Linda Bloss-Baum and the SXSW class in Austin, with acclaimed author Don Passman. Courtesy photo.<\/p>\n<\/div>\n
Ever wondered how you might turn a love of music & entertainment as well as business into a career? American University\u2019s Business and Entertainment (BAE) program is a one-of-a-kind undergraduate major at the Kogod School of Business that prepares students for careers in the entertainment industry.<\/p>\n
Unlike certificate programs or electives, the BAE is a full degree track that is a mix of rigorous business fundamentals and specialized courses in entertainment.<\/p>\n
INSIDE THE BAE PROGRAM<\/strong><\/h4>\nAt the center of the program is Linda Bloss-Baum, who has directed BAE for the past two years. Bloss-Baum is an American University alumna herself, and having lived in a dorm just steps from Kogod as a freshman, she believes this gives her a unique edge in relating to students that are walking the same path she once did.<\/p>\n
![\"\"](\"https:\/\/poetsandquantsforundergrads.com\/wp-content\/uploads\/sites\/3\/2025\/11\/572cb43d-f239-4fc0-af93-7d0efe5670e7-300x225.jpg\")
<\/p>\nNYC student trek to alumni-hosted UMG. Courtesy photo.<\/p>\n<\/div>\n
\u201cWhen I came back as an adjunct, I was really drawn to returning to campus. It was the greatest experience of my life to go to American University,\u201d she says.<\/p>\n
This year marks the third year in a row that the BAE program has received recognition from Billboard<\/a>. The program has once again made their Top Music Business Schools of 2025 list. The schools in this list are ranked in no specific order, which Bloss-Baum notes seems fair because they\u2019re all quite different in nature.<\/p>\n\u201cSome of these programs on Billboard\u2019s list teach music business in the music school, some teach music business in more of a liberal arts type of approach, and some programs, like ours, are taught within a business school,\u201d she explains.<\/p>\n
Billboard\u2019s top music business schools is compiled through industry recommendations, alumni input, years of reporting, and information provided directly by the schools, which are then profiled alphabetically rather than ranked. Selected programs highlight their unique offerings, accomplished alumni, and standout courses or events to showcase their strengths. Below are this year\u2019s winners.<\/p>\n
BILLBOARD\u2019S TOP MUSIC BUSINESS SCHOOLS 2025<\/strong><\/h4>\n\n\n\n\u00a0 School Name<\/th>\n \u00a0 Program\/Course<\/th>\n \u00a0 Celebrity Guest Speakers<\/th>\n \u00a0 Location<\/th>\n<\/tr>\n \nAbbey Road Institute<\/strong><\/td>\nAdvanced Diploma in Music Production and Sound Engineering; Dolby Atmos Mixing for Music<\/td>\n James Auwarter (Grammy-winning engineer)<\/td>\n London, England<\/td>\n<\/tr>\n \nAmerican University (Kogod School of Business)<\/strong><\/td>\nBusiness and Entertainment Program<\/td>\n Kevin Beggs, David Dinerstein, Jeff Bennett<\/td>\n Washington, District of Columbia<\/td>\n<\/tr>\n \nAuburn University<\/strong><\/td>\nMusic Business Minor; Record Company Procedures<\/td>\n Troy Tomlinson, Scott Hendricks<\/td>\n Auburn, Alabama<\/td>\n<\/tr>\n \nBaldwin Wallace University<\/strong><\/td>\nBachelor of Arts in Music Industry; Music Licensing and Placement<\/td>\n Joe O\u2019Riordan, Darius Cook, Mary Jo Mennella<\/td>\n Berea, Ohio<\/td>\n<\/tr>\n \nBelmont University (Curb College)<\/strong><\/td>\nBachelor of Business Administration; Dolly U courses<\/td>\n Ed Sheeran, Kelsea Ballerini, Alysa Vanderheym, Kelly Bolton, Lainey Wilson<\/td>\n Nashville, Tennessee<\/td>\n<\/tr>\n \nBerklee College of Music (Boston)<\/strong><\/td>\nBachelor of Music in Music Business; Bachelor of Arts in Music Industry Leadership and Innovation; BPMI Live<\/td>\n Molly Neuman, Lucius<\/td>\n Boston, Massachusetts<\/td>\n<\/tr>\n \nBerklee College of Music (Valencia)<\/strong><\/td>\nMaster of Arts in Global Entertainment and Music Business; Publishing and Music Supervision<\/td>\n Yvette Noel-Schure, Marie-Anne Robert<\/td>\n Valencia, Spain<\/td>\n<\/tr>\n \nBIMM University<\/strong><\/td>\nCurriculum in artist management, marketing, event promotion, A&R, publishing<\/td>\n Miles Leonard, James Threlfall, Emma Hardie, Alyx Holcombe<\/td>\n London, England (Manchester, Dublin, Berlin)<\/td>\n<\/tr>\n \nThe BRIT School<\/strong><\/td>\nVocational curriculum in performance, creative arts, music tech, business<\/td>\n Adele, RAYE, Lola Young, Billy Bragg, Ezra Collective, Kate Nash<\/td>\n Croydon, England<\/td>\n<\/tr>\n \nCalifornia Institute of the Arts<\/strong><\/td>\nThe Art of the Mix; Interface Design<\/td>\n Laurel Halo, Jake Viator, Sami Parez<\/td>\n Valencia, California<\/td>\n<\/tr>\n \nCalifornia State University, Northridge<\/strong><\/td>\nMusic Industry Studies; VoVe student-run label<\/td>\n Carly Huffman, Kidder Erdman<\/td>\n Northridge, California<\/td>\n<\/tr>\n \nDelta State University<\/strong><\/td>\nBachelor of Science in Entertainment Industry Studies; Entertainment Product Marketing<\/td>\n Rick Sanjek, Paul Mathis<\/td>\n Cleveland, Mississippi<\/td>\n<\/tr>\n \nDrexel University<\/strong><\/td>\nMusic Industry Program; Mad Dragon Music Group; Artist Representation; Streaming and Radio Promotion<\/td>\n Chissy Nkemere Cherian, Major Seven, Omar Grant, Nikisha Bailey, John Vettese<\/td>\n Philadelphia, Pennsylvania<\/td>\n<\/tr>\n \nFull Sail University<\/strong><\/td>\nBachelor of Science in Music Business; Concert Management and Touring<\/td>\n Executives from Udio, Revolt TV, SteeleSync, Walt Disney Animation Studios, Warner Chappell Music<\/td>\n Winter Park, Florida<\/td>\n<\/tr>\n \nHofstra University<\/strong><\/td>\nInterdisciplinary Music Business Program; A&R in the Music Industry; Brand Partnerships in Music<\/td>\n Pete Ganbarg, Shari Lewin<\/td>\n Hempstead, New York<\/td>\n<\/tr>\n \nHoward University<\/strong><\/td>\nWarner Music\/Blavatnik Center for Music Business<\/td>\n Poo Bear, Ne-Yo, Tom Clees, Christopher McDonald<\/td>\n Washington, District of Columbia<\/td>\n<\/tr>\n \nKennesaw State University<\/strong><\/td>\nJoel A. Katz Music and Entertainment Business Program<\/td>\n Coy Bowles, John Driskell Hopkins, Bryan Calhoun<\/td>\n Kennesaw, Georgia<\/td>\n<\/tr>\n \nLiverpool Institute for Performing Arts<\/strong><\/td>\nBachelor of Arts and Master\u2019s in Music Industry Management<\/td>\n Bruce Springsteen, Paul McCartney<\/td>\n Liverpool, England<\/td>\n<\/tr>\n \nLong Island University<\/strong><\/td>\nRoc Nation School of Music, Sports and Entertainment; Music Entrepreneurship<\/td>\n Tina Davis, Michele Ballantyne, Thai Randolph<\/td>\n Brooklyn, New York<\/td>\n<\/tr>\n \nLos Angeles College of Music<\/strong><\/td>\nBachelor\u2019s and Master\u2019s in Performance, Composition, Music Business, Music Production; Music Licensing & Song Placement Practicum<\/td>\n Katherine Turman, Nic Harcourt<\/td>\n Los Angeles, California<\/td>\n<\/tr>\n \nLos Angeles Film School<\/strong><\/td>\nAssociate and Bachelor of Science in Audio Production, Music Production, Entertainment Business<\/td>\n Thomas Cruley, Henrique Andrade<\/td>\n Los Angeles, California<\/td>\n<\/tr>\n \nLoyola University<\/strong><\/td>\nSchool of Music & Theatre Professions; Venue Management II; Business of Live Entertainment<\/td>\n The Revivalists, The Nth Power, Tavia Osbey, Sami Slovy<\/td>\n New Orleans, Louisiana<\/td>\n<\/tr>\n \nMiddle Tennessee State University<\/strong><\/td>\nScott Borchetta College of Media and Entertainment; Recording Industry\/Music Business<\/td>\n Bob Clearmountain<\/td>\n Murfreesboro, Tennessee<\/td>\n<\/tr>\n \nMonmouth University<\/strong><\/td>\nMusic Industry Program; Record Label Strategies<\/td>\n Erin Munezza, Matt Manna<\/td>\n West Long Branch, New Jersey<\/td>\n<\/tr>\n \nNew York University (Steinhardt School of Culture, Education and Human Development)<\/strong><\/td>\nMusic Business and related programs (document truncated before full details)<\/td>\n \u2013<\/td>\n New York, New York<\/td>\n<\/tr>\n \nUniversity of Southern California (Thornton School of Music)<\/strong><\/td>\nMusic Industry Program (likely included in full document after NYU)<\/td>\n \u2013<\/td>\n Los Angeles, California<\/td>\n<\/tr>\n \nUniversity of Miami (Frost School of Music)<\/strong><\/td>\nMusic Business and Entertainment Industries Program<\/td>\n \u2013<\/td>\n Coral Gables, Florida<\/td>\n<\/tr>\n \nUniversity of Colorado Denver<\/strong><\/td>\nMusic Business Program<\/td>\n \u2013<\/td>\n Denver, Colorado<\/td>\n<\/tr>\n \nUniversity of Hartford (Hartt School)<\/strong><\/td>\nMusic Industry Program<\/td>\n \u2013<\/td>\n West Hartford, Connecticut<\/td>\n<\/tr>\n \nWilliam Paterson University<\/strong><\/td>\nPopular Music Studies and Music Management Programs<\/td>\n \u2013<\/td>\n Wayne, New Jersey<\/td>\n<\/tr>\n \nSyracuse University (Bandier Program)<\/strong><\/td>\nBandier Program for Recording and Entertainment Industries<\/td>\n \u2013<\/td>\n Syracuse, New York<\/td>\n<\/tr>\n \nUniversity of North Carolina at Chapel Hill<\/strong><\/td>\nMusic Business Program<\/td>\n \u2013<\/td>\n Chapel Hill, North Carolina<\/td>\n<\/tr>\n \nUniversity of Texas at Austin<\/strong><\/td>\nButler School of Music \u2013 Music Business Program<\/td>\n \u2013<\/td>\n Austin, Texas<\/td>\n<\/tr>\n \nUniversity of Georgia<\/strong><\/td>\nTerry College of Business \u2013 Music Business Certificate Program<\/td>\n \u2013<\/td>\n Athens, Georgia<\/td>\n<\/tr>\n \nBerklee College of Music (Online)<\/strong><\/td>\nOnline Music Business Programs<\/td>\n \u2013<\/td>\n Online (Boston, Massachusetts base)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\nDEEP INDUSTRY TIES<\/strong><\/h4>\nDuring their time in the BAE program, students learn all about accounting, finance, and information technology while exploring music, film, and media, like other business students heading to Wall Street. \u201cThat situation suits us a little differently than the rest of the programs in that list,\u201d says Bloss-Baum.<\/p>\n
The program\u2019s location is central to the BAE experience. Washington, D.C. is a hub for music policy and regulation and both the program\u2019s founder John Simson and director Linda Bloss-Baum built their careers in this space \u2013 with Simson launching SoundExchange and Bloss-Baum working at Warner Music Group\u2019s D.C. office.<\/p>\n
Their collective connections to the industry continue to shape the program and grant students access to the organizations that influence how entertainment is governed. \u201cBeing in D.C. we bring in guest speakers from the Motion Picture Association, the Recording Industry Association, and the government\u2019s Copyright Office,\u201d Bloss-Baum says.<\/p>\n
As well as visits from industry experts, experiential learning is at the heart of the BAE program, and students travel to entertainment hubs like Los Angeles, New York, Nashville, and Austin for SXSW, meeting executives and exploring the industry firsthand. On campus, their Representating Talent class produces an annual concert, managing everything from artist selection to contracts, security, and hospitality.<\/p>\n
![\"\"](\"https:\/\/poetsandquantsforundergrads.com\/wp-content\/uploads\/sites\/3\/2025\/11\/IMG_3861-300x225.jpg\")
<\/p>\nNY student Trek. Alumni-hosted visit to Warner Bros. Courtesy photo<\/p>\n<\/div>\n
Their past headliners have included Flo Rida and Flo Milli, with this year\u2019s show featuring Tinashe. \u201cPutting on this event is a great way to teach the students about all of the ins and outs of putting on a live entertainment show,\u201d Bloss-Baum said.<\/p>\n
ADDING SPORTS TO THE MIX<\/strong><\/h4>\nThe BAE program is growing rapidly. The class sizes remain intimate, typically ranging from 25 to 35 students, and their new courses have been filling up instantly. Recent additions include a class on name, image, and likeness (NIL) and another on the effects of AI in entertainment, taught by David Hughes, former CTO of the Recording Industry Association of America.<\/p>\n
Perhaps the biggest headline right now for the BAE program is the addition of their sports management track. \u201cThat\u2019s our loudest headline right now,\u201d Bloss-Baum said.<\/p>\n
This track has been added in response to a strong demand from students and families. \u201cOne of the first questions we were being asked by current students and high school students was \u201c\u2018Does sports work into this as well?\u2019\u201d shares Bloss-Baum.<\/p>\n
The answer is now a resounding \u201cyes,\u201d and the program has appointed a new director to build a curriculum of six courses for this specific track.<\/p>\n
DON\u2019T MISS BEST BUSINESS MOVIES AND TVS SHOWS, ACCORDING TO TOP MBAS<\/a><\/strong><\/h4>\n\u00a9 Copyright 2025 Poets & Quants. All rights reserved. This article may not be republished, rewritten or otherwise distributed without written permission. To reprint or license this article or any content from Poets & Quants, please submit your request HERE<\/a>.<\/em><\/p>\n<\/p><\/div>\n
<\/p>\nNYC student trek to alumni-hosted UMG. Courtesy photo.<\/p>\n<\/div>\n
\u201cWhen I came back as an adjunct, I was really drawn to returning to campus. It was the greatest experience of my life to go to American University,\u201d she says.<\/p>\n
This year marks the third year in a row that the BAE program has received recognition from Billboard<\/a>. The program has once again made their Top Music Business Schools of 2025 list. The schools in this list are ranked in no specific order, which Bloss-Baum notes seems fair because they\u2019re all quite different in nature.<\/p>\n \u201cSome of these programs on Billboard\u2019s list teach music business in the music school, some teach music business in more of a liberal arts type of approach, and some programs, like ours, are taught within a business school,\u201d she explains.<\/p>\n Billboard\u2019s top music business schools is compiled through industry recommendations, alumni input, years of reporting, and information provided directly by the schools, which are then profiled alphabetically rather than ranked. Selected programs highlight their unique offerings, accomplished alumni, and standout courses or events to showcase their strengths. Below are this year\u2019s winners.<\/p>\n During their time in the BAE program, students learn all about accounting, finance, and information technology while exploring music, film, and media, like other business students heading to Wall Street. \u201cThat situation suits us a little differently than the rest of the programs in that list,\u201d says Bloss-Baum.<\/p>\n The program\u2019s location is central to the BAE experience. Washington, D.C. is a hub for music policy and regulation and both the program\u2019s founder John Simson and director Linda Bloss-Baum built their careers in this space \u2013 with Simson launching SoundExchange and Bloss-Baum working at Warner Music Group\u2019s D.C. office.<\/p>\n Their collective connections to the industry continue to shape the program and grant students access to the organizations that influence how entertainment is governed. \u201cBeing in D.C. we bring in guest speakers from the Motion Picture Association, the Recording Industry Association, and the government\u2019s Copyright Office,\u201d Bloss-Baum says.<\/p>\n As well as visits from industry experts, experiential learning is at the heart of the BAE program, and students travel to entertainment hubs like Los Angeles, New York, Nashville, and Austin for SXSW, meeting executives and exploring the industry firsthand. On campus, their Representating Talent class produces an annual concert, managing everything from artist selection to contracts, security, and hospitality.<\/p>\n NY student Trek. Alumni-hosted visit to Warner Bros. Courtesy photo<\/p>\n<\/div>\n Their past headliners have included Flo Rida and Flo Milli, with this year\u2019s show featuring Tinashe. \u201cPutting on this event is a great way to teach the students about all of the ins and outs of putting on a live entertainment show,\u201d Bloss-Baum said.<\/p>\n The BAE program is growing rapidly. The class sizes remain intimate, typically ranging from 25 to 35 students, and their new courses have been filling up instantly. Recent additions include a class on name, image, and likeness (NIL) and another on the effects of AI in entertainment, taught by David Hughes, former CTO of the Recording Industry Association of America.<\/p>\n Perhaps the biggest headline right now for the BAE program is the addition of their sports management track. \u201cThat\u2019s our loudest headline right now,\u201d Bloss-Baum said.<\/p>\n This track has been added in response to a strong demand from students and families. \u201cOne of the first questions we were being asked by current students and high school students was \u201c\u2018Does sports work into this as well?\u2019\u201d shares Bloss-Baum.<\/p>\n The answer is now a resounding \u201cyes,\u201d and the program has appointed a new director to build a curriculum of six courses for this specific track.<\/p>\n \u00a9 Copyright 2025 Poets & Quants. All rights reserved. This article may not be republished, rewritten or otherwise distributed without written permission. To reprint or license this article or any content from Poets & Quants, please submit your request HERE<\/a>.<\/em><\/p>\n<\/p><\/div>\nBILLBOARD\u2019S TOP MUSIC BUSINESS SCHOOLS 2025<\/strong><\/h4>\n
\n\n
\n \u00a0 School Name<\/th>\n \u00a0 Program\/Course<\/th>\n \u00a0 Celebrity Guest Speakers<\/th>\n \u00a0 Location<\/th>\n<\/tr>\n \n Abbey Road Institute<\/strong><\/td>\n Advanced Diploma in Music Production and Sound Engineering; Dolby Atmos Mixing for Music<\/td>\n James Auwarter (Grammy-winning engineer)<\/td>\n London, England<\/td>\n<\/tr>\n \n American University (Kogod School of Business)<\/strong><\/td>\n Business and Entertainment Program<\/td>\n Kevin Beggs, David Dinerstein, Jeff Bennett<\/td>\n Washington, District of Columbia<\/td>\n<\/tr>\n \n Auburn University<\/strong><\/td>\n Music Business Minor; Record Company Procedures<\/td>\n Troy Tomlinson, Scott Hendricks<\/td>\n Auburn, Alabama<\/td>\n<\/tr>\n \n Baldwin Wallace University<\/strong><\/td>\n Bachelor of Arts in Music Industry; Music Licensing and Placement<\/td>\n Joe O\u2019Riordan, Darius Cook, Mary Jo Mennella<\/td>\n Berea, Ohio<\/td>\n<\/tr>\n \n Belmont University (Curb College)<\/strong><\/td>\n Bachelor of Business Administration; Dolly U courses<\/td>\n Ed Sheeran, Kelsea Ballerini, Alysa Vanderheym, Kelly Bolton, Lainey Wilson<\/td>\n Nashville, Tennessee<\/td>\n<\/tr>\n \n Berklee College of Music (Boston)<\/strong><\/td>\n Bachelor of Music in Music Business; Bachelor of Arts in Music Industry Leadership and Innovation; BPMI Live<\/td>\n Molly Neuman, Lucius<\/td>\n Boston, Massachusetts<\/td>\n<\/tr>\n \n Berklee College of Music (Valencia)<\/strong><\/td>\n Master of Arts in Global Entertainment and Music Business; Publishing and Music Supervision<\/td>\n Yvette Noel-Schure, Marie-Anne Robert<\/td>\n Valencia, Spain<\/td>\n<\/tr>\n \n BIMM University<\/strong><\/td>\n Curriculum in artist management, marketing, event promotion, A&R, publishing<\/td>\n Miles Leonard, James Threlfall, Emma Hardie, Alyx Holcombe<\/td>\n London, England (Manchester, Dublin, Berlin)<\/td>\n<\/tr>\n \n The BRIT School<\/strong><\/td>\n Vocational curriculum in performance, creative arts, music tech, business<\/td>\n Adele, RAYE, Lola Young, Billy Bragg, Ezra Collective, Kate Nash<\/td>\n Croydon, England<\/td>\n<\/tr>\n \n California Institute of the Arts<\/strong><\/td>\n The Art of the Mix; Interface Design<\/td>\n Laurel Halo, Jake Viator, Sami Parez<\/td>\n Valencia, California<\/td>\n<\/tr>\n \n California State University, Northridge<\/strong><\/td>\n Music Industry Studies; VoVe student-run label<\/td>\n Carly Huffman, Kidder Erdman<\/td>\n Northridge, California<\/td>\n<\/tr>\n \n Delta State University<\/strong><\/td>\n Bachelor of Science in Entertainment Industry Studies; Entertainment Product Marketing<\/td>\n Rick Sanjek, Paul Mathis<\/td>\n Cleveland, Mississippi<\/td>\n<\/tr>\n \n Drexel University<\/strong><\/td>\n Music Industry Program; Mad Dragon Music Group; Artist Representation; Streaming and Radio Promotion<\/td>\n Chissy Nkemere Cherian, Major Seven, Omar Grant, Nikisha Bailey, John Vettese<\/td>\n Philadelphia, Pennsylvania<\/td>\n<\/tr>\n \n Full Sail University<\/strong><\/td>\n Bachelor of Science in Music Business; Concert Management and Touring<\/td>\n Executives from Udio, Revolt TV, SteeleSync, Walt Disney Animation Studios, Warner Chappell Music<\/td>\n Winter Park, Florida<\/td>\n<\/tr>\n \n Hofstra University<\/strong><\/td>\n Interdisciplinary Music Business Program; A&R in the Music Industry; Brand Partnerships in Music<\/td>\n Pete Ganbarg, Shari Lewin<\/td>\n Hempstead, New York<\/td>\n<\/tr>\n \n Howard University<\/strong><\/td>\n Warner Music\/Blavatnik Center for Music Business<\/td>\n Poo Bear, Ne-Yo, Tom Clees, Christopher McDonald<\/td>\n Washington, District of Columbia<\/td>\n<\/tr>\n \n Kennesaw State University<\/strong><\/td>\n Joel A. Katz Music and Entertainment Business Program<\/td>\n Coy Bowles, John Driskell Hopkins, Bryan Calhoun<\/td>\n Kennesaw, Georgia<\/td>\n<\/tr>\n \n Liverpool Institute for Performing Arts<\/strong><\/td>\n Bachelor of Arts and Master\u2019s in Music Industry Management<\/td>\n Bruce Springsteen, Paul McCartney<\/td>\n Liverpool, England<\/td>\n<\/tr>\n \n Long Island University<\/strong><\/td>\n Roc Nation School of Music, Sports and Entertainment; Music Entrepreneurship<\/td>\n Tina Davis, Michele Ballantyne, Thai Randolph<\/td>\n Brooklyn, New York<\/td>\n<\/tr>\n \n Los Angeles College of Music<\/strong><\/td>\n Bachelor\u2019s and Master\u2019s in Performance, Composition, Music Business, Music Production; Music Licensing & Song Placement Practicum<\/td>\n Katherine Turman, Nic Harcourt<\/td>\n Los Angeles, California<\/td>\n<\/tr>\n \n Los Angeles Film School<\/strong><\/td>\n Associate and Bachelor of Science in Audio Production, Music Production, Entertainment Business<\/td>\n Thomas Cruley, Henrique Andrade<\/td>\n Los Angeles, California<\/td>\n<\/tr>\n \n Loyola University<\/strong><\/td>\n School of Music & Theatre Professions; Venue Management II; Business of Live Entertainment<\/td>\n The Revivalists, The Nth Power, Tavia Osbey, Sami Slovy<\/td>\n New Orleans, Louisiana<\/td>\n<\/tr>\n \n Middle Tennessee State University<\/strong><\/td>\n Scott Borchetta College of Media and Entertainment; Recording Industry\/Music Business<\/td>\n Bob Clearmountain<\/td>\n Murfreesboro, Tennessee<\/td>\n<\/tr>\n \n Monmouth University<\/strong><\/td>\n Music Industry Program; Record Label Strategies<\/td>\n Erin Munezza, Matt Manna<\/td>\n West Long Branch, New Jersey<\/td>\n<\/tr>\n \n New York University (Steinhardt School of Culture, Education and Human Development)<\/strong><\/td>\n Music Business and related programs (document truncated before full details)<\/td>\n \u2013<\/td>\n New York, New York<\/td>\n<\/tr>\n \n University of Southern California (Thornton School of Music)<\/strong><\/td>\n Music Industry Program (likely included in full document after NYU)<\/td>\n \u2013<\/td>\n Los Angeles, California<\/td>\n<\/tr>\n \n University of Miami (Frost School of Music)<\/strong><\/td>\n Music Business and Entertainment Industries Program<\/td>\n \u2013<\/td>\n Coral Gables, Florida<\/td>\n<\/tr>\n \n University of Colorado Denver<\/strong><\/td>\n Music Business Program<\/td>\n \u2013<\/td>\n Denver, Colorado<\/td>\n<\/tr>\n \n University of Hartford (Hartt School)<\/strong><\/td>\n Music Industry Program<\/td>\n \u2013<\/td>\n West Hartford, Connecticut<\/td>\n<\/tr>\n \n William Paterson University<\/strong><\/td>\n Popular Music Studies and Music Management Programs<\/td>\n \u2013<\/td>\n Wayne, New Jersey<\/td>\n<\/tr>\n \n Syracuse University (Bandier Program)<\/strong><\/td>\n Bandier Program for Recording and Entertainment Industries<\/td>\n \u2013<\/td>\n Syracuse, New York<\/td>\n<\/tr>\n \n University of North Carolina at Chapel Hill<\/strong><\/td>\n Music Business Program<\/td>\n \u2013<\/td>\n Chapel Hill, North Carolina<\/td>\n<\/tr>\n \n University of Texas at Austin<\/strong><\/td>\n Butler School of Music \u2013 Music Business Program<\/td>\n \u2013<\/td>\n Austin, Texas<\/td>\n<\/tr>\n \n University of Georgia<\/strong><\/td>\n Terry College of Business \u2013 Music Business Certificate Program<\/td>\n \u2013<\/td>\n Athens, Georgia<\/td>\n<\/tr>\n \n Berklee College of Music (Online)<\/strong><\/td>\n Online Music Business Programs<\/td>\n \u2013<\/td>\n Online (Boston, Massachusetts base)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n DEEP INDUSTRY TIES<\/strong><\/h4>\n
<\/p>\nADDING SPORTS TO THE MIX<\/strong><\/h4>\n
DON\u2019T MISS BEST BUSINESS MOVIES AND TVS SHOWS, ACCORDING TO TOP MBAS<\/a><\/strong><\/h4>\n