[Warning: The following contains MAJOR spoilers for\u00a0Industry<\/a><\/em> Season 4 Episode 3.]<\/strong><\/p>\n HBO\u2019s Industry<\/em><\/a> is always swinging for the fences, and it just delivered one of its most audacious scenes in Season 4\u2019s third episode. It was a sex scene involving Marisa Abela<\/a>, Kit Harington<\/a>, and Kiernan Shipka<\/a>, one that Shipka says was choreographed in advance to give the actors a framework to hold up their performances. That\u2019s the value of intimacy coordinating, the Mad Men<\/a>\u00a0<\/em>alum agrees.<\/p>\n Yasmin (Abela) and Henry (Harington) were in Vienna on Tender business with Whitney (Max Minghella<\/a>) and his assistant, and Hayley (Shipka). They stayed in a castle with a princess and her son, who was investing in the company but casually dropped thinly veiled antisemitism during dinner, and whom Henry called a fascist behind closed doors (Yasmin brushed off these concerns, but that came back to bite her later). After dinner, Hayley went on an unsuccessful Raya date, and Yasmin propositioned Hayley when she came to their bedroom with some statements for the married couple to review.<\/p>\n Yasmin has hooked up with older women in Industry<\/em>\u2018s previous seasons, and she was always in a submissive role. This time, she flipped that script and played the dominating role with her husband and Hayley. Yasmin smoked a cigarette and watched while Hayley and Henry hooked up on their bed, and then Yasmin joined in at the end. This is all after Hayley flirted with Yasmin at Henry\u2019s birthday party in Episode 2, not knowing if Yas would bite. She did, but nothing happened until Vienna.<\/p>\n Shipka tells TV Insider that they worked with an intimacy coordinator to give the scene structure and the actors free rein within the agreed framework.<\/p>\n \u201cThat scene in particular had a lot of literal choreography in that the room was a very specific room, and there\u2019s a lot of different dimensions to that scene because it starts as a dialogue scene,\u201d she says. \u201cIt starts very much so you kind of think you know where it\u2019s going, but also it could go another way. So there was a lot to get to. We worked with the intimacy coordinator, and there was the physical, let\u2019s map this out, let\u2019s figure out where we\u2019re going to go so that we don\u2019t have to think about that when we\u2019re actually shooting it. And we can think about these characters and their intentions and what this scene is really about underneath the physical stuff. It was kind of a process in that way, but that part of it was pre-planned and rehearsed, so that when we got there on the day, that was not the first thing that we had to think about or make stuff up on the spot, which was nice.\u201d<\/p>\n That\u2019s the whole point of intimacy coordination, Shipka says. \u201cLet\u2019s get a structure to this so that we all feel like we know what we\u2019re doing, and then we can get there on the day and try things and figure out what the scene means as well,\u201d Shipka adds.<\/p>\n