\n\tAmyl and The Sniffers<\/a>\u2019 irrepressible charge has caught the attention of many folks in high places, some unexpected. Count Justice <\/a>among them.<\/p>\n \n\tThe French electronic act is currently in Australia, for a long-overdue tour in support of 2024\u2019s Hyperdrama<\/em>, the duo\u2019s first album since 2016\u2019s Woman<\/em>.<\/p>\n \n\tOpening for Gaspard Aug\u00e9 and Xavier De Rosnay on this east coast swing is none other than Kevin Parker<\/a>, the mastermind behind Tame Impala<\/a>. On this trek, Parker, the Western Australian production whizz, is playing to full houses from behind the wheels of steel \u2014 as DJ Tame Impala.<\/p>\n \t\t\t\t\tExplore\t\t<\/p>\n<\/h3>\n \t\t\t\t\t\t<\/p><\/div>\n \t\t\t<\/a>\n\t<\/div>\n <\/p>\n \t<\/span><\/p><\/div>\n<\/div>\n \t\t\t\t\t\t \t\t\t<\/a>\n\t<\/div>\n <\/p>\n \t<\/span><\/p><\/div>\n<\/div><\/div>\n See latest videos, charts and news<\/p>\n<\/p><\/div>\n \n\tWhen Justice gets down to work with Parker, musical magic happens. Golden gramophones, too.<\/p>\n \n\tOne of their two collaborative efforts, Hyperdrama<\/em> track \u201cNeverender\u201d collected best dance\/electronic recording at 2025 Grammy Awards, for Parker\u2019s first win and Justice\u2019s fifth.<\/p>\n \n\tHow Parker has only one Grammy to his name, \u201cit\u2019s a big mystery,\u201d Aug\u00e9 remarks.<\/p>\n \n\tThe Parisian pair was introduced to the sonic beauty of Tame Impala in the late 2000s, and figured there was something in the Aussie water.<\/p>\n \n\t\u201cWe often think about why does Australia produce some of the best music consistently for the past 60 years. Our theory is that actually being isolated in the physical world might be a big part of that,\u201d Aug\u00e9 says over a Zoom. \u201cThere are so many great (Australian) bands throughout the decades and still today. We think that being far away from the world noise plays an important part in that.\u201d<\/p>\n \n\tAustralia is having a hot rush in electronic dance music right now, led by the likes of Dom Dolla, Ninajirachi, Luude, and FISHER.<\/p>\n \n\t\u201cTo be honest,\u201d says De Rosnay, \u201cwe\u2019re more into Amyl and The Sniffers than the electronic music.\u201d<\/p>\n \n\tJustice can\u2019t be faulted for clamoring onto the Amyl bandwagon. The punk-rock outfit has pretty-much owned 2025, a stretch during which they played Glastonbury Festival, earned a BRIT Award nomination, cleaned up at the ARIA Awards with four wins<\/a>, and scored a first-ever nomination for next year\u2019s Grammy Awards. Amyl\u2019s fiery frontwoman Amy Taylor took her own leap into electronic music this year with \u201cyou\u2019re a star,\u201d a collab with Fred Again.<\/p>\n \n\tConversation turns to music, and what\u2019s next for Justice. Should fans expect to wait another eight years for the followup to Hyperdrama<\/em>, which last year crashed the Billboard 200, at No. 96? \u201cPurely on the statistics,\u201d quips Aug\u00e9, \u201cI would say a safe prediction for the next album is around 2048.\u201d<\/p>\n\n
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