{"id":2170810,"date":"2025-11-21T18:01:35","date_gmt":"2025-11-21T18:01:35","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2170810"},"modified":"2025-11-21T18:01:35","modified_gmt":"2025-11-21T18:01:35","slug":"a-beloved-seemingly-unadaptable-book-has-been-transformed-into-a-gorgeous-netflix-movie-and-oscar-hopeful","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/a-beloved-seemingly-unadaptable-book-has-been-transformed-into-a-gorgeous-netflix-movie-and-oscar-hopeful\/","title":{"rendered":"A Beloved, Seemingly Unadaptable Book Has Been Transformed Into a Gorgeous Netflix Movie and Oscar Hopeful"},"content":{"rendered":"<p><\/p>\n<div data-article-body=\"true\">\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Denis Johnson\u2019s award-winning novella <em>Train Dreams<\/em>\u2014the source material of a new Netflix movie that premiered at the Sundance Film Festival earlier this year\u2014was first published in the Paris Review in 2002, then made available as a book in 2011. You can read it in 70 to 90 minutes, but somehow that brief spell of time feels almost endless. Before you know it, you\u2019re lost in the woods, much like Robert Grainier, the 20<sup>th<\/sup>-century man Johnson makes his subject.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Grainier, an orphan sent to Idaho by train at the age of 6 or 7 with a destination pinned to his coat, is an ordinary person\u2014a laborer who makes a living building railroads, joining seasonal logging crews, and, as an older man, hauling freight with a wagon. \u201cHe\u2019d had one lover\u2014his wife, Gladys\u2014owned one acre of property, two horses, and a wagon,\u201d Johnson sums up Grainier\u2019s life, near the end of the novella, in a catalog of experience that neatly pins him as a creature of his time, class, and place: \u201cHe\u2019d never been drunk. He\u2019d never purchased a firearm or spoken into a telephone. He\u2019d ridden on trains regularly, many times in automobiles, and once on an aircraft \u2026 He had no idea who his parents might have been, and he left no heirs behind him.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">No, Grainier is no boldface name, but the novella\u2019s magic is that it makes his life seem huge to the reader. Johnson\u2019s protagonist is a mild, hard-working man who\u2019s superstitious and trustworthy, a person who is barely formally educated, whose mind constantly searches for an understanding of the meaning of life. This man\u2019s perception of his small hometown, the lumber crews he works on, and his own place in history come to matter deeply to the reader. By the time the novella finishes in a burst of imagery, comparing the howl made by a \u201cwolf-boy\u201d Grainier sees in a circus freak show to the resonances of other sounds of the time\u2014a train whistle, opera singing, foghorns, and bagpipes\u2014you\u2019re fully on board with what Johnson is trying to do.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The film adaptation, directed by Clint Bentley, wants viewing audiences to care about Grainier the way that lovers of the novella do. Joel Edgerton stars as Grainier, Felicity Jones as Gladys, and William H. Macy as an experienced fellow lumberman. Edgerton\u2019s forthright gaze and rough sadness, the movie\u2019s forest milieu (it was filmed in Washington state), and Will Patton\u2019s narration, including lines often taken straight from Johnson\u2019s novella, combine to deliver some of the same awed feelings about the grand design of the world, the smallness of human life, and the bigness of time and space that Johnson\u2019s novella evokes.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">But for fans of the source material, the necessary movie-fication of <em>Train Dreams <\/em>may leave something to be desired. Johnson\u2019s novella was made up of \u201ctufts of seemingly irrelevant material\u201d stuffed into this one small container, as Anthony Doerr <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.nytimes.com\/2011\/09\/18\/books\/review\/train-dreams-by-denis-johnson-book-review.html\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:wrote;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">wrote<\/a> for the New York Times Book Review in 2011: \u201cmiscellaneous fevers, peripheral anecdotes, a Chinese deportation, a big kid with a weak heart.\u201d In <em>Train Dreams<\/em>, things happen, even up until the last few pages, that seem like they will connect up and offer some kind of resolution, but never do. Reading it, you feel like you are sitting with Grainier on his deathbed, as he recounts the first stories that come to mind\u2014the people, interactions, and situations that made the biggest impressions on him, whether or not he was ever able to resolve their meaning.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Bentley and co-writer Greg Kwedar\u2019s film version focuses on the most conventional parts of the story. Prime among these is Grainier\u2019s brief marriage, in his 30s, to Gladys, who dies, along with his baby daughter Kate, in a forest fire while he is away at work on a logging crew. This is, in the movie, the major\u2014almost the<em> only<\/em>\u2014motivating event of Grainier\u2019s life. We get many flashbacks to his time with Gladys and Kate, who\u2019s rewritten to have been about 2\u2014the right age to walk and talk cutely\u2014when she dies, as opposed to 4 months old in Johnson\u2019s novella. This is a key change, helping give Grainier\u2019s brief period of home life much more significance in the movie. While first grieving, Johnson writes, Grainier \u201cthought of poor little Kate and talked to himself again out loud: \u2018She never even growed up to a sprout.\u2019 \u201d Later, as the grief mellows, Grainier thinks of Gladys more often than his daughter: \u201cSometimes he thought about Kate, the pretty little tyke, but not frequently. Hers was not such a sad story. She\u2019d hardly been awake, much less alive.\u201d Not so the girl in the film, who\u2019s full of toddler sweetness, and whom Grainier and his wife nickname \u201cKatie.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Certainly, the deaths of Kate and Gladys shape Grainier in the novella, but not in the self-flagellating, constant-flashbacks, \u201cI should have been there for them\u201d way of the movie. The Grainier of the book lives in a world where many other terrible things also happen, with effects that are obscure or unknowable. Two brutal standalone stories that have been truncated or eliminated in the film mark Grainier\u2019s life in the novella. In one, young Grainier encounters a tramp (a \u201c \u2018boomer,\u2019 as his sort was known\u201d) who is lying in the woods in a terrible state. This man tells Grainier that he\u2019s been robbed by another tramp, who has \u201ccut through the cords\u201d of his knee and left him there to die of gangrene. He goes on to give Grainier a deathbed confession: This tramp used to sexually molest his niece, who got pregnant, was beaten by her father for it (\u201cto drive that poor child out of her belly\u201d), and died. This was the event that put this boomer on the rails: \u201cI\u2019ve never been a hundred yards from these train tracks ever since.\u201d<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The second is the tale of Kootenai Bob, a Native American neighbor of Grainier\u2019s, who is transformed in the film into the much more conventional ally and friend character of the storekeeper Ignatius Jack (Nathaniel Arcand). \u201cKootenai Bob was a steady man who had always refused liquor and worked frequently at jobs in town, just as Grainier did, and they\u2019d known each other for many years,\u201d Johnson writes. We are just introduced to this man, then a few pages later, Johnson writes of his death. Bob accepts shandy\u2014lemonade mixed with beer\u2014from a couple of visiting Canadian ranch hands and believes them when they swear \u201che could drink this with impunity, as the action of the lemon juice would nullify any effect of the beer.\u201d For the first time, Bob gets drunk, and he passes out across the railroad tracks, where he\u2019s \u201crun over by a succession of trains.\u201d By the next afternoon, \u201cKootenai Bob was strewn for a quarter mile along the right-of-way,\u201d Johnson writes.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">The encounter with the tramp puts young Grainier, who had been aimless, on the straight and narrow. Kootenai Bob\u2019s story is important in Grainier\u2019s life, perhaps, because it\u2019s a sudden tragedy that comes from nowhere, the way the fire did for his family. But the movie wants more easily scannable meaning from its encounters, and, in deleting the tale of the boomer and the fate of Kootenai Bob, and instead adding such scenes as the one where a Black man with a rifle comes into a lumber camp and shoots a worker he says had killed his brother \u201cfor the color of his skin,\u201d it gets it.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">There\u2019s one more arc that the movie flattens even further, smoothing over the weirdness of the original tale. In the film, a child shows up at Grainier\u2019s cabin years after the fire that killed his daughter. He believes she is Kate. In Johnson\u2019s novella, however, the people around his town tell one another about a \u201cwolf-girl\u201d who supposedly haunts the forest. Grainier is terrified of the idea, like he would be of a ghost story. But also, he believes he hears Gladys tell him, in a visitation, that she died, but Kate survived the fire. In an episode whose reality is difficult to parse, an older child appears at the cabin, with eyes that \u201csparked greenly in the lamplight, like those of any wolf\u201d and a face \u201cthat of a wolf, but hairless.\u201d She\u2019s injured, and has no hair; \u201cshe\u2019d snatched herself nearly bald.\u201d She growls, barks, and snaps, and has \u201cleathery\u201d skin, like an old man, \u201ccalloused stumps\u201d for wrists, a face that seemed \u201cto have no life behind it when the eyes were closed\u201d\u2014a child like an animal.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Is this really Kate? Is Kate a wolf? Did any child at all appear at his dwelling? It\u2019s an open-ended moment, showing us the witchy liminality of the landscape and the susceptible nature of Grainier\u2019s mind. In the film, all these lupine qualities are gone. The child visitor has black hair, where Kate had blond; otherwise, she\u2019s just a normal kid. While it\u2019s odd that she\u2019s shown up at Grainier\u2019s cabin, injured, in the middle of the night, she\u2019s no visitation, just a human mystery.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">This new <em>Train Dreams <\/em>delves deep into a father\u2019s sadness, giving us a story that\u2019s more about Grainier\u2019s one big grief than it is about the side tales and odd supernatural moments Johnson stuffs into his re-creation of a bygone world. It\u2019s still beautiful, moving, and thoughtful. And perhaps all these choices make sense\u2014a true adaptation of Johnson\u2019s <em>Train Dreams<\/em> would probably be far too tufty to wind up on Netflix.<\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.yahoo.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Denis Johnson\u2019s award-winning novella Train Dreams\u2014the source material of a new Netflix movie that premiered at the Sundance Film Festival earlier this year\u2014was first published in the Paris Review in 2002, then made available as a book in 2011. You can read it in 70 to 90 minutes, but somehow that brief spell of time [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2170811,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[345516,367137,345515],"class_list":["post-2170810","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-denis-johnson","tag-robert-grainier","tag-train-dreams"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/11\/A-Beloved-Seemingly-Unadaptable-Book-Has-Been-Transformed-Into-a.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2170810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2170810"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2170810\/revisions"}],"predecessor-version":[{"id":2170812,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2170810\/revisions\/2170812"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2170811"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2170810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2170810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2170810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}