{"id":2163889,"date":"2025-11-18T07:53:10","date_gmt":"2025-11-18T07:53:10","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2163889"},"modified":"2025-11-18T07:53:10","modified_gmt":"2025-11-18T07:53:10","slug":"the-slow-documentary-maker-in-a-frantic-world","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/the-slow-documentary-maker-in-a-frantic-world\/","title":{"rendered":"the slow documentary maker in a frantic world"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\">If the regular recipe for success in the modern entertainment industry or on social media is being loud, attention-seeking and a prolific creator of &#8220;content&#8221;, Italian filmmaker Gianfranco Rosi has carved out a career doing the exact opposite.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The work of the award-winning documentary producer is everything our contemporary culture is not: slow, nuanced, contemplative.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It&#8217;s a strategy that has taken him to the pinnacle of European cinema &#8212; he&#8217;s won the top Golden Lion prize at the Venice Film Festival and the Golden Bear in Berlin &#8212; and has pushed the boundaries for non-fiction in the process.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8220;There were people saying &#8216;How can you give a Golden Lion to someone that never directed an actor?'&#8221; he told AFP. &#8220;It&#8217;s not important that division for me (between fiction and documentary). What I feel close to is cinema.&#8221; <\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">His latest work &#8220;Sotto le nuvole&#8221; (&#8220;Below the Clouds&#8221; in English), which releases internationally in France this week, is a portrait of the gritty Italian port of Naples.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It bears all the hallmarks of Rosi&#8217;s distinct way of working.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The 61-year-old, who also holds American nationality, believes in &#8220;immersion&#8221;, often heading to live alone at the location of his films with no script and only a vague notion of what he is trying to capture.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">He spent three years in Naples, wandering, meeting people, filming relentlessly, finding the characters whose lives form the core of the 115-minute production. <\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8220;I&#8217;m a director that doesn&#8217;t go home to sleep. I&#8217;m always on location,&#8221; he explained.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">For 2013&#8217;s &#8220;Sacra GRA&#8221;, his breakthrough documentary, he spent two years living in a van around the ringroad on the outskirts of Rome where he slowly won the confidence of his subjects: an ambulance driver, an eel farmer, a faded aristocrat, prostitutes.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8220;Notturno&#8221;, which released in 2020, saw Rosi spend over three years on the borders of Iraq and Syria, documenting the impact of the Islamic State group.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">His first film &#8220;Boatman&#8221; took five years to complete. <\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8220;Time is my biggest investment,&#8221; he told AFP. &#8220;Working alone allows me to wait for the right moment, to create a certain intimacy with the people I meet, and allows me to wait for the right light.&#8221;<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8211; Meditation on time &#8211;<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Rosi&#8217;s film-making process is only part of his craft, with his visual language and approach to story-telling also setting him apart.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">He disdains the look of many modern documentaries &#8212; shaky handheld camera work and an urgent, grave tone &#8212; preferring a static vantage point, with a fixed lens.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">He frames wide and his camera lingers, leaving long pauses that he likens to the space between notes in a piece of music, or the void between the lines of a poem.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">He conducts no on-screen interviews, does no narration, and allows himself a strict minimum of directing his subjects to ensure his work remains almost entirely observational.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8220;Below the Clouds&#8221; features a handful of unconnected people around Naples &#8212; an after-school teacher, a fire department call-centre operator, a sailor, archeologists &#8212; whose lives are revealed little by little in looping segments.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">There is no place for pizza, football, sun-drenched piazzas, or the mafia &#8212; the cliches of Napolitean life.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8220;There&#8217;s always a very strong stereotype about Naples,&#8221; he explained. &#8220;I wanted to get rid of all the elements that belong to the collective imagination of people.&#8221;<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Overall, it is a meditation on time that links the ancient Vesuvius volcano that looms over the city to its buried Roman past and its often chaotic present.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8220;The film, for me, is a reflection on the complexity of Naples and on history, on the weight of the past, and somehow on suspended time,&#8221; he added.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It is shot in black-and-white to give it a vintage feel, while the sparse musical score is provided by Britain&#8217;s Daniel Blumberg, who won an Oscar for his work on &#8220;The Brutalist&#8221;.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Reviews of Rosi&#8217;s film were overwhelmingly positive when it premiered at the Venice Film Festival in September, where it won the Special Jury prize.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The Hollywood Reporter said Rosi &#8220;makes documentaries like no-one else&#8221; and called his latest work &#8220;stunning&#8221;.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The Guardian gave it a five-star rating, saying it was &#8220;another of (Rosi&#8217;s) brilliantly composed docu-mosaic assemblages of scenes and tableaux.&#8221;<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">adp\/rmb<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If the regular recipe for success in the modern entertainment industry or on social media is being loud, attention-seeking and a prolific creator of &#8220;content&#8221;, Italian filmmaker Gianfranco Rosi has carved out a career doing the exact opposite. The work of the award-winning documentary producer is everything our contemporary culture is not: slow, nuanced, contemplative. 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