{"id":2225195,"date":"2026-01-07T03:39:51","date_gmt":"2026-01-07T03:39:51","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2225195"},"modified":"2026-01-07T03:39:51","modified_gmt":"2026-01-07T03:39:51","slug":"new-music-from-the-inbox-tuesday-edition-january-6-2026-hit-like-a-girl-the-fake-friends-triskelyon-more","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/new-music-from-the-inbox-tuesday-edition-january-6-2026-hit-like-a-girl-the-fake-friends-triskelyon-more\/","title":{"rendered":"New Music from the Inbox Tuesday Edition (January 6, 2026): Hit Like a Girl, The Fake Friends, TRISKELYON, &#038; More!"},"content":{"rendered":"<p><\/p>\n<div itemprop=\"articleBody\">\n<p>It\u2019s 2026 and I\u2019m back again to share weekly music picks with you! This week features a couple punk-inspired tracks and a whole lot of metal.<\/p>\n<p><!-- Ezoic - wp_under_page_title - under_page_title --><!-- End Ezoic - wp_under_page_title - under_page_title --><\/p>\n<h2 class=\"wp-block-heading\">Hit Like a Girl<\/h2>\n<figure class=\"wp-block-image size-large is-resized\"><\/figure>\n<p><strong>Song:<\/strong> \u201cKeepsake Theory\u201d<br \/><strong>Album:<\/strong> Single<br \/><strong>Release Date:<\/strong> December 10, 2025<br \/><strong>Location:<\/strong> Philadelphia, Pennsylvania<br \/><strong>Why I like it:<\/strong> The mix of raw, emotional vocals, soaring synths with a reoccurring motive, and a haunting guitar portrays the longing and frustration of missed romantic connections. This track blends sounds of midwest emo, pop-punk, and hardcore to make a truly emotional track tinged with nostalgia.<br \/><strong>Listen:<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Keepsake Theory\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/5c8xH16Xv0qxksCJz8Xpnj?si=7ac1f25957df402a&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\">The Fake Friends<\/h2>\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" width=\"650\" height=\"433\" src=\"https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/Oewrf-1w_BpgB1DgUFh.jpg\" alt=\"\" class=\"wp-image-244090\" style=\"width:431px;height:auto\" srcset=\"https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/Oewrf-1w_BpgB1DgUFh.jpg 650w, https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/Oewrf-1w_BpgB1DgUFh-300x200.jpg 300w\" sizes=\"(max-width: 650px) 100vw, 650px\"\/><\/figure>\n<p><strong>Song:<\/strong> \u201cA Sucker Born Every Minute\u201d<br \/><strong>Album:<\/strong> Single<br \/><strong>Release Date:<\/strong> December 11, 2025<br \/><strong>Location:<\/strong> Montreal<br \/><strong>Why I like it:<\/strong> Immediately catchy from the first few notes, The Fake Friends utilize their blend of dance-punk energy and post-punk edge to keep the song interesting the whole way through.<br \/><strong>Listen:<\/strong><\/p>\n<p><!-- Ezoic - wp_under_first_paragraph - under_first_paragraph --><!-- End Ezoic - wp_under_first_paragraph - under_first_paragraph --><\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Sucker Born Every Minute\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/68zkWzn5tafFoDwUnuD5Ej?si=fc648e65e4c040a1&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\">TRISKELYON<\/h2>\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/email-1024x682.jpg\" alt=\"\" class=\"wp-image-244091\" style=\"width:449px;height:auto\" srcset=\"https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/email-1024x682.jpg 1024w, https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/email-300x200.jpg 300w, https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/email-1536x1024.jpg 1536w, https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/email.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"\/><\/figure>\n<p><strong>Song:<\/strong> \u201cMajor Tom\u201d ft. Amanda Jackman (Peter Schilling Cover)<br \/><strong>Album:<\/strong> Maelstrom of Chaos<br \/><strong>Release Date:<\/strong> November 28, 2025<br \/><strong>Location:<\/strong> St. John\u2019s<br \/><strong>Why I like it:<\/strong> TRISKELYON takes this iconic 80s synth-pop track and gives it a fierce metal reimagining. Their melodic thrash metal style fits the original style for a faithful but sonically interesting cover.<br \/><strong>Listen:<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: 10. Major Tom (cover)\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/3IAWfNJugl277IhSfs9fBs?si=ea2147eb607e4c33&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\">Symphress<\/h2>\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/Grup-complet-6-alb-negru-1-1024x682.jpg\" alt=\"\" class=\"wp-image-244092\" style=\"width:473px;height:auto\" srcset=\"https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/Grup-complet-6-alb-negru-1-1024x682.jpg 1024w, https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/Grup-complet-6-alb-negru-1-300x200.jpg 300w, https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/Grup-complet-6-alb-negru-1-1536x1023.jpg 1536w, https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/Grup-complet-6-alb-negru-1.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"\/><\/figure>\n<p><strong>Song:<\/strong> \u201cEcouri\u201d<br \/><strong>Album:<\/strong> Single<br \/><strong>Release Date:<\/strong> December 23, 2025<br \/><strong>Location:<\/strong> Cluj-Napoca, \u200bRomania<br \/><strong>Why I like it:<\/strong> From the opening piano solo to the vocal harmonies, there is a feeling of longing and haunting over top of the fierce progressive metal backbone.<br \/><strong>Listen:<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Ecouri\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/5or9Hf3i2zJpTsqUvcaYdV?si=27822aeb9f5745f5&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<h2 class=\"wp-block-heading\">Alien Orchestra<\/h2>\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/email-1-1024x683.jpg\" alt=\"\" class=\"wp-image-244093\" style=\"width:457px;height:auto\" srcset=\"https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/email-1-1024x683.jpg 1024w, https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/email-1-300x200.jpg 300w, https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/email-1-1536x1024.jpg 1536w, https:\/\/www.ajournalofmusicalthings.com\/wp-content\/uploads\/2026\/01\/email-1-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\"\/><\/figure>\n<p><strong>Song:<\/strong> \u201cInside the Worn Shell\u201d<br \/><strong>Album:<\/strong> Under My Pale Skin EP<br \/><strong>Release Date:<\/strong> December 16, 2025<br \/><strong>Location:<\/strong> Oslo, Norway<br \/><strong>Why I like it:<\/strong> This entirely instrumental track has an expansive soundscape full of emotions layered over a cinematic metal framework. The blend of sounds, textures, and orchestral arrangements allow for both immersive storytelling and introspective listening at the same time.<br \/><strong>Listen:<\/strong><\/p>\n<p><!-- Ezoic - wp_under_second_paragraph - under_second_paragraph --><!-- End Ezoic - wp_under_second_paragraph - under_second_paragraph --><\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: Inside The Worn Shell\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6VS0bHvB5zzb8nEdT0RDPq?si=054a9d14fbd04ee5&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<p>Don\u2019t have time to read through everything? Here\u2019s all five songs on a playlist for ease of listening:<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<p>\n<iframe title=\"Spotify Embed: NMftI January 6\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/0mYjfn2yadxaQRGYTsmuk3?si=3a259480ba254d7a&amp;utm_source=oembed\"><\/iframe>\n<\/p>\n<\/figure>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.ajournalofmusicalthings.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s 2026 and I\u2019m back again to share weekly music picks with you! This week features a couple punk-inspired tracks and a whole lot of metal. Hit Like a Girl Song: \u201cKeepsake Theory\u201dAlbum: SingleRelease Date: December 10, 2025Location: Philadelphia, PennsylvaniaWhy I like it: The mix of raw, emotional vocals, soaring synths with a reoccurring motive, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2225196,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[430429,423654,26626,421266,430430,430431,430432],"class_list":["post-2225195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-alien-orchestra","tag-hit-like-a-girl","tag-new-music","tag-new-music-from-the-inbox","tag-symphress","tag-the-fake-friends","tag-triskelyon"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/01\/New-Music-from-the-Inbox-Tuesday-Edition-January-6-2026.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2225195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2225195"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2225195\/revisions"}],"predecessor-version":[{"id":2225197,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2225195\/revisions\/2225197"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2225196"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2225195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2225195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2225195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}