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Few projects have been as highly anticipated and long awaited as Rosal\u00eda<\/a>\u2019s fourth studio album, LUX<\/a><\/em>. The follow up to her Grammy-winning Motomami<\/em>, yesterday\u2019s release was met with widespread acclaim from the music industry and fans alike\u2014proving it was certainly well worth the three year wait. Exploring ideas of the feminine divine, transcendence, love, and religion, it was recorded with the London Symphony Orchestra and featured lyrics in fourteen different languages. And, with the music video for her lead single \u201cBerghain<\/a>,\u201d Rosal\u00eda built out a whole visual world for the album\u2014one that\u2019s been reflected in her recent fashion moments.<\/p>\n For her first appearance post-album release, the Spanish singer graced the stage at the LOS40 Music Awards in a Victorian deconstructed gown from Dilara Findikoglu<\/a>. More specifically, it was pulled from the label\u2019s Autumn\/Winter 2024 collection, an offering that just so happened to have echoed the very themes LUX<\/em> discussed. Located at a London church, the show served as a mass ritual to end toxic masculinity<\/a>, a \u201cmanifesto for a world order born of an unrelenting vortex of femme energy.\u201d Just like Rosal\u00eda, Findikoglu explored religion, femininity, and divine power.<\/p>\n Constructed with layers and layers of tulle, ruffles, and lace, the artist\u2019s piece was designed to mimic a stage of undress. Evoking a feeling of shedding skin or letting go of the old, pink and black corsets hung from the waist, stripped from the body to reveal the undermost layer of transparent boning. Angelic and daring all at once, it was the perfect companion to Rosal\u00eda as she stepped out to celebrate LUX<\/em>.<\/p>\n