{"id":2154766,"date":"2025-11-13T19:35:13","date_gmt":"2025-11-13T19:35:13","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2154766"},"modified":"2025-11-13T19:35:13","modified_gmt":"2025-11-13T19:35:13","slug":"10-songs-you-need-to-hear-this-week-november-13-2025","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/10-songs-you-need-to-hear-this-week-november-13-2025\/","title":{"rendered":"10 Songs You Need to Hear This Week (November 13, 2025)"},"content":{"rendered":"

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At <\/em>Paste Music, we\u2019re listening to so many new tunes on any given day, we barely have any time to listen to each other. Nevertheless, every week we can swing it, we take stock of the previous seven days\u2019 best new songs, delivering a weekly playlist of our favorites. Check out this week\u2019s material, in alphabetical order. (You can check out an ongoing playlist of every best new songs pick of 2025 here<\/a>.)<\/em><\/p>\n

Bill Callahan<\/a> has a way of making a midlife inventory sound like he\u2019s just talking to you across the table, and \u201cThe Man I\u2019m Supposed to Be\u201d hinges on that disarming plainness. The song drifts in like a slow confession\u2014guitar moving with a kind of deliberate shuffle, sax tracing the edges, drums keeping things upright but unhurried\u2014with the center of gravity being, as always, Callahan\u2019s own deep baritone, as steady and unadorned as his early releases as Smog. \u201cI\u2019ve been living too long in my head \/ not loving you enough in our bed,\u201d he admits, before deciding to live \u201cas if the next day I\u2019ll be dead,\u201d not as a dare but as a reminder to stop drifting. Self-reckoning is framed here as a daily, almost domestic task; not fire and brimstone, but the quiet maintenance of sweeping the corners and tightening the loose screws. The intensity builds as the song goes on, the guitar growing fuzzed and gritty and the drums forcing the pulse forward. Callahan\u2019s certainly no stranger to songs about mortality, but \u201cThe Man I\u2019m Supposed To Be\u201d handles it with an almost pragmatic tenderness: \u201cMy biggest fear is not the dying \/ my biggest fear is that I\u2019ll stop trying \/ to be the man I\u2019m supposed to be.\u201d \u2014Casey Epstein-Gross<\/em>
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\"\"\"\"I\u2019ll be honest\u2014I hadn\u2019t been looking forward to Emerald Fennel\u2019s adaptation of Wuthering Heights<\/em>, as someone who hated Promising Young Woman<\/em> and Saltburn<\/em> (though I\u2019ll admit the latter had a fantastic soundtrack). But hearing Charli XCX\u2019s singles from the upcoming soundtrack album, I\u2019m seated. Charli has been talking about wanting to do a Lou Reed-style album as her follow-up to Brat<\/em>, so seeing her collaborate with John Cale for the sinister, string-heavy experimental track \u201cHouse\u201d is as close as we can get at the moment. It\u2019s a different side to Charli \u2014one that shows she can thrive outside the confines of her electro-pop domain. Her other Wuthering Heights<\/em> single, \u201cChains of Love,\u201d still carries a sinister touch, but it\u2019s an alluring ballad that feels closer to those big pop moments we know and love from Charli, while taking more of a Roxy Music-type approach. \u2014Tatiana Tenreyro<\/em>
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