{"id":2142385,"date":"2025-11-08T06:04:13","date_gmt":"2025-11-08T06:04:13","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2142385"},"modified":"2025-11-08T06:04:13","modified_gmt":"2025-11-08T06:04:13","slug":"die-my-love-to-rosalias-lux-your-complete-entertainment-guide-to-the-week-ahead-culture","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/die-my-love-to-rosalias-lux-your-complete-entertainment-guide-to-the-week-ahead-culture\/","title":{"rendered":"Die My Love to Rosal\u00eda\u2019s Lux: your complete entertainment guide to the week ahead | Culture"},"content":{"rendered":"

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Going out: Cinema<\/strong><\/h2>\n

Die My Love<\/strong>
Out now<\/em>
Lynne Ramsay\u2019s remarkable portrait of\u00a0a couple spiralling emotionally in the wake of the\u00a0birth of their child sees Jennifer Lawrence and Robert Pattinson go hell for leather in a pair of\u00a0no-holds barred performances that\u00a0chart the journey from passion to\u00a0\u2026 well, it would be too\u00a0simple to call\u00a0it hatred. J-Law in particular seems likely to bag herself an Oscar nom for this one.<\/p>\n

Predator: Badlands<\/strong>
Out now<\/em>
This standalone film set in the Predator universe sees Elle Fanning\u2019s Weyland-Yutani android character team up with Dimitrius Schuster-Koloamatangi\u2019s young, outcast Predator warrior, in a bid to survive a\u00a0thoroughly hostile environment. Horror sci-fi directed by Dan Trachtenberg.<\/p>\n

The Choral<\/strong>
Out now<\/em>
For a certain audience, the prospect of\u00a0a Nicholas Hytner-directed, Alan Bennett-scripted comedy-drama (their last collaboration was 2015\u2019s The Lady in the Van, starring Maggie Smith), starring Ralph Fiennes, with Simon Russell Beale playing the composer Elgar and Roger Allam in the mix too, will be cinematic catnip, some slightly mixed reviews notwithstanding.<\/p>\n

Dragonfly<\/strong>
<\/em>Out now<\/em>
Andrea Riseborough gives a committed turn as an isolated woman who befriends a lonely elderly neighbour (Brenda Blethyn). When a suspicious relative intervenes, things head south in this gritty British drama that builds gradually to an explosive climax. Directed by Paul Andrew Williams (London to Brighton). Catherine Bray<\/em><\/p>\n

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Going out: Gigs<\/strong><\/h2>\n
<\/svg><\/span>We want Mura \u2026 Alex Crossan.<\/span> Photograph: William Reid<\/figcaption><\/figure>\n

Mura Masa<\/strong>
Roundhouse, London, 14 November
<\/em>After three albums on a major label, Guernsey\u2019s Alex Crossan released last year\u2019s Curve 1 independently, allowing for a more reflexive release schedule. That sense of spontaneity is carried over into the music itself \u2013 see recent single JUMP for details \u2013 and should be in full effect at this one-off gig. Michael Cragg<\/em><\/p>\n

The Offspring<\/strong>
10 to 18 November; tour starts Cardiff<\/em>
Thirty years after their commercial breakthrough with 1994\u2019s 11m-selling album Smash, the California pop-punkers are still going strong. In theory this tour is in support of last year\u2019s 11th album, Supercharged, but expect a heavy focus on the 90s, specifically the irresistible poseur anthem, Pretty Fly (For a White Guy). MC<\/em><\/p>\n

Bavarian Radio Symphony Orchestra<\/strong>
Philharmonic Hall, <\/em>Liverpool, 10 November; <\/em>Symphony Hall, <\/em>Birmingham, 11 November; <\/em>Barbican, <\/em>London, 12 November<\/em>
Simon Rattle brings his latest orchestra, one of the world\u2019s greatest, for a short British tour to venues that have been hugely important in his own career. At Liverpool and Birmingham, Schumann\u2019s Second Symphony is paired with Stravinsky\u2019s Firebird, while at the Barbican in London Jan\u00e1\u010dek\u2019s tone poem Taras Bulba precedes Bruckner\u2019s Eighth Symphony. Andrew Clements<\/em><\/p>\n

Harper Trio<\/strong>
Southend, 8 November; Southampton, 9 November
<\/em>Led by Greek-born global-musical original Maria-Christina Harper, the Harper Trio\u2019s unique alchemy of ambient brooding, quiet percussion and jazz-sax melodic edginess is steered by its leader\u2019s ingenuity on the\u00a0electric harp. Their latest album, Dialogue of Thoughts, seductively delivers exactly what the title says. John Fordham<\/em><\/p>\n

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Going out: Art<\/strong><\/h2>\n
<\/svg><\/span>Art with porpoise \u2026 Shezad Dawood\u2019s Disposable mementoes (Dolphins), part of For All at Last Return.<\/span> Photograph: Sylvain Deleu<\/figcaption><\/figure>\n

For All <\/strong>at Last Return<\/strong>
B<\/em>altic, Gateshead, 8 November to 7 June
<\/em>How do humans affect the seas? You\u00a0can guess the answers offered by this exhibition won\u2019t be reassuring. Plastics and ocean warming, overfishing and other depredations are exposed by artists including Shezad Dawood, Joan Jonas, Otobong Nkanga and Rob Smith. But it promises to be \u201cimmersive\u201d so bring a snorkel.<\/p>\n

Anna Ancher <\/strong>
Dulwich Picture Gallery, London, to 8 March<\/em>
This Danish artist grew up in the fishing community of Skagen in the late 1800s and many of her paintings depict life there. She was more than a local realist, however. Drawn to French impressionism and its succeeding movements, she paints women in stilled, luminous moments, entrancingly reminiscent of Vermeer.<\/p>\n

Secret Maps<\/strong>
British Library, London, to 18 January<\/em>
The way the world is mapped has always been political. The development of increasingly accurate cartography in Renaissance Europe helped monarchs visualise their kingdoms and colonisers \u201cknow\u201d distant lands. This exhibition looks at the sometimes sinister side of map-making as a form of power from the 14th century to now.<\/p>\n

Into Abstraction<\/strong>
Firstsite, Colchester, to 18 January<\/em>
The rise of British abstract art in the 20th century is set against modern social and political history in this survey. Barbara Hepworth and Henry Moore, the most famous British abstract modern artists, feature. So,\u00a0interestingly, does LS Lowry, whose simplified views of industrial cities are seen here as abstract. Jonathan Jones<\/em><\/p>\n

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Going out: Stage<\/strong><\/h2>\n
<\/svg><\/span>Closed book \u2026 Matthew Holness as Garth Marenghi.<\/span> Photograph: Simon Webb\/The Guardian<\/figcaption><\/figure>\n

Garth Marenghi <\/strong>
Touring to 3 May<\/em>
Matthew Holness\u2019s pompous horror novelist rose to fame as a sitcom character. Yet in recent years he\u2019s been producing actual tomes. Now he\u2019s taking his latest, This Bursted Earth \u2013 about an author experiencing strange visions (\u201ca giant skeleton with a moustache\u201d) \u2013 on a nationwide book tour. Rachel Aroesti<\/em><\/p>\n

End<\/strong>
National Theatre: Dorfman, London, 13 November to 17 January
<\/em>The final chapter in David Eldridge\u2019s entrancing trilogy of plays about what it takes to fall \u2013 and stay \u2013 in love. How will Alfie and Julie write the ending to their story? Starring Clive Owen and\u00a0Saskia Reeves.<\/p>\n

Sherlock and the Twelve Days of Christmas<\/strong>
<\/em>Birmingham Rep, 13 November to 18 January<\/em> <\/strong>
The world premiere of a cheeky festive play with original songs from Tim Rice and Andrew Lloyd Webber. It\u2019s Christmas in Victorian London but in the West End, a flurry of performers are dying mid-performance. Enter Sherlock and Watson! Miriam Gillinson<\/em><\/p>\n

Royal Ballet: Perspectives<\/strong>
Royal Opera House, London, 14 November to 2 December
<\/em>A delicious-sounding triple bill featuring a\u00a0world premiere from the excellent Cathy Marston, inspired by Benjamin Britten\u2019s Violin Concerto. Plus Balanchine\u2019s classic Serenade, set to Tchaikovsky, and Justin Peck\u2019s Everywhere We Go, to music by Sufjan Stevens \u2013 the first time the Royal has performed work by the star US choreographer. Lyndsey Winship<\/em><\/p>\n

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