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This November, the <\/span>GRAMMY Museum<\/span><\/a> celebrates the artists and stories that keep music moving forward. From a screening of <\/span>RESYNATOR<\/span><\/em> to an intimate conversation with <\/span>Charlotte de Witte<\/span><\/a>, the month brings together pioneers, hitmakers, and new voices across genre.<\/span><\/p>\n Event attendees can revisit the legacy of <\/span>Fleetwood Mac\u2019s<\/span><\/a> <\/span>Rumours<\/span><\/em>, reflect on the history of <\/span>Bad Company<\/span><\/a>, and connect with rising voices like <\/span>Amy Allen<\/span><\/a> and <\/span>sombr<\/span><\/a> \u2014 two artists redefining the landscape of pop and songwriting today.\u00a0<\/span><\/p>\n From free events to special conversations, the Museum\u2019s November lineup has something for every music fan, with performances and programs in Los Angeles and New York City.<\/span><\/p>\n Nov. 3, 2025 from 7 p.m. to 9 p.m. Buy Tickets<\/span><\/a><\/strong><\/p>\n The GRAMMY Museum will present a screening of <\/span>RESYNATOR<\/span><\/em>, followed by a panel conversation moderated by five-time GRAMMY winner <\/span>Jimmy Jam<\/span><\/a>. The discussion will feature director Alison Tavel, music producer Matt Musty, Wally De Backer (Gotye), and Money Mark (<\/span>Beastie Boys<\/span><\/a>), who will reflect on the making of the documentary.<\/span><\/p>\n RESYNATOR<\/span><\/em> marks the directorial debut of Alison Tavel and earned the SXSW Audience Award for Documentary Feature. The film follows Tavel\u2019s 10-year journey to uncover a synthesizer her late father invented in the 1970s \u2014 a project that evolves into an emotional exploration of family, creativity, and legacy.<\/span><\/p>\n The documentary features appearances from <\/span>Peter Gabriel<\/span><\/a>, <\/span>Fred Armisen<\/span><\/a>, Jimmy Jam, <\/span>Mark Ronson<\/span><\/a>, <\/span>Grace Potter,<\/span><\/a> Money Mark, and <\/span>Gotye<\/span><\/a>. Its score was composed entirely using the resurrected Resynator, bringing the instrument \u2014 and its story \u2014 back to life.<\/span><\/p>\n Nov. 5, 2025 from 7:30 p.m. to 9 p.m.<\/span><\/strong><\/p>\n L.A.<\/strong><\/p>\n Buy Tickets<\/span><\/a><\/strong><\/p>\n Charlotte de Witte joins the GRAMMY Museum for a conversation celebrating her upcoming self-titled debut album. The night will dive into her creative process, artistic evolution and the global rise of her fearless, high-energy sound.<\/span><\/p>\n Over the past decade, de Witte has become one of electronic music\u2019s most defining voices, known for her driving style and commitment to pushing techno forward. The Belgian artist has been named <\/span>DJ Mag\u2019s World\u2019s No. 1 Techno DJ<\/span><\/a> six years running. Alongside her work as a performer and producer, de Witte runs KNTXT, a record label and creative platform. She\u2019s also made history as the first female and first techno artist to close Tomorrowland\u2019s mainstage, with appearances at Coachella, Lollapalooza, Movement, the Las Vegas Sphere, and more.\u00a0<\/span><\/p>\n Nov. 6, 2025 from 3 p.m. to 4:15 p.m. In partnership with the Rock & Roll Hall of Fame, the GRAMMY Museum welcomes GRAMMY nominees and 2025 Inductees <\/span>Paul Rodgers<\/span><\/a> and <\/span>Simon Kirke<\/span><\/a> of Bad Company for an intimate conversation moderated by the Rock Hall\u2019s Vice President of Education, Jason Hanley.\u00a0<\/span><\/p>\n Formed in London in 1973, Bad Company united members of Free, Mott the Hoople, and <\/span>King Crimson<\/span><\/a> to create one of the most distinctive sounds in rock history. With hits like “Can’t Get Enough,” “Feel Like Makin’ Love,” and “Shooting Star,” the band became a quintessential hard rock supergroup, selling tens of millions of records and shaping the sound of FM radio throughout the 1970s. More than five decades later, their songs continue to resonate with new audiences.<\/span><\/p>\n Nov. 8, 2025 from 10 a.m. to 6 p.m. The GRAMMY Museum and Roland invite music lovers to enjoy a full day of free admission during Mix at the Museum: A Roland Free Day, featuring special workshops, live performances, and interactive experiences.<\/span><\/p>\n Throughout the day, guests can join a live looping jam session with educator and performer John Allen, followed by a set from L.A.-based soul, R&B, and funk collective J.Mo & The Greats \u2014 featuring four-time GRAMMY-winning producer and guitarist <\/span>Jairus “J-Mo” Mozee<\/span><\/a>, drummer Taron Lockett, and bassist Neon Phoenix. Additional programming includes a workshop presented by Roland and Venice Music on developing rollout strategies, aligning with brands, and building sustainable careers through marketing and fan engagement.<\/span><\/p>\n The Museum’s Ray Charles Terrace will host an all-day DJ lineup, while five-time Latin GRAMMY-nominated Colombian producer and <\/span>DJ Ali Stone <\/span><\/a>will lead a “Track Talk,” breaking down one of her songs before performing live. More details, including the full schedule, will be announced soon. RSVPs are encouraged but not required.<\/span><\/p>\n Nov. 9, 2025 from 2 p.m. to 3:30 p.m. The GRAMMY Museum will welcome Emmy Award\u2013winning journalist and author Alan Light for a discussion about his new book, <\/span>Don\u2019t Stop: Why We (Still) Love Fleetwood Mac\u2019s Rumours<\/span><\/em>.<\/span><\/p>\n The book examines how <\/span>Fleetwood Mac\u2019s<\/span><\/a> <\/span>Rumours<\/span><\/a><\/em> became one of the most enduring albums in popular music. Light explores the record\u2019s creation, the relationships that shaped it, and why its songs continue to connect with listeners nearly 50 years later. Drawing from interviews with artists and fans, he offers perspective on how <\/span>Rumours<\/span><\/em> has remained part of today\u2019s music culture. The event will conclude with an audience Q&A and a book signing.<\/span><\/p>\n<\/div>\n **Nov. 10, 2025 from 7:30 p.m. to 9 p.m. On the heels of her new album <\/span>Nobody\u2019s Girl<\/span><\/em>, GRAMMY winner <\/span>Amanda Shires<\/span><\/a> will appear at the GRAMMY Museum for a conversation about her creative process and career, followed by a live performance. <\/span>Nobody\u2019s Girl<\/span><\/em> marks a new chapter for Shires, blending themes of loss, resilience, and self-discovery through a collection of deeply personal songs.\u00a0<\/span><\/p>\n A GRAMMY-winning singer, songwriter, and multi-instrumentalist, Shires began her career at 15 playing fiddle with the Texas Playboys and has since built a dynamic catalog. In addition to her solo work, Shires founded the acclaimed supergroup <\/span>The Highwomen<\/span><\/a> with <\/span>Natalie Hemby<\/span><\/a>, <\/span>Maren Morris,<\/span><\/a> and <\/span>Brandi Carlile<\/span><\/a>. She recently also collaborated with the late <\/span>Bobbie Nelson<\/span><\/a> on <\/span>Loving You<\/span><\/em>.<\/span><\/p>\n Nov. 11, 2025 from 7:30 p.m. to 9 p.m. The GRAMMY Museum and Collective by 92NY present an evening with the cast and creators of “Maybe Happy Ending,” featuring a discussion about the show\u2019s journey from page to stage and a special performance with Darren Criss at The 92nd Street Y: David Geffen Stage at Kaufman Concert Hall.<\/span><\/p>\n “Maybe Happy Ending” brings together an award-winning creative team, including Will Aronson, Hue Park, Helen J. Shen, Dez Duron, and Marcus Choi, alongside Darren Criss. The musical blends romance, humor, and futuristic themes to tell the story of two helper-bots who discover what it means to be human. Its original Broadway cast recording, produced by Will Aronson and Hue Park, features liner notes by GRAMMY-nominated songwriter <\/span>Stephen Trask.<\/span><\/a><\/p>\n Nov. 12, 2025 from 7 p.m. to 8:30 p.m. The GRAMMY Museum will present a screening of <\/span>The Gits Live at RKCNDY<\/span><\/em>, followed by a panel discussion moderated by Jasen Emmons with filmmaker Doug Pray, bassist Matt Dresdner, and guitarist Andy Kessler. The event will explore the story of the Seattle punk band and the legacy of their late vocalist, Mia Zapata.<\/span><\/p>\n Filmed in January 1993 at Seattle’s RKCNDY club for Doug Pray’s documentary <\/span>HYPE!<\/span><\/em>, the short captures The Gits in one of their final live performances. The restored footage offers a rare glimpse of the band during a pivotal moment in Seattle’s music scene. Led by Mia Zapata, The Gits fused punk energy with raw emotion, shaping the sound of the city’s underground. Though their time together was brief, their influence continues to echo through generations of rock and punk artists.<\/span><\/p>\n Nov. 14, 2025 from 7:30 p.m. to 9 p.m. The GRAMMY Museum welcomes sombr for an intimate discussion about his debut album <\/span>I Barely Know Her<\/span><\/em> and the experiences that shaped it.<\/span><\/p>\n Born Shane Boose and raised on New York City\u2019s Lower East Side, sombr began writing and producing music while studying classical performance at LaGuardia High School. His 2022 single “Caroline” marked his first viral moment, paving the way for a series of self-made tracks that found an audience far beyond his bedroom studio. Earlier this year, he released <\/span>I Barely Know Her<\/span><\/em>, his first full-length album, which quickly climbed global charts.<\/span><\/p>\n With viral songs like “back to friends,” “undressed,” and “12 to 12,” sombr has emerged as one of pop\u2019s most streamed new artists.<\/span><\/p>\n<\/div>\n **Nov. 17, 2025 from 7:30 p.m. to 9:30 p.m. The GRAMMY Museum will host GRAMMY winner Amy Allen for an evening of conversation moderated by six-time GRAMMY winner <\/span>St. Vincent.<\/span><\/a> The conversation will explore Allen\u2019s songwriting journey, her approach to collaboration, and the stories behind some of her biggest hits.<\/span><\/p>\n A Los Angeles\u2013based songwriter originally from Maine, Allen has written chart-topping songs for artists including <\/span>Sabrina Carpenter<\/span><\/a>, <\/span>Olivia Rodrigo<\/span><\/a>, <\/span>Harry Styles<\/span><\/a>, <\/span>Dua Lipa<\/span><\/a>, <\/span>Ed Sheeran,<\/span><\/a> and <\/span>Kacey Musgraves<\/span><\/a>
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