{"id":2170717,"date":"2025-11-21T17:19:33","date_gmt":"2025-11-21T17:19:33","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2170717"},"modified":"2025-11-21T17:19:33","modified_gmt":"2025-11-21T17:19:33","slug":"the-secret-design-language-behind-wicked-for-good","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/the-secret-design-language-behind-wicked-for-good\/","title":{"rendered":"The Secret Design Language Behind \u2018Wicked: For Good\u2019"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><em>Wicked<\/em> production designer Nathan Crowley treats Oz like an island, and not metaphorically. Every tower in the Emerald City looks in a specific direction, the Impassable Desert makes exile a death sentence, and when <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.elledecor.com\/a69459352\/wicked-for-good-dorothy-house-munchkinland\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Dorothy's house;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Dorothy&#8217;s house<\/a> crashes into Munchkinland, a singular scroll of Yellow Brick Road unfurls. Nothing here is purely decoration: the color, architecture, and landscape serve the story.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p><span class=\"caption\">The map of Oz.<\/span> <span class=\"photo-credit\">Lara Cornell &#8211; Universal<\/span><\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The Oscar-winning designer behind <em>The Dark Knight<\/em>, <em>Interstellar<\/em>, and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.elledecor.com\/life-culture\/a62991057\/wicked-set-design-guide\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:the first Wicked film;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">the first <em>Wicked<\/em> film<\/a> spent years building this world across four massive backlots and soundstages at Sky Studios Elstree and Warner Bros. Studios Leavesden outside London. Both films were shot simultaneously over 160 days, but the design challenge evolved as Crowley expanded the geography of Oz. Where Part One defined it through spectacular scale\u2014famously <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.elledecor.com\/life-culture\/a62942189\/wicked-movie-tulips\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:nine million real tulips;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">nine million real tulips<\/a> planted across British farmland, a 58-ton train constructed from scratch, sets so vast they required mapping by boat\u2014Part Two required the team to think even <em>wider<\/em>. \u201cWe had to design on a bigger geographical level,&#8221; Crowley says.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"A mystical forest scene designed as a film set.\" loading=\"lazy\" width=\"960\" height=\"640\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/w8z5qGZKNDrLzLHZmlMz2Q--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/elle_decor_817\/eb414af9b238e8fe2ea6e93c27f15138\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p><span class=\"caption\">Behind the scenes of the Yellow Brick Road.<\/span> <span class=\"photo-credit\">Lara Cornell\/Universal Pictures<\/span><\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Color is perhaps Crowley&#8217;s most powerful storytelling tool, a visual language that operates on a subconscious level. Take the Yellow Brick Road, which most audiences remember as nostalgic set dressing from the 1939 <em>Wizard of Oz<\/em>. But <em>Wicked<\/em> has always reframed it as something a bit darker: a form of authoritarian control woven into the landscape itself. \u201cThe Yellow Brick Road is oppression,\u201d Crowley says. In Gregory Maguire&#8217;s original novel, and carried into and the Broadway musical, the Wizard forced the citizens of Munchkinland to grow only yellow tulips so he could manufacture yellow bricks, effectively draining an entire region of color, autonomy, and agricultural freedom. For Part Two, the greens department grew another million yellow tulips on top of the nine million from Part One, creating fields that visually represent how deeply the Wizard&#8217;s regime has embedded itself into the land\u2014a totalitarian monoculture disguised as whimsy. Yellow symbolizes the Wizard&#8217;s greed\u2014the Emerald City is green like money, while the brick road is yellow like gold.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"Vast field filled with blooming yellow tulips.\" loading=\"lazy\" width=\"960\" height=\"640\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/xZ2c67RI2G2DMOPoBfkhxg--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/elle_decor_817\/b933f5ef2eef3fc7924c0b8b287ed38e\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p><span class=\"caption\">An additional one million yellow tulips were planted, on top of the original nine million.<\/span> <span class=\"photo-credit\">Lara Cornell<\/span><\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">This oppressive landscape is ground zero for one of the film&#8217;s most pivotal moments. When <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.elledecor.com\/a69459352\/wicked-for-good-dorothy-house-munchkinland\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Dorothy's white Midwestern house;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Dorothy&#8217;s white Midwestern house<\/a>\u2014designed to look like \u201can Andrew Wyeth painting,\u201d as Crowley tells us, complete with wood siding and an American porch\u2014crashes into Munchkinland, the Yellow Brick Road unfurls toward the Emerald City like a tongue. \u201cIt&#8217;s a singular scroll that goes off towards the Emerald City, which represents which path Dorothy obviously takes,\u201d Crowley notes.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">But the Yellow Brick Road is just one color in Crowley&#8217;s palette used to paint control and resistance into his landscapes. For the Emerald City itself, which had to grow and explain itself in ways the first film didn&#8217;t require, he took inspiration from the robust geometries of Italian architect Carlo Scarpa, the Beaux Arts elegance of Daniel Burnham&#8217;s White City, and the intricate ornamentation of Louis Sullivan. It took 15 weeks to build, making it the most substantial design challenge of the production. \u201cWe have to explain the three towers: The Wizard&#8217;s Tower, Morrible&#8217;s Propaganda Tower, and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.elledecor.com\/design-decorate\/a69459693\/wicked-for-good-glinda-apartment\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Glinda's Tower;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Glinda&#8217;s Tower<\/a>,\u201d he says. \u201cWe have to explain the geography. We have to go a bit more wide.\u201d Each tower looks in a different direction, each serves a narrative purpose in the triangle of power that controls Oz, and the expansion had to feel seamless so audiences wouldn&#8217;t question whether this matched what they&#8217;d seen in Part One. &#8220;We have to keep you there,&#8221; Crowley says. \u201cAnd in a weird way, go unnoticed, so you just don&#8217;t question it.\u201d<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"A witch standing beside a tilted, damaged house.\" loading=\"lazy\" width=\"960\" height=\"633\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/syCa3b4IprYZsE8vjpv1ug--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTYzMztjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/elle_decor_817\/fba3965491113c0c224727f8d3963e0e\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p><span class=\"caption\">Elphaba (Cynthia Erivo) in front of Dorothy\u2019s fallen house in Munchkinland.<\/span> <span class=\"photo-credit\">Giles Keyte\/Universal Pictures<\/span><\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Unlike the first film, the second lingers in emotionally complex spaces, where power reveals itself. For example, when Morrible creates a tornado in her propaganda tower, Glinda wrestles with whether to pop her bubble and save a friend in <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.elledecor.com\/design-decorate\/a69459693\/wicked-for-good-glinda-apartment\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:her Art Deco apartment;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">her Art Deco apartment<\/a> lined with French pink silk, or when audiences see behind the curtain of the Wizard&#8217;s control room and realize he&#8217;s lost in an authoritarian existence. &#8220;He&#8217;s done so much damage to these people,&#8221; Crowley says. \u201cWe have to start emotionally showing those walls.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Beyond the towers, Crowley had to establish Oz&#8217;s outer boundaries\u2014the places where the Wizard&#8217;s control ends and exile begins. If Oz is an island, the Impassable Desert becomes the boundary that makes leaving a death sentence\u2014a detail Crowley planted as visual DNA throughout both films. In Part One, when Elphaba sings <em>The Wizard and I<\/em> on the cliffs outside Shiz University (itself a massive practical set blending Moorish and Italianate architecture with genuine corridors and a water tank for boat arrivals), she&#8217;s looking out at the Impassable Desert, though you might not have registered it consciously. In Part Two, that desert reappears when you look out from<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.elledecor.com\/a69459061\/wicked-for-good-kiamo-ko-elphaba-castle-set-design\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Kiamo Ko's;elm:context_link;itc:0;sec:content-canvas\" class=\"link \"> Kiamo Ko&#8217;s<\/a> round window, and again when the animals flee Oz, reinforcing the tragedy of displacement.<\/p>\n<figure class=\"relative mb-4\">\n<div class=\"relative\"><img alt=\"A whimsical village scene with thatched-roof houses and a warning sign.\" loading=\"lazy\" width=\"960\" height=\"640\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/Zmd1_YYc3QiqJdDDZMV6jQ--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTk2MDtoPTY0MDtjZj13ZWJw\/https:\/\/media.zenfs.com\/en\/elle_decor_817\/dc1d6a19d301ea4175cde96793de1c38\"\/><button aria-label=\"View larger image\" class=\"group absolute bottom-3 right-3 size-10 md:size-[50px] lg:inset-0 lg:size-full lg:bg-transparent\" data-ylk=\"elm:expand;itc:1;sec:image-lightbox;slk:lightbox-open;\"><span class=\"absolute bottom-0 right-0 rounded-full bg-white p-3 opacity-100 shadow-elevation-3 transition-opacity duration-300 group-hover:block group-hover:opacity-100 md:p-[17px] lg:bottom-6 lg:right-6 lg:bg-white\/90 lg:p-5 lg:opacity-0 lg:shadow-none\"><svg viewbox=\"0 0 22 22\" aria-hidden=\"true\" class=\"size-4 lg:size-6\" width=\"22\" height=\"22\"><path d=\"M12.372.92c0-.506.41-.916.915-.916L21 0l-.004 7.712a.917.917 0 0 1-1.832 0V3.183l-6.827 6.828-1.349-1.348 6.828-6.828h-4.529a.915.915 0 0 1-.915-.915M1.835 17.816l6.828-6.828 1.349 1.349-6.829 6.827h4.529a.915.915 0 0 1 0 1.831L0 21l.004-7.713a.916.916 0 0 1 1.831 0z\"\/><\/svg><\/span><\/button><dialog aria-label=\"Modal Dialog\" aria-modal=\"true\" class=\"fixed inset-0 z-4 size-full max-h-none max-w-none bg-white hidden\"\/><\/div><figcaption class=\"relative text-sm mt-1 pr-2.5\">\n<p><span class=\"caption\">Behind the scenes of the Munchkinland set.<\/span> <span class=\"photo-credit\">Lara Cornell<\/span><\/p>\n<\/figcaption><\/figure>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">This kind of geographical storytelling only works, Crowley believes, when everything is built for real. \u201cIf you don&#8217;t do things practically, it doesn&#8217;t develop to something better in my opinion,\u201d he says. \u201cThe actors can&#8217;t engage with green screen.\u201d Building everything\u2014from <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.elledecor.com\/celebrity-style\/a69417836\/wicked-for-good-cynthia-erivo-interview\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Elphaba's hand-woven forest hideaway;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Elphaba&#8217;s hand-woven forest hideaway<\/a> to <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.elledecor.com\/a69459061\/wicked-for-good-kiamo-ko-elphaba-castle-set-design\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Kiamo Ko's gravity-defying architecture;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Kiamo Ko&#8217;s gravity-defying architecture<\/a> to <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.elledecor.com\/design-decorate\/a69459693\/wicked-for-good-glinda-apartment\/\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:Glinda's symmetrical apartment;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">Glinda&#8217;s symmetrical apartment<\/a> with hinged walls\u2014meant actors could discover emotional truths inside spaces that actually existed. \u201cYou cannot do this stuff alone,\u201d he says. \u201cYou need everyone in on it.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\"><strong>You Might Also Like<\/strong><\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wicked production designer Nathan Crowley treats Oz like an island, and not metaphorically. Every tower in the Emerald City looks in a specific direction, the Impassable Desert makes exile a death sentence, and when Dorothy&#8217;s house crashes into Munchkinland, a singular scroll of Yellow Brick Road unfurls. Nothing here is purely decoration: the color, architecture, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2170718,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[415882,417078,417077,417076,417073,417074,413994,328143,417079,417075],"class_list":["post-2170717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-emerald-city","tag-impassable-desert","tag-lara-cornell","tag-map-of-oz","tag-munchkinland","tag-nathan-crowley","tag-wicked-film","tag-wizard-of-oz","tag-yellow-brick-road","tag-yellow-tulips"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/11\/The-Secret-Design-Language-Behind-\u2018Wicked-For-Good.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2170717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2170717"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2170717\/revisions"}],"predecessor-version":[{"id":2170719,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2170717\/revisions\/2170719"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2170718"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2170717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2170717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2170717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}