{"id":2199071,"date":"2025-12-15T02:04:08","date_gmt":"2025-12-15T02:04:08","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2199071"},"modified":"2025-12-15T02:04:08","modified_gmt":"2025-12-15T02:04:08","slug":"rolling-stone-uks-future-of-music-2025-see-the-full-list","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/rolling-stone-uks-future-of-music-2025-see-the-full-list\/","title":{"rendered":"Rolling Stone UK\u2019s Future of Music 2025: see the full list"},"content":{"rendered":"<p><\/p>\n<div>\n<p>Last year, here at Rolling Stone UK we shared <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/rolling-stone-uk-future-of-music-2024-37908\/\">our first ever Future 25 list<\/a> list as part of the <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/future-of-music\">Future of Music<\/a> series from Rolling Stone titles across the world. In it, we picked out the artists and bands we believe will shape what British music will look like in the years and decades to come. In the year since the list\u2019s publication, our cover stars <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/features\/rachel-chinouriri-interview-adele-future-of-music-38080\/\">Rachel Chinouriri<\/a> and <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/barry-cant-swim-when-will-we-land-interview-future-of-music-38149\/\">Barry Can\u2019t Swim<\/a> have sold out tours, slayed Glastonbury and beyond, and led the charge from a list of gamechangers, showing that UK music is in rude health. \u00a0<\/p>\n<p>For our second year, we have selected 25 artists for 2025 that, in our opinion, will define the next era of British music. Curated by the Rolling Stone UK team, this year\u2019s list is led by three cover stars. <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/jordan-adetunji-kehlani-future-of-music-cover-feature-48526\/\">Jordan Adetunji<\/a>, fresh from the release of his hit single \u2018Kehlani\u2019 and new mixtape A Jaguar\u2019s Dream, is poised to be the crossover pop star of the year and beyond, with charm and bars in equal measure.<\/p>\n<h4 class=\"rs-related-articles__title\">Read next<\/h4>\n<p>If Adetunji is attacking pop from the fringes, Malaysia-born, UK-based singer <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/chloe-qisha-future-of-music-cover-feature-48513\/\">Chloe Qisha<\/a> is channelling chart-topping greats such as Kylie Minogue to secure her own stardom (see our interview on pages 78\u201383). Adetunji and Qisha are joined on the digital cover of Rolling Stone UK by Croydon rapper <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/pozer-jersey-drill-future-of-music-cover-feature-48500\/\">Pozer<\/a>, a potent and brilliant new voice on the UK rap scene (see our interview on pages 88\u201393).\u00a0<\/p>\n<p>This trio\u2019s collective star is beginning to rise in a vital year for new and emerging British music. 2024 saw a record-breaking \u00a32.4 billion achieved in music sales in the UK, described as <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/news\/music-sales-in-the-uk-reach-highest-peak-ever-music-is-back-46582\/\">a \u201cstunning\u201d comeback<\/a> for the industry.\u00a0<\/p>\n<p>Despite this, grassroots venues continue to be shuttered at an alarming rate. While initiatives such as <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/coldplay-announce-2025-uk-stadium-shows-supporting-music-venue-trust-43095\/\">a \u00a31 Music Venue Trust levy<\/a> being added to arena and stadium tour tickets by <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/sam-fender-people-watching-uk-european-tour-tickets-44087\/\">Sam Fender<\/a> and <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/coldplay\">Coldplay<\/a> are extremely welcome, more needs to be done to see the record-breaking profits of streaming services and major labels finding their way down to the small venues and organisations through which our Future 25 first made their names.\u00a0<\/p>\n<p><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/lisa-nandy-labour-culture-secretary-interview-ticket-touts-46658\/\">Speaking to Rolling Stone UK<\/a> at the start of the year, Culture Secretary Lisa Nandy admitted that it \u201cseems like the system is stacked against the musicians, stacked against the fans\u201d when it comes to experiencing live music and supporting grassroots culture, adding that \u201cgovernment has a key role to play here in bringing people together and resolving these issues\u201d.\u00a0<\/p>\n<p>If issues like these are addressed adequately, there is more than enough talent and ambition in our Future 25 list to define a new and steadier next era of British music. So dig in, enjoy, and meet the stars of tomorrow.<\/p>\n<p><strong>\u2013 Will Richards, Senior Writer<\/strong><\/p>\n<p>\n<iframe title=\"Spotify Embed: Future 25\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/2gVAZC7OQ5rUEbcQ0rVh5x?si=17673ebecdf84bf1&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-819x1024.jpg\" alt=\"\" class=\"wp-image-48738\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Jordan Adetunji<\/h2>\n<p>\u201cEverything has moved so fast, it\u2019s hard to appreciate it,\u201d Jordan Adetunji told Rolling Stone UK in his <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/jordan-adetunji-kehlani-future-of-music-cover-feature-48526\/\">Future of Music cover feature<\/a>, reflecting on a whirlwind 12 months. \u201cBut sometimes I get flashbacks or if I get a quiet moment to think, some things come back, and it feels amazing. I know at some point I\u2019m gonna sit down and think about all the amazing things that have happened so far.\u201d<\/p>\n<p>Between the release of new mixtape\u00a0A Jaguar\u2019s Dream\u00a0and his last project, 2023\u2019s\u00a0Rock \u2019N\u2019 Rave, his progression has been monumental. \u2018Kehlani\u2019, his biggest single to date, recently went platinum, having racked up over 370 million Spotify streams and spawned a remix featuring the US pop star it was named after. Adetunji signed a landmark deal with 300 Entertainment and Warner Records UK, received a nomination for Melodic Rap Performance at the Grammys, and has now been included in Rolling Stone UK\u2019s\u00a0<a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/future-of-music\">Future of Music<\/a>\u00a0list for 2025.<\/p>\n<p>The cohesive sound he\u2019s landed on a dense, futuristic kind of melodic R&amp;B that suffocates you with intense kick patterns and heavy, lingering keys. His is a unique vibe with roots in US club music, hyperpop and drill.<\/p>\n<p><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/jordan-adetunji-kehlani-future-of-music-cover-feature-48526\/\">Read the full Future of Music cover feature with Jordan Adetunji here.<\/a><\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-819x1024.jpg\" alt=\"\" class=\"wp-image-48745\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Rose Gray<strong>\u00a0<\/strong><br \/>\n<\/h2>\n<p>LOUDER, PLEASE is the title of Rose Gray\u2019s debut album, and also a demand. The album bursts out of the gate with a brash and ear-splitting thud of bass, percussion and Gray\u2019s uncompromising voice. Everything on the singer\u2019s impressive debut is as loud, big and in-your-face as possible, determined to soundtrack the messiest night out of your year.<\/p>\n<p>\u201cI\u2019ve always been obsessed with LOUD music,\u201d Gray confirms, revealing that the title of the album was \u201cborn on the mic, a running joke where I was always asking for things to be louder (please)\u201d. With the overwhelming success of Brat re-opening the door for balls-out pop music about our most hedonistic tendencies, Gray is continuing the party into 2025 and asking us to go even harder this time around.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-2-819x1024.jpg\" alt=\"\" class=\"wp-image-48758\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-2-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-2-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-2-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-2-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-2-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-2-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-2.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Ceechynaa<\/h2>\n<p>\u2018I told you men I was gonna quit \/ And you tried to get rid of me?\u201d Ceechynaa asserts at the start of her superb 2024 single, \u2018Peggy\u2019, before an extended cackle of laughter. The music of the young London rapper is equal parts confrontational, catchy and hilarious. \u201cI\u2019m pegging that man at the back of the bus,\u201d she states playfully later on \u2018Peggy\u2019, and it\u2019s far from the filthiest line on the brilliantly outrageous track.<\/p>\n<p>\u201cThere are so many male rappers that just degrade women, and so I think we need an artist to come in and talk about them in the same way they do about women,\u201d she told British Vogue by way of a mission statement, and her modest discography so far is certainly committed to the manifesto. \u201cI\u2019ll tease \u2019em and scam \u2019em again,\u201d she raps on debut single \u2018Legal Baby\u2019, later also promising to \u201cfuck and finesse his friends\u201d.<\/p>\n<p>The digs are deeper, more intriguing and beyond pure comedy on follow-up track \u2018Last Laugh\u2019, where she raps: \u201cThe mandem are getting scammed \/ They think I can heal their childhood trauma.\u201d Across just three singles in the same number of years, Ceechynaa has become an artist who is impossible to ignore. Arriving into 2025 with a wave of hype around her, she\u2019s on the way to becoming UK rap\u2019s most vibrant new star.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-2-819x1024.jpg\" alt=\"\" class=\"wp-image-48759\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-2-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-2-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-2-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-2-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-2-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-2-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-2.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Divorce<\/h2>\n<p>Goldenhammer, the fictional destination in the title of the debut album from Nottingham quartet <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/divorce\">Divorce<\/a>, represents an idea as much as a place. \u201cI don\u2019t know if any of us would be able to summarise exactly what this place looks like or who inhabits it,\u201d <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/divorce-nottingham-band-drive-to-goldenhammer-pill-play-next-interview-46706\/\">the band\u2019s Felix Mackenzie-Barrow told Rolling Stone UK earlier this year<\/a>, \u201cbecause I think we\u2019re on the way there. Everything we\u2019re doing is always part of the journey towards it.\u201d<\/p>\n<p>Drive to Goldenhammer is the latest and best example of the understated but gorgeous style of the band. Taking off online with their mid-tempo alt-country gems, the band\u2019s sound is a gorgeously comfortable one, like slipping into a comfortable pair of slippers.\u00a0<\/p>\n<p>Mackenzie-Barrow and co-vocalist Tiger Cohen-Towell are a superb double act at the front of the band, their vocals harmonising and weaving in and out of each other as they sing of queer relationships, personal development and their journey towards this fictional wonderland. While the US has led the new country-tinged wave of indie rock through the likes of MJ Lenderman, the UK has found its own brilliant scene-leaders in Divorce.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-2-819x1024.jpg\" alt=\"\" class=\"wp-image-48761\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-2-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-2-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-2-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-2-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-2-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-2-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-2.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Wunderhorse<\/h2>\n<p>When <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/wunderhorse\">Wunderhorse<\/a> released their second album Midas last summer, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/album-reviews\/wunderhorse-midas-review-rising-indie-stars-have-their-golden-moment-42583\/\">Rolling Stone UK described it<\/a> as \u201cthe arrival of a band that could become generational\u201d. Their fans clearly agreed, with sold-out rooms \u2014 including a sold-out date at London\u2019s Alexandra Palace \u2014 on the horizon for 2025. Part of that appeal, no doubt, is a commitment to accepting rough edges, imperfections and giving the sound of a band doing things the old way. \u201cI think there\u2019s something really special about that rawness,\u201d Wunderhorse singer Jacob Slater <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/features\/welcome-to-wunderland-wunderhorse-interview-midas-jacob-slater-42163\/\">told Rolling Stone UK<\/a> last year. The result is something that sounds classic but utterly vital at the same time.\u00a0<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-2-819x1024.jpg\" alt=\"\" class=\"wp-image-48762\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-2-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-2-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-2-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-2-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-2-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-2-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-2.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Nia Smith <strong>\u00a0<\/strong><br \/>\n<\/h2>\n<p>In <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/nia-smith\">Nia Smith<\/a>, UK soul music could have a voice capable of defining the next decade. The combination of her classic vocal with her musical upbringing gives Smith\u2019s work a kaleidoscopic edge. The dancefloor-primed \u2018Personal\u2019 takes on a subtle dancehall feel, while \u2018Give Up the Fear\u2019 is a powerful paean to the beauty of not giving a fuck.\u00a0<\/p>\n<p>Asked about her plans for the future, she <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/features\/meet-nia-smith-interview-play-next-soul-44690\/\">recently told Rolling Stone UK<\/a>: \u201cI just want to play more live shows, man, and make more music. Maybe another EP, but music where I can elevate the sound. Keep it in the same world but deliver the next story and [the] next part of Nia Smith.\u201d We can\u2019t wait to hear it. \u00a0<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-2-819x1024.jpg\" alt=\"\" class=\"wp-image-48760\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-2-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-2-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-2-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-2-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-2-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-2-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-2.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Jacob Alon<\/h2>\n<p>Though Scottish singer <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/jacob-alon\">Jacob Alon<\/a> earned their stripes through the lauded folk clubs of Edinburgh, the ambition and drive behind their music goes far beyond the genre. Emerging last year with stunning debut single \u2018Fairy in a Bottle\u2019, Alon\u2019s voice and style sits somewhere between Adrianne Lenker and Nick Drake, with stories told through a queer lens and of a complicated but beautiful life. A debut album, In Limerence, is set to land at the end of May.<\/p>\n<p>\u201cMusic in itself and its nature is quite queer,\u201d Alon<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/jacob-alon-fairy-in-a-bottle-play-next-interview-45748\/\"> told Rolling Stone UK,<\/a> \u201cespecially a lot of the music that pushes boundaries, whether it directly originates from a queer subculture or it just has the attitude of something that wants to be entirely at odds with what\u2019s going on elsewhere.\u201d Though drawing from the past in their musical style, Alon is reaching for an unseen new utopia and emerging as a truly special new voice.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-2-819x1024.jpg\" alt=\"\" class=\"wp-image-48757\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-2-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-2-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-2-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-2-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-2-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-2-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-2.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Chloe Qisha<\/h2>\n<p>Across just one EP and a few singles, Chloe Qisha has presented a startling collection of hooky, funny, pristine pop songs. On The Chloe Qisha EP from 2024, Qisha showed an immediate knack for writing music that traversed the entirety of pop, past and present, from the\u00a0<a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/olivia-rodrigo\">Olivia Rodrigo<\/a>-influenced pop-punk strut of \u2018Evelyn\u2019 to the\u00a0<a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/caroline-polachek\">Caroline Polachek<\/a>-like \u2018Sexy Goodbye\u2019.<\/p>\n<p>On her second EP,\u00a0Modern Romance, out this summer, you can hear the influence of\u00a0<a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/abba\">ABBA<\/a>\u00a0weighing heavy on the stunning \u201821st Century Cool Girl\u2019, while The 1975 and\u00a0<a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/talking-heads\">Talking Heads<\/a>\u00a0can be heard on the irresistible funk-pop of \u2018Sex, Drugs and Existential Dread\u2019. She describes the dual EPs as a \u201csister act\u201d, eight songs that present a strong-minded and abundantly talented new pop star.<\/p>\n<p>\u201cI\u2019m just a big fan of all things pop,\u201d she tells Rolling Stone UK in her <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/chloe-qisha-future-of-music-cover-feature-48513\/\">Future of Music cover feature<\/a>. \u201cI like trying on all the different hats, because it mixes things up, and I don\u2019t think they sound too dissimilar from one another \u2014 it\u2019s a different child but always the same mum and dad. I\u2019ll always be like that, to be honest. There will probably be a country song a few iterations down the line, because why not?\u201d<\/p>\n<p><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/chloe-qisha-future-of-music-cover-feature-48513\/\">Read the full Future of Music cover feature with Chloe Qisha here.<\/a><\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-3-819x1024.jpg\" alt=\"Future of Music\" class=\"wp-image-48847\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-3-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-3-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-3-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-3-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-3-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-3-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-3.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">John Glacier<strong>\u00a0<\/strong><br \/>\n<\/h2>\n<p>While John Glacier has been in the orbit of Jamie xx, Sampha, FKA twigs and more for years, 2025 feels like the year for her to explode in her own right. Marrying leftfield taste with the smoothest bars and an ear for melody, the singer\u2019s debut album, Like a Ribbon, pulls together material from a number of recent EPs and displays her prowess as a poet and storyteller.<\/p>\n<p>The Hackney-born artist has one foot in the club world, with the other hovering between pop and something that defies categorisation. The album\u2019s narrative concerns her upbringing in east London and the fantastical worlds she creates beyond her real life. It\u2019s an accurate overall description of Glacier as an artist too: she is inspired by her surroundings while always reaching to transcend them.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-819x1024.jpg\" alt=\"\" class=\"wp-image-48739\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">berlioz<\/h2>\n<p>When Jasper Attlee started the berlioz project, it was to distance himself and his personal life from the music he was making. Ted Jasper, his former project, \u201cwas \u2018me\u2019\u201d, he <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/berlioz-jazz-house-open-this-wall-play-next-interview-41215\/\">told Rolling Stone UK last year<\/a>, \u201cberlioz is an outlet for my art.\u201d With berlioz, Attlee makes deliciously smooth and inventive jazz-house that looks outside himself for inspiration.<\/p>\n<p>On his extremely impressive catalogue of material so far, most recently 2024\u2019s debut album open this wall, he samples interviews from legendary American jazz singer Nancy Wilson, a rare interview from Henri Matisse and more, as if showing his workings for the plethora of inspirations that define the reverence of his music.<\/p>\n<p>The EP prior to the album was titled jazz is for ordinary people, and this is music that cuts through the somewhat impenetrable barrier of the genre for many younger and more casual listeners. berlioz\u2019s version of jazz is far from watered-down but provides a danceable and accessible entry point to a new generation of fans.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-819x1024.jpg\" alt=\"\" class=\"wp-image-48740\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Brooke Combe<\/h2>\n<p>Months after <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/news\/brooke-combe-the-play-next-award-winner-rolling-stone-uk-awards-2024-45251\/\">winning Rolling Stone UK\u2019s Play Next Award<\/a>, <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/brooke-combe\">Brooke Combe<\/a> delivered a debut album that reflects her brilliant mantra: make the UK soulful again. The soaring, strings-backed \u2018This Town\u2019 fulfils that mantra perfectly, while \u2018L.M.T.F.A\u2019 pits Combe\u2019s powerhouse vocals against a brilliantly scathing message. It\u2019s more than enough to show she\u2019s next in line to wear the UK\u2019s soul crown.<\/p>\n<p>\u201cI\u2019m from Scotland, and you don\u2019t really hear a lot of soul from here. Since Paolo Nutini, I\u2019m missing that thing from Scotland,\u201d she <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/features\/brooke-combe-dancing-at-the-edge-of-the-world-play-next-interview-42653\/\">told Rolling Stone UK last year<\/a>. \u201cI\u2019ve grown up in a relatively white constituency, and I\u2019m doing it for my people and my heritage too. I\u2019m a soul singer, and I want to bring back the tunes I grew up listening to, and I know there\u2019s a whole era of people who want that again. We listen to old records because nothing feels like it\u2019s up to scratch. I love people like Michael Kiwanuka and we need more of that in the UK. More soul in the UK! We just need to expand our minds.\u201d\u00a0<\/p>\n<p>She\u2019s got admirers in high places too. Liam Fray of The Courteneers personally asked Combe to collab on their 2024 album Pink Cactus Caf\u00e9. \u201cShe\u2019s got an amazing voice and when she talks, you listen!\u201d said Fray.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-1-819x1024.jpg\" alt=\"\" class=\"wp-image-48753\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-1-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-1-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-1-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-1-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-1-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-1-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-1.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Jasmine.4.t<\/h2>\n<p>After releasing her\u00a0 first EP before coming out as trans, <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/jasmine-4-t\">jasmine.4.t<\/a>\u2019s musical story has gone hand in hand with her personal development. She transitioned while suffering with long COVID, leaving an abusive marriage and being homeless for a period. jasmine.4.t as a project then came to life as she was accepted by the trans community in Manchester, of which she <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/jasmine-4-t-you-are-the-morning-boygenius-saddest-factory-interview-44239\/\">told Rolling Stone UK<\/a>: \u201cEveryone is so in love with each other\u2019s art.\u201d<\/p>\n<p>From there, she signed to Phoebe Bridgers\u2019 Saddest Factory label to release debut album You Are the Morning, a gorgeous indie-rock record produced by boygenius that vibrates with new beginnings and resilience. Its lead single, \u2018Elephant\u2019, has already become an anthem of strength and joy, with an irrestible hook.<\/p>\n<p>\u201cSince transitioning and experiencing life as a trans woman, and [because of] how much the world sucks for trans women, it made me a lot more driven to put myself out there and represent us,\u201d she told Rolling Stone UK last year, becoming a figure of much-deserved representation as well as a special songwriter.\u00a0<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-819x1024.jpg\" alt=\"\" class=\"wp-image-48743\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Henry Moodie <strong>\u00a0<\/strong><br \/>\n<\/h2>\n<p>With over 2.3 million Insta followers and a sold-out show at London\u2019s Roundhouse last year, it\u2019s fair to say that Henry Moodie is well on the way to greatness. His growing legion of fans has no doubt found a chord in the way that Moodie navigates universal themes of heartache (as seen in his anthem-in-waiting \u2018Drunk Text\u2019) and growing pains.<\/p>\n<p>Of his debut EP good old days, which arrived last year, Moodie said: \u201cgood old days is an EP about navigating growing up. From songs about mental health, friendship, childhood, first love and first heartbreak, this EP captures what my late teens felt like.\u201d<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-819x1024.jpg\" alt=\"\" class=\"wp-image-48742\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Brogeal<\/h2>\n<p>In 2025, there\u2019s a legion of artists doing their utmost to ensure that their particular flame of Celtic music keeps burning brightly. Kneecap are revitalising Irish music through establishment-baiting hip-hop sung in their native tongue, while Lankum are putting a hauntingly beautiful, doom-laden twist on traditional folk.<\/p>\n<p>But if you\u2019re looking for the band that wants to conjure up a bit of old-fashioned bonhomie \u00e0 la The Pogues, then Brogeal might be exactly that. The Falkirk five-piece deal in rousing songs that, by their own admission, reflect on long nights spent \u201cdrinking and getting fucked up\u201d. This might be the case, but they\u2019re a dab hand at songs that offer a misty-eyed ode to the ever-present draw of home (see \u2018Roving Falkirk Bairn\u2019).<\/p>\n<p>In 2025, it\u2019s time we had a band with the ability to make us cry and party until our heads are disgustingly sore. In Brogeal, we might have found them.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-2-819x1024.jpg\" alt=\"\" class=\"wp-image-48764\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-2-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-2-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-2-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-2-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-2-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-2-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-2.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Luvcat<\/h2>\n<p>Luvcat starts 2025 as one of British music\u2019s most mysterious and alluring voices. There\u2019s the back story which reveals that she was, apparently, born in the bowels of a Parisian tugboat. Look even deeper and you\u2019ll discover an alternative, swashbuckling yarn about the time she ran away with the circus and had an affair with the ringmaster. This is all reflected in her music. Her recent single \u2018Dinner @ Brasserie Zedel\u2019 sounds like the soundtrack to a debauched night in old Soho, while the beguiling murder ballad \u2018He\u2019s My Man\u2019 shows she\u2019s adept at bringing the spirit of Nick Cave and Tom Waits to a new generation.<\/p>\n<p>\u201cA lot of my music involves metaphors and and whimsical imagery, but it\u2019s all rooted in real stories and relationships and heartache,\u201d <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/features\/meet-luvcat-the-singer-bringing-back-mystery-and-smoky-romance-to-music-44321\/\">she told Rolling Stone UK <\/a>last year. \u201cI don\u2019t know if it\u2019s a defence mechanism, because I think I\u2019m at my most gritty and raw when I\u2019m doing what I\u2019m doing now. It might be dressed up in feathers and lace and whatnot, but it still stems from my own very personal relationships, and I just can\u2019t really write about anything else.\u201d<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-1-819x1024.jpg\" alt=\"\" class=\"wp-image-48747\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-1-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-1-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-1-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-1-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-1-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-1-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG1-1.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Pozer<\/h2>\n<p>\u201cI\u2019ve never heard anyone else do my sound. Jersey drill is already its own thing, but UK Jersey drill is mine,\u201d Pozer tells Rolling Stone UK in his <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/pozer-jersey-drill-future-of-music-cover-feature-48500\/\">Future of Music cover feature<\/a>. \u201cDrill is one of the foundations of my category, but I\u2019m too outside of the box \u2014 you couldn\u2019t call my music just one sound.\u201d<\/p>\n<p>Meshing together the moody atmosphere of UK drill and the upbeat, bouncily syncopated kick formulations of Jersey Club (which emerged from Newark, New Jersey, in the early 2000s) has allowed Pozer to appeal to a wide audience. With \u2018Kitchen Stove\u2019 and \u2018Malicious Intentions\u2019, he became the first UK rapper in history to have their first two singles chart in the Top 40. In February, he beat big-name nominees like Central Cee, Headie One and K-Trap to win Best Drill Act at the MOBO Awards, and his position at the forefront of Rolling Stone UK\u2019s Future of Music list for 2025 represents another landmark achievement.<\/p>\n<p>\u201cRight now, it\u2019s for the taking in terms of who comes in and holds the belt of \u2018This is the genre for us now,\u2019\u201d he told us of the future of UK Jersey drill. \u201cI don\u2019t feel like the UK has a steady genre where it\u2019s like \u2018This is what we listen to, this is what we take in.\u2019 I\u2019m tryna get my style there, believe. That\u2019s the main goal.\u201d<\/p>\n<p><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/pozer-jersey-drill-future-of-music-cover-feature-48500\/\">Read the full Future of Music cover feature with Pozer here.<\/a><\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-1-819x1024.jpg\" alt=\"\" class=\"wp-image-48748\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-1-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-1-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-1-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-1-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-1-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-1-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG2-1.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Fat Dog<\/h2>\n<p>The concerning issue of canine obesity might not ordinarily lend itself to a band name, but <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/fat-dog\">Fat Dog<\/a> are no ordinary band. The south London rabble-rousers deliver an almighty sound that takes in punk, floor-filling dance and a healthy pinch of unparalleled chaos. They put on one of the country\u2019s most electrifying live shows \u2014 and perhaps the only one where you\u2019re likely to see mosh pits being orchestrated by blokes in German shepherd masks.\u00a0<\/p>\n<p>\u201cA lot of music at the moment is very cerebral and people won\u2019t dance to it,\u201d says Fat Dog\u2019s Chris Hughes. \u201cOur music is the polar opposite of thinking music.\u201d<\/p>\n<p>It means they\u2019re one of the most unpredictable and constantly thrilling bands in the UK, delivering tongue-in-cheek chaos at a time when such silliness is sorely needed. Want proof? Take a look at their breakout hit \u2018King of the Slugs\u2019, which sees Hughes lay out the most achievable of mantras. \u201cNot everyone\u2019s gonna be a lion out here, most people are probably slugs, so just reach the top of that,\u201d he recently <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/features\/meet-fat-dog-the-south-londoners-with-a-love-of-the-silly-and-surreal-33680\/\">told Rolling Stone UK<\/a>.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-3-819x1024.jpg\" alt=\"\" class=\"wp-image-48767\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-3-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-3-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-3-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-3-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-3-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-3-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG3-3.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Obongjayar<\/h2>\n<p>Steven Umoh, the Nigerian-born, London-based artist, has been making and releasing music as <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/obongjayar\">Obongjayar<\/a> for a decade, but enters 2025 with significant new wind in his sails. His debut studio album, 2022\u2019s Some Nights I Dream of Doors, was a delightful mix of pop, Afrobeat and beyond, while follow-up single \u2018Just Cool\u2019, from 2023, saw him excel at radio-ready funk-pop.<\/p>\n<p>2024 saw him appear on Glastonbury\u2019s Pyramid Stage with Little Simz and in front of 70,000 at the LA Coliseum with Fred again.. (to perform his respective features \u2018Point and Kill\u2019 and \u2018adore u\u2019), looking exceedingly comfortable at both. Back on solo duty, his totally irresistible new single \u2018Just My Luck\u2019 followed as his best material yet. With a striking look and a voice that ranges from stomach-shaking lower tones to a light and airy falsetto, he looks the total package that\u2019s ready for his big break.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-1-819x1024.jpg\" alt=\"\" class=\"wp-image-48752\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-1-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-1-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-1-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-1-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-1-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-1-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG6-1.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Myles Smith<strong>\u00a0<\/strong><br \/>\n<\/h2>\n<p><a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/myles-smith\">Myles Smith<\/a> starts 2025 as the winner of the <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/the-brits\">BRITs<\/a> Rising Star Award and the man behind a song that has been streamed over 600 million times. When that song is \u2018Stargazing\u2019 \u2014 a folk rock stomper that lands somewhere between Mumford &amp; Sons and Coldplay \u2014 you begin to understand exactly why. It\u2019s a soaring epic anchored by a chorus that is tailor-made to burrow its way into the deepest recesses of your brain. He\u2019s still only 26, but Smith is undoubtedly on the way to playing the arenas and stadiums that his booming voice and unifying music are clearly intended for.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-1-819x1024.jpg\" alt=\"\" class=\"wp-image-48750\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-1-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-1-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-1-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-1-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-1-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-1-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG4-1.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Getdown Services<\/h2>\n<p>Driven by a desire to escape the humdrum of their everyday circumstances, best mates Ben Sadler and Josh Law <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/features\/meet-getdown-services-bristol-duo-play-next-interview-43654\/\">formed a band<\/a> where silliness and surrealism can be found around every corner. You\u2019ll find Getdown Services in dimly lit sweatboxes across the country, tops most likely off, delivering an anarchic but life-affirming madness that the pair have likened to Dick &amp; Dom In da Bungalow. As for their sound, it\u2019s all dancefloor fillers, whether that\u2019s the disco groove of \u2018Caesar\u2019 or the T-Rex stomp of \u2018I Got Views\u2019. They\u2019ve already garnered quite the cult following, but it won\u2019t be long before they sweep the masses up in their madness. In 2025, they\u2019ll be delivering the party of the year.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG9-819x1024.jpg\" alt=\"\" class=\"wp-image-48755\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG9-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG9-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG9-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG9-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG9-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG9-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG9.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Pest Control<\/h2>\n<p>Leeds quintet Pest Control have been the subject of many an argument within the UK\u2019s heavy music scene. Metal fans want to take them in as their own, as do those in the hardcore scene. \u201cWe\u2019re metal for hardcore people,\u201d was the band\u2019s response in the headline of a 2024 interview, delighting at bringing together two often insular and change-resistant factions of the guitar world.<\/p>\n<p>The band\u2019s music is unashamed and exuberant in its blurring of these boundaries, and a hell of a lot of fun to boot. Their debut album, the brilliantly titled Don\u2019t Test The Pest, packed more ideas and energy into 21 minutes than most manage in an hour, while their live shows have ruled festivals in a whirr of energy and intensity. Their music and outlook stands as 2025\u2019s best representation of the increasing futility of genre boundaries, and the power of pushing past them and making the fast, furious, fantastic music that comes naturally.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-819x1024.jpg\" alt=\"\" class=\"wp-image-48744\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Mary in the Junkyard<strong>\u00a0<\/strong><br \/>\n<\/h2>\n<p>London trio Mary in the Junkyard are immersive above all else. The music made by guitarist and vocalist Clari Freeman-Taylor, bassist and viola player Saya Barbaglia and drummer David Addison draws you in with slippery melodies and bewitching moods. See them live at their headline shows and you\u2019ll find home-made stage dressing, outfits designed by the band, and \u2018funerals\u2019 for discarded band mascots that feel more like performance art pieces.<\/p>\n<p>\u201cWe like doing things ourselves,\u201d Freeman-Taylor <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rollingstone.co.uk\/music\/mary-in-the-junkyard-this-old-house-interview-39900\/\">told Rolling Stone UK last year<\/a>. \u201cIt\u2019s not because we have to \u2014 it\u2019s because we want to. It\u2019s important to us to keep that spirit.\u201d With this ethos always at the front and centre of their activities as a band, their entire operation is one of self-sufficiency, brilliantly unique ideas and boundless creativity, presented through indie rock that recalls Radiohead and Big Thief but with their own irreplaceable twist.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-1-819x1024.jpg\" alt=\"\" class=\"wp-image-48754\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-1-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-1-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-1-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-1-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-1-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-1-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG8-1.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Two Shell<\/h2>\n<p>Fish around online and you\u2019ll find hundreds of theories about who <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/two-shell\">Two Shell<\/a> are, all presumably with varying levels of truth. The electronic duo have thrived on this playful anonymity throughout their rise. They\u2019ve played three shows in one night in London, with fans guessing which one had the \u2018real\u2019 members behind the desks, and send decoys to conduct interviews and almost certainly perform their Boiler Room debut. Enormous 2024 single \u2018Talk to Me\u2019 featured vocals from AI versions of Taylor Swift, Frank Ocean and more, before a seemingly \u2018official\u2019 version featuring the actual FKA twigs was released, becoming one of the biggest underground hits of the year.<\/p>\n<p>Alongside all this doubt, the one thing not up for debate is the thrilling music the pair create. Their self-titled debut album from last year is a delightful cocktail of bubbling bass, mangled vocal samples and jerking rhythms. Whether they ever drop the masks and games or not, they remain a welcome addition to the dance music landscape in the UK, especially when they let their music do the talking.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-2-819x1024.jpg\" alt=\"\" class=\"wp-image-48763\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-2-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-2-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-2-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-2-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-2-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-2-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG7-2.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\"><strong>Jalen Ngonda<\/strong><\/h2>\n<p>While nostalgia and retro aesthetics are splashed all across the music of the 2020s, few artists truly feel like dropping the needle on a record from decades ago like Jalen Ngonda. Moving from his native Maryland to Liverpool in the early 2010s to study at the Institute for Performing Arts, where he has lived ever since, he has become the leading soul revivalist of this decade.<\/p>\n<p>Finally emerging with debut album Come Around and Love Me on the legendary Daptone Records in late 2023, Ngonda recalls the golden era of 60s and 70s soul without purely apeing it \u2013 his voice is all its own, a honeyed delight. The music on the album is full of life, its lyrics unashamedly romantic and delivered with earnest enthusiasm by Ngonda, a singer with enough potential to carry an entire soul revival on his back if required. Brand-new single \u2018Just As Long As We\u2019re Together\u2019 provides the same sugary hit and signals the next era of a special songwriter.<\/p>\n<p><img decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-1-819x1024.jpg\" alt=\"\" class=\"wp-image-48751\" srcset=\"https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-1-819x1024.jpg 819w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-1-240x300.jpg 240w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-1-768x960.jpg 768w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-1-168x210.jpg 168w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-1-437x546.jpg 437w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-1-1040x1300.jpg 1040w, https:\/\/www.rollingstone.co.uk\/wp-content\/uploads\/sites\/2\/2025\/03\/FoM-IG5-1.jpg 1080w\" sizes=\"(max-width: 819px) 100vw, 819px\"\/><\/p>\n<h2 class=\"wp-block-heading\">Lola Young<\/h2>\n<p>In a recent interview on The Graham Norton Show, <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/lola-young\">Lola Young<\/a> spoke of how songwriters should never give up hope if a song fails to have the immediate impact that they were hoping for. She should know. \u2018Messy\u2019 is the definition of a sleeper hit, catapulting Young to global fame some six months after it initially landed.\u00a0<\/p>\n<p>Asked about the track\u2019s runaway success, she recently told the BBC: \u201cI guess it\u2019s because the song speaks to so many people, in terms of I\u2019m talking about the idea that there\u2019s two sides of a person, the contradictions.\u201d<\/p>\n<p>It\u2019s a catchy soul-pop hit, but Young\u2019s debut shows there\u2019s plenty more where that came from. Hers is an important, vital voice that could define British and global music for quite some time. Just ask Tyler, The Creator \u2014 Young helped him out with vocals on his latest album Chromakopia. That, and the small matter of a sell-out UK tour and a stunning performance at this year\u2019s BRITs\u2026<\/p>\n<p><strong><a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/rollingstone.co.uk\/tag\/future-of-music\">Keep up to date with all our Future of Music content for 2025 here.<\/a><\/strong><\/p>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.rollingstone.co.uk \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last year, here at Rolling Stone UK we shared our first ever Future 25 list list as part of the Future of Music series from Rolling Stone titles across the world. In it, we picked out the artists and bands we believe will shape what British music will look like in the years and decades [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2199073,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25173],"tags":[424478,396317,22423,424479,400591,412355,369762,424480,362348,379434,381066,424481,404064,424482,424483,424484,424485],"class_list":["post-2199071","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","tag-brooke-combe","tag-chloe-qisha","tag-divorce","tag-fat-dog","tag-future-of-music","tag-jacob-alon","tag-jasmine-4-t","tag-jordan-adetunji","tag-lola-young","tag-mary-in-the-junkyard","tag-myles-smith","tag-nia-smith","tag-obongjayar","tag-pozer","tag-the-future-of-music-supported-by-zyn-and-iqos","tag-two-shell","tag-wunderhorse"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2025\/12\/Rolling-Stone-UKs-Future-of-Music-2025-see-the-full.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2199071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2199071"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2199071\/revisions"}],"predecessor-version":[{"id":2199074,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2199071\/revisions\/2199074"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2199073"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2199071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2199071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2199071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}