\/nativenewsonline.net\/images\/2022\/Jack_Soto_05.jpg\" alt=\"Jock Soto has partnered with the International Museum of Dance to share his life\u2019s work and story with the public. (Evan James Benally Atwood\/High Country News)\" width=\"600\" height=\"800\" style=\"display: block; margin: initial; float: none; width: 100%;\"\/><span style=\"display: block;\">Jock Soto has partnered with the International Museum of Dance to share his life\u2019s work and story with the public. (Evan James Benally Atwood\/High Country News)<\/span><\/span><\/p>\n<p>It will take time to learn how that will affect classrooms in New Mexico and beyond. But in the broader sense, Soto\u2019s presence has already had an impact. Jicarilla Apache President Adrian Notsinneh encountered Soto and his work for the first time at the Lensic. Onstage, as he offered a blanket gift to the dancer for his work supporting Jicarilla Apache ballet dancers, Notsinneh told the audience how Soto led him to reflect on skipping flat stones across water as a child.<\/p>\n<p>\u201cAs it jumps across, it causes ripples. Each time it hits the surface, it radiates. So what I\u2019m seeing from this type of person that\u2019s standing here with me is a type of person that causes that ripple effect,\u201d Notsinneh said, standing next to Soto. \u201cWithin his lifetime, he\u2019s caused so much of this effect. And I want to thank you for being that type of person.\u201d<\/p>\n<p>The ripple effect was shown in the crowd\u2019s response to the evening.<\/p>\n<p>As Santa Fe calligraphy artist Blythe Mariano (Din\u00e9) put it: \u201cTo know that somebody from where I\u2019m from made it all the way to New York is like, oh my God, I\u2019m getting overwhelmed,\u201d she said. The artist, who is from Church Rock, New Mexico, was born in Gallup at the same hospital as Soto.<\/p>\n<p>At the end of the night, when I asked Soto if he had noticed the large number of young Indigenous people in the audience, he beamed with excitement.<\/p>\n<p>\u201cI loved it, I loved it. It\u2019s inspiring!\u201d Soto radiated the enthusiasm he felt. \u201cLike I said onstage: You have to be inspired.\u201d<\/p>\n<p><!-- Author Info Box Plugin for Joomla! - Kubik-Rubik Joomla! 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Yet across tribal communities, innovative leaders are fighting back, reclaiming traditional food systems and breathing new life into Native languages. These aren&#8217;t just cultural preservation efforts\u2014they&#8217;re powerful pathways to community health, healing, and resilience.<\/p>\n<p>Our dedicated reporting team will spend three years documenting these stories through on-the-ground reporting in 18 tribal communities, producing over 200 in-depth stories, 18 podcast episodes, and multimedia content that amplifies Indigenous voices. We&#8217;ll show policymakers, funders, and allies how cultural restoration directly impacts physical and mental wellness while celebrating successful models of sovereignty and self-determination.<\/p>\n<p>This isn&#8217;t corporate media parachuting into Indian Country for a quick story. This is sustained, relationship-based journalism by Native reporters who understand these communities. It&#8217;s &#8220;Warrior Journalism&#8221;\u2014fearless reporting that serves the 5.5 million readers who depend on us for news that mainstream media often ignores.<\/p>\n<p><strong>We need your help right now.<\/strong> While we&#8217;ve secured partial funding, we&#8217;re still $450,000 short of our three-year budget. Our immediate goal is $25,000 this month to keep this critical work moving forward\u2014funding reporter salaries, travel to remote communities, photography, and the deep reporting these stories deserve.<\/p>\n<p>Every dollar directly supports Indigenous journalists telling Indigenous stories. Whether it&#8217;s $5 or $50, your contribution ensures these vital narratives of resilience, innovation, and hope don&#8217;t disappear into silence.<\/p>\n<p><strong><img decoding=\"async\" src=\"https:\/\/nativenewsonline.net\/images\/2022\/Levi-headshot.jpg\" alt=\"Levi headshot\" width=\"127\" height=\"127\" style=\"margin-right: 15px; float: left;\"\/><\/strong><em\/>The stakes couldn&#8217;t be higher. Native languages are being lost at an alarming rate. Food insecurity plagues many tribal communities. But solutions are emerging, and these stories need to be told.<\/p>\n<p><em>Support independent Native journalism. Fund the stories that matter.<\/em><\/p>\n<p style=\"text-align: left;\">Levi Rickert (Potawatomi), Editor &amp; Publisher<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.paypal.com\/giving\/campaigns?campaign_id=REMMBSEZXP7QN\" width=\"382\" height=\"550\" title=\"PayPal donate campaign card\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<\/div>\n<\/div>\n<div id=\"author_infobox\">\n<p>About The Author<\/p>\n<p><span class=\"bold\">Author:<\/span> Shaun Griswold<span class=\"bold marginleft\">Email:<\/span> <span id=\"cloak5a3b32d1a4b74b6e258d40d7fa8329e8\">This email address is being protected from spambots. You need JavaScript enabled to view it.<\/span><\/p>\n<p>Shaun Griswold, contributing writer, is a Native American journalist based Albuquerque. He is a citizen of the Pueblo of Laguna, and his ancestry also includes Jemez and Zuni on the maternal side of his family. He has more than a decade of print and broadcast news experience. <\/p>\n<\/div>\n<p><br class=\"clear\"\/>    <\/div>\n<p><script type=\"text\/javascript\">\n!function(f,b,e,v,n,t,s){if(f.fbq)return;n=f.fbq=function(){n.callMethod?\nn.callMethod.apply(n,arguments):n.queue.push(arguments)};if(!f._fbq)f._fbq=n;\nn.push=n;n.loaded=!0;n.version='2.0';n.queue=[];t=b.createElement(e);t.async=!0;\nt.src=v;s=b.getElementsByTagName(e)[0];s.parentNode.insertBefore(t,s)}(window,\ndocument,'script','https:\/\/connect.facebook.net\/en_US\/fbevents.js');\nfbq('init', '6281125331913536', {}, {agent: 'pljoomla'});\nfbq('track', 'PageView');\n<\/script><\/p>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source nativenewsonline.net \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Details By Shaun Griswold October 15, 2025 At the premiere of the new short film,\u00a0Following Enchantment\u2019s Line, Jock Soto, the Din\u00e9 and Puerto Rican ballet dancer, could be seen gliding underneath vast blue New Mexico skies \u2014 the only time the audience saw him dance. This article was originally published in High Country News.\u00a0 Afterward, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2094052,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[],"class_list":["post-2094051","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/10\/What-Inspires-Indigenous-Ballet-Dancer-Jock-Soto.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2094051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2094051"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2094051\/revisions"}],"predecessor-version":[{"id":2094053,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2094051\/revisions\/2094053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2094052"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2094051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2094051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2094051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}