{"id":2097157,"date":"2025-10-17T07:24:14","date_gmt":"2025-10-17T07:24:14","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2097157"},"modified":"2025-10-17T07:24:14","modified_gmt":"2025-10-17T07:24:14","slug":"broadways-ragtime-revival-is-a-staggering-stunning-triumph","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/broadways-ragtime-revival-is-a-staggering-stunning-triumph\/","title":{"rendered":"Broadway\u2019s \u2018Ragtime\u2019 Revival Is a Staggering, Stunning Triumph"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\">There is only one thing missing from Lincoln Center Theater\u2019s (LCT) <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.lct.org\/shows\/ragtime\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:superlative Broadway revival of the musical Ragtime;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">superlative Broadway revival of the musical <i>Ragtime<\/i><\/a>: a decompression chamber for emotionally frazzled audience members to retreat to after the final bows.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">At the end of three hours of Joshua Henry, Nichelle Lewis, and the company\u2019s gorgeous singing, and a powerfully staged story of racism, immigration, and history that meaningfully echoes to the present-day, you may be wrung out in the best way by this enthrallingly mounted, directed, acted, and sung production (booking to Jan. 4, 2026). The melodically thunderous presence of Henry and this phenomenal company\u2014they meld so beautifully as a collective\u2014are the spellbinding reasons to book a ticket pronto.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>The cast of <\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.yahoo.com\/entertainment\/ragtime-rousing-election-week-revival-133847125.html\" rel=\"\" data-ylk=\"slk:When I first saw it;elm:context_link;itc:0;sec:content-canvas;outcm:mb_qualified_link;_E:mb_qualified_link;ct:story;\" class=\"link  yahoo-link\">When I first saw it<\/a> as a stripped back \u201cEncores!\u201d presentation last November, there had been a ghost at the feast: the presidential election the following week. A show about the possibility and impossibility of the American dream as filtered through prejudice and bigotry, and all the iniquities and injustices flowing from its embedded poison in the social superstructure, hit the audience tangibly hard.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The musical adaptation of E.L. Doctorow\u2019s 1975 novel about American social change between 1902 and 1912, was first performed in 1996\u2014winning four Tony Awards after premiering on Broadway in late 1997\u2014and features music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Its impassioned focus is on the fight and impetus for change, as represented by the musical style of the show\u2019s title, and the brutal forces ranged against that change.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"The cast of \" loading=\"lazy\" width=\"960\" height=\"640\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/DnJNMPjz4DPHjhL2JnG.eQ--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/thedailybeast.com\/a34ec0000115621e528dde13c0caafac\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>The cast of <\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cEncores!\u201d productions are as polished as they can be given a limited number of days of rehearsal and their semi-staged rough-and-readiness (<i>Ragtime<\/i> is following other standouts like <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.yahoo.com\/entertainment\/stephen-sondheim-woods-sheer-moving-002900247.html\" rel=\"\" data-ylk=\"slk:Into the Woods;elm:context_link;itc:0;sec:content-canvas;outcm:mb_qualified_link;_E:mb_qualified_link;ct:story;\" class=\"link  yahoo-link\"><i>Into the Woods<\/i><\/a> on to Broadway.) While the music and musical talents of Henry and the cast blew the roof off last year, the show felt cluttered on stage, its book scrambled, and the production was confusingly and exhaustingly paced.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Now fully-staged and directed by Lear DeBessonet\u2014formerly artistic director at Encores!, who directed it there and who is now LCT\u2019s artistic director\u2014with shimmeringly precise choreography by Ellenore Scott and music direction by James Moore, the show\u2019s jagged edges have been smoothed to a clarified shine. As an opening number, \u201cRagtime\u201d is not just gloriously sung, it clearly delineates characters and the social groupings that comprise the show.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><i>Ragtime<\/i> blends the stories of a Black pianist from Harlem, Coalhouse Walker Jr. (a stupendous Henry), who becomes a victim of racism and later revolutionary, his sweetheart Sarah (an equally stupendous Lewis), Latvian Jewish immigrant Tateh (a charmingly scene-swiping <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.yahoo.com\/entertainment\/meet-brandon-uranowitz-star-broadway-083303583.html\" rel=\"\" data-ylk=\"slk:Brandon Uranowitz;elm:context_link;itc:0;sec:content-canvas;outcm:mb_qualified_link;_E:mb_qualified_link;ct:story;\" class=\"link  yahoo-link\">Brandon Uranowitz<\/a>), his daughter (Tabitha Lawing), and a rich white family from New Rochelle (Colin Donnell as Father, Caissie Levy as Mother, and new cast member Nick Barrington, extremely funny as their truth-telling, future-seeing young son).<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Joshua Henry, Ben Levi Ross, and the cast of \" loading=\"lazy\" width=\"960\" height=\"640\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/ztjf0m7NMGkXKowJiE9FBA--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/thedailybeast.com\/aa6653873e97fd51140c819611ba1f40\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Joshua Henry, Ben Levi Ross, and the cast of <\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">In this production, the roles of Mother\u2019s radical younger brother (Ben Levi Ross) and Emma Goldman (<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.yahoo.com\/entertainment\/suffs-makes-musical-women-vote-023050288.html\" rel=\"\" data-ylk=\"slk:Suffs;elm:context_link;itc:0;sec:content-canvas;outcm:mb_qualified_link;_E:mb_qualified_link;ct:story;\" class=\"link  yahoo-link\"><i>Suffs<\/i><\/a> mastermind Shaina Taub) assume a greater presence alongside Tom Nelis as the curmudgeonly Grandfather, Rodd Cyrus as an (appropriately) appearing and disappearing Harry Houdini, John Clay III as Black leader Booker T. Washington, and Anna Grace Barlow as breathy femme fatale Evelyn Nesbit.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The intense personal dramas of the characters play out alongside the broader historical sweep <i>Ragtime<\/i> illustrates, with walk-ons by Henry Ford (Jason Forbach and J.P. Morgan (John Rapson). The relentless churn of history, and past events both big and small, personal and social, powers the show.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The central thrill of this <i>Ragtime<\/i> is watching Henry and Lewis sing separately and together. The only question is how elated and\/or wrecked their performances will leave you (Henry himself has said he cries himself thinking about the company-sung \u201cNew Music\u201d as it \u201cembodies belief in newness, hope, and second chances\u201d).<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The notion that America can be better, will be better, is most resonantly realized in \u201cWheels of a Dream,\u201d which Henry and Lewis sing mesmerizingly together, bringing the performance to one of a few applause-breaking halts.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Caissie Levy and Brandon Uranowitz \/ Matthew Murphy \/ Matthew Murphy\" loading=\"lazy\" width=\"960\" height=\"640\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/jAMthUbIBCXS0BiskKuhcA--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/thedailybeast.com\/4ec1da856ebc2d05367187a7feef8bb6\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Caissie Levy and Brandon Uranowitz \/ Matthew Murphy \/ Matthew Murphy<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Henry\u2019s voice swells and recedes like its own ocean, rousingly animating all his songs of injustice, determination, and yearning. Lewis\u2019 \u201cYour Daddy\u2019s Son\u201d is heartbreaking and beautiful, and \u201cNew Music,\u201d as sung by the entire company, crackles with the musical\u2019s most moving quality of transporting past to present.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Levy and Uranowitz hold their sections of the show with charm and wit; the former as a rich white wife who finds in her husband\u2019s absence on an expedition to the North Pole a liberation he returns to quickly quash and suppress.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Levy brings steeliness and measure (especially in her big number, \u201cBack to Before\u201d) to a subtly drawn portrait of a woman straining for independence. Donnell has a thankless role, and his boorish character\u2019s journey towards some kind of redemption is too subtle to be plausible.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Like Uranowitz, Levy mines the sporadic outbreaks of comedy of <i>Ragtime<\/i>. Uranowitz\u2019s Tateh is both striver and fierce widowed protector of a daughter. (Your heart churns every time they are nearly separated.) Tateh won\u2019t accept the second-class citizenship conferred upon him; twinkling charm, humor, and fierce determination are his weapons.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Nichelle Lewis and Joshua Henry \/ Matthew Murphy \/ Matthew Murphy\" loading=\"lazy\" width=\"960\" height=\"640\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/VgTMJZticnP3jXEkdXaUQg--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/thedailybeast.com\/e2d02427043b4a06f3826fe9ccf06c51\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Nichelle Lewis and Joshua Henry \/ Matthew Murphy \/ Matthew Murphy<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Designer David Korins has conquered the familiar problem of furnishing the large Vivian Beaumont theater stage by using simple signifiers (and bravely retaining the large ladders-on-casters that seemed perilous and ungainly at Encores! and now glide like swans with somewhere to go).<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Linda Cho\u2019s costumes are period-lovely, Adam Honor\u00e9\u2019s lighting blazes and softens at all the right moments, Kai Harada\u2019s sound design makes sure we hear every glorious note of the singers and excellent orchestra. (There are still wild swings in tone, character, and plot, and possibly the worst song about baseball at the weirdest possible moment\u2014i.e. when you least want a cheery song about baseball.)<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">This<i> Ragtime<\/i> remains as piercing as its Encores! template because its cast is still looking out from the prism of the past to a present-day that is more evolved, but which has only partially succeeded in realizing whatever hope for lasting equality and progress <i>Ragtime<\/i> sings towards. Indeed, the forces of regression are presently resurgent.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cMake Them Hear You\u201d the company sings at the end very much <i>at<\/i> the audience, followed by reprises of \u201cRagtime\u201d and \u201cWheels of a Dream.\u201d They are lovely closing songs for sure, but also sharp reminders\u2014almost indictments\u2014that the twinned struggles for justice and change are far from over.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There is only one thing missing from Lincoln Center Theater\u2019s (LCT) superlative Broadway revival of the musical Ragtime: a decompression chamber for emotionally frazzled audience members to retreat to after the final bows. At the end of three hours of Joshua Henry, Nichelle Lewis, and the company\u2019s gorgeous singing, and a powerfully staged story of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2097158,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[396173,396174,394245,396176,396175,354257,396172,396171],"class_list":["post-2097157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-brandon-uranowitz","tag-caissie-levy","tag-colin-donnell","tag-encores","tag-henry-ford","tag-joshua-henry","tag-matthew-murphy","tag-nichelle-lewis"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/10\/Broadways-\u2018Ragtime-Revival-Is-a-Staggering-Stunning-Triumph.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2097157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2097157"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2097157\/revisions"}],"predecessor-version":[{"id":2097159,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2097157\/revisions\/2097159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2097158"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2097157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2097157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2097157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}