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Of Monsters and Men\u00a0<\/b>have done it again.\u00a0<\/span><\/p>\n With a plethora of work that follows a pattern of beautiful folk rock, it was only natural that their latest composition, \u2018<\/span>All is Love and Pain in the Mouse Parade\u2019\u00a0<\/i>was going to have a similar feel. <\/p>\n The newest release does feel slightly toned down in comparison to offerings from previous years, such as their 2012 debut\u00a0<\/span>\u2018My Head Is an Animal\u2019,\u00a0<\/i>which had a wider range of numbers with powerful crescendos (<\/span>\u2018King and Lionheart\u2019 or<\/i>\u00a0<\/span>\u2018Little Talks\u2019).\u00a0<\/i>But there are plenty of other elements that illustrate just how dedicated the band is to their craft, which is centred around making harmonious tracks with a focus on acoustics and powerful vocals.<\/span><\/span><\/p>\n Both come to the forefront here, creating a defined, serene sound. The band\u2019s two singers,\u00a0<\/span>Nanna Brynd\u00eds Hilmarsd\u00f3ttir\u00a0<\/b>and\u00a0<\/span>Ragnar P\u00f2rhallsson<\/b>,<\/span>\u00a0<\/b>combine perfectly to bring this to life, their beautiful melodies reminiscent of the classic Of Monsters and Men days.<\/span><\/span><\/p>\n Praise is also necessary for the other members,\u00a0<\/span>Brynjar Leifsson\u00a0<\/b>(lead guitarist),\u00a0<\/span>Arnar Rosenkranz Hilmarsson\u00a0<\/b>(drumme<\/span>r<\/b>), and\u00a0<\/span>Kristjan Pall Kristjansson\u00a0<\/b>(bass guitar). With their compelling instrumentals, the tracks on the album are enhanced further, providing the unique blend of folk and rock symphonies that Of Monsters and Men are best known for. It is the perfect backdrop for the lead singers as the sound is positive throughout.\u00a0<\/span><\/span><\/p>\n Rhythms feel very strong and consistent, which works well in terms of the band\u2019s overall style. Opener\u00a0<\/span>\u2019Television Love\u2019\u00a0<\/i>is a slow and steady ballad, which finishes strongly after progressing to a very impressive, final chorus (drawing comparisons to other similar artists like\u00a0<\/span>The National<\/b>) whilst\u00a0<\/span>\u2018Dream Team\u2019\u00a0<\/i>and\u00a0<\/span>\u2018Barefoot in Snow\u2019\u00a0<\/i>are higher-tempo, feel-good additions. The lyrics bring attention to themes reflected on the record, telling a story and culminating them in a unique and captivating way.<\/span><\/span><\/p>\n There is a sense of isolation prevalent in the album\u2019s tracks, such as on\u00a0<\/span>\u2018Styrofoam Cathedral\u2019 (\u201cHere I go, into my styrofoam cathedral \/ Away from the sirens and the grocery stores)\u00a0<\/i>which could be interpreted as wanting to be left alone in peace and solitude, far away from crowds of people. It\u2019s a prime example of how Of Monsters and Men utilise their creativity, creating tunes with powerful themes that reflect how folk music is synonymous with loneliness and isolation. Throughout the record, despite the calmer sound, the band have managed to maintain elements of the rock sound which has made them so popular over the years.\u00a0<\/span><\/span><\/p>\n Overall\u00a0<\/span>\u2018All is Love and Pain in the Mouse Parade\u2019\u00a0<\/i>is a testament to their artistry and ability to produce high-quality music.<\/span><\/span><\/p>\n Of Monsters and Men are heading on a UK tour in February 2026, including stops at Glasgow, Manchester, Belfast, and Cardiff. Tickets can be found\u00a0<\/span>here<\/a>.<\/span><\/span><\/p>\n Seb Gorlov<\/span><\/i><\/p>\n Image: Eva Schram<\/span><\/i><\/p>\n