{"id":2184258,"date":"2025-12-02T16:10:06","date_gmt":"2025-12-02T16:10:06","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2184258"},"modified":"2025-12-02T16:10:06","modified_gmt":"2025-12-02T16:10:06","slug":"qs-cues-new-ecoutez-le-cinema-box-celebrates-the-music-of-quincy-jones","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/qs-cues-new-ecoutez-le-cinema-box-celebrates-the-music-of-quincy-jones\/","title":{"rendered":"Q&#8217;s Cues: New &#8216;\u00c9coutez Le Cin\u00e9ma&#8217; Box Celebrates the Music of Quincy Jones"},"content":{"rendered":"<p><\/p>\n<div itemprop=\"text\">\n<div id=\"attachment_105892\" style=\"width: 1034px\" class=\"wp-caption aligncenter\"><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.amazon.com\/dp\/B0FLKLC272\/?tag=thesecdis-20\"><\/a><\/p>\n<p id=\"caption-attachment-105892\" class=\"wp-caption-text\">BUY NOW FROM AMAZON.COM<\/p>\n<\/div>\n<p>When Rhino released\u00a0<em>Q: The Musical Biography of Quincy Jones<\/em> &#8211; a 4CD, 74-track collection &#8211; in 2001, it was a valiant attempt to tell a story that was still being written. The gifted bandleader, composer and producer, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/2024\/11\/04\/in-memoriam-quincy-jones-1933-2024\/\">who passed away at the age of 91 in 2024<\/a>, had an enduring way with sound, be it jazz, pop, R&amp;B, rock or even film and television scoring. His decades of work with the 20th century&#8217;s greatest luminaries made him a tremendous (<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.vulture.com\/article\/quincy-jones-in-conversation.html\">if controversial<\/a>) raconteur, with countless stories to tell and luminaries to work alongside.<\/p>\n<p>Now, a new attempt to anthologize and memorialize the work of Q comes from a slightly unexpected direction: a new 20CD box set devoted primarily to his film scoring work, coming from Decca Records&#8217; French series \u00c9coutez Le Cin\u00e9ma. Produced by St\u00e9phane Lerouge,\u00a0<em>The Legacy of Quincy Jones<\/em> adds to a series of heavy-duty boxes for luminaries of cinema&#8217;s sound, including Ennio Morricone, Lalo Schifrin and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/2023\/12\/15\/john-williams-box-set\/\">John Williams<\/a>. Like those sets, it includes a wide berth of soundtracks, albums and standout tracks from multiple licensors, housed in a landscape-arranged, perfect-bound digibook with a 44-page booklet of liner notes offering interviews with Jones, discographical information, and photos.<\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Soul Bossa Nova\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/y-ndMMYhmi0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>Despite placing Jones&#8217; cinematic work in proper context, the set is only less than halfway comprised of soundtrack work.\u00a0<em>The Legacy of Quincy Jones<\/em> starts with four discs offering eight albums Jones recorded as a bandleader between 1957 and 1962. A former trumpeter for the likes of Lionel Hampton and Dizzy Gillespie, Jones expanded the horizons of big band jazz at home and abroad, recording albums for ABC-Paramount (<em>This is How I Feel About Jazz<\/em>,\u00a0<em>Go West, Man!<\/em>), Eddie Barclay&#8217;s eponymous French label (<em>Et Voil\u00e0 !<\/em>, <em>Confetti<\/em>), Impulse! (<em>The Quintessence<\/em>) and, of course, Mercury, the label he&#8217;d serve as its first Black vice-president (<em>The Birth of a Band<\/em>,\u00a0<em>The Great Wide World of Quincy Jones<\/em>, and\u00a0<em>Big Band Bossa Nova<\/em>, whose <em>de facto\u00a0<\/em>title track &#8220;Soul Bossa Nova&#8221; is known to current generations as the swingin&#8217; theme to Mike Myers&#8217; comedic secret agent\u00a0Austin Powers). The Barclay material is presented with an alternate arrangement of &#8220;Numero 13&#8221; as a bonus track.<\/p>\n<p>The box then delves headfirst into two decades&#8217; worth of Jones&#8217; soundtrack albums. You&#8217;ll hear complete LP or EP presentations from\u00a0<em>The Boy in the Tree\u00a0<\/em>(1961), <em>The Pawnbroker\u00a0<\/em>(1965), <em>Mirage<\/em> (1965), <em>The Slender Thread\u00a0<\/em>(1966),\u00a0<em>Walk, Don&#8217;t Run <\/em>(1966),\u00a0<em>The Deadly Affair <\/em>(1967),\u00a0<em>In the Heat of the Night\u00a0<\/em>(1967), the Oscar-nominated\u00a0<em>In Cold Blood\u00a0<\/em>(1967),\u00a0<em>For Love of Ivy\u00a0<\/em>(1968),\u00a0<em>McKenna&#8217;s Gold<\/em> (1969),\u00a0<em>The Italian Job\u00a0<\/em>(1969),\u00a0<em>The Lost Man\u00a0<\/em>(1969) and\u00a0<em>$\u00a0<\/em>(1971), along with selections of varying length from the scores to <em>Banning <\/em>(1967),\u00a0<em>A Dandy in Aspic <\/em>(1968),\u00a0<em>The Split <\/em>(1968),\u00a0<em>Cactus Flower <\/em>(1969),\u00a0<em>John &amp; Mary <\/em>(1970),\u00a0<em>The Out-of-Towners <\/em>(1970), <em>They Call Me Mister Tibbs! <\/em>(1970)<em>, The Anderson Tapes\u00a0<\/em>(1971), <em>The Hot Rock\u00a0<\/em>(1972 &#8211; making its CD debut),\u00a0<em>The Getaway\u00a0<\/em>(1972), the Emmy-winning 1977 miniseries\u00a0<em>Roots<\/em>,\u00a0<em>The Wiz\u00a0<\/em>(1978) and <em>The Color Purple <\/em>(1985). Beyond his score work, you&#8217;ll hear collaborations with extraordinary vocalists including Sarah Vaughan, Astrud Gilberto, Ray Charles, Peggy Lee, B.B. King, Jos\u00e9 Feliciano, Little Richard, Roberta Flack, Billy Preston, Diana Ross and more.<\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Money Is (feat. Little Richard)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/W07LxUfxJRU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>After that dive &#8211; a considerable build on what was featured in <em>\u00c9coutez<\/em>&#8216;s 6CD set\u00a0<em>The Cinema of Quincy Jones<\/em> in 2016 &#8211;\u00a0the package takes listeners through eight of Jones&#8217; bandleading albums for A&amp;M Records:\u00a0<em>Walking in Space\u00a0<\/em>(1969),\u00a0<em>Gula Matari\u00a0<\/em>(1970),\u00a0<em>Smackwater Jack\u00a0<\/em>(1971 &#8211; featuring the theme to the TV series\u00a0<em>Ironside<\/em>), <em>You&#8217;ve Got It Bad Girl\u00a0<\/em>(1973 &#8211; offering the classic &#8220;The Streetbeater&#8221; from the NBC sitcom <em>Sanford &amp; Son<\/em>),\u00a0<em>Body Heat\u00a0<\/em>(1974),\u00a0<em>Mellow Madness\u00a0<\/em>(1975),\u00a0<em>Sounds&#8230;and Stuff Like That!!\u00a0<\/em>(1978) and\u00a0<em>The Dude\u00a0<\/em>(1981), the last of which was an enduring predecessor to Quincy&#8217;s pop production for Michael Jackson throughout the rest of the decade.\u00a0<em>The Legacy of Quincy Jones<\/em> closes with two more complete albums &#8211; the star-studded, genre-hopping <em>Back on the Block\u00a0<\/em>(1989) and\u00a0<em>Q&#8217;s Jook Joint\u00a0<\/em>(1995) &#8211; before settling in with a 19-track summary of covers and collaborations by Frank Sinatra, Tony Bennett, Lou Rawls, The Brothers Johnson and rappers Snoop Dogg and Talib Kweli. It all wraps up with Jones&#8217; final studio session: a read on Henry Mancini&#8217;s classic theme to\u00a0<em>Peter Gunn<\/em> that Jones conducted with such luminaries sitting session as John Williams, Herbie Hancock and trumpeter Arturo Sandoval.<\/p>\n<p>Quincy Jones&#8217; music was as multifaceted as his life was, and <em>\u00c9coutez Le Cin\u00e9ma: The Legacy of Quincy Jones\u00a0<\/em>is poised to be the most comprehensive look at that singular career on the market. It&#8217;s available worldwide from December 5 and can be pre-ordered at the links below. (As an Amazon affiliate, we earn from qualifying purchases.)<\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Just Once\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/RY2zWfM7gps?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><em><strong>\u00c9coutez Le Cin\u00e9ma: The Legacy of Quincy Jones\u00a0<\/strong><\/em>(Decca (FR), 2025) (<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.amazon.com\/dp\/B0FLKLC272\/?tag=thesecdis-20\">Amazon U.S.<\/a> \/ <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.amazon.co.uk\/dp\/B0FLKLC272\/?tag=the2nddis-21\">Amazon U.K.<\/a> \/ <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.amazon.ca\/dp\/B0FLKLC272\/?tag=thesecdis02-20\">Amazon Canada<\/a>)<\/p>\n<p><strong>Disc 1: The ABC Albums<\/strong><\/p>\n<ol>\n<li>Walkin&#8217;<\/li>\n<li>Stockholm Sweetnin&#8217;<\/li>\n<li>Evening in Paris<\/li>\n<li>Sermonette<\/li>\n<li>A Sleepin&#8217; Bee<\/li>\n<li>Boo&#8217;s Bloos<\/li>\n<li>Dancin&#8217; Pants<\/li>\n<li>Blues Day<\/li>\n<li>Bright Moon<\/li>\n<li>No Bones At All<\/li>\n<li>The Oom is Blues<\/li>\n<li>Be My Guest<\/li>\n<li>Ballad Medley: What&#8217;s New\/We&#8217;ll Be Together Again\/Time on My Hands\/You Go to My Head\/Laura<\/li>\n<li>London Derriere<\/li>\n<li>Kings Road Blues<\/li>\n<\/ol>\n<p>Tracks 1-6 released as\u00a0<em>This is How I Feel About Jazz<\/em> &#8211; ABC-Paramount 149, 1957<br \/>Tracks 7-15 released as\u00a0<em>Go West, Man!<\/em> &#8211; ABC-Paramount 186, 1957<\/p>\n<p><strong>Disc 2: Quincy in Paris: Les Ann\u00e9es Barclay<\/strong><\/p>\n<ol>\n<li>Et voil\u00e0 !<\/li>\n<li>Quand je monte chez toi<\/li>\n<li>Place Blanche<\/li>\n<li>Ne m&#8217;laissez pas comme \u00e7a<\/li>\n<li>Sermonette<\/li>\n<li>Num\u00e9ro 13<\/li>\n<li>Tout doucement<\/li>\n<li>Avec ces yeux-l\u00e0<\/li>\n<li>Tu joues avec le feu<\/li>\n<li>Quelque chose en toi<\/li>\n<li>Un p&#8217;tit bout de femme<\/li>\n<li>Pas moi<\/li>\n<li>Craven<\/li>\n<li>Quincy Boogie<\/li>\n<li>Come Prima<\/li>\n<li>Moonlight Serenade<\/li>\n<li>Dans mon \u00eele<\/li>\n<li>Adios<\/li>\n<li>Coeur d&#8217;artichaut<\/li>\n<li>Mon p&#8217;tit pote<\/li>\n<li>Les amoureux (Twilight Time)<\/li>\n<li>Smoke Rings<\/li>\n<li>Sous le vieux pont des soupirs<\/li>\n<li>La valse des lilas<\/li>\n<li>Les amants solitaires (Je voudrais)<\/li>\n<li>Fragile Eyes<\/li>\n<li>Num\u00e9ro 13 (Alternate Arrangement)<\/li>\n<\/ol>\n<p>\u200bTracks 1-13 released as Eddie Barclay et Son Grand Orchestra, <em>Et Voil\u00e0 !\u00a0<\/em>&#8211; Barclay 82138 (FR)\/<em>Americans in Paris<\/em> &#8211; United Artists UAS 6023 (U.S.), 1959<br \/>Tracks 14-26 released as Eddie Barclay et Son Grand Orchestra,\u00a0<em>Confetti<\/em> &#8211; Barclay 82161 (FR), 1959\/<em>Twilight Time<\/em> &#8211; Mercury SR 60167 (U.S.), 1960<br \/>Track 27 exact origin unclear<\/p>\n<p><strong>Disc 3: The Mercury Years<\/strong><\/p>\n<ol>\n<li>The Birth of a Band<\/li>\n<li>Moanin&#8217;<\/li>\n<li>I Remember Clifford<\/li>\n<li>Along Came Betty<\/li>\n<li>Tickle Toe<\/li>\n<li>Happy Faces<\/li>\n<li>Whisper Not<\/li>\n<li>The Gypsy<\/li>\n<li>A Change of Pace<\/li>\n<li>Tuxedo Junction<\/li>\n<li>Lester Leaps In<\/li>\n<li>Ghana<\/li>\n<li>Caravan<\/li>\n<li>Everybody&#8217;s Blues<\/li>\n<li>Cherokee (Indian Love Song)<\/li>\n<li>Air Mail Special<\/li>\n<li>They Say It&#8217;s Wonderful<\/li>\n<li>Chant of the Weed<\/li>\n<li>I Never Has Seen Snow<\/li>\n<li>Eesom<\/li>\n<\/ol>\n<p>Tracks 1-10 released as\u00a0<em>The Birth of a Band<\/em> &#8211; Mercury SR 60219, 1959<br \/>Tracks 11-20 released as\u00a0<em>The Great Wide World of Quincy Jones<\/em> &#8211; Mercury SR 60221, 1959<\/p>\n<p><strong>Disc 4: The Quintessence<\/strong><\/p>\n<ol>\n<li>Quintessence<\/li>\n<li>Robot Portrait<\/li>\n<li>Little Karen<\/li>\n<li>Straight, No Chaser<\/li>\n<li>For Lena and Lennie<\/li>\n<li>Hard Sock Dance<\/li>\n<li>Invitation<\/li>\n<li>The Twitch<\/li>\n<li>Soul Bossa Nova<\/li>\n<li>Boogie Stop Shuffle<\/li>\n<li>Desafinado<\/li>\n<li>Manha de Carnaval (Morning of the Carnival)<\/li>\n<li>Se e Tarde Me Pardoa (Forgive Me If I&#8217;m Late)<\/li>\n<li>On the Street Where You Live<\/li>\n<li>Samba de Una Nota So (One Note Samba)<\/li>\n<li>Lalo Bossa Nova<\/li>\n<li>Serenata<\/li>\n<li>Chega de Saudade (No More Blues)<\/li>\n<li>A Taste of Honey<\/li>\n<\/ol>\n<p>Tracks 1-8 released as\u00a0<em>The Quintessence<\/em> &#8211; Impulse! A-11, 1962<br \/>Tracks 9-19 released as\u00a0<em>Big Band Bossa Nova<\/em> &#8211; Mercury SR 60751, 1962<\/p>\n<p><strong>Disc 5: Gone Hollywood I<\/strong><\/p>\n<ol>\n<li>Theme from <em>The Pawnbroker\u00a0<\/em>&#8211; Mark Allen<\/li>\n<li>Main Title: The Pawnbroker<\/li>\n<li>Harlem Drive<\/li>\n<li>The Naked Truth<\/li>\n<li>Otez&#8217;s Night Off<\/li>\n<li>Theme from <em>The Pawnbroker<\/em> (Instrumental)<\/li>\n<li>How Come, You People<\/li>\n<li>Rack &#8216;Em Up<\/li>\n<li>Death Scene<\/li>\n<li>End Title<\/li>\n<li>Theme from <em>The Pawnbroker\u00a0<\/em>(Single Version) &#8211; Sarah Vaughan<\/li>\n<li>Preludium (Main Title Part II)<\/li>\n<li>Main Theme (Main Title Part I)<\/li>\n<li>Threadbare (Main Title Part III)<\/li>\n<li>Aftermath<\/li>\n<li>Fox&#8217;s Sugar<\/li>\n<li>Funny Farm<\/li>\n<li>Theme for Inga<\/li>\n<li>Psychosis<\/li>\n<li>No Place to Go<\/li>\n<li>Big Sir<\/li>\n<\/ol>\n<p>Tracks 1-10 released as\u00a0<em>The Pawnbroker (Explosive Motion Picture Score)\u00a0<\/em>&#8211; Mercury SR 61011, 1965<br \/>Track 11 released on Mercury single 72417, 1965<br \/>Tracks 12-21 released as\u00a0<em>The Slender Thread (Original Motion Picture Score)<\/em> &#8211; Mercury SR 61070, 1966<\/p>\n<p><strong>Disc 6: Gone Hollywood II<\/strong><\/p>\n<ol>\n<li>Mirage<\/li>\n<li>Boobie Baby<\/li>\n<li>Shoot to Kill<\/li>\n<li>Dead Duck<\/li>\n<li>Purple Prose<\/li>\n<li>Main Title<\/li>\n<li>Mirage<\/li>\n<li>Turtle&#8217;s Last Lap<\/li>\n<li>A Shot in the Park<\/li>\n<li>Kinda Scary<\/li>\n<li>End Title<\/li>\n<li>Who Needs Forever? &#8211; Astrud Gilberto<\/li>\n<li>Dieter&#8217;s First Mistake<\/li>\n<li>Main Theme: The Deadly Affair<\/li>\n<li>Medley: Postcard Signed &#8220;S&#8221;\/Mendel Tails Elsa\/Tickets to &#8220;S&#8221;<\/li>\n<li>Main Theme: The Deadly Affair<\/li>\n<li>Don&#8217;t Fly If It&#8217;s Foggy<\/li>\n<li>Blondie-Tails<\/li>\n<li>Main Theme: The Deadly Affair<\/li>\n<li>Ridiculous Scene<\/li>\n<li>Body on Elevator<\/li>\n<li>Bobb&#8217;s At Gunpoint<\/li>\n<li>End Title<\/li>\n<\/ol>\n<p>Tracks 1-11 released as\u00a0<em>Mirage (Original Motion Picture Score)<\/em> &#8211; Mercury SR 61025, 1965<br \/>Tracks 12-23 released as\u00a0<em>The Deadly Affair (The Original Sound Track Album)<\/em> &#8211; Verve V6-8679, 1967<\/p>\n<p><strong>Disc 7:\u00a0Gone Hollywood III<\/strong><\/p>\n<ol>\n<li>In the Heat of the Night &#8211; Ray Charles<\/li>\n<li>Peep-Freak Patrol Car<\/li>\n<li>Cotton Curtain<\/li>\n<li>Where Whitey Ain&#8217;t Around<\/li>\n<li>Whipping Boy<\/li>\n<li>No You Won&#8217;t<\/li>\n<li>Nitty Gritty Time<\/li>\n<li>It Sure is Groovy!<\/li>\n<li>Bowlegged Polly<\/li>\n<li>Shag Bag, Hounds &amp; Harvey<\/li>\n<li>Chief&#8217;s Drive to Mayor<\/li>\n<li>Give Me Until Morning<\/li>\n<li>On Your Feet, Boy!<\/li>\n<li>Blood &amp; Roots<\/li>\n<li>Mama Caleba&#8217;s Blues<\/li>\n<li>Foul Owl<\/li>\n<li>In Cold Blood<\/li>\n<li>Clutter Family Theme<\/li>\n<li>Hangin&#8217; Paper<\/li>\n<li>Down Clutter&#8217;s Lane<\/li>\n<li>Seduction<\/li>\n<li>Perry&#8217;s Theme<\/li>\n<li>Lonely Bottles<\/li>\n<li>No Witnesses<\/li>\n<li>I&#8217;ll Have to Kill You<\/li>\n<li>Nina<\/li>\n<li>Murder Scene<\/li>\n<li>The Corner<\/li>\n<\/ol>\n<p>Tracks 1-16 released as\u00a0<em>In the Heat of the Night (Original Motion Picture Soundtrack)<\/em> &#8211; United Artists Records UAS 5160, 1967<br \/>Tracks 17-28 released as\u00a0<em>In Cold Blood<\/em> &#8211; Colgems COS-107, 1967<\/p>\n<p><strong>Disc 8: Gone Hollywood IV<\/strong><\/p>\n<ol>\n<li>Happy Feet<\/li>\n<li>Stay with Me<\/li>\n<li>Copy Cat (Wack a Doo)<\/li>\n<li>Happy Feet &#8211; Peggy Lee<\/li>\n<li>Papa San<\/li>\n<li>Abso-Bleedin&#8217;-Lutely<\/li>\n<li>Stay with Me &#8211; Peggy Lee<\/li>\n<li>One More Time<\/li>\n<li>20th Century Drawers<\/li>\n<li>Locked Out<\/li>\n<li>Happy Feet (Reprise)<\/li>\n<li>Rabelasian Rutland<\/li>\n<li>One More Time (Reprise)<\/li>\n<li>Main Title<\/li>\n<li>Wheelin&#8217; and Dealin&#8217;<\/li>\n<li>Little Hippy Dippy<\/li>\n<li>Soul Motion<\/li>\n<li>Somethin&#8217; Strange<\/li>\n<li>Black Pearl<\/li>\n<li>For Love of Ivy<\/li>\n<li>You Put It on Me &#8211; B.B. King<\/li>\n<li>Messy But Good (feat. B.B. King)<\/li>\n<li>The B. B. Jones &#8211; B.B. King<\/li>\n<li>My Side of the Sky &#8211; Cashman, Pistilli &amp; West<\/li>\n<li>Don&#8217;t You Believe It &#8211; Cashman, Pistilli &amp; West<\/li>\n<li>End Title &#8211; Shirley Horn<\/li>\n<\/ol>\n<p>Tracks 1-10 released as\u00a0<em>Walk, Don&#8217;t Run (Original Sound Track Recording)<\/em> &#8211; Mainstream S\/6080, 1966<br \/>Tracks 11-13 released on Mainstream U.K. CD reissue MDCD 605, 1991<br \/>Tracks 14-26 released as\u00a0<em>For Love of Ivy (The Original Motion Picture Soundtrack)<\/em> &#8211; ABC Records ABCS-OC-7, 1968<\/p>\n<p><strong>Disc 9: Gone Hollywood V<\/strong><\/p>\n<ol>\n<li>Ouverture<\/li>\n<li>Ole Turkey Buzzard (English Version) &#8211; Jos\u00e9 Feliciano<\/li>\n<li>Canon del Oro<\/li>\n<li>Waterhole Trek<\/li>\n<li>R\u00eave parisien<\/li>\n<li>Ole Turkey Buzzard (Instrumental)<\/li>\n<li>Soul Full of Gold<\/li>\n<li>Main Title<\/li>\n<li>Apache Camp<\/li>\n<li>Massacre Montage<\/li>\n<li>Ole Turkey Buzzard (Spanish Version) &#8211; Jos\u00e9 Feliciano<\/li>\n<li>Finale<\/li>\n<li>On Days Like These &#8211; Matt Monro<\/li>\n<li>Something&#8217;s Cookin&#8217;<\/li>\n<li>Hello Mrs. Beckerman!<\/li>\n<li>Britannia and Mr. Bridger &#8211; If You Please<\/li>\n<li>Trouble for Charlie<\/li>\n<li>On Days Like These<\/li>\n<li>It&#8217;s Caper Time &#8211; The Self Preservation Society<\/li>\n<li>Meanwhile, Back in The Mafia<\/li>\n<li>Smell That Gold!<\/li>\n<li>Greensleeves and All That Jazz<\/li>\n<li>On Days Like These<\/li>\n<li>Getta Bloomin&#8217; Move On! &#8211; The Self Preservation Society<\/li>\n<li>Un jour comme aujourd&#8217;hui &#8211; Lou Reizner<\/li>\n<\/ol>\n<p>Tracks 1-12 released as\u00a0<em>McKenna&#8217;s Gold<\/em> &#8211; RCA Victor LSP-4096, 1969<br \/>Tracks 13-24 released as\u00a0<em>The Italian Job (Music from the Original Motion Picture Soundtrack)<\/em> &#8211; Paramount PAS-5007, 1969<br \/>Track 25 released on Philips French single 336.234 BF, 1969<\/p>\n<p><strong>Disc 10: Gone Hollywood VI<\/strong><\/p>\n<ol>\n<li>The Lost Man (Main Title) (feat. The Kids from PASLA)<\/li>\n<li>Sweet Soul Sister (feat. Nate Turner &amp; The Mirettes)<\/li>\n<li>Slum Creeper<\/li>\n<li>Rap, Run It on Down (feat. Nate Turner, The Mirettes &amp; Venetta Fields)<\/li>\n<li>He Says He Loves Me (feat. Ernestine Anderson &amp; The Pree Sisters)<\/li>\n<li>Main Squeeze<\/li>\n<li>Try, Try, Try (feat. The Mirettes &amp; Venetta Fields)<\/li>\n<li>Need to Be Needed<\/li>\n<li>Up Against the Wall<\/li>\n<li>He&#8217;ll Wash You Whiter Than Snow (feat. The Church Choir)<\/li>\n<li>End Title (feat. Geraldine Jones)<\/li>\n<li>Maybe Tomorrow &#8211; Evie Sands<\/li>\n<li>Bump in the Night &#8211; The Strange Things<\/li>\n<li>Main Title<\/li>\n<li>Silent Movies<\/li>\n<li>Maybe Tomorrow &#8211; The Morgan Ames Singers<\/li>\n<li>Lost in Space &#8211; Jeff Bridges<\/li>\n<li>Maybe Tomorrow &#8211; The John &amp; Mary Brass Ensemble<\/li>\n<li>Love Theme from <em>The Getaway<\/em> (Faraway Forever) (Instrumental)<\/li>\n<li>Love Theme from <em>The Getaway<\/em> (Faraway Forever) (Vocal)<\/li>\n<\/ol>\n<p>Tracks 1-11 released as\u00a0<em>The Lost Man (The Original Soundtrack Album)<\/em> &#8211; UNI Records 73060, 1969<br \/>Tracks 12-18 released on\u00a0<em>John &amp; Mary (Original Motion Picture Score)<\/em> &#8211; A&amp;M Records SP-4230, 1970<br \/>Tracks 19-20 released as A&amp;M Records single AM-1404, 1973<\/p>\n<p><strong>Disc 11: Gone Hollywood VII<\/strong><\/p>\n<ol>\n<li>Money Is &#8211; Little Richard<\/li>\n<li>Snow Creatures<\/li>\n<li>Rubber Ducky<\/li>\n<li>Redeye Runnin&#8217; Train<\/li>\n<li>Shady Lady<\/li>\n<li>Money Runner<\/li>\n<li>When You&#8217;re Smiling (The Whole World Smiles with You) &#8211; Roberta Flack &amp; The Don Elliott Voices<\/li>\n<li>Do It &#8211; To It &#8211; Little Richard<\/li>\n<li>Candy Man<\/li>\n<li>Passin&#8217; the Buck<\/li>\n<li>Kitty with the Bent Frame<\/li>\n<li>Brooks&#8217; 50\u00a2 Tour (Main Title Collage)<\/li>\n<li>Listen to the Melody (feat. Tata Vega &amp; The Ian Smith Singers) *<\/li>\n<li>Main Title from <em>The Hot Rock\u00a0<\/em>*<\/li>\n<li>Talking Drums *<\/li>\n<li>Seldom Seen Sam *<\/li>\n<li>Parole Party *<\/li>\n<li>Hot Rock Theme (feat. The Don Elliott Voices) *<\/li>\n<li>Miasmo *<\/li>\n<li>Sahara Stone *<\/li>\n<li>Slam City *<\/li>\n<li>Listen to the Melody\/Dixie Tag *<\/li>\n<li>End Title *<\/li>\n<\/ol>\n<p>Tracks 1-12 released as\u00a0<em>$ (Music from the Original Motion Picture Sound Track)<\/em> &#8211; Reprise MS 2051, 1972<br \/>Tracks 13-23 released on <em>The Hot Rock (Original Motion Picture Soundtrack and More)<\/em> &#8211; Prophesy SD 6055, 1972<\/p>\n<p><strong>Disc 12: Gone Hollywood VIII<\/strong><\/p>\n<ol>\n<li>Main Title<\/li>\n<li>The Boy in the Tree<\/li>\n<li>Crucifixion March<\/li>\n<li>Fulla &#8216;Fira<\/li>\n<li>The Eyes of Love<\/li>\n<li>Trying Tie<\/li>\n<li>Banning Can&#8217;t Forget<\/li>\n<li>Sudden Death<\/li>\n<li>Main Title from <em>Banning<\/em><\/li>\n<li>The Spell You Spin (The Web You Weave) &#8211; Shirley Horn<\/li>\n<li><em>The Split<\/em> &#8211; Main Title &#8211; Billy Preston<\/li>\n<li>It&#8217;s Just a Game, Love &#8211; Arthur Prysock<\/li>\n<li>Funny Money\/End Title Card<\/li>\n<li>The Time for Love is Anytime &#8211; Sarah Vaughan<\/li>\n<li>Call Me Mister Tibbs!<\/li>\n<li>Soul Flower<\/li>\n<li>Side Pocket<\/li>\n<li>Call Me Mister Tibbs! (End Title)<\/li>\n<li><em>The Out of Towners<\/em> &#8211; Main Title<\/li>\n<li>Theme from <em>The Anderson Tapes<\/em><\/li>\n<li>Many Rains Ago (Oluwa)<\/li>\n<li>Is This What Feeling Gets? (Dorothy&#8217;s Theme) &#8211; Diana Ross<\/li>\n<\/ol>\n<p>Tracks 1-4 released as\u00a0<em>The Boy in the Tree<\/em> &#8211; Mercury EP 60338 (Denmark), 1961<br \/>Tracks 5-9 released on\u00a0<em>Banning (Original Motion Picture Soundtrack)<\/em> &#8211; La-La Land Records LLLCD1554, 2021 (original film released 1967)<br \/>Track 10 released on Bell single B-727, 1968<br \/>Tracks 11-13 released on\u00a0<em>The Split (Original Motion Picture Soundtrack)<\/em> &#8211; Film Score Monthly Vol. 12 No. 13, 2009 (original film released 1968)<br \/>Track 14 released on\u00a0<em>Cactus Flower (Original Sound Track)<\/em> &#8211; Bell 1201, 1969<br \/>Tracks 15-18 released on\u00a0<em>They Call Me Mister TIbbs (Original Motion Picture Score)<\/em> &#8211; United Artists UAS 5214, 1970<br \/>Tracks 19 released on <em>The Cinema of Quincy Jones<\/em> &#8211; Decca 537 329-6 (FR), 2016<br \/>Track 20 released on <em>Smackwater Jack<\/em> &#8211; A&amp;M Records SP-3037, 1971<br \/>Track 21 released on\u00a0<em>Roots: The Saga of An American Family<\/em> &#8211; A&amp;M Records SP-4626, 1977<br \/>Track 22 released on\u00a0<em>The Wiz (Original Motion Picture Soundtrack)<\/em> &#8211; Motown\/MCA Records MCA2-14000, 1978<\/p>\n<p><strong>Disc 13: Gone Hollywood IX<\/strong><\/p>\n<ol>\n<li>Overture<\/li>\n<li>Main Title<\/li>\n<li>Celie Leaves with Mr.<\/li>\n<li>Corrine and Olivia<\/li>\n<li>Nettie Teaches Celie<\/li>\n<li>The Separation<\/li>\n<li>Celie and Harpo Grow Up\/Mr. Dresses to See Shug<\/li>\n<li>Careless Love (feat. Tata Vega)<\/li>\n<li>Sophia Leaves Harpo<\/li>\n<li>Celie Cooks Shug Breakfast<\/li>\n<li>The Dirty Dozens (feat. Tata Vega)<\/li>\n<li>Miss Celie&#8217;s Blues (Sister) (feat. Tata Vega)<\/li>\n<li>Don&#8217;t Make Me No Never Mind (feat. John Lee Hooker)<\/li>\n<li>Three on the Road<\/li>\n<li>Bus Pulls Out<\/li>\n<li>The First Letter<\/li>\n<li>Letter Search<\/li>\n<li>Nettie&#8217;s Letters<\/li>\n<li>High Life\/Proud Theme<\/li>\n<li>J.B. King<\/li>\n<li>Heaven Belongs to You (feat. The Christ Memorial Church Choir)<\/li>\n<li>Katutoka Corrine (feat. Letta Mbulu &amp; The Christ Memorial Church Choir)<\/li>\n<li>Celie Shaves Mr.\/Scarification Ceremony (feat. The Christ Memorial Church Choir)<\/li>\n<li>I&#8217;m Here<\/li>\n<li>Champagne Train<\/li>\n<li>Celie&#8217;s New House\/Body and Soul (performed by Coleman Hawkins &amp; His Orchestra)<\/li>\n<li>Maybe God is Tryin&#8217; to Tell You Somethin&#8217; (feat. Jacquelyn Farris, Tata Vega &amp; The Christ Memorial Church Choir)<\/li>\n<li>Reunion\/Finale<\/li>\n<\/ol>\n<p>All tracks released on\u00a0<em>The Color Purple (Original Motion Picture Sound Track)\u00a0<\/em>&#8211; Qwest 25389, 1986 (original film released 1985)<\/p>\n<p><strong>Disc 14: The A&amp;M Years I<\/strong><\/p>\n<ol>\n<li>Dead End<\/li>\n<li>Walking in Space<\/li>\n<li>Killer Joe<\/li>\n<li>Love and Peace<\/li>\n<li>I Never Told You<\/li>\n<li>Oh, Happy Day<\/li>\n<li>Bridge Over Troubled Water<\/li>\n<li>Gula Matari<\/li>\n<li>Walkin&#8217;<\/li>\n<li>Hummin&#8217;<\/li>\n<\/ol>\n<p>Tracks 1-6 released as\u00a0<em>Walking in Space<\/em> &#8211; A&amp;M Records\/CTI SP-3023, 1969<br \/>Tracks 7-10 released as\u00a0<em>Gula Matari<\/em> &#8211; A&amp;M Records SP-3030, 1970<\/p>\n<p><strong>Disc 15: The A&amp;M Years II<\/strong><\/p>\n<ol>\n<li>Smackwater Jack<\/li>\n<li>Cast Your Fate to the Wind<\/li>\n<li>Ironside (Theme from\u00a0<em>Ironside<\/em>, NBC-TV)<\/li>\n<li>What&#8217;s Going On<\/li>\n<li>Brown Ballad<\/li>\n<li>Hikky Burr (Theme from\u00a0<em>The Bill Cosby Show<\/em>, NBC-TV)<\/li>\n<li>Guitar Blues Odyssey: From Roots to Fruits<\/li>\n<li>Summer in the City<\/li>\n<li>Eyes of Love<\/li>\n<li>Tribute to A.F. &#8211; RO: Daydreaming\/The First Time Ever I Saw Your Face<\/li>\n<li>You&#8217;ve Got It Bad Girl<\/li>\n<li>Superstition<\/li>\n<li>Manteca<\/li>\n<li>&#8220;Sanford &amp; Son Theme&#8221; &#8211; NBC-TV (The Streetbeater)<\/li>\n<li>Chump Change<\/li>\n<\/ol>\n<p>Tracks 1-7 released on <em>Smackwater Jack<\/em> &#8211; A&amp;M Records SP-3037, 1971<br \/>Tracks 8-15 released as\u00a0<em>You&#8217;ve Got It Bad Girl<\/em> &#8211; A&amp;M Records SP-3041, 1973<\/p>\n<p><strong>Disc 16:\u00a0The A&amp;M Years III<\/strong><\/p>\n<ol>\n<li>Body Heat<\/li>\n<li>Soul Saga (Song of the Buffalo Soldier)<\/li>\n<li>Everything Must Change (feat. Bernard Igher)<\/li>\n<li>Boogie Joe the Grinder<\/li>\n<li>One Track Mind<\/li>\n<li>Just a Man<\/li>\n<li>Along Came Betty<\/li>\n<li>If I Ever Lose This Heaven (feat. Leon Ware &amp; Minnie Riperton)<\/li>\n<li>Is It Love That We&#8217;re Missin&#8217; (feat. George Johnson)<\/li>\n<li>Paranoid (feat. Leon Ware)<\/li>\n<li>Mellow Madness (feat. Paulette McWilliams)<\/li>\n<li>Beautiful Black Girl (feat. The Watts Prophets)<\/li>\n<li>Listen (What It Is) (feat. George Johnson &amp; Paulette McWilliams)<\/li>\n<li>Just a Little Taste of Me (feat. George Johnson)<\/li>\n<li>My Cherie Amour (feat. Leon Ware, Minnie Riperton &amp; Paulette McWilliams)<\/li>\n<li>Tryin&#8217; to Find Out About You<\/li>\n<li>Cry Baby<\/li>\n<li>Bluesette<\/li>\n<\/ol>\n<p>Tracks 1-8 released as\u00a0<em>Body Heat<\/em> &#8211; A&amp;M Records SP-3617, 1974<br \/>Tracks 9-18 released as\u00a0<em>Mellow Madness<\/em> &#8211; A&amp;M Records SP-4526, 1975<\/p>\n<p><strong>Disc 17:\u00a0The A&amp;M Years IV<\/strong><\/p>\n<ol>\n<li>Stuff Like That (feat. Ashford &amp; Simpson and Chaka Khan)<\/li>\n<li>I&#8217;m Gonna Miss You in the Morning (feat. Patti Austin &amp; Luther Vandross)<\/li>\n<li>Love I Never Had It So Good (feat. Patti Austin &amp; George May)<\/li>\n<li>Tell Me a Bedtime Story<\/li>\n<li>Love Me by Name (feat. Patti Austin)<\/li>\n<li>Superwoman (Where Were You When I Needed You) (feat. Patti Austin)<\/li>\n<li>Takin&#8217; It to the Streets (feat. Luther Vandross &amp; Gwen Guthrie)<\/li>\n<li>Ai No Corrida<\/li>\n<li>The Dude (feat. James Ingram)<\/li>\n<li>Just Once (feat. James Ingram)<\/li>\n<li>Betcha Wouldn&#8217;t Hurt Me (feat. Patti Austin)<\/li>\n<li>Something Special (feat. Patti Austin)<\/li>\n<li>Razzamatazz (feat. Patti Austin)<\/li>\n<li>One Hundred Ways (feat. James Ingram)<\/li>\n<li>Velas<\/li>\n<li>Turn On the Action (feat. Patti Austin)<\/li>\n<\/ol>\n<p>Tracks 1-7 released as\u00a0<em>Sounds&#8230;and Stuff Like That!!\u00a0<\/em>&#8211; A&amp;M Records SP-4685, 1978<br \/>Tracks 8-16 released as\u00a0<em>The Dude\u00a0<\/em>&#8211; A&amp;M Records SP-3721, 1981<\/p>\n<p><strong>Disc 18: Q&#8217;s Return I\u00a0<\/strong>(released as\u00a0<em>Back on the Block<\/em> &#8211; Qwest 26020, 1989)<\/p>\n<ol>\n<li>Prologue (2 Q&#8217;s Rap) (feat. QDIII &amp; Take 6)<\/li>\n<li>Back on the Block (feat. Tevin Campbell with Big Daddy Kane, Ice-T, Kool Moe Dee &amp; Melle Mel)<\/li>\n<li>I Don&#8217;t Go for That (feat. Siedah Garrett)<\/li>\n<li>I&#8217;ll Be Good to You (feat. Chaka Khan &amp; Ray Charles)<\/li>\n<li>The Verb to Be<\/li>\n<li>Wee B. Dooinit (Acapella Party) (feat. Siedah Garrett with Al Jarreau, Bobby McFerrin, Ella Fitzgerald, Sarah Vaughan &amp; Take 6)<\/li>\n<li>The Places You Find Love (feat. Chaka Khan &amp; Siedah Garrett)<\/li>\n<li>Jazz Corner of the Word<\/li>\n<li>Birdland (feat. Ella Fitzgerald &amp; Sarah Vaughan)<\/li>\n<li>Setembro (Brazilian Wedding Song)<\/li>\n<li>One Man Woman (feat .Siedah Garrett)<\/li>\n<li>Tomorrow (A Better You, Better Me) (feat. Tevin Campbell)<\/li>\n<li>Prelude to the Garden<\/li>\n<li>The Secret Garden (Sweet Seduction Suite) (feat. Al B. Sure!, Barry White, El DeBarge &amp; James Ingram)<\/li>\n<\/ol>\n<p><strong>Disc 19:\u00a0Q&#8217;s Return II\u00a0<\/strong>(released as\u00a0<em>Q&#8217;s Jook Joint<\/em> &#8211; Qwest\/Warner Bros. 45875, 1995)<\/p>\n<ol>\n<li>Jook Joint Intro<\/li>\n<li>Let the Good Times Roll (feat. Stevie Wonder, Bono &amp; Ray Charles)<\/li>\n<li>Cool Joe, Mean Joe (Killer Joe) (feat. Tone Loc, Queen Latifah &amp; Nancy Wilson)<\/li>\n<li>You Put a Move on My Heart (feat. Tamia)<\/li>\n<li>Rock with You (feat. Brandy &amp; Heavy D)<\/li>\n<li>Moody&#8217;s Mood for Love (I&#8217;m in the Mood for Love) (feat. Brian McKnight, Rachelle Ferrell, Take 6 &amp; James Moody)<\/li>\n<li>Stomp<\/li>\n<li>Jook Joint Reprise (feat. Ray Charles &amp; Funkmaster Flex)<\/li>\n<li>Do Nothin&#8217; Till You Hear from Me (feat. Phil Collins)<\/li>\n<li>Is It Love That We&#8217;re Missin&#8217; (feat. Gloria Estefan &amp; Warren Wiebe)<\/li>\n<li>Heaven&#8217;s Girl (feat. R. Kelly, Ron Isley, Aaron Hall, Charlie Wilson &amp; Naomi Campbell)<\/li>\n<li>Stuff Like That (feat. Charlie Wilson, Ray Charles, Brandy, Chaka Khan and Ashford &amp; Simpson<\/li>\n<li>Slow Jams (feat. SWV, Babyface, Portrait &amp; Barry White)<\/li>\n<li>At the End of the Day (Grace) (feat. Toots Thielemans, Barry White &amp; Mervyn Warren)<\/li>\n<li>Jook Joint Outro (feat. Barry White, Tamia &amp; Toots Thielemans)<\/li>\n<\/ol>\n<p><strong>Disc 20: Original Works, Covers and New Readings<\/strong><\/p>\n<ol>\n<li>Ironside &#8211; Talib Kweli<\/li>\n<li>In the Heat of the Night &#8211; Nancy Wilson<\/li>\n<li>Right On Time &#8211; The Brothers Johnson<\/li>\n<li>\u00c0 Cannes cet \u00e9t\u00e9 &#8211; Henri Salvador<\/li>\n<li>Double Play &#8211; Clark Terry<\/li>\n<li>The Pawnbroker &#8211; Tony Bennett<\/li>\n<li>Get the Funk Out of My Face &#8211; Snoop Dogg<\/li>\n<li>Stockholm Sweetnin&#8217; (Un coin merveilleux) &#8211; Les Double Six<\/li>\n<li>Even When You Cry &#8211; Lou Rawls<\/li>\n<li>The Midnight Sun Will Never Set &#8211; Elek Bacsik<\/li>\n<li>L.A. is My Lady &#8211; Frank Sinatra<\/li>\n<li>Kingfish &#8211; Lionel Hampton and His Orchestra<\/li>\n<li>Who Needs Forever &#8211; Greg Osby<\/li>\n<li>The Ironside Theme &#8211; Ray Martin and His Orchestra<\/li>\n<li>L&#8217;or de MacKenna (2\u00e8me partie) &#8211; Johnny Hallyday<\/li>\n<li>It&#8217;s You Girl &#8211; The Brothers Johnson<\/li>\n<li>Mon disque d&#8217;\u00e9t\u00e9 &#8211; Claude Nougaro<\/li>\n<li>The Q Cinema Suite &#8211; Jean-Michel Bernard<\/li>\n<li>Peter Gunn (feat. Quincy Jones, John Williams, Herbie Hancock &amp; Arturo Sandoval)<\/li>\n<\/ol>\n<p>Tracks 1 and 7 from\u00a0<em>Q: Soul Bossa Nostra<\/em> &#8211; Qwest\/Interscope B0014294-02, 2010<br \/>Track 2 from\u00a0<em>Welcome to My Love<\/em> &#8211; Capitol T-2844, 1967<br \/>Track 3 from\u00a0<em>Right On Time<\/em> &#8211; A&amp;M Records SP-4644, 1977<br \/>Track 4 from\u00a0<em>Henri Salvador<\/em> &#8211; Barclay 80110 (FR), 1959<br \/>Track 5 from\u00a0<em>Clark Terry<\/em> &#8211; EmArcy MG 36007, 1955<br \/>Track 6 from\u00a0<em>The Movie Song Album<\/em> &#8211; Columbia CL 2472, 1966<br \/>Track 8 from\u00a0<em>Meet Quincy Jones<\/em> &#8211; Columbia SGXF 105 (FR), 1960<br \/>Track 9 from\u00a0<em>Feelin&#8217; Good\u00a0<\/em>&#8211; Capitol ST-2864, 1968<br \/>Track 10 from\u00a0<em>Guitar Conceptions<\/em> &#8211; Fontana 680-240 ML (FR), 1963<br \/>Track 11 from\u00a0<em>L.A. is My Lady<\/em> &#8211; Qwest 25145, 1984<br \/>Track 12 from MGM single K11227, 1952<br \/>Track 13 from\u00a0<em>The Invisible Hand<\/em> &#8211; Blue Note 72435 20134 2 5, 2000<br \/>Track 14 from\u00a0<em>Favorite TV Themes Volume 2<\/em> &#8211; Decca SPA 391 (U.K.), 1975<br \/>Track 15 from Philips single B 370.813 F (FR), 1969<br \/>Track 16 from\u00a0<em>Blam!!<\/em> &#8211; A&amp;M Records SP-4714, 1978<br \/>Track 17 from\u00a0<em>Tu Verras<\/em> &#8211; Barclay 91004 (FR), 1978<br \/>Track 18 from\u00a0<em>The Cinema of Quincy Jones<\/em> box set &#8211; Decca 537 329-6 (FR), 2016<br \/>Track 19 from\u00a0<em>Henry Mancini: The 100th Sessions &#8211; Henry Has Company<\/em> &#8211; Primary Wave 792755863926, 2024<\/p>\n<footer class=\"entry-footer\">\n<p class=\"entry-meta\"><span class=\"entry-categories\"><strong>Categories:<\/strong> <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/category\/news\/\" rel=\"category tag\">News<\/a><\/span> <span class=\"entry-terms\"><strong>Formats:<\/strong> <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/formats\/box-sets\/\" rel=\"tag\">Box Sets<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/formats\/cd\/\" rel=\"tag\">CD<\/a><\/span>  <span class=\"entry-terms\"><strong>Genre:<\/strong> <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/genre\/jazz\/\" rel=\"tag\">Jazz<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/genre\/latin\/\" rel=\"tag\">Latin<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/genre\/pop\/\" rel=\"tag\">Pop<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/genre\/rbsoul\/\" rel=\"tag\">R&amp;B\/Soul<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/genre\/soundtracks\/\" rel=\"tag\">Soundtracks<\/a><\/span> <span class=\"entry-tags\"><strong>Tags:<\/strong> <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/arturo-sandoval\/\" rel=\"tag\">Arturo Sandoval<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/ashford-and-simpson\/\" rel=\"tag\">Ashford and Simpson<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/astrud-gilberto\/\" rel=\"tag\">Astrud Gilberto<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/b-b-king\/\" rel=\"tag\">B.B. King<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/chaka-khan\/\" rel=\"tag\">Chaka Khan<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/diana-ross\/\" rel=\"tag\">Diana Ross<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/frank-sinatra\/\" rel=\"tag\">Frank Sinatra<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/herbie-hancock\/\" rel=\"tag\">Herbie Hancock<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/james-ingram\/\" rel=\"tag\">James Ingram<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/john-williams\/\" rel=\"tag\">John Williams<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/johnny-hallyday\/\" rel=\"tag\">Johnny Hallyday<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/jose-feliciano\/\" rel=\"tag\">Jos\u00e9 Feliciano<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/leon-ware\/\" rel=\"tag\">Leon Ware<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/lionel-hampton\/\" rel=\"tag\">Lionel Hampton<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/little-richard\/\" rel=\"tag\">Little Richard<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/lou-rawls\/\" rel=\"tag\">Lou Rawls<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/luther-vandross\/\" rel=\"tag\">Luther Vandross<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/mary-preston\/\" rel=\"tag\">Mary Preston<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/matt-monro\/\" rel=\"tag\">Matt Monro<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/minnie-riperton\/\" rel=\"tag\">Minnie Riperton<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/nancy-wilson\/\" rel=\"tag\">Nancy Wilson<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/patti-austin\/\" rel=\"tag\">Patti Austin<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/paulette-mcwilliams\/\" rel=\"tag\">Paulette McWilliams<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/peggy-lee\/\" rel=\"tag\">Peggy Lee<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/quincy-jones\/\" rel=\"tag\">Quincy Jones<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/ray-charles\/\" rel=\"tag\">Ray Charles<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/roberta-flack\/\" rel=\"tag\">Roberta Flack<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/sarah-vaughan\/\" rel=\"tag\">Sarah Vaughan<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/snoop-dogg\/\" rel=\"tag\">Snoop Dogg<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/tevin-campbell\/\" rel=\"tag\">Tevin Campbell<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/the-brothers-johnson\/\" rel=\"tag\">The Brothers Johnson<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/theseconddisc.com\/tag\/tony-bennett\/\" rel=\"tag\">Tony Bennett<\/a><\/span><\/p>\n<\/footer>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source theseconddisc.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BUY NOW FROM AMAZON.COM When Rhino released\u00a0Q: The Musical Biography of Quincy Jones &#8211; a 4CD, 74-track collection &#8211; in 2001, it was a valiant attempt to tell a story that was still being written. The gifted bandleader, composer and producer, who passed away at the age of 91 in 2024, had an enduring way [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2184259,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[],"class_list":["post-2184258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/12\/Qs-Cues-New-Ecoutez-Le-Cinema-Box-Celebrates-the-Music.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2184258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2184258"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2184258\/revisions"}],"predecessor-version":[{"id":2184260,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2184258\/revisions\/2184260"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2184259"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2184258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2184258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2184258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}