{"id":2105082,"date":"2025-10-21T06:27:03","date_gmt":"2025-10-21T06:27:03","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2105082"},"modified":"2025-10-21T06:27:03","modified_gmt":"2025-10-21T06:27:03","slug":"the-five-best-gigs-ive-ever-seen","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/the-five-best-gigs-ive-ever-seen\/","title":{"rendered":"The five best gigs I\u2019ve ever seen"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I love live music. I never tire of going to <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/concerts\/best-pop-rock-gigs-what-to-see\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:concerts;elm:context_link;itc:0;sec:content-canvas\">concerts<\/a>. I must have seen thousands of bands and singers performing in everything from cramped pubs and clubs to sprawling festivals and enormous stadiums. There is something about being absorbed into a world of sound as it unfolds that never fails to quicken my blood.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">U2 and Oasis, Oakland Coliseum, 1997<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">You never forget your first time. For me it was early 1977, in the gymnasium of Mount Temple School in Dublin, when a gig by some of my classmates blew my teenage brain. The band was U2, and <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/news\/30-years-neil-mccormick-telegraph-chief-music-critic\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:the rest is pop history;elm:context_link;itc:0;sec:content-canvas\">the rest is pop history<\/a>.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">How extraordinary is that? My first ever gig was the first ever gig by a bunch of schoolboys who went on to become one of the greatest bands the world has ever seen. I have followed U2 ever since, enjoying a front row seat for their development into an art rock behemoth.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Early in my career as <em>The Telegraph<\/em>\u2019s music critic, I was invited to San Francisco to see U2\u2019s <em>PopMart Tour <\/em>at Oakland Coliseum. They were being supported by a young British band called <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/news\/oasis-rock-music-john-robb\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Oasis;elm:context_link;itc:0;sec:content-canvas\">Oasis<\/a>. Like almost everyone else in the UK, I was a huge Oasis fan. I loved the way they had brought passion and songcraft back into rock music. I had been at <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/concerts\/oasis-knebworth-1996-review-thrilling-flashback-concert-like\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Knebworth;elm:context_link;itc:0;sec:content-canvas\">Knebworth<\/a> in 1996 with my brother, linking arms and singing \u201cYou and I, we\u2019re gonna live forever.\u201d<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>\u2018One of the greatest shows I have ever seen\u2019: U2\u2019s PopMart Tour in June 1997 &#8211; Hulton Archive<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The USA was less besotted, but the Gallagher brothers have never wanted for self-belief. It was their first gig in 10 months, and they blasted through a no-nonsense set. Liam\u2019s singing was perfectly balanced between passion and nonchalance, while Noel\u2019s incendiary lead guitar cut through the crowd\u2019s indifference, bringing people to their feet for a climactic, cataclysmic <em>Champagne Supernova<\/em>. It was glorious.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Then U2 took the stage, to deliver one of the greatest shows I have ever seen. <em>PopMart <\/em>has a bad reputation, because it was a bit undercooked when it opened in Las Vegas in April to sceptical reviews. Twenty shows down the road, it had turned into a sci-fi gospel rock spectacular, overwhelming on every conceivable level: intellectual, emotional, visual and musical.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I was standing next to Liam at the mixing desk, and he was bug-eyed with amazement. \u201cThis is the first time I\u2019ve seen U2,\u201d he declared with his distinctive expressiveness. \u201cNow I understand! It\u2019s phwoarghghghgh! F&#8212;-in\u2019 mad, man. Mad!\u201d<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Spiritualized, World Trade Center, New York, 1998<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">In 1998, I rode a high-speed lift to the top of the Twin Towers to see British psychedelic shoe-gazers Spiritualized. They were touring their extraordinary album <em>Ladies and Gentlemen We Are Floating in Space<\/em> and would do a grander performance the next night at the RKO Theatre, binding together Velvet Underground sleaze with Krautrock propulsion, space-age gospel choruses and tender melodies with darkly profound lyrics.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Spiritualized performing at Radio City Music Hall in New York City on April 10, 1998\" loading=\"lazy\" width=\"960\" height=\"600\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/hf1AShhEtffARG8JiFNO6g--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/885e722123baffc72e9c987e42c09d70\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Spiritualized performing at Radio City Music Hall in New York, on their Ladies and Gentlemen We Are Floating in Space tour, in April 1998 &#8211; Redferns<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The World Trade Center was more of a guerilla gig, with the six-piece band in the corner of a bar, clouds drifting across the giant windows behind them, fulfilling frontman Jason Pierce\u2019s ambitions to play \u201cthe highest shows on earth.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It was spookily intense, yet not everyone was impressed. A scattering of Twin Towers regulars dressed in the tailored suits and designer dresses were clearly irritated by this intrusion on their cocktail hour. One couple belligerently installed themselves at a table next to the speakers, where they sipped drinks and flipped through newspapers with bored expressions, while one of the most exceptional live bands of the decade performed a free set behind their backs.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Amy Winehouse, Pizza Express Jazz Club, London, 2004<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">One of the privileges of this job is being introduced to rising artists before the world has caught on to their talents. I saw Amy Winehouse a few times over her short, brilliant, tragic career, and, honestly, she could blow hot and cold live. But I knew how great she was, because in March of 2004 I had been invited to watch her play in the tiny basement jazz club of the <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/what-to-listen-to\/pizza-expresss-problems-could-tragedy-live-music\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Pizza Express;elm:context_link;itc:0;sec:content-canvas\">Pizza Express<\/a> restaurant in Soho, London.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Amy Winehouse performs live on stage with the Bradley Webb Trio at Pizza Express Jazz Club in Soho, London on 6th March 2004\" loading=\"lazy\" width=\"960\" height=\"600\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/WJl1WzFV8DIG8pXA88a68w--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/dbfaff9d5d71923806401509cc211875\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>\u2018The freedom of her singing was electrifying\u2019: Neil was at Amy Winehouse\u2019s performance at Pizza Express Jazz Club in Soho, London in March 2004 &#8211; Popperfoto<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Her whole family was there for the occasion, and I sat at a table sharing pizza and red wine with her jazz-loving grandmother and taxi-driving dad Mitch (who got up and joined Amy for a Frank Sinatra duet). It was the best of Amy, relaxed and chatty, really enjoying performing.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">She was just 20, promoting her debut album <em>Frank<\/em>. The freedom of her singing was electrifying, an earthy vibrancy conjuring up the ghosts of Billie Holiday and Ella Fitzgerald, with notes fluttering and rippling all over the place when she would take off over a stew of urban soul, jazz and pop.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Sadly, the pressures of fame eroded her confidence on-stage. When I saw her again at the Jazz Cafe later the same year, she had become much more awkward, even as her songcraft was blossoming. The tragic decline of Amy before her <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/news\/obituaries\/culture-obituaries\/tv-radio-obituaries\/8657695\/Amy-Winehouse.html\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:death;elm:context_link;itc:0;sec:content-canvas\">death<\/a> aged 27 in 2011 was one of the saddest things I have ever witnessed. But I still have vivid memories of that early encounter.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Bruce Springsteen and the E Street Band, Hyde Park, London, 2012<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">You could run out of superlatives writing about <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/interviews\/bruce-springsteen-interview-trump-is-mentally-unstable\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Bruce Springsteen;elm:context_link;itc:0;sec:content-canvas\">Bruce Springsteen<\/a>. He is the greatest live performer of our times, especially when marshalled with the incredible <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/tv\/2024\/07\/27\/steven-van-zandt-interview-sopranos-springsteen-disciple\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:E Street Band;elm:context_link;itc:0;sec:content-canvas\">E Street Band<\/a>. It is something about the power, generosity, range and intimacy of his performances, while his glorious songs full of meaning and purpose advocate for what is right during troubled times.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I have <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/what-to-listen-to\/bruce-springsteen-new-album-review-only-the-strong-survive-review\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:reviewed him a lot;elm:context_link;itc:0;sec:content-canvas\">reviewed him a lot<\/a> over the decades, and the challenge is always to convey what makes the experience exceptional. Because every Springsteen gig feels like the best show he has ever given. One of my peak Boss experiences was to see Paul McCartney join him for the first time, onstage at Hyde Park in London in 2012. I have loved the Beatles since I was a boy, and every time I see Macca in the flesh, I\u2019m a bit <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/news\/30-years-neil-mccormick-telegraph-chief-music-critic\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:pinch-myself incredulous;elm:context_link;itc:0;sec:content-canvas\">pinch-myself incredulous<\/a>.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Sir Paul McCartney, Bruce Springsteen Hard Rock Calling festival, Hyde Park, London\" loading=\"lazy\" width=\"960\" height=\"600\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/FzyuMl9zZpgQpDnwGk5lyw--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/c9360a3a0af2bf7bd746a4ff76a1beb0\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>\u2018One of my peak Springsteen experiences was to see Paul McCartney join him for the first time onstage at Hyde Park in London in 2012\u2019 &#8211; Rex Features<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Honestly, when McCartney arrived at the climax of a three-and-a-half hour set to storm through <em>I Saw Her Standing There<\/em>, Springsteen looked the same way. \u201cI\u2019ve waited 50 years for this,\u201d he beamed. It was the Beatles meets the Boss, and then, as two of the world\u2019s most legendary rock stars ripped into a historic, glorious, celebratory romp through <em>Twist and Shout<\/em>, some joyless jobsworth from Live Nation, promoters of the concert, turned the PA off. Apparently, the show had extended beyond its curfew. It\u2019s the first time I have heard a fade out at a concert.<\/p>\n<hr class=\"my-4\"\/>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Patti Smith, Royal Albert Hall, London, 2021<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I\u2019m really an old punk. That was my teenage baptism of rock-and-roll fire, a few thrilling years at the end of the 1970s in which I saw <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/news\/greatest-guitar-riffs-of-all-time\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:the Ramones;elm:context_link;itc:0;sec:content-canvas\">the Ramones<\/a>, <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/artists\/combat-rock-album-killed-clash\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:the Clash;elm:context_link;itc:0;sec:content-canvas\">the Clash<\/a>, the Stranglers, <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/news\/how-rick-buckler-and-the-jam-defined-a-generation\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:the Jam;elm:context_link;itc:0;sec:content-canvas\">the Jam<\/a>, <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/artists\/buzzcocks-pete-shelley-created-beginnings-music-would-last-decades\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Buzzcocks;elm:context_link;itc:0;sec:content-canvas\">Buzzcocks<\/a>, <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/fashion\/people\/debbie-harry-blondie-gucci-bags\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Blondie;elm:context_link;itc:0;sec:content-canvas\">Blondie<\/a>, <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/artists\/garry-roberts-glue-held-boomtown-rats-together\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:the Boomtown Rats;elm:context_link;itc:0;sec:content-canvas\">the Boomtown Rats<\/a>, <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/news\/elvis-costello-from-punk-maniac-to-national-treasure\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Elvis Costello;elm:context_link;itc:0;sec:content-canvas\">Elvis Costello<\/a> and the Attractions, <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/books\/what-to-read\/growing-ian-dury-father-like-pot-soaked-fagin\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Ian Dury;elm:context_link;itc:0;sec:content-canvas\">Ian Dury<\/a> and the Blockheads, <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/concerts\/the-pretenders-review-london-palladium\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:the Pretenders;elm:context_link;itc:0;sec:content-canvas\">the Pretenders<\/a>, <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/artists\/terrifying-nights-mark-e-smith-problematic-personable-man\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:the Fall;elm:context_link;itc:0;sec:content-canvas\">the Fall<\/a> and <a rel=\"nofollow\" target=\"_blank\" class=\"link \" href=\"https:\/\/www.telegraph.co.uk\/music\/interviews\/patti-smith-2015-telegraph-greatest-interviews\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Patti Smith;elm:context_link;itc:0;sec:content-canvas\">Patti Smith<\/a>.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I didn\u2019t quite get Patti at first, but she burned through to my soul over the years. She is one of those exceptional artists who seeks transcendence for herself and her audience through the music, with shamanic-like power. Her show at the magnificent Royal Albert Hall after the frozen years of Covid-19 was something to behold.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Patti Smith performs at Royal Albert Hall on October 04, 2021 in London, England\" loading=\"lazy\" width=\"960\" height=\"600\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/EBvFqJD6vOZH9DLp4acDVA--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYwMDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/the_telegraph_258\/ab004240f4fdfded8e00a7da983e11ea\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Patti Smith\u2019s show at the magnificent Royal Albert Hall after the frozen years of Covid-19 was something to behold &#8211; Redferns<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Everyone in the room had experienced loss \u2013 of freedom, of live music, maybe even of loved ones, and Patti took it on herself to express that. Her set blended incantatory poetry, tender meditations on grief and pummelling garage rock of such uplifting force it had the whole of the audience on their feet for a final rip-roaring run through <em>Land<\/em>, <em>Gloria<\/em>, <em>People Have the Power<\/em> and <em>Not Fade Away<\/em>. Crouching, kneeling, spinning, dancing, howling, laughing, the 74-year-old Smith was prepared to shed her own senior citizen dignity to connect with the crowd.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">I found myself wiping tears from my eyes at a gig that felt like a shedding of the past and celebratory ritual of return. \u201cRaise your hands!\u201d Smith called out above the noise. \u201cRaise your blood that has been stagnant for the past 18 months. We are free! We are free! We are f&#8212;&#8212;- alive!\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.telegraph.co.uk\/customer\/subscribe\/01doysa\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.;elm:context_link;itc:0;sec:content-canvas\" class=\"link \"><b>Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.<\/b><\/a><\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I love live music. I never tire of going to concerts. I must have seen thousands of bands and singers performing in everything from cramped pubs and clubs to sprawling festivals and enormous stadiums. There is something about being absorbed into a world of sound as it unfolds that never fails to quicken my blood. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2105083,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[371598,28851,398326,398325,398329,352937,398328,398327,349541,369307],"class_list":["post-2105082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-amy-winehouse","tag-bruce-springsteen","tag-hulton-archive","tag-neil-mccormick","tag-oakland-coliseum","tag-patti-smith","tag-pizza-express-jazz-club","tag-popmart-tour","tag-royal-albert-hall","tag-world-trade-center"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/10\/The-five-best-gigs-Ive-ever-seen.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2105082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2105082"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2105082\/revisions"}],"predecessor-version":[{"id":2105084,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2105082\/revisions\/2105084"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2105083"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2105082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2105082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2105082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}