{"id":2096328,"date":"2025-10-16T22:01:59","date_gmt":"2025-10-16T22:01:59","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2096328"},"modified":"2025-10-16T22:01:59","modified_gmt":"2025-10-16T22:01:59","slug":"big-l-and-nas-connect-on-harlems-finest-return-of-the-king","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/big-l-and-nas-connect-on-harlems-finest-return-of-the-king\/","title":{"rendered":"Big L and Nas Connect on &#8216;Harlem\u2019s Finest: Return of the King\u2019"},"content":{"rendered":"<p><\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe first single from <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/big-l\/\" id=\"auto-tag_big-l\" data-tag=\"big-l\">Big L<\/a>\u2019s posthumous <em>Harlem\u2019s Finest: Return of the King<\/em> album is here. Today, Mass Appeal released \u201cu aint gotta chance,\u201d pairing Big L\u2019s bars from a <a rel=\"nofollow\" target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/watch?v=dC-WsGXmAt0\" target=\"_blank\">1997 freestyle<\/a> with a fiery verse from <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/t\/nas\/\" id=\"auto-tag_nas\" data-tag=\"nas\">Nas<\/a>. The song, gradually crafted by seven people, is the first glimpse of what listeners can expect from the Big L album, which drops on Halloween. Big L\u2019s brother Donald Phinazee says the project is comprised of \u201cmostly the updated songs from [2010\u2019s] <em>Return of The Devil\u2019s Son<\/em> and a few freestyles the team built into new records.\u201d The <em>Return of The Devil\u2019s Son<\/em> album, spearheaded by Phinazee and SMC Recordings, was removed from streaming services in 2021 due to licensing issues.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe project, co-executive produced by Big L\u2019s estate and Royce Da 5\u20199\u201d, is part of Mass Appeal\u2019s <em>Legend Has It \u2026<\/em> series, following albums from Slick Rick, Raekwon, Ghostface Killah, and Mobb Deep, with forthcoming work from De La Soul as well as Nas and DJ Premier. Of the song, Mass Appeal co-founder Nas tells<em> Rolling Stone<\/em>, \u201ceven though Big L\u2019s not here with us now, to get on the song with him is still pressure. He left an outstanding amount of serious rhymes. So just approaching it is like, \u2018Damn, I wish we were doing this together, but it\u2019s still an honor to do it.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBig L starts off \u201cu aint gotta chance\u201d with bars pulled from a freestyle on U.K. DJ Tim Westwood\u2019s show. The freestyle includes an alternate third verse of Big L\u2019s \u201cMVP\u201d single that he performed in London in 1997. He rhymes with characteristic fury and precision on the beat, rhyming, \u201cCash I got plenty, Microphones? Rock many\/Everything I touch is in the top twenty.\u201d\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Big L - \u201cu aint gotta chance\u201d ft. Nas\u00a0 (Visualizer)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/2iHQvBNKP1E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMike Herard, the head of Big L\u2019s estate (who helped craft L\u2019s 1999 posthumous <em>The Big Picture<\/em> album), says the beat came together in a six-step process: DJ Critical Hype created the a cappella, which was sent to producer G Koop, who programmed the drums around L\u2019s verse. Herard sent that skeleton to producer 2One2, who added the song\u2019s sample. Producers Al Hug and Zach Niess added layers onto the song\u2019s chorus, while DJ Rob Swift made the hook from Big L a cappellas. From there, the song was sent to album executive producer Royce Da 5\u20199\u201d \u201cfor a few tweaks\u201d before Nas jumped on.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNas follows L with his own multisyllabic bars, rhyming urgently about being \u201cthe first Carlito of rap \u2014 well after G Rap,\u201d on a verse that masterfully references Big L\u2019s knack for horrific bars (\u201cI\u2019ll hold your skull with my fingers in your eye sockets\u201d) and penchant for two-syllable rhyme sprees. In the verse, Nas proclaims, \u201cI kept the doors open in them surplus army stores in \u201894 and up for certain,\u201d and notes, \u201cThis year is the year of disrespectful comparisons\/They jack anything on the internet.\u201d The bars certainly seem related to Harlem rapper Jim Jones\u2019 <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=YTHXuNjrmuU\" rel=\"nofollow\" target=\"_blank\">viral assertions<\/a> that he surpasses Nas\u2019 cultural impact among younger generations. On the track, Nas references artists \u201cmaking funny music, it\u2019s doodoo, caca,\u201d and raps, \u201cgun to your head, tell the truth: Nas the monster that live under your bed.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut when explicitly asked about the verse and his thoughts on Jones\u2019 comments, Nas completely sidesteps the latter. \u201cI don\u2019t remember my rhyme on the Big L [song]. I remember the line that I started with. I don\u2019t remember what I was talking about other than trying to tap into the era of me and L,\u201d he says (Nas spoke to us on September 30 in a wide-ranging discussion). \u201cIt was about my experience and the pain of not having him here. My verse was totally focused on Big L. Anything else? If it\u2019s not music related, then it doesn\u2019t even \u2026 [it\u2019s] not even anything that matters.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRegardless of who the verse may or may not be about, \u201cu aint gotta chance\u201d is a strong setoff for <em>Harlem\u2019s Finest: Return of the King<\/em>. The project comes after Herard became the steward of L\u2019s estate in 2020 and attained a proper accounting of what\u2019s owned by, and owed to, the late rapper. In 2021, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/big-l-legacy-estate-1170642\/\">he told <em>Rolling Stone<\/em><\/a> that he \u201cdidn\u2019t think [L\u2019s] legacy was being handled properly\u201d in a report that chronicled him never being paid royalties by Columbia Records for his debut <em>Lifestylez ov da Poor &amp; Dangerous, <\/em>and L\u2019s brother Donald Phinazee selling <em>The Danger Zone<\/em> and <em>The Big Picture <\/em>to RBC Records co-owner Brian Shafton for $20,000 due to medical bills. Shafton later purchased Big L\u2019s rhymebooks from Phinazee for $14,500, promising to put them in a \u201crap Hall of Fame\u201d \u2014 while also acquiring ownership of the books\u2019 \u201ccompositions.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tVia text, Phinazee admits, \u201cWhen I released <em>Return of the Devil\u2019s Son<\/em> back in 2010, I had just come home from prison in 2008. I didn\u2019t know anything about the music business back then, so I leaned on people I met who I thought were handling the parts I didn\u2019t understand.\u201d He says that his work on <em>Return of the Devil\u2019s Son<\/em> was an attempt to preserve L\u2019s legacy, but he \u201cdidn\u2019t think much about the business side at the time.\u201d Since then, he says he\u2019s learned \u201calot about estate law, producer agreements \u2014 and those damn samples.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tPhinazee views <em>Harlem\u2019s Finest: Return of the King <\/em>as \u201ca gift for the day-one Big L fans,\u201d noting that dropping the Nas collaboration first is \u201conly right\u201d for fans. \u201c[Big L] and Nas came up when emceeing was a full-contact sport \u2014 lyrically and in real life. They were young warriors who pushed each other, but it was all respect,\u201d he says. \u201cLike any code of honor, the living salute the fallen. That\u2019s what this movement is about.\u201c<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.rollingstone.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The first single from Big L\u2019s posthumous Harlem\u2019s Finest: Return of the King album is here. Today, Mass Appeal released \u201cu aint gotta chance,\u201d pairing Big L\u2019s bars from a 1997 freestyle with a fiery verse from Nas. The song, gradually crafted by seven people, is the first glimpse of what listeners can expect from [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2096329,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[395963,362507],"class_list":["post-2096328","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-big-l","tag-nas"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/10\/Big-L-and-Nas-Connect-on-Harlems-Finest-Return-of.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2096328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2096328"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2096328\/revisions"}],"predecessor-version":[{"id":2096330,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2096328\/revisions\/2096330"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2096329"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2096328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2096328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2096328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}