{"id":2105693,"date":"2025-10-21T13:19:26","date_gmt":"2025-10-21T13:19:26","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2105693"},"modified":"2025-10-21T13:19:26","modified_gmt":"2025-10-21T13:19:26","slug":"vertical-micro-dramas-are-an-8-billion-business-hollywood-is-finally-paying-attention","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/vertical-micro-dramas-are-an-8-billion-business-hollywood-is-finally-paying-attention\/","title":{"rendered":"Vertical Micro-Dramas Are an $8 Billion Business. Hollywood Is Finally Paying Attention"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The titles are provocative and extremely clickable: \u201cFound a Homeless Billionaire Husband for Christmas.\u201d \u201cI Became My CEO\u2019s Darkest Secret.\u201d \u201cHow to Tame a Silver Fox.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The videos are equally soapy, seductive and to the point. With each lasting just a minute to 90 seconds, they have to be.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Welcome to the world of short dramas, which TheWrap<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.thewrap.com\/reelshort-growth-model-short-form-content-profitable\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:first wrote about;elm:context_link;itc:0;sec:content-canvas\" class=\"link \"> first wrote about <\/a>one year ago and have exploded in revenue and viewership since then.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">In just four years since the launch of these vertical dramas, the genre\u2019s market has surpassed $8 billion globally, according to Media Partners Asia, with the vast majority of that figure coming from China.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Once dismissed as a niche Chinese trend, short dramas are now one of the fastest-growing scripted formats \u2014 and Hollywood\u2019s studios, producers and investors are finally catching on. <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.thewrap.com\/fox-entertainment-equity-stake-holywater-vertical-video\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Fox Entertainment;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Fox Entertainment<\/a> has invested in one of the major players, and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.thewrap.com\/telemundo-studios-launches-vertical-shorts-content-strategy\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Telemundo Studios;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Telemundo Studios<\/a> is producing its own adaptations. SAG-AFTRA and WGA have also made vertical agreements to protect their guild members and give them opportunities to work in the market.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">These sensationalized mini-videos captivate young audiences whose attention spans have already been whittled down by TikTok. Each vertical short film has a run time of 60 to 100 minutes but is divided into about 90-second episodes, each one ending with a juicy cliffhanger while the next chapter is just a scroll away.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Users get the first eight to 10 episodes for free, but must pay to unlock the rest of the content. The leading apps use coin-based models, subscription services (with some costing up to $19.99 per week) and ad-supported tiers to make a profit off of addicted audiences. And as the addictive nature of scrolling-based video apps like TikTok has already been proven, getting viewers hooked is the name of the game.<\/p>\n<figure class=\"relative mb-4\"><a rel=\"nofollow\" target=\"_blank\" data-ylk=\"ct:story;elm:img;itc:0;\" class=\"stretched-box\" href=\"https:\/\/powerwomensummit2025.splashthat.com\/Creators\" rel=\"noopener noreferrer nofollow\" target=\"_blank\"><\/p>\n<div class=\"relative\"><\/div>\n<p><\/a><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">With the top series garnering over 350 million views a piece, the short dramas are not just a fad.\u00a0Just as TikTok\u2019s dominance cemented itself over the last few years, so have Chinese short dramas or \u201cDuanju,\u201d which have since exploded around the world and, in particular, the United States as companies have adapted the programming for Western audiences with English-language dramas, using AI to dub content into other languages.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">In-app revenue from short drama apps in the U.S. grew 20% quarter-on-quarter, reaching nearly $350 million in the first quarter, according to <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/sensortower.com\/blog\/state-of-short-drama-apps-2025\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Sensor Tower;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Sensor Tower<\/a>. As major film and television studios take their production elsewhere, verticals have profited off of the local on-and-off screen talent in Los Angeles, Atlanta and New York, making content for a fraction of the price. The budget for a vertical series is anywhere from $150,000 to $300,000 with an eight- to 10-day production cycle.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Three scenes from ReelShort\u2019s \u201cQueen of the Court,\u201d featuring Mariah Moss and Jesse Morales.\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/k2Ia6pPx1_AhsNhwhQZijw--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/thewrap.com\/22e5ed44c05e275fe071ae10665263a4\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Three scenes from ReelShort\u2019s \u201cQueen of the Court,\u201d featuring Mariah Moss and Jesse Morales.<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The Chinese short form dramas market grew from $500 million in revenue in 2021 to $7 billion in 2024, and it\u2019s projected to hit $16.2 billion by 2030, according to Media Partners Asia. Chinese state media reported that the sector had gross revenues of $5.2 billion in 2023, equivalent to about 70% of the country\u2019s theatrical box office revenue. According to data from Sensor Tower, total revenue for the short dramas industry globally has risen 41% over a year ago as of October.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"SensorTower\u2019s report only includes data from China\u2019s IOS accounts, excluding a vast portion of global revenue. (Christopher Smith\/TheWrap)\" loading=\"lazy\" width=\"960\" height=\"920\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/P5mHhucm3.GSXd8DfNcYPQ--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTkyMDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/thewrap.com\/934316bc3f02a757776df22fafc8e828\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>SensorTower\u2019s report only includes data from China\u2019s IOS accounts, excluding a vast portion of global revenue. (Christopher Smith\/TheWrap)<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cIn terms of growth, it just reminds me a lot of the early days of YouTube,\u201d digital creator-turned-verticals producer Scott Brown told TheWrap. \u201cYouTube creators collectively discovered an audience desire that had not yet been presented to them, so what these mostly Chinese companies figured out is that there is a desire for audiences to consume and watch movie-length stories, but in one-ish minute chapters.\u201d<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">The players defining the market<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.thewrap.com\/reelshort-growth-model-short-form-content-profitable\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:ReelShort;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">ReelShort<\/a>, DramaBox and GoodShort dominate the U.S. verticals market. They were the top downloaded micro drama apps in the U.S. this year. Their \u201cguilty pleasure\u201d content pairs sensationalized storytelling with TikTok-style advertising to hook new audiences, many of whom are willing to pay to play.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The payment comes in different forms, whether its through a standard subscription, watching ads or making in-app purchases for digital coins that can be redeemed for more episodes, gamifying the business for users.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The verticals are orchestrated to keep viewers hooked. They lean into highly dramatized and emotionally charged storylines, using big teases after every episode to make viewers scroll. Many of the storylines feature high-drama romantic relationships \u2014 sometimes violent in nature \u2014 while others depict rags to riches stories. The term \u201cbillionaire\u201d can be seen several times in the top performing shorts on the app.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">But the key to staying on top is keeping your audience fed. For many of the leading vertical\u2019s studios, it is about quantity over quality. ReelShort\u2019s U.S. head of content, Abby Dzeng, told TheWrap that she and her team of 20 writers produce 15 to 20 verticals scripts a month.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The biggest misconception, Dzeng said, is that writing short dramas is easy. For many of her writers, they have had to unlearn techniques from the traditional world and adapt to the fast-paced, time-constrained format of short dramas. Dzeng\u2019s team is data-driven, specifically targeting views for the leading series on ReelShort and iterating on new story concepts based around tropes that sell.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"ReelShort\u2019s \u201cUndercover Prison King,\u201d featuring Marc Herrmann.\" loading=\"lazy\" width=\"960\" height=\"540\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/GuoUxJFyA9pIWcfrtOF9bA--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTU0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/thewrap.com\/560da02d5de3d5beaff8054735159ea9\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>ReelShort\u2019s \u201cUndercover Prison King,\u201d featuring Marc Herrmann.<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWe actually follow a pretty similar pattern to Hollywood but just extremely fast,\u201d she said. \u201cThey see success in repeating their IPs, franchise work and new installments in the same franchise. That\u2019s always a so-called box office guarantee. We definitely do see the benefits in that in verticals as well.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">With 70 million monthly active users as of October, ReelShort is one of the leading players in the market with 90% of its viewership coming from the U.S. Most of its titles deal with gut-wrenching romances, but the app has started to lean into thrillers and even unscripted series. Dzeng said although sequels and tropes are often sure-bets, her team has experimented with new genres popularized in the webnovel space with parent Crazy Maple Studio.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Ukrainian vertical shorts player MyDrama, owned by Holywater, launched in April 2024 but is already bumping up production from four to six series per month to 15 by the end of the year. Its goal for 2026 is to ramp up to 30 series per month and $1 billion in revenue to become competitive in the market. The tool for scaling up at a fraction of the cost: AI.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWhat\u2019s happening right now with AI, it basically helps us to lower barriers to entry and building similar content is like 10 times cheaper,\u201d said Anatolii Kasianov, co-founder and co-CEO of Holywater, which owns MyDrama. Holywater has garnered 2 billion social impressions per month from its AI-generated and original short dramas content, but they want to scale up even more. \u201cOur goal is to reach 10 billion impressions by the end of the year using AI content, using our organic experience.\u201d<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Second Rodeo\u2019s \u201cThe Diamond Rose\u201d is available to stream on MyDrama. (MyDrama)\" loading=\"lazy\" width=\"676\" height=\"1024\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/IRxtcArhfS.ELuON6kMd7A--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTE0NTQ7Y2Y9d2VicA--\/https:\/\/media.zenfs.com\/en\/thewrap.com\/7a85de039080727e5918ab972665f865\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>Second Rodeo\u2019s \u201cThe Diamond Rose\u201d is available to stream on MyDrama. (MyDrama)<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Holywater has an entire app dedicated to AI-generated content, MyMuse. It uses the app as a way to test storylines that it will then produce with actors for MyDrama. Kasianov\u2019s goal for the app is to release 100 AI-generated short series per month in 2026.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Not all vertical drama producers see AI as a necessary part of their work. For MyDrama, the company uses AI for dubbing and subtitles but \u201cnot for storytelling.\u201d Dzeng said AI has \u201cno place\u201d in her writers\u2019 room at ReelShort. The app uses the tool for VFX enhancement to expedite the production process, she said, but she is \u201cextremely strict\u201d that no writers use it in creating concepts. Brown, who collaborated with Holywater on his first short drama \u201cThe Diamond Rose,\u201d agreed that he has not found any value from AI coming up with the storylines.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Outside of AI, Holywater has also leaned into partnerships, bringing on Hollywood writers and producers for one-off vertical series and nurturing a long-term partnership with Spanish-language content studio Elefantec Global. The European company shoots in L.A., leaning on Hollywood\u2019s resources, as well as Atlanta and Vancouver. Fox Entertainment also <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.thewrap.com\/fox-entertainment-equity-stake-holywater-vertical-video\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:acquired a stake;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">acquired a stake<\/a> in the company, agreeing to produce 200 series with the company in the next two years.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWhat we see is this huge opportunity in Hollywood right now where there is a crisis and not a lot of stuff is being filmed,\u201d Holywater co-founder and co-CEO Bogdan Nesvit told TheWrap. \u201cThis means that there is a huge supply of talent that we can actually find, and we can invest in them and give them an opportunity to reach tens of millions of users through our platform.\u201d<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Labor, rights and union recognition<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Vertical productions have benefited from their cheaper, nonunion model. With long set days and short production schedules, their conditions for actors do not always comply with SAG-AFTRA\u2019s guidelines.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Being nonunion has allowed the productions to operate with a $150,000 to $300,000 budget. The lack of union compliances with overtime pay also allows them to shoot 15 to 20 pages on a 12-hour day in a 10-day production cycle.\u00a0The nonunion gigs pay day-players a minimum of $250 per day with leads negotiating rates of $1200.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">But as the space has grown in popularity, both SAG-AFTRA and the Writers Guild of America have started to take notice. SAG-AFTRA said that a \u201cVerticals Agreement\u201d would be forthcoming by the end of October. It would encompass projects that have budgets of under $300,000, in line with the typically small budgets and tight turnarounds of these made-for-mobile titles. The contract is intended to allow SAG members to participate in the vertical projects that they may have been excluded from because of the guild\u2019s restrictions.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">For new SAG member JT Garcia, the agreement comes at the perfect time. Garcia graduated from his collegiate acting program into the 2023 writers and actors\u2019 strikes. He took his first short drama gig in the spring 2024 \u2013 they were then listed as \u201cmobisodes\u201d on self-submission platforms like Actor\u2019s Access. He had no prior knowledge of the genre, but after the success of his first vertical, Garcia booked consistent work across several platforms \u2014 so much so that he said he\u2019s now able to fully financially support himself from verticals work. When he joined SAG-AFTRA last month, he was nervous that he would have to leave his vertical short dramas income behind. That now may not be the case.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"ReelShort\u2019s \u201cMy Ex Is in the Navy Seals,\u201d featuring Morgan Tate and JT Garcia (ReelShort)\" loading=\"lazy\" width=\"768\" height=\"1024\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/hMAsLO7z3QI84k4XjBPtog--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTEyODA7Y2Y9d2VicA--\/https:\/\/media.zenfs.com\/en\/thewrap.com\/a9db0e4cd163904b60b6c7d19cf21c52\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p>ReelShort\u2019s \u201cMy Ex Is in the Navy Seals,\u201d featuring Morgan Tate and JT Garcia (ReelShort)<\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Even supporting actors in verticals can make a living, Garcia said. Because the projects have such short production schedules, actors can book five to seven verticals a month if they are a day player or supporting character, whereas leading performers could realistically book two vertical productions a month. Once actors grow their fanbases on the apps, they are able to negotiate higher rates with the companies.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cI\u2019m really interested to see when the language comes out about what\u2019s in the [SAG] agreement,\u201d he told TheWrap. \u201cIf we\u2019re going to be doing the same length script, same type of shoots that we\u2019re doing, that\u2019s not going to be possible within an eight-hour day, especially when you have overtime the way that SAG-AFTRA handles overtime. That\u2019s going to stack up costs quickly.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The WGA said in September that writing for verticals is covered by the guild\u2019s Minimum Basic Agreement (MBA). However, if a vertical isn\u2019t signed to a union contract, it\u2019s a no-go according to union rules. The WGA\u2019s Minimum Basic Agreement (MBA) features terms for shortform and low-budget programming that accommodates this kind of format.<\/p>\n<h2 class=\"mb-4 text-xl font-bold md:text-2xl\">Hollywood\u2019s investment<\/h2>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Hollywood overall has also started to take notice of the vertical shorts boom. For Telemundo\u2019s Chief Content Officer Javier Pons, it was important to get ahead of the craze, and his leadership at NBC agreed.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cWe don\u2019t have to wait until the market goes and tells us what we have to do,\u201d Pons told TheWrap. \u201cThere\u2019s not a big volume for the moment, but I think it\u2019s going to be huge in the future.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Telemundo Studios is the first major traditional entertainment player to enter into the vertical short dramas space. It said in September that it plans to bring telenovela storytelling to the short form format, adapting series for vertical, producing original content and collaborating with a faith-based studio, VIP 2000 TV.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Though the productions do not yet have distribution homes, Pons said that he has had conversations internally at NBC as well as with leading vertical shorts partners with established audiences.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Several short form executives who spoke with TheWrap also said that streamers have expressed interest in future collaborations.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Fox Entertainment acquired an <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.thewrap.com\/fox-entertainment-equity-stake-holywater-vertical-video\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:equity stake in Holywater;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">equity stake in Holywater<\/a>, home to vertical platforms MyDrama and AI-generated verticals hub MyMuse, in early October. The deal will allow the companies to collaborate across original vertical video series production, ad sales and brand partnerships. Additionally, Holywater can adapt Fox Entertainment IP into the vertical video format, including \u201cstorytelling extensions\u201d for current Fox shows and remake projects.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">As part of the deal, Fox Entertainment Studios has committed to creating and producing more than 200 vertical video titles for MyDrama over the next two years, which will help co-founders Nesvit and Kasianov reach their goal of 300 series in 2026.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cTo make it mainstream, we need to appeal to U.S. audiences,\u201d Nesvit said. \u201cThat\u2019s why we\u2019re partnering with Hollywood.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">ReelShort has also established partnerships with Paramount. While the platform is not looking to sell, ReelShort has partnered with the studio to promote its latest Colleen Hoover adaptation \u201cRegretting You,\u201d premiering in theaters Friday. The partnership melds the companies\u2019 shared interests in romance and YA audiences.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Short dramas executives told TheWrap this type of strategic partnership is just the beginning. With unions now throwing their hats in the ring, the format is safer and more visible as a legit branch of entertainment, not just social content.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cStrategic M&amp;A, I believe, will happen in this market in the future,\u201d co-founder and COO of DramaShorts Leo Ovdiienko told TheWrap. \u201cIt\u2019s basically a way to distribute the content. We already know that a lot of players look into this market because it\u2019s huge. Revenue is growing like five times year over year.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">As a newcomer to the space, Second Rodeo Productions\u2019 Scott Brown began his career in digital, working for MrBeast and creating web series for The Rock and Larry David. After completing his first short drama series, Brown now advises newcomers to get into the verticals industry.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u201cAnyone who comes to me and asks, \u2018What is the smartest thing I can do with this money I\u2019ve cobbled together to make something?\u2019 I say, \u2018Make a micro drama,\u2019\u201d he said. \u201cThat is the smartest thing you can do with your career.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The post <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.thewrap.com\/vertical-short-dramas-industry-explained-8-billion-business\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Vertical Micro-Dramas Are an $8 Billion Business. Hollywood Is Finally Paying Attention;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Vertical Micro-Dramas Are an $8 Billion Business. Hollywood Is Finally Paying Attention<\/a> appeared first on <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.thewrap.com\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:TheWrap;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">TheWrap<\/a>.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The titles are provocative and extremely clickable: \u201cFound a Homeless Billionaire Husband for Christmas.\u201d \u201cI Became My CEO\u2019s Darkest Secret.\u201d \u201cHow to Tame a Silver Fox.\u201d The videos are equally soapy, seductive and to the point. With each lasting just a minute to 90 seconds, they have to be. Welcome to the world of short [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2105694,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[398506,341185,321785,22860,354804,398505,398503,398504],"class_list":["post-2105693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-abby-dzeng","tag-christopher-smith","tag-fox-entertainment","tag-hollywood","tag-sag-aftra","tag-scott-brown","tag-silver-fox","tag-telemundo-studios"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/10\/Vertical-Micro-Dramas-Are-an-8-Billion-Business-Hollywood-Is-Finally.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2105693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2105693"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2105693\/revisions"}],"predecessor-version":[{"id":2105695,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2105693\/revisions\/2105695"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2105694"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2105693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2105693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2105693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}