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In celebration of the first anniversary of the release of OPETH<\/b>‘s latest album, “The Last Will And Testament”<\/b>, the Swedish progressive metallers have unveiled a brand-new animated video crafted to bring the LP’s intricate story to life. Created by Absynthe Moon Media<\/b>, the film offers a visual interpretation of the narrative that has intrigued fans since the record’s release in November 2024.<\/p>\n
The animated music video for “\u00a73”<\/b> returns to the central family story at the heart of the album. Set during the reading of a 1920s patriarch’s will, the video captures the shifting relationships and subtle tensions that shape the storyline, while allowing viewers to interpret the finer details for themselves.<\/p>\n
Guided by OPETH<\/b> leader Mikael \u00c5kerfeldt<\/b>‘s story and concept, the visual narrative enhances the album’s core themes: identity fractured by lies, legacies built on instability, and the slow unraveling of those who once believed they understood their place within the family. The result is a stirring and immersive complement to one of OPETH<\/b>‘s most ambitious works.<\/p>\n
Revisit the world of “The Last Will And Testament”<\/b> and watch the new “\u00a73”<\/b> animated video below.<\/p>\n
“The Last Will And Testament”<\/b> was released on November 22, 2024 via Reigning Phoenix Music<\/b>\/Moderbolaget<\/b>.<\/p>\n
“The Last Will And Testament”<\/b> was written by \u00c5kerfeldt<\/b>, with lyrics conferred with Klara R\u00f6nnqvist Fors<\/b> (THE HEARD<\/b>, ex-CRUCIFIED BARBARA<\/b>). “The Last Will And Testament”<\/b> was co-produced by \u00c5kerfeldt<\/b> and Stefan Boman<\/b> (GHOST<\/b>, THE HELLACOPTERS<\/b>),engineered by Boman<\/b>, Joe Jones<\/b> (KILLING JOKE<\/b>, ROBERT PLANT<\/b>) and OPETH<\/b>, with Boman<\/b>, \u00c5kerfeldt<\/b> and the rest of OPETH<\/b> mixing at Atlantis<\/b> and Hammerthorpe Studios<\/b> in Stockholm. The strings on “The Last Will And Testament”<\/b> were arranged by \u00c5kerfeldt<\/b> and returning prog friend Dave Stewart<\/b> (EGG<\/b>, KHAN<\/b>) and conducted by Stewart<\/b> at Angel Studios<\/b> in London. Not one to miss a beat, visual artist Travis Smith<\/b> returns to the fold, crafting his 11th cover, a haunting “photograph” reminiscent of Stanley Kubrick<\/b>‘s infamous “Overlook Hotel” photograph. Miles Showell<\/b> (ABBA<\/b>, QUEEN<\/b>) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios<\/b> in London.<\/p>\n
\u00c5kerfeldt<\/b> rolls out the red carpet for storied flautist and JETHRO TULL<\/b> mainman Ian Anderson<\/b>. Not only do Anderson<\/b>‘s signature notes fly on “\u00a74”<\/b> and “\u00a77”<\/b>, he narrates on “\u00a71”<\/b>, “\u00a72”<\/b>, “\u00a74”<\/b>, and “\u00a77”<\/b>. Joining Anderson<\/b>, EUROPE<\/b>‘s Joey Tempest<\/b> lends a backing vocal hand on “\u00a72”<\/b>, while \u00c5kerfeldt<\/b>‘s youngest daughter, Mirjam \u00c5kerfeldt<\/b>, is the disembodied voice in “\u00a71”<\/b>.<\/p>\n
“The Last Will And Testament”<\/b> is a concept album set in the post-World War I era, unfolding the story of a wealthy, conservative patriarch whose last will and testament reveals shocking family secrets. The narrative weaves through the patriarch’s confessions, the reactions of his twin children, and the mysterious presence of a polio-ridden girl who the family have taken care of. The album begins with the reading of the father’s will in his mansion. Among those in attendance is a young girl, who, despite being an orphan and polio-ridden, has been raised by the family. Her presence at the will reading raises suspicions and questions among the twins.<\/p>\n
“The Last Will And Testament”<\/b> is the darkest and heaviest record OPETH<\/b> has made in decades, and it is also the band’s most fearlessly progressive. A concept album recounting the reading of one recently deceased man’s will to an audience of his surviving family members, it brims with haunting melodrama, shocking revelations and some of the wildest and most unpredictable music that \u00c5kerfeldt<\/b> has ever written.<\/p>\n
The follow-up to 2019’s widely acclaimed “In Cauda Venenum”<\/b>, “The Last Will And Testament”<\/b> is set in the shadowy, sepia-stained 1920s. It slowly reveals its secrets like some classic thriller from the distant, cobwebbed past, with each successive song shining more light on the stated machinations of our dead (but definitely not harmless) protagonist. The emotional chaos of the story is perfectly matched by OPETH<\/b>‘s vivid but claustrophobic soundtrack, which artfully winds its way towards a crestfallen but sumptuous finale. Masters of their own idiosyncratic musical domain, OPETH<\/b> have never sounded more unique.<\/p>\n
“The Last Will And Testament”<\/b> is destined to be a milestone in OPETH<\/b>‘s illustrious recorded history. The band’s first out-and-out concept record, it features guest cameos from JETHRO TULL<\/b> legend Ian Anderson<\/b> and Joey Tempest<\/b>, frontman with Swedish rock gods EUROPE<\/b>. Only one of the album’s eight songs has a title: closing ballad “A Story Never Told”<\/b>. The rest are simply labeled as numbered chapters in this slowly unfolding saga of deceit, recrimination and betrayal. Enigmatic, unsettling and immersive, “The Last Will And Testament”<\/b> is a turbulent, prog metal tale like no other.<\/p>\n
Making his recorded debut alongside OPETH<\/b>‘s long-established lineup of Mikael \u00c5kerfeldt<\/b>, guitarist Fredrik \u00c5kesson<\/b>, bassist Martin Mendez<\/b> and keyboard maestro Joakim Svalberg<\/b> on “The Last Will And Testament”<\/b> is new drummer Waltteri V\u00e4yrynen<\/b>, who joined the band in 2022.<\/p>\n