<\/p>\n
Review by<\/p>\n
Music writer<\/span>\u00b7<\/span>New Zealand Listener<\/span>\u00b7<\/span><\/p>\n12 Jan, 2026 05:00 PM<\/time>3 mins to read<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\nGraham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues.<\/p>\n<\/section>\n<\/div>\n<\/section>\n\n\n\n\n\n\nSubscribe to listen<\/h3>\nAccess to Herald Premium articles require a Premium subscription. Subscribe now to listen.<\/span>Subscribe now<\/button><\/div>\n<\/div>\n\u200c<\/span><\/span><\/p>\n<\/div>\nSave<\/span><\/a><\/p>\n\n\n\nShare this article<\/h5>\nReminder, this is a Premium article and requires a subscription to read.<\/p>\nCopy Link<\/span><\/button><\/li>\nEmail<\/span><\/button><\/li>\nFacebook<\/span><\/button><\/li>\nTwitter\/X<\/span><\/button><\/li>\nLinkedIn<\/span><\/button><\/li>\nReddit<\/span><\/button><\/li>\n<\/ul>\n<\/nav>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\nTom Cunliffe: A sound catalogue with reference points in Irish and Anglo-folk with a light touch of Dylan. Photo \/ Supplied<\/p>\n\nSpit out your gum<\/h3>\n<\/p>\nby Tom Cunliffe<\/b><\/p>\nSinger-songwriter and guitarist Cunliffe\u2019s debut Howl & Whisper<\/i> almost a decade ago was him searching for his metier, between rowdy pub songs, ye olde time folk and ballads. <\/p>\n\n The follow-up, Template for Love<\/i>, (2018) was diverse but more refined and focused with<\/span>\n assistance from Reb Fountain, Dave Khan and others.<\/span>\n <\/p>\nBy his third \u2013 2022\u2019s Secret Exhibition<\/i> \u2013 he\u2019d found his place in songs with intricate details and imagery, and, with the exception of a couple of missteps, was convincing.<\/p>\nThis time, under a thoroughly unpromising title, he has recorded live in Roundhead with Khan on violin and bassist Cass Basil for nine thoughtful songs.<\/p>\nHis proclivity for words and images head-butting their way through is apparent on the dismissive opener, The Diabolical Hippies of Manor House<\/i>.<\/p>\nThereafter his poetic style \u2013 acutely observational on Beside the Pool<\/i>, achingly intimate on When Dad Was Young<\/i> \u2013 is married to gentle folk (Nightingale<\/i>) and the melodic, twisting Dylanesque Vesuvius<\/i> comes with mournful violin.<\/p>\nThe five-minute Swimmers at the Forty Foot<\/i> recalls ambitious artists of the late 1960s and early 1970s like Donovan, Tim Buckley and Shawn Phillips, when folk singers and writers stretched towards jazz phrasing and literary depth.<\/p>\nCunliffe has built a sound catalogue that has reference points in Irish and Anglo-folk with a light touch of Dylan, but is mostly his own distinctive voice. <\/p>\nA half-hour well spent if local folk is your tipple.<\/p>\n\n\nSpit Out Your Gum and Repetition are available digitally. Images \/ Supplied<\/figcaption><\/figure>\n<\/svg><\/button><\/div>\n<\/div>\nRepetition<\/h3>\n<\/p>\nby Great Barrier<\/b><\/p>\nFrom the pulsating throb of the opener Systolic<\/i>, this Germany-based trio confirm the mesmerising nature of Can-like repetition and the surging power of a minimalist approach. And elsewhere it\u2019s the abrasive muscularity of a synthesiser on the pop-length Deep Concern<\/i>.<\/p>\nThere are strong local connections in Great Barrier beyond the name: drummer Constantin \u201cDino\u201d Karlis, now living in Berlin, has played with Dimmer and is also in HDU who recently toured their scorched-earth sound; guitarist\/bassist is Jason Kerr (My Deviant Daughter<\/i>) from Dunedin and living in Bonn.<\/p>\nThe third member is keyboard player Richard Hahnloser, whose lean piano playing on the nine-minute-plus Read Only <\/i>brings a melodic elegance to a piece sitting on a drone-like undertow as unpredictable drum patterns create a dark and anxious current. The centre-piece of this five-track album is the trudging but oddly attractive Diastolic<\/i>, featuring the late New Zealand guitarist and experimentalist Dean Roberts, of the post-punk noise trio Thela, but whose career was mostly overseas. He brings edgy scrapes and swathes of sound as counterpoint to Hahnloser\u2019s piano on a piece that closes with atmospheric ambience and what might be insect or bird sounds.<\/p>\nInstrumental albums like Repetition<\/i> can become sonic wallpaper, especially if they have repeated figures and rhythms as their platform. But like Vor-stellen\u2019s 2023 Parallelograms<\/i>, one of the best albums of that year, there\u2019s subtlety and quiet shifts of emphasis when you pay close attention.<\/p>\nOne for close listening, then. <\/p>\n\n<\/button><\/p>\n\n\nSave<\/span><\/a><\/p>\n\n\n\nShare this article<\/h5>\nReminder, this is a Premium article and requires a subscription to read.<\/p>\nCopy Link<\/span><\/button><\/li>\nEmail<\/span><\/button><\/li>\nFacebook<\/span><\/button><\/li>\nTwitter\/X<\/span><\/button><\/li>\nLinkedIn<\/span><\/button><\/li>\nReddit<\/span><\/button><\/li>\n<\/ul>\n<\/nav>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n \u2018 Some details of this article were extracted from the following source www.nzherald.co.nz \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Review by Graham Reid Music writer\u00b7New Zealand Listener\u00b7 12 Jan, 2026 05:00 PM3 mins to read Graham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues. Subscribe to listen Access to Herald Premium articles require a Premium subscription. Subscribe […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[431810,431806,431805,431809,349843,21739,28774,428604,431807,23681,431808,312902],"class_list":["post-2231829","post","type-post","status-publish","format-standard","hentry","category-music","tag-cunliffe","tag-cunliffes","tag-folkie","tag-introspection","tag-latest","tag-local","tag-of","tag-offers","tag-poetic","tag-songs","tag-thoughtful","tag-tom"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2231829"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions"}],"predecessor-version":[{"id":2231830,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions\/2231830"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2231829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2231829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2231829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
12 Jan, 2026 05:00 PM<\/time>3 mins to read<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\nGraham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues.<\/p>\n<\/section>\n<\/div>\n<\/section>\n\n\n\n\n\n\nSubscribe to listen<\/h3>\nAccess to Herald Premium articles require a Premium subscription. Subscribe now to listen.<\/span>Subscribe now<\/button><\/div>\n<\/div>\n\u200c<\/span><\/span><\/p>\n<\/div>\nSave<\/span><\/a><\/p>\n\n\n\nShare this article<\/h5>\nReminder, this is a Premium article and requires a subscription to read.<\/p>\nCopy Link<\/span><\/button><\/li>\nEmail<\/span><\/button><\/li>\nFacebook<\/span><\/button><\/li>\nTwitter\/X<\/span><\/button><\/li>\nLinkedIn<\/span><\/button><\/li>\nReddit<\/span><\/button><\/li>\n<\/ul>\n<\/nav>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\nTom Cunliffe: A sound catalogue with reference points in Irish and Anglo-folk with a light touch of Dylan. Photo \/ Supplied<\/p>\n\nSpit out your gum<\/h3>\n<\/p>\nby Tom Cunliffe<\/b><\/p>\nSinger-songwriter and guitarist Cunliffe\u2019s debut Howl & Whisper<\/i> almost a decade ago was him searching for his metier, between rowdy pub songs, ye olde time folk and ballads. <\/p>\n\n The follow-up, Template for Love<\/i>, (2018) was diverse but more refined and focused with<\/span>\n assistance from Reb Fountain, Dave Khan and others.<\/span>\n <\/p>\nBy his third \u2013 2022\u2019s Secret Exhibition<\/i> \u2013 he\u2019d found his place in songs with intricate details and imagery, and, with the exception of a couple of missteps, was convincing.<\/p>\nThis time, under a thoroughly unpromising title, he has recorded live in Roundhead with Khan on violin and bassist Cass Basil for nine thoughtful songs.<\/p>\nHis proclivity for words and images head-butting their way through is apparent on the dismissive opener, The Diabolical Hippies of Manor House<\/i>.<\/p>\nThereafter his poetic style \u2013 acutely observational on Beside the Pool<\/i>, achingly intimate on When Dad Was Young<\/i> \u2013 is married to gentle folk (Nightingale<\/i>) and the melodic, twisting Dylanesque Vesuvius<\/i> comes with mournful violin.<\/p>\nThe five-minute Swimmers at the Forty Foot<\/i> recalls ambitious artists of the late 1960s and early 1970s like Donovan, Tim Buckley and Shawn Phillips, when folk singers and writers stretched towards jazz phrasing and literary depth.<\/p>\nCunliffe has built a sound catalogue that has reference points in Irish and Anglo-folk with a light touch of Dylan, but is mostly his own distinctive voice. <\/p>\nA half-hour well spent if local folk is your tipple.<\/p>\n\n\nSpit Out Your Gum and Repetition are available digitally. Images \/ Supplied<\/figcaption><\/figure>\n<\/svg><\/button><\/div>\n<\/div>\nRepetition<\/h3>\n<\/p>\nby Great Barrier<\/b><\/p>\nFrom the pulsating throb of the opener Systolic<\/i>, this Germany-based trio confirm the mesmerising nature of Can-like repetition and the surging power of a minimalist approach. And elsewhere it\u2019s the abrasive muscularity of a synthesiser on the pop-length Deep Concern<\/i>.<\/p>\nThere are strong local connections in Great Barrier beyond the name: drummer Constantin \u201cDino\u201d Karlis, now living in Berlin, has played with Dimmer and is also in HDU who recently toured their scorched-earth sound; guitarist\/bassist is Jason Kerr (My Deviant Daughter<\/i>) from Dunedin and living in Bonn.<\/p>\nThe third member is keyboard player Richard Hahnloser, whose lean piano playing on the nine-minute-plus Read Only <\/i>brings a melodic elegance to a piece sitting on a drone-like undertow as unpredictable drum patterns create a dark and anxious current. The centre-piece of this five-track album is the trudging but oddly attractive Diastolic<\/i>, featuring the late New Zealand guitarist and experimentalist Dean Roberts, of the post-punk noise trio Thela, but whose career was mostly overseas. He brings edgy scrapes and swathes of sound as counterpoint to Hahnloser\u2019s piano on a piece that closes with atmospheric ambience and what might be insect or bird sounds.<\/p>\nInstrumental albums like Repetition<\/i> can become sonic wallpaper, especially if they have repeated figures and rhythms as their platform. But like Vor-stellen\u2019s 2023 Parallelograms<\/i>, one of the best albums of that year, there\u2019s subtlety and quiet shifts of emphasis when you pay close attention.<\/p>\nOne for close listening, then. <\/p>\n\n<\/button><\/p>\n\n\nSave<\/span><\/a><\/p>\n\n\n\nShare this article<\/h5>\nReminder, this is a Premium article and requires a subscription to read.<\/p>\nCopy Link<\/span><\/button><\/li>\nEmail<\/span><\/button><\/li>\nFacebook<\/span><\/button><\/li>\nTwitter\/X<\/span><\/button><\/li>\nLinkedIn<\/span><\/button><\/li>\nReddit<\/span><\/button><\/li>\n<\/ul>\n<\/nav>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n \u2018 Some details of this article were extracted from the following source www.nzherald.co.nz \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Review by Graham Reid Music writer\u00b7New Zealand Listener\u00b7 12 Jan, 2026 05:00 PM3 mins to read Graham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues. Subscribe to listen Access to Herald Premium articles require a Premium subscription. Subscribe […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[431810,431806,431805,431809,349843,21739,28774,428604,431807,23681,431808,312902],"class_list":["post-2231829","post","type-post","status-publish","format-standard","hentry","category-music","tag-cunliffe","tag-cunliffes","tag-folkie","tag-introspection","tag-latest","tag-local","tag-of","tag-offers","tag-poetic","tag-songs","tag-thoughtful","tag-tom"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2231829"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions"}],"predecessor-version":[{"id":2231830,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions\/2231830"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2231829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2231829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2231829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Graham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues.<\/p>\n<\/section>\n<\/div>\n<\/section>\n
\u200c<\/span><\/span><\/p>\n<\/div>\nSave<\/span><\/a><\/p>\n\n\n\nShare this article<\/h5>\nReminder, this is a Premium article and requires a subscription to read.<\/p>\nCopy Link<\/span><\/button><\/li>\nEmail<\/span><\/button><\/li>\nFacebook<\/span><\/button><\/li>\nTwitter\/X<\/span><\/button><\/li>\nLinkedIn<\/span><\/button><\/li>\nReddit<\/span><\/button><\/li>\n<\/ul>\n<\/nav>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\nTom Cunliffe: A sound catalogue with reference points in Irish and Anglo-folk with a light touch of Dylan. Photo \/ Supplied<\/p>\n\nSpit out your gum<\/h3>\n<\/p>\nby Tom Cunliffe<\/b><\/p>\nSinger-songwriter and guitarist Cunliffe\u2019s debut Howl & Whisper<\/i> almost a decade ago was him searching for his metier, between rowdy pub songs, ye olde time folk and ballads. <\/p>\n\n The follow-up, Template for Love<\/i>, (2018) was diverse but more refined and focused with<\/span>\n assistance from Reb Fountain, Dave Khan and others.<\/span>\n <\/p>\nBy his third \u2013 2022\u2019s Secret Exhibition<\/i> \u2013 he\u2019d found his place in songs with intricate details and imagery, and, with the exception of a couple of missteps, was convincing.<\/p>\nThis time, under a thoroughly unpromising title, he has recorded live in Roundhead with Khan on violin and bassist Cass Basil for nine thoughtful songs.<\/p>\nHis proclivity for words and images head-butting their way through is apparent on the dismissive opener, The Diabolical Hippies of Manor House<\/i>.<\/p>\nThereafter his poetic style \u2013 acutely observational on Beside the Pool<\/i>, achingly intimate on When Dad Was Young<\/i> \u2013 is married to gentle folk (Nightingale<\/i>) and the melodic, twisting Dylanesque Vesuvius<\/i> comes with mournful violin.<\/p>\nThe five-minute Swimmers at the Forty Foot<\/i> recalls ambitious artists of the late 1960s and early 1970s like Donovan, Tim Buckley and Shawn Phillips, when folk singers and writers stretched towards jazz phrasing and literary depth.<\/p>\nCunliffe has built a sound catalogue that has reference points in Irish and Anglo-folk with a light touch of Dylan, but is mostly his own distinctive voice. <\/p>\nA half-hour well spent if local folk is your tipple.<\/p>\n\n\nSpit Out Your Gum and Repetition are available digitally. Images \/ Supplied<\/figcaption><\/figure>\n<\/svg><\/button><\/div>\n<\/div>\nRepetition<\/h3>\n<\/p>\nby Great Barrier<\/b><\/p>\nFrom the pulsating throb of the opener Systolic<\/i>, this Germany-based trio confirm the mesmerising nature of Can-like repetition and the surging power of a minimalist approach. And elsewhere it\u2019s the abrasive muscularity of a synthesiser on the pop-length Deep Concern<\/i>.<\/p>\nThere are strong local connections in Great Barrier beyond the name: drummer Constantin \u201cDino\u201d Karlis, now living in Berlin, has played with Dimmer and is also in HDU who recently toured their scorched-earth sound; guitarist\/bassist is Jason Kerr (My Deviant Daughter<\/i>) from Dunedin and living in Bonn.<\/p>\nThe third member is keyboard player Richard Hahnloser, whose lean piano playing on the nine-minute-plus Read Only <\/i>brings a melodic elegance to a piece sitting on a drone-like undertow as unpredictable drum patterns create a dark and anxious current. The centre-piece of this five-track album is the trudging but oddly attractive Diastolic<\/i>, featuring the late New Zealand guitarist and experimentalist Dean Roberts, of the post-punk noise trio Thela, but whose career was mostly overseas. He brings edgy scrapes and swathes of sound as counterpoint to Hahnloser\u2019s piano on a piece that closes with atmospheric ambience and what might be insect or bird sounds.<\/p>\nInstrumental albums like Repetition<\/i> can become sonic wallpaper, especially if they have repeated figures and rhythms as their platform. But like Vor-stellen\u2019s 2023 Parallelograms<\/i>, one of the best albums of that year, there\u2019s subtlety and quiet shifts of emphasis when you pay close attention.<\/p>\nOne for close listening, then. <\/p>\n\n<\/button><\/p>\n\n\nSave<\/span><\/a><\/p>\n\n\n\nShare this article<\/h5>\nReminder, this is a Premium article and requires a subscription to read.<\/p>\nCopy Link<\/span><\/button><\/li>\nEmail<\/span><\/button><\/li>\nFacebook<\/span><\/button><\/li>\nTwitter\/X<\/span><\/button><\/li>\nLinkedIn<\/span><\/button><\/li>\nReddit<\/span><\/button><\/li>\n<\/ul>\n<\/nav>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n \u2018 Some details of this article were extracted from the following source www.nzherald.co.nz \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Review by Graham Reid Music writer\u00b7New Zealand Listener\u00b7 12 Jan, 2026 05:00 PM3 mins to read Graham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues. Subscribe to listen Access to Herald Premium articles require a Premium subscription. Subscribe […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[431810,431806,431805,431809,349843,21739,28774,428604,431807,23681,431808,312902],"class_list":["post-2231829","post","type-post","status-publish","format-standard","hentry","category-music","tag-cunliffe","tag-cunliffes","tag-folkie","tag-introspection","tag-latest","tag-local","tag-of","tag-offers","tag-poetic","tag-songs","tag-thoughtful","tag-tom"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2231829"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions"}],"predecessor-version":[{"id":2231830,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions\/2231830"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2231829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2231829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2231829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Reminder, this is a Premium article and requires a subscription to read.<\/p>\n
Tom Cunliffe: A sound catalogue with reference points in Irish and Anglo-folk with a light touch of Dylan. Photo \/ Supplied<\/p>\n
by Tom Cunliffe<\/b><\/p>\n
Singer-songwriter and guitarist Cunliffe\u2019s debut Howl & Whisper<\/i> almost a decade ago was him searching for his metier, between rowdy pub songs, ye olde time folk and ballads. <\/p>\n
\n The follow-up, Template for Love<\/i>, (2018) was diverse but more refined and focused with<\/span>\n assistance from Reb Fountain, Dave Khan and others.<\/span>\n <\/p>\nBy his third \u2013 2022\u2019s Secret Exhibition<\/i> \u2013 he\u2019d found his place in songs with intricate details and imagery, and, with the exception of a couple of missteps, was convincing.<\/p>\nThis time, under a thoroughly unpromising title, he has recorded live in Roundhead with Khan on violin and bassist Cass Basil for nine thoughtful songs.<\/p>\nHis proclivity for words and images head-butting their way through is apparent on the dismissive opener, The Diabolical Hippies of Manor House<\/i>.<\/p>\nThereafter his poetic style \u2013 acutely observational on Beside the Pool<\/i>, achingly intimate on When Dad Was Young<\/i> \u2013 is married to gentle folk (Nightingale<\/i>) and the melodic, twisting Dylanesque Vesuvius<\/i> comes with mournful violin.<\/p>\nThe five-minute Swimmers at the Forty Foot<\/i> recalls ambitious artists of the late 1960s and early 1970s like Donovan, Tim Buckley and Shawn Phillips, when folk singers and writers stretched towards jazz phrasing and literary depth.<\/p>\nCunliffe has built a sound catalogue that has reference points in Irish and Anglo-folk with a light touch of Dylan, but is mostly his own distinctive voice. <\/p>\nA half-hour well spent if local folk is your tipple.<\/p>\n\n\nSpit Out Your Gum and Repetition are available digitally. Images \/ Supplied<\/figcaption><\/figure>\n<\/svg><\/button><\/div>\n<\/div>\nRepetition<\/h3>\n<\/p>\nby Great Barrier<\/b><\/p>\nFrom the pulsating throb of the opener Systolic<\/i>, this Germany-based trio confirm the mesmerising nature of Can-like repetition and the surging power of a minimalist approach. And elsewhere it\u2019s the abrasive muscularity of a synthesiser on the pop-length Deep Concern<\/i>.<\/p>\nThere are strong local connections in Great Barrier beyond the name: drummer Constantin \u201cDino\u201d Karlis, now living in Berlin, has played with Dimmer and is also in HDU who recently toured their scorched-earth sound; guitarist\/bassist is Jason Kerr (My Deviant Daughter<\/i>) from Dunedin and living in Bonn.<\/p>\nThe third member is keyboard player Richard Hahnloser, whose lean piano playing on the nine-minute-plus Read Only <\/i>brings a melodic elegance to a piece sitting on a drone-like undertow as unpredictable drum patterns create a dark and anxious current. The centre-piece of this five-track album is the trudging but oddly attractive Diastolic<\/i>, featuring the late New Zealand guitarist and experimentalist Dean Roberts, of the post-punk noise trio Thela, but whose career was mostly overseas. He brings edgy scrapes and swathes of sound as counterpoint to Hahnloser\u2019s piano on a piece that closes with atmospheric ambience and what might be insect or bird sounds.<\/p>\nInstrumental albums like Repetition<\/i> can become sonic wallpaper, especially if they have repeated figures and rhythms as their platform. But like Vor-stellen\u2019s 2023 Parallelograms<\/i>, one of the best albums of that year, there\u2019s subtlety and quiet shifts of emphasis when you pay close attention.<\/p>\nOne for close listening, then. <\/p>\n\n<\/button><\/p>\n\n\nSave<\/span><\/a><\/p>\n\n\n\nShare this article<\/h5>\nReminder, this is a Premium article and requires a subscription to read.<\/p>\nCopy Link<\/span><\/button><\/li>\nEmail<\/span><\/button><\/li>\nFacebook<\/span><\/button><\/li>\nTwitter\/X<\/span><\/button><\/li>\nLinkedIn<\/span><\/button><\/li>\nReddit<\/span><\/button><\/li>\n<\/ul>\n<\/nav>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n \u2018 Some details of this article were extracted from the following source www.nzherald.co.nz \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Review by Graham Reid Music writer\u00b7New Zealand Listener\u00b7 12 Jan, 2026 05:00 PM3 mins to read Graham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues. Subscribe to listen Access to Herald Premium articles require a Premium subscription. Subscribe […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[431810,431806,431805,431809,349843,21739,28774,428604,431807,23681,431808,312902],"class_list":["post-2231829","post","type-post","status-publish","format-standard","hentry","category-music","tag-cunliffe","tag-cunliffes","tag-folkie","tag-introspection","tag-latest","tag-local","tag-of","tag-offers","tag-poetic","tag-songs","tag-thoughtful","tag-tom"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2231829"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions"}],"predecessor-version":[{"id":2231830,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions\/2231830"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2231829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2231829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2231829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
By his third \u2013 2022\u2019s Secret Exhibition<\/i> \u2013 he\u2019d found his place in songs with intricate details and imagery, and, with the exception of a couple of missteps, was convincing.<\/p>\n
This time, under a thoroughly unpromising title, he has recorded live in Roundhead with Khan on violin and bassist Cass Basil for nine thoughtful songs.<\/p>\n
His proclivity for words and images head-butting their way through is apparent on the dismissive opener, The Diabolical Hippies of Manor House<\/i>.<\/p>\n
Thereafter his poetic style \u2013 acutely observational on Beside the Pool<\/i>, achingly intimate on When Dad Was Young<\/i> \u2013 is married to gentle folk (Nightingale<\/i>) and the melodic, twisting Dylanesque Vesuvius<\/i> comes with mournful violin.<\/p>\n
The five-minute Swimmers at the Forty Foot<\/i> recalls ambitious artists of the late 1960s and early 1970s like Donovan, Tim Buckley and Shawn Phillips, when folk singers and writers stretched towards jazz phrasing and literary depth.<\/p>\n
Cunliffe has built a sound catalogue that has reference points in Irish and Anglo-folk with a light touch of Dylan, but is mostly his own distinctive voice. <\/p>\n
A half-hour well spent if local folk is your tipple.<\/p>\n
<\/svg><\/button><\/div>\n<\/div>\nRepetition<\/h3>\n<\/p>\nby Great Barrier<\/b><\/p>\nFrom the pulsating throb of the opener Systolic<\/i>, this Germany-based trio confirm the mesmerising nature of Can-like repetition and the surging power of a minimalist approach. And elsewhere it\u2019s the abrasive muscularity of a synthesiser on the pop-length Deep Concern<\/i>.<\/p>\nThere are strong local connections in Great Barrier beyond the name: drummer Constantin \u201cDino\u201d Karlis, now living in Berlin, has played with Dimmer and is also in HDU who recently toured their scorched-earth sound; guitarist\/bassist is Jason Kerr (My Deviant Daughter<\/i>) from Dunedin and living in Bonn.<\/p>\nThe third member is keyboard player Richard Hahnloser, whose lean piano playing on the nine-minute-plus Read Only <\/i>brings a melodic elegance to a piece sitting on a drone-like undertow as unpredictable drum patterns create a dark and anxious current. The centre-piece of this five-track album is the trudging but oddly attractive Diastolic<\/i>, featuring the late New Zealand guitarist and experimentalist Dean Roberts, of the post-punk noise trio Thela, but whose career was mostly overseas. He brings edgy scrapes and swathes of sound as counterpoint to Hahnloser\u2019s piano on a piece that closes with atmospheric ambience and what might be insect or bird sounds.<\/p>\nInstrumental albums like Repetition<\/i> can become sonic wallpaper, especially if they have repeated figures and rhythms as their platform. But like Vor-stellen\u2019s 2023 Parallelograms<\/i>, one of the best albums of that year, there\u2019s subtlety and quiet shifts of emphasis when you pay close attention.<\/p>\nOne for close listening, then. <\/p>\n\n<\/button><\/p>\n\n\nSave<\/span><\/a><\/p>\n\n\n\nShare this article<\/h5>\nReminder, this is a Premium article and requires a subscription to read.<\/p>\nCopy Link<\/span><\/button><\/li>\nEmail<\/span><\/button><\/li>\nFacebook<\/span><\/button><\/li>\nTwitter\/X<\/span><\/button><\/li>\nLinkedIn<\/span><\/button><\/li>\nReddit<\/span><\/button><\/li>\n<\/ul>\n<\/nav>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n \u2018 Some details of this article were extracted from the following source www.nzherald.co.nz \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Review by Graham Reid Music writer\u00b7New Zealand Listener\u00b7 12 Jan, 2026 05:00 PM3 mins to read Graham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues. Subscribe to listen Access to Herald Premium articles require a Premium subscription. Subscribe […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[431810,431806,431805,431809,349843,21739,28774,428604,431807,23681,431808,312902],"class_list":["post-2231829","post","type-post","status-publish","format-standard","hentry","category-music","tag-cunliffe","tag-cunliffes","tag-folkie","tag-introspection","tag-latest","tag-local","tag-of","tag-offers","tag-poetic","tag-songs","tag-thoughtful","tag-tom"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2231829"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions"}],"predecessor-version":[{"id":2231830,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions\/2231830"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2231829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2231829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2231829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
by Great Barrier<\/b><\/p>\n
From the pulsating throb of the opener Systolic<\/i>, this Germany-based trio confirm the mesmerising nature of Can-like repetition and the surging power of a minimalist approach. And elsewhere it\u2019s the abrasive muscularity of a synthesiser on the pop-length Deep Concern<\/i>.<\/p>\n
There are strong local connections in Great Barrier beyond the name: drummer Constantin \u201cDino\u201d Karlis, now living in Berlin, has played with Dimmer and is also in HDU who recently toured their scorched-earth sound; guitarist\/bassist is Jason Kerr (My Deviant Daughter<\/i>) from Dunedin and living in Bonn.<\/p>\n
The third member is keyboard player Richard Hahnloser, whose lean piano playing on the nine-minute-plus Read Only <\/i>brings a melodic elegance to a piece sitting on a drone-like undertow as unpredictable drum patterns create a dark and anxious current. The centre-piece of this five-track album is the trudging but oddly attractive Diastolic<\/i>, featuring the late New Zealand guitarist and experimentalist Dean Roberts, of the post-punk noise trio Thela, but whose career was mostly overseas. He brings edgy scrapes and swathes of sound as counterpoint to Hahnloser\u2019s piano on a piece that closes with atmospheric ambience and what might be insect or bird sounds.<\/p>\n
Instrumental albums like Repetition<\/i> can become sonic wallpaper, especially if they have repeated figures and rhythms as their platform. But like Vor-stellen\u2019s 2023 Parallelograms<\/i>, one of the best albums of that year, there\u2019s subtlety and quiet shifts of emphasis when you pay close attention.<\/p>\n
One for close listening, then. <\/p>\n
\u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n \u2018 Some details of this article were extracted from the following source www.nzherald.co.nz \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Review by Graham Reid Music writer\u00b7New Zealand Listener\u00b7 12 Jan, 2026 05:00 PM3 mins to read Graham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues. Subscribe to listen Access to Herald Premium articles require a Premium subscription. Subscribe […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[431810,431806,431805,431809,349843,21739,28774,428604,431807,23681,431808,312902],"class_list":["post-2231829","post","type-post","status-publish","format-standard","hentry","category-music","tag-cunliffe","tag-cunliffes","tag-folkie","tag-introspection","tag-latest","tag-local","tag-of","tag-offers","tag-poetic","tag-songs","tag-thoughtful","tag-tom"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2231829"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions"}],"predecessor-version":[{"id":2231830,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions\/2231830"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2231829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2231829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2231829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u2018 Some details of this article were extracted from the following source www.nzherald.co.nz \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Review by Graham Reid Music writer\u00b7New Zealand Listener\u00b7 12 Jan, 2026 05:00 PM3 mins to read Graham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues. Subscribe to listen Access to Herald Premium articles require a Premium subscription. Subscribe […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[431810,431806,431805,431809,349843,21739,28774,428604,431807,23681,431808,312902],"class_list":["post-2231829","post","type-post","status-publish","format-standard","hentry","category-music","tag-cunliffe","tag-cunliffes","tag-folkie","tag-introspection","tag-latest","tag-local","tag-of","tag-offers","tag-poetic","tag-songs","tag-thoughtful","tag-tom"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2231829"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions"}],"predecessor-version":[{"id":2231830,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions\/2231830"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2231829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2231829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2231829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Review by Graham Reid Music writer\u00b7New Zealand Listener\u00b7 12 Jan, 2026 05:00 PM3 mins to read Graham Reid is an NZ journalist, author, broadcaster and arts educator. His website, Elsewhere, provides features and reports on music, film, travel and other cultural issues. Subscribe to listen Access to Herald Premium articles require a Premium subscription. Subscribe […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[431810,431806,431805,431809,349843,21739,28774,428604,431807,23681,431808,312902],"class_list":["post-2231829","post","type-post","status-publish","format-standard","hentry","category-music","tag-cunliffe","tag-cunliffes","tag-folkie","tag-introspection","tag-latest","tag-local","tag-of","tag-offers","tag-poetic","tag-songs","tag-thoughtful","tag-tom"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2231829"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions"}],"predecessor-version":[{"id":2231830,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2231829\/revisions\/2231830"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2231829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2231829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2231829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Graham](\"https:\/\/author-service-images-prod-us-east-1.publishing.aws.arc.pub\/nzme\/aff68604-9048-4b0d-8b50-b48a0484757f.jpg\")
<\/div>\n