{"id":2270898,"date":"2026-02-07T03:18:25","date_gmt":"2026-02-07T03:18:25","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2270898"},"modified":"2026-02-07T03:18:25","modified_gmt":"2026-02-07T03:18:25","slug":"beats-me-ari-lennox-takes-neo-soul-to-new-heights-and-jeff-draco-drops-long-awaited-new-music","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/beats-me-ari-lennox-takes-neo-soul-to-new-heights-and-jeff-draco-drops-long-awaited-new-music\/","title":{"rendered":"Beats Me: Ari Lennox Takes Neo-Soul to New Heights and Jeff Draco Drops Long-Awaited New Music"},"content":{"rendered":"<p><\/p>\n<div>\n<h3 class=\"wp-block-heading\" id=\"h-ari-lennox-vacancy\"><strong>Ari Lennox, <\/strong><strong><em>Vacancy<\/em><\/strong><\/h3>\n<p>With <em>Vacancy<\/em>, her first album in nearly four years, D.C. R&amp;B singer <strong>Ari Lennox<\/strong> (nee <strong>Courtney Shanade Salter<\/strong>) continues her personal neo-soul musical journey\u2014something she\u2019s been doing since she began uploading her music to the internet in 2009. Keeping up with the originators of the genre, <strong>Erykah Badu<\/strong> and <strong>Jill Scott<\/strong>, Lennox doesn\u2019t merely mimic the masters. If anything, she shows with this release that she\u2019s one of the few artists of her generation who understands the history of the genre and its potential for where it could go musically. Opening with a muted trumpet on \u201cMobbin in D.C.,\u201d Lennox sings, \u201c2 a.m. on the \u2019Gram feeling crazy\u201d (who hasn\u2019t been there). Thus launches <em>Vacancy<\/em>\u2019s 15 tracks (all of which were cowritten by Lennox) where control is the general theme. (Whereas <strong>Janet Jackson<\/strong> opened up her 1986 blockbuster album, <em>Control, <\/em>stating, \u201cThis is a story about control,\u201d Lennox\u2019s version would be \u201cThis is me realizing I can have control.\u201d) Control of relationships. Control of her music. After battles in both her personal (a newfound sobriety) and professional (new record label) life, the 34-year-old has seemingly found her footing in these areas and this album reflects that. On the title track, Lennox offers a man the comfort of hot cocoa and <strong>Etta James<\/strong> but since he\u2019s there, she sings, \u201cGot some walls that need painting rearranging\/ See them legs on the table kinda shaky.\u201d Basically, make yourself useful in more ways than one. \u201cUnder the Moon\u201d contains an interpolation of <strong>the Flamingos<\/strong>\u2019 \u201cI Only Have Eyes For You,\u201d while Lennox practically bays at the night sky while singing, \u201cUnder the moooooooon\/ With yooooooooou\u201d over a soft shuffle beat. \u201cHoroscope\u201d runs down problems with each sign of the zodiac, the funniest being \u201cSagittarius are some fuckin terrorists\u201d (as a Sagittarius, I can neither confirm nor deny this allegation). With the remainder of the album being a collection of assured musical statements with the confidence of a woman who is coming into her own, <em>Vacancy<\/em> fills a vacuum that is currently missing in the neo-soul genre. Vacancy <em>was released on Jan. 23. <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/soundcloud.com\/arilennox\/vacancy\" data-vars-click-url=\"https:\/\/soundcloud.com\/arilennox\/vacancy\" target=\"_blank\" rel=\"noreferrer noopener\"><em>soundcloud.com<\/em><\/a><em>. Ari Lennox plays on May 30 at the Theater at MGM National Harbor. <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.livenation.com\/artist\/K8vZ917K6P0\/ari-lennox-events\" data-vars-click-url=\"https:\/\/www.livenation.com\/artist\/K8vZ917K6P0\/ari-lennox-events\" target=\"_blank\" rel=\"noreferrer noopener\"><em>livenation.com<\/em><\/a><em>. <\/em>\u00a0<strong>\u2014Christina Smart<\/strong><\/p>\n<h3 class=\"wp-block-heading\" id=\"h-cryptid-summer-where-the-earth-has-teeth-nbsp\"><strong>Cryptid Summer, <em>Where the Earth Has Teeth<\/em>\u00a0<\/strong><\/h3>\n<figure class=\"wp-block-image size-large\"><figcaption class=\"wp-element-caption\">Cryptid Summer; courtesy of \u00e0 La Carte Records<\/figcaption><\/figure>\n<aside>\n\t\t<\/aside>\n<p>\u201cNothing quite feels like it did when we were young,\u201d laments <strong>Cryptid Summer<\/strong>\u2019s singer <strong>Lizz Mazer<\/strong> on <em>Where the Earth Has Teeth<\/em>\u2019s opening track, \u201cHealthcare, Plz.\u201d This world-weariness lingers throughout the band\u2019s first full-length, each song evoking a feeling that the passage of time has largely yielded disappointment and heartbreak. Cryptid Summer\u2019s moody death rock on <em>Where the Earth Has Teeth<\/em> has shown itself to be the perfect companion to the icy, bleak beginning of 2026. In a scene mostly associated with angular <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/dischord.com\/\" data-vars-click-url=\"https:\/\/dischord.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Dischord<\/a> acolytes and breakneck political hardcore, Cryptid Summer\u2019s brand of post-punk plays like a breath of fresh (frigid?) air. The band\u2019s mission statement isn\u2019t oblique; titles like \u201cDisappointing,\u201d \u201cViolent (and just a little numb),\u201d and \u201cUnreliable\u201d speak to an overall aura of disaffection and disillusionment. All nine tracks would easily find a natural home on the latest volume of <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.sacredbonesrecords.com\/products\/sbr3014-various-artists-killed-by-deathrock-vol-1?srsltid=AfmBOoqhqgNnAOJ3Zyl7UwBUlwvutI-xabWrEWC4wPXH1_tVG0EbwtuU\" data-vars-click-url=\"https:\/\/www.sacredbonesrecords.com\/products\/sbr3014-various-artists-killed-by-deathrock-vol-1?srsltid=AfmBOoqhqgNnAOJ3Zyl7UwBUlwvutI-xabWrEWC4wPXH1_tVG0EbwtuU\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Killed by Deathrock<\/em><\/a> (complimentary). And while the album coheres as a singular statement, \u201cDon\u2019t Look Now\u201d might be the record\u2019s most immediate\u2014a slow build that eventually leads to a brooding, cacophonous conclusion.\u00a0<\/p>\n<aside class=\"scaip scaip-1    \">\n<aside id=\"newspack-ads-widget-18\" class=\"widget_newspack-ads-widget clearfix\"\/><\/aside>\n<p>It won\u2019t surprise anyone who listens to <em>Where the Earth Has Teeth<\/em> that Cryptid Summer were initially a Halloween <strong>the Cure<\/strong> tribute band. And while the long-standing mope rock legends are a good enough reference point to describe the band\u2019s sound\u2014especially in their <em>Seventeen Seconds<\/em> and <em>Faith<\/em> era\u2014Cryptid Summer\u2019s clearest influence is likely <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/washingtoncitypaper.com\/article\/779019\/beats-me-ari-lennox-takes-neo-soul-to-new-heights-and-jeff-draco-drops-long-awaited-new-music\/about:blank\" data-vars-click-url=\"https:\/\/washingtoncitypaper.com\/article\/779019\/beats-me-ari-lennox-takes-neo-soul-to-new-heights-and-jeff-draco-drops-long-awaited-new-music\/about:blank\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Siouxsie and the Banshees<\/strong><\/a>. The comparison can be partly attributed to both band\u2019s sonic diversity\u2014neither are as one-note as goth-adjacent bands often get tagged\u2014but also how Mazer\u2019s forceful and soulful croon evokes<strong>\u00a0Siouxsie<\/strong>\u2019s dramatic flair. The band\u2019s debut is being put out by <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/alacarterecords.com\/\" data-vars-click-url=\"https:\/\/alacarterecords.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u00e0 la Carte Records<\/a>, a local bicoastal label whose penchant for all things post-punk make signing Cryptid Summer an intuitive fit; the label will also be releasing the new album by D.C.\u2019s <strong><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/alacarterecords.com\/collections\/seclusion\" data-vars-click-url=\"https:\/\/alacarterecords.com\/collections\/seclusion\" target=\"_blank\" rel=\"noreferrer noopener\">Seclusion<\/a><\/strong>, which is equally excellent, in March. Where the Earth Has Teeth <em>comes out Feb. 13. <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/cryptidsummer.bandcamp.com\/album\/where-the-earth-has-teeth\" data-vars-click-url=\"https:\/\/cryptidsummer.bandcamp.com\/album\/where-the-earth-has-teeth\" target=\"_blank\" rel=\"noreferrer noopener\"><em>cryptidsummer.bandcamp.com<\/em><\/a><em>. Cryptid Summer\u2019s album release show starts at 10 p.m. on Feb. 20 at Comet Ping Pong. <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/calendar.rediscoverfirebooking.com\/shows\/cryptid-summer-record-release-darker-than-eraser-girl-20-feb\" data-vars-click-url=\"https:\/\/calendar.rediscoverfirebooking.com\/shows\/cryptid-summer-record-release-darker-than-eraser-girl-20-feb\" target=\"_blank\" rel=\"noreferrer noopener\"><em>rediscoverfirebooking.com<\/em><\/a><em>. $18.87. (You can also find them on this year\u2019s <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/liberationwknd\/?hl=en\" data-vars-click-url=\"https:\/\/www.instagram.com\/liberationwknd\/?hl=en\" target=\"_blank\" rel=\"noreferrer noopener\">Liberation Weekend<\/a> lineup, playing April 25).<\/em> <strong>\u2014Matt Siblo\u00a0<\/strong><\/p>\n<h3 class=\"wp-block-heading\" id=\"h-cash-on-the-nail-the-gauntlet-nbsp\"><strong>Cash on the Nail, <\/strong><strong><em>The Gauntlet\u00a0<\/em><\/strong><\/h3>\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"585\" data-attachment-id=\"779033\" data-permalink=\"https:\/\/washingtoncitypaper.com\/article\/779019\/beats-me-ari-lennox-takes-neo-soul-to-new-heights-and-jeff-draco-drops-long-awaited-new-music\/bm_cash-on-the-nail_img_9685\/\" data-orig-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?fit=2560%2C1920&amp;quality=89&amp;ssl=1\" data-orig-size=\"2560,1920\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"BM_Cash on the Nail_IMG_9685\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?fit=300%2C225&amp;quality=89&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?fit=780%2C585&amp;quality=89&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-1024x768.jpg?resize=780%2C585&amp;quality=89&amp;ssl=1\" alt=\"\" class=\"wp-image-779033\" srcset=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=1024%2C768&amp;quality=89&amp;ssl=1 1024w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=300%2C225&amp;quality=89&amp;ssl=1 300w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=768%2C576&amp;quality=89&amp;ssl=1 768w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=1536%2C1152&amp;quality=89&amp;ssl=1 1536w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=2048%2C1536&amp;quality=89&amp;ssl=1 2048w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=1200%2C900&amp;quality=89&amp;ssl=1 1200w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=800%2C600&amp;quality=89&amp;ssl=1 800w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=600%2C450&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=400%2C300&amp;quality=89&amp;ssl=1 400w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=200%2C150&amp;quality=89&amp;ssl=1 200w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=2000%2C1500&amp;quality=89&amp;ssl=1 2000w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?resize=780%2C585&amp;quality=89&amp;ssl=1 780w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-scaled.jpg?w=2340&amp;quality=89&amp;ssl=1 2340w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Cash-on-the-Nail_IMG_9685-1024x768.jpg?w=370&amp;quality=89&amp;ssl=1 370w\" sizes=\"(max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">Cash on the Nail. Photo credit: June Dickson-Burke<\/figcaption><\/figure>\n<p>D.C. punk trio <strong>Cash on the Nail<\/strong>\u2019s new EP, <em>The Gauntlet<\/em>, sounds like a handful of bands, most obviously <strong>Minutemen<\/strong>. Like Minutemen\u2019s classic <em>Double Nickels on the Dime<\/em>, the Gauntlet is so party-popper-packed with ideas that hitting play on any given track feels like lighting the fuse on a fireworks display. (Track four, \u201cAccelerator,\u201d illustrates this especially well.) There are also shades of the <strong>Dead Kennedys<\/strong>\u2019 iconoclastic politics and moments of sonic playfulness that recall <strong>Devo<\/strong> or <strong>the<\/strong> <strong>B-52s<\/strong>, but upon closer inspection, the band Cash on the Nail resemble most are one you may have never heard of: <strong>the Rock Bottom Remainders<\/strong>, which were a side project for a rotating roster of authors, including <strong>Stephen King<\/strong>, <strong>Scott Turow<\/strong>, and <strong>Amy Tan<\/strong>. There\u2019s this famous, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.cbsnews.com\/news\/rock-bottom-remainders-saying-goodbye-to-lit-rock\/\" data-vars-click-url=\"https:\/\/www.cbsnews.com\/news\/rock-bottom-remainders-saying-goodbye-to-lit-rock\/\" target=\"_blank\" rel=\"noreferrer noopener\">possibly apocryphal anecdote<\/a> that has <strong>Bruce Springsteen<\/strong> playing a set with them. The group were pretty good \u2026 but shouldn\u2019t get too much better, according to Springsteen. Otherwise they would \u201cjust be another lousy garage band.\u201d What the Remainders were to writers, Cash on the Nail are to D.C wonks. Drummer <strong>Lydia Homovich<\/strong> is a health policy analyst. Bassist <strong>Josh Freed <\/strong>works at a centrist think tank. <strong>Alex Dent<\/strong> lives the dream, shredding guitar by night and teaching anthropology at George Washington University by day. The band describe themselves on social media as \u201cheavy, melodic, quiet, and screamy, like life in the 2020s.\u201d This is half correct. Recorded at Tonal Park Studio, <em>The Gauntlet<\/em> is heavy and screamy more frequently than it is quiet and melodic. It\u2019s easy to see why opener \u201cCopper Wires\u201d was selected for the EP\u2019s foundation. Undergirded by a percussive, driving riff and named for a base-level, layer one technology, the song is such a success that there must have been a temptation to fill out the EP\u2019s run time by reworking it five times over into hooky clones of itself. Instead, from track two (\u201cThe Shoes You Wear\u201d) <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/poets.org\/poem\/second-coming\" data-vars-click-url=\"https:\/\/poets.org\/poem\/second-coming\" target=\"_blank\" rel=\"noreferrer noopener\">things fall apart<\/a>, in a ceremonious, Yeatsian sort of way. That\u2019s not to say that <em>The Gauntlet<\/em> is bad\u2014it just isn\u2019t setting out to be good in the way most rock records are. There is no perfectly constructed track with an irresistible, streambait melody that will take Spotify by storm. Instead, every song is jammed frantically with riffs and ideas that seem to spill out of the speakers in a tumbling torrent. There\u2019s not much to grab onto after \u201cCopper Wires,\u201d so you might as well just let it all wash over you. By the time the final track, \u201cPolitics Does Strange Things\u201d (which, side note, has a cadence that\u2019s a bit reminiscent of<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=n4W31QsA8NA\" data-vars-click-url=\"https:\/\/www.youtube.com\/watch?v=n4W31QsA8NA\"\/>System of a Down\u2019s \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=n4W31QsA8NA\" data-vars-click-url=\"https:\/\/www.youtube.com\/watch?v=n4W31QsA8NA\">Science<\/a>\u201d), rolls around, attentive listeners will be on board with what has proven to be something more like an auditory art project than a rock album. Anything it lacks in accessibility <em>The Gauntlet<\/em> makes up for in jagged originality. Kudos to Cash on the Nail for having the good sense not to trim the sharp edges off their music. Maybe they suspect that, if they did, they might end up sounding just like any other lousy garage band. The Gauntlet <em>was released on Jan. 3. <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/cashonthenail.bandcamp.com\/album\/the-gauntlet\" data-vars-click-url=\"https:\/\/cashonthenail.bandcamp.com\/album\/the-gauntlet\" target=\"_blank\" rel=\"noreferrer noopener\">cashonthenail.bandcamp.com<\/a>. <strong>\u2014Will Lennon<\/strong><\/p>\n<h3 class=\"wp-block-heading\" id=\"h-massie-poggers\"><strong>Massie, \u201cPoggers\u201d<\/strong><\/h3>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"957\" data-attachment-id=\"779034\" data-permalink=\"https:\/\/washingtoncitypaper.com\/article\/779019\/beats-me-ari-lennox-takes-neo-soul-to-new-heights-and-jeff-draco-drops-long-awaited-new-music\/bm_massie_courtesy-of-band\/\" data-orig-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?fit=2089%2C2560&amp;quality=89&amp;ssl=1\" data-orig-size=\"2089,2560\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"BM_Massie_courtesy of band\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?fit=245%2C300&amp;quality=89&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?fit=780%2C957&amp;quality=89&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-835x1024.jpeg?resize=780%2C957&amp;quality=89&amp;ssl=1\" alt=\"\" class=\"wp-image-779034\" srcset=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?resize=835%2C1024&amp;quality=89&amp;ssl=1 835w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?resize=245%2C300&amp;quality=89&amp;ssl=1 245w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?resize=768%2C941&amp;quality=89&amp;ssl=1 768w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?resize=1253%2C1536&amp;quality=89&amp;ssl=1 1253w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?resize=1671%2C2048&amp;quality=89&amp;ssl=1 1671w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?resize=1200%2C1471&amp;quality=89&amp;ssl=1 1200w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?resize=2000%2C2452&amp;quality=89&amp;ssl=1 2000w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?resize=780%2C956&amp;quality=89&amp;ssl=1 780w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?resize=400%2C490&amp;quality=89&amp;ssl=1 400w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-scaled.jpeg?w=1560&amp;quality=89&amp;ssl=1 1560w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Massie_courtesy-of-band-835x1024.jpeg?w=370&amp;quality=89&amp;ssl=1 370w\" sizes=\"(max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">Massie; courtesy of the band<\/figcaption><\/figure>\n<\/div>\n<p><strong>Massie<\/strong>\u2019s biggest mistake was setting such a high bar. Thanks to the trio\u2019s <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/washingtoncitypaper.com\/article\/632737\/pop-rock-trio-massie-celebrates-first-ep-release-with-first-black-cat-show\/\" data-vars-click-url=\"https:\/\/washingtoncitypaper.com\/article\/632737\/pop-rock-trio-massie-celebrates-first-ep-release-with-first-black-cat-show\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Grady Says Serotonin<\/em> EP<\/a> and a <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=lAKM14OmUgY\" data-vars-click-url=\"https:\/\/www.youtube.com\/watch?v=lAKM14OmUgY\" target=\"_blank\" rel=\"noreferrer noopener\">live show<\/a> that locals have come to adore, expectations for their new single, \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=ZSTZP9AaI2k\" data-vars-click-url=\"https:\/\/www.youtube.com\/watch?v=ZSTZP9AaI2k\" target=\"_blank\" rel=\"noreferrer noopener\">Poggers<\/a>,\u201d were stratospheric. Although it doesn\u2019t quite hit the heights of the 2023 EP, \u201cPoggers\u201d is a solid addition to the canon. It\u2019s more refined and well-produced than their previous music, but it still has heaps of the band\u2019s brash charm. Whereas the <em>Grady<\/em> EP is a more emotional experience, \u201cPoggers\u201d is more textured and tactile. Massie teased the song\u2019s release with an <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/p\/DTJhDRbDiX-\/\" data-vars-click-url=\"https:\/\/www.instagram.com\/p\/DTJhDRbDiX-\/\" target=\"_blank\" rel=\"noreferrer noopener\">Instagram post<\/a> that paired footage of rolling waves with a waterlogged sample of <strong>Samantha Collings<\/strong>\u2019 thudding drums, <strong>Will Salzmann<\/strong>\u2019s thrumming bass, and <strong>Emily Yaremchuk<\/strong>\u2019s snarling guitar. That imagery was perfect. The rhythmic crashing of \u201cPoggers\u201d really is evocative of heavy, sloshing water. One minor drawback to the distinctive mixing is that Yaremchuk\u2019s vocals get drowned out. The lyrics are half incomprehensible, which is not necessarily a problem for a heavy rock song (nobody\u2019s understood a word from <strong>Eddie Vedder<\/strong>\u2019s mouth since <strong>Temple of the Dog<\/strong>) but worth mentioning if only to demonstrate how hard it is to find a critical word to say about Massie, one of the coolest bands doing the work in D.C. right now. <em>\u201cPoggers\u201d dropped on Jan. 31. <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/linktr.ee\/massiemusic?utm_source=ig&amp;utm_medium=social&amp;utm_content=link_in_bio&amp;fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGn1R-iOeHUwVzoGUfBT--HYcQWGFUoydxmvNCJB1qWgsb9HAcf4fR32lP4fSA_aem_u8OxuAiSrgodz7qWPfAvDQ\" data-vars-click-url=\"https:\/\/linktr.ee\/massiemusic?utm_source=ig&amp;utm_medium=social&amp;utm_content=link_in_bio&amp;fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGn1R-iOeHUwVzoGUfBT--HYcQWGFUoydxmvNCJB1qWgsb9HAcf4fR32lP4fSA_aem_u8OxuAiSrgodz7qWPfAvDQ\" target=\"_blank\" rel=\"noreferrer noopener\"><em>linktr.ee<\/em><\/a>. <strong>\u2014W.L.<\/strong><\/p>\n<h3 class=\"wp-block-heading\" id=\"h-unity-for-the-outcasts-save-me\"><strong>Unity for the Outcasts, \u201cSave Me\u201d<\/strong><\/h3>\n<p>It\u2019s been too long since <strong>Unity for the Outcasts<\/strong>\u2019 last release. Their previous single, \u201cSpace in your Heart,\u201d came out at the end of 2023. Before that, their debut EP, <em>The Land of Make Believe<\/em>, came out in the Spring of 2022, back when they were still a College Park band led by founder <strong>Rohit Nutalapati<\/strong>. Luckily the wait is finally over\u2014the pop-punk band released \u201cSave Me,\u201d a new single, on Feb. 6. Pop-punk is what the band used to be, but this new track is a sign that the band are heading in another direction. Songs from <em>The Land of Make Believe<\/em> like \u201cTell the World\u201d were full of lyrics such as \u201cThey better tell the world we\u2019re alive\/ They better tell the world we\u2019re coming\u201d and a 2000s punk sound that felt uplifting and nostalgic. \u201cSave Me,\u201d on the other hand, begins with immediate use of synths in an almost sinister tone that is likely to conjure up futuristic dystopian imagery in the mind of its listener. Even the lyrics take a bleaker turn, with lines like \u201cYou walked the other way\/ We\u2019re falling with the rain\u201d in the chorus.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"920\" data-attachment-id=\"779037\" data-permalink=\"https:\/\/washingtoncitypaper.com\/article\/779019\/beats-me-ari-lennox-takes-neo-soul-to-new-heights-and-jeff-draco-drops-long-awaited-new-music\/bm_unity-for-the-outcasts_ryan-kelly2\/\" data-orig-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?fit=2171%2C2560&amp;quality=89&amp;ssl=1\" data-orig-size=\"2171,2560\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.6&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;ILCE-7M3&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1749330533&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;65535&quot;,&quot;shutter_speed&quot;:&quot;0.0015625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"BM_Unity for the Outcasts_Ryan Kelly2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?fit=254%2C300&amp;quality=89&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?fit=780%2C920&amp;quality=89&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-868x1024.jpeg?resize=780%2C920&amp;quality=89&amp;ssl=1\" alt=\"\" class=\"wp-image-779037\" srcset=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?resize=868%2C1024&amp;quality=89&amp;ssl=1 868w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?resize=254%2C300&amp;quality=89&amp;ssl=1 254w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?resize=768%2C906&amp;quality=89&amp;ssl=1 768w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?resize=1303%2C1536&amp;quality=89&amp;ssl=1 1303w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?resize=1737%2C2048&amp;quality=89&amp;ssl=1 1737w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?resize=1200%2C1415&amp;quality=89&amp;ssl=1 1200w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?resize=2000%2C2358&amp;quality=89&amp;ssl=1 2000w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?resize=780%2C920&amp;quality=89&amp;ssl=1 780w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?resize=400%2C472&amp;quality=89&amp;ssl=1 400w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-scaled.jpeg?w=1560&amp;quality=89&amp;ssl=1 1560w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Unity-for-the-Outcasts_Ryan-Kelly2-868x1024.jpeg?w=370&amp;quality=89&amp;ssl=1 370w\" sizes=\"(max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">Unity for the Outcasts. Photo credit: Ryan Kelly<\/figcaption><\/figure>\n<\/div>\n<p>There\u2019s really no better word to describe the new single than \u201ccyberpunk.\u201d On the surface, Unity for the Outcasts might look like a completely different band than they used to be during its College Park days: only two of its five members are from the original lineup: <strong>Diana Corzo<\/strong> has replaced previous lead singers Nutalapati and <strong>Claire Mical<\/strong>, and her voice strays from the pop-punk origins. But for those who knew Unity for the Outcasts in 2022, there are still hints of the old band throughout the new release. Punk still breathes in the lyrics and the desire to tell a story through sound is still there. \u201cSave Me\u201d is a perfect introduction to this new version of Unity for the Outcasts for both old fans and new listeners, and it\u2019s exciting to see where future releases take them next. <em>\u201cSave Me\u201d dropped today, Feb. 6. <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/music.apple.com\/lk\/album\/save-me-single\/1868998574\" data-vars-click-url=\"https:\/\/music.apple.com\/lk\/album\/save-me-single\/1868998574\" target=\"_blank\" rel=\"noreferrer noopener\"><em>music.apple.com<\/em><\/a><em>. Unity for the Outcasts play a fundraiser for DC Migrant Mutual Aid at 7 p.m. on March 1 at the Garage in Boyds. <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.instagram.com\/p\/DUUEMxUjZGe\/\" data-vars-click-url=\"https:\/\/www.instagram.com\/p\/DUUEMxUjZGe\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>instagram.com<\/em><\/a>. <strong>\u2014Dorvall Bedford<\/strong><\/p>\n<aside class=\"scaip scaip-2    \">\n<aside id=\"newspack-ads-widget-21\" class=\"widget_newspack-ads-widget clearfix\"\/><\/aside>\n<h3 class=\"wp-block-heading\" id=\"h-jeff-draco-excess\"><strong>Jeff Draco, \u201cExcess\u201d<\/strong><\/h3>\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"520\" data-attachment-id=\"779039\" data-permalink=\"https:\/\/washingtoncitypaper.com\/article\/779019\/beats-me-ari-lennox-takes-neo-soul-to-new-heights-and-jeff-draco-drops-long-awaited-new-music\/processed-with-vsco-with-preset-8\/\" data-orig-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?fit=2560%2C1707&amp;quality=89&amp;ssl=1\" data-orig-size=\"2560,1707\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D7500&quot;,&quot;caption&quot;:&quot;Processed with VSCO with  preset&quot;,&quot;created_timestamp&quot;:&quot;1651955414&quot;,&quot;copyright&quot;:&quot;Copyright 2023. All rights reserved.&quot;,&quot;focal_length&quot;:&quot;34&quot;,&quot;iso&quot;:&quot;4000&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;Processed with VSCO with  preset&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Processed with VSCO with  preset\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Processed with VSCO with  preset&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?fit=300%2C200&amp;quality=89&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?fit=780%2C520&amp;quality=89&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-1024x683.jpeg?resize=780%2C520&amp;quality=89&amp;ssl=1\" alt=\"\" class=\"wp-image-779039\" srcset=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?resize=1024%2C683&amp;quality=89&amp;ssl=1 1024w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?resize=300%2C200&amp;quality=89&amp;ssl=1 300w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?resize=768%2C512&amp;quality=89&amp;ssl=1 768w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?resize=1536%2C1024&amp;quality=89&amp;ssl=1 1536w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?resize=2048%2C1365&amp;quality=89&amp;ssl=1 2048w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?resize=1200%2C800&amp;quality=89&amp;ssl=1 1200w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?resize=2000%2C1333&amp;quality=89&amp;ssl=1 2000w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?resize=780%2C520&amp;quality=89&amp;ssl=1 780w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?resize=400%2C267&amp;quality=89&amp;ssl=1 400w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-scaled.jpeg?w=2340&amp;quality=89&amp;ssl=1 2340w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_Jeff-Draco_dorvall-1024x683.jpeg?w=370&amp;quality=89&amp;ssl=1 370w\" sizes=\"(max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">Jeff Draco. Photo credit: Dorvall Bedford<\/figcaption><\/figure>\n<p>In a 2023 interview with <em>City Paper<\/em>, keyboardist and synth player <strong>Josh Poggioli<\/strong> <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/washingtoncitypaper.com\/article\/609037\/indie-pop-artist-jeff-draco-is-never-gonna-be-the-same\/\" data-vars-click-url=\"https:\/\/washingtoncitypaper.com\/article\/609037\/indie-pop-artist-jeff-draco-is-never-gonna-be-the-same\/\" target=\"_blank\" rel=\"noreferrer noopener\">said<\/a>, \u201cWe\u2019re \u2026 in an almost postmodern era of <strong>Jeff Draco<\/strong>.\u201d If he was right, then that phase just ended and we\u2019re about to see the dawn of a new Draco era. The indie-pop darling of D.C. released \u201cExcess,\u201d a new single, on Feb. 6 that shows the band\u2019s <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=uwd-BMdECN0\" data-vars-click-url=\"https:\/\/www.youtube.com\/watch?v=uwd-BMdECN0\" target=\"_blank\" rel=\"noreferrer noopener\">never be gonna be the same<\/a> (again). If we were to split Draco\u2019s music career into two time periods, there would be a pre- and post-\u201cDreamgirl\u201d era\u2014that 2021 single still remains his most popular song with more than 800,000 streams on Spotify. \u201cDreamgirl\u201d marked a shift in Draco\u2019s music from dream pop to indie pop (an admittedly subtle but definitely noticeable change).<\/p>\n<p>\u201cExcess\u201d feels almost like a return to form\u2014harkening back to that West Coast-inspired sound conjures looking at starry skies and falling in love for the first time. But the song differs from the pre-\u201cDreamgirl\u201d era with its lyrics, which show a level of maturity more similar to his 2023 breakup song \u201cLetters.\u201d The same feeling of heartbreak is evoked, but \u201cExcess\u201d has an added element of self-reflection when Draco sings, \u201cShe set me free\/ Cause I\u2019m the youngest son\/ Is this the price I gotta pay the fee.\u201d Although it might sound dreamy like Draco\u2019s early work, the lyrics show he isn\u2019t living in paradise anymore. \u201cExcess\u201d marks Draco\u2019s first real release since the 2024 EP <em>Attitude<\/em>. In a music career that goes back to 2018, 2025 was the only year that was never graced with a song or an EP. Hopefully it\u2019s true that this is the start of a new Draco era\u2014we\u2019ve waited long enough. <em>\u201cExcess\u201d dropped today, Feb. 6. <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/music.apple.com\/us\/album\/excess-single\/1870362770\" data-vars-click-url=\"https:\/\/music.apple.com\/us\/album\/excess-single\/1870362770\" target=\"_blank\" rel=\"noreferrer noopener\"><em>music.apple.com<\/em><\/a>. <strong>\u2014D.B<\/strong>.<\/p>\n<h3 class=\"wp-block-heading\" id=\"h-rdgldgrn-featuring-kash-d-out-x-games\"><strong>RDGLDGRN (featuring Kash\u2019d Out), \u201cX Games\u201d <\/strong>\u00a0<\/h3>\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"780\" data-attachment-id=\"779042\" data-permalink=\"https:\/\/washingtoncitypaper.com\/article\/779019\/beats-me-ari-lennox-takes-neo-soul-to-new-heights-and-jeff-draco-drops-long-awaited-new-music\/bm_rdgldgrn_courtesy-of-band\/\" data-orig-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?fit=2560%2C2560&amp;quality=89&amp;ssl=1\" data-orig-size=\"2560,2560\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"BM_RDGLDGRN_courtesy of band\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?fit=300%2C300&amp;quality=89&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?fit=780%2C780&amp;quality=89&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-1024x1024.jpeg?resize=780%2C780&amp;quality=89&amp;ssl=1\" alt=\"\" class=\"wp-image-779042\" srcset=\"https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=1024%2C1024&amp;quality=89&amp;ssl=1 1024w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=300%2C300&amp;quality=89&amp;ssl=1 300w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=150%2C150&amp;quality=89&amp;ssl=1 150w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=768%2C768&amp;quality=89&amp;ssl=1 768w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=1536%2C1536&amp;quality=89&amp;ssl=1 1536w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=2048%2C2048&amp;quality=89&amp;ssl=1 2048w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=1200%2C1200&amp;quality=89&amp;ssl=1 1200w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=800%2C800&amp;quality=89&amp;ssl=1 800w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=600%2C600&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=400%2C400&amp;quality=89&amp;ssl=1 400w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=200%2C200&amp;quality=89&amp;ssl=1 200w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=2000%2C2000&amp;quality=89&amp;ssl=1 2000w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?resize=780%2C780&amp;quality=89&amp;ssl=1 780w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-scaled.jpeg?w=2340&amp;quality=89&amp;ssl=1 2340w, https:\/\/i0.wp.com\/newspack-washingtoncitypaper.s3.amazonaws.com\/uploads\/2026\/02\/BM_RDGLDGRN_courtesy-of-band-1024x1024.jpeg?w=370&amp;quality=89&amp;ssl=1 370w\" sizes=\"(max-width: 780px) 100vw, 780px\"\/><figcaption class=\"wp-element-caption\">RDGLDGRN; courtesy of the band<\/figcaption><\/figure>\n<p>While most of us are counting down the days until spring, Reston band <strong>RDGLDGRN<\/strong> jumped ahead to summer with the release of their new single, \u201cX Games.\u201d Teaming up with Florida-based reggae-rock band <strong>Kash\u2019d Out<\/strong>, the laid-back Rastafarian reggae musical bed, which sounds most suited for poolside listening, belies the personal conflict that\u2019s going on in the song. Telling the push-pull story of a relationship that hasn\u2019t ended but probably should, lead singer <strong>Green <\/strong>(aka <strong>Pierre Desrosiers<\/strong>) recounts \u201cUsed to be the one I wanna be with\/ Now I\u2019m like the lightning to your seizure\/ Know I told you that I didn\u2019t need ya\/ But everything I said I didn\u2019t mean it.\u201d The other party isn\u2019t exactly innocent though and Green admits the situation is untenable, landing with the terrific line \u201cWe both looking for payback\/ Cause things rocky like ASAP.\u201d Kash\u2019d Out lead singer <strong>Greg Shields <\/strong>jumps in mid-song, continuing the angst with \u201cBaby baby what we doing?\/ Try and try again but who we foolin\u2019?\/ I feel like I\u2019ve been training all season long\/ Just for you to tell me 10 reasons I was wrong.\u201d From a production standpoint, my only qualm with the song is the use of Auto-Tune. Neither singer needs it and flattening the tones of each voice drains the emotional dread of the subject matter. So while we all wait for warmer days, RDGLDGRN can take us there right now, even if it is a cruel summer. <em>\u201cX Games\u201d was released on Jan. 9 (and the band dropped another single, \u201cVirginia Beach,\u201d on Feb. 6). RDGLDGRN play at 7 p.m. on March 22 at Union Stage. <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.unionstagepresents.com\/shows\/jarv-x-rdgldgrn-22-mar\" data-vars-click-url=\"https:\/\/www.unionstagepresents.com\/shows\/jarv-x-rdgldgrn-22-mar\" target=\"_blank\" rel=\"noreferrer noopener\"><em>unionstagepresents.com<\/em><\/a><em>. $34. <\/em><strong>\u2014C.S.<\/strong><\/p>\n<h2 class=\"wp-block-heading\" id=\"h-other-notable-new-releases\"><strong>Other notable new releases:<\/strong><\/h2>\n<p><strong>Broke Royals<\/strong>, <em>Campr<\/em>, released Feb. 6. <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/brokeroyals.bandcamp.com\/album\/campr\" data-vars-click-url=\"https:\/\/brokeroyals.bandcamp.com\/album\/campr\" target=\"_blank\" rel=\"noreferrer noopener\">brokeroyals.bandcamp.com<\/a>. <em>The band play an album release show on <\/em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/songbyrddc.com\/event\/broke-royals-album-release-party\/\" data-vars-click-url=\"https:\/\/songbyrddc.com\/event\/broke-royals-album-release-party\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Feb. 21 at Songbyrd<\/em><\/a><em>.\u00a0<\/em><\/p>\n<p><strong>Fields &amp; Forests<\/strong>, <em>Maybe Next Year<\/em>, released Jan. 20. <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/fieldsandforests.bandcamp.com\/album\/maybe-next-year\" data-vars-click-url=\"https:\/\/fieldsandforests.bandcamp.com\/album\/maybe-next-year\" target=\"_blank\" rel=\"noreferrer noopener\">fieldsandforests.bandcamp.com<\/a>.<\/p>\n<aside class=\"scaip scaip-3    \">\n<aside id=\"block-10\" class=\"widget_block clearfix\"><!-- Flipp Anchor Tag--><\/p>\n<\/aside>\n<\/aside>\n<p><strong>Rico Nasty<\/strong>, <em>LETHAL-ER<\/em>, the expanded edition of <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/washingtoncitypaper.com\/article\/762434\/beats-me-rico-nasty-heaven-forbid\/\" data-vars-click-url=\"https:\/\/washingtoncitypaper.com\/article\/762434\/beats-me-rico-nasty-heaven-forbid\/\" target=\"_blank\" rel=\"noreferrer noopener\">April 2025\u2019s <em>Lethal<\/em><\/a>, released Dec. 12. <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/soundcloud.com\/rico_nasty\/sets\/lethal-er?utm_medium=api&amp;utm_campaign=social_sharing&amp;utm_source=id_313799\" data-vars-click-url=\"https:\/\/soundcloud.com\/rico_nasty\/sets\/lethal-er?utm_medium=api&amp;utm_campaign=social_sharing&amp;utm_source=id_313799\" target=\"_blank\" rel=\"noreferrer noopener\">soundcloud.com<\/a>.\u00a0<\/p>\n<p><strong>Dylan Rockwell<\/strong>, <em>The Window\u2019s Closing (But It Still Lets in the Light)<\/em> EP,\u00a0released on Dec. 10. <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/soundcloud.com\/dylan-rockwell\/sets\/the-windows-closing-but-it\" data-vars-click-url=\"https:\/\/soundcloud.com\/dylan-rockwell\/sets\/the-windows-closing-but-it\" target=\"_blank\" rel=\"noreferrer noopener\">soundcloud.com<\/a>.<\/p>\n<aside>\n\t\t<\/aside>\n<aside>\n\t\t<\/aside>\n<p><h3 class=\"jp-relatedposts-headline\"><em>Recommended Stories<\/em><\/h3>\n<\/p>\n<section id=\"block-16\" class=\"below-content widget widget_block\"><sellwild-widget\/><\/section>\n<section id=\"custom_html-6\" class=\"widget_text below-content widget widget_custom_html\"\/>\n<section id=\"block-9\" class=\"below-content widget widget_block\"><!-- Flipp Anchor Tag--><br \/>\n<\/section><\/div>\n<p><script type=\"pmdelayedscript\" data-cfasync=\"false\" data-no-optimize=\"1\" data-no-defer=\"1\" data-no-minify=\"1\">\n\t\t!function(f,b,e,v,n,t,s)\n\t\t{if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n\t\tn.callMethod.apply(n,arguments):n.queue.push(arguments)};\n\t\tif(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n\t\tn.queue=[];t=b.createElement(e);t.async=!0;\n\t\tt.src=v;s=b.getElementsByTagName(e)[0];\n\t\ts.parentNode.insertBefore(t,s)}(window, document,'script',\n\t\t'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n\t\tfbq('init', '560647738994257');\n\t\tfbq('track', 'PageView', {\"page_title\":\"Beats Me: Ari Lennox Takes Neo-Soul to New Heights and Jeff Draco Drops Long-Awaited New Music\",\"user_role\":\"guest\",\"event_url\":\"https:\\\/\\\/washingtoncitypaper.com\\\/article\\\/779019\\\/beats-me-ari-lennox-takes-neo-soul-to-new-heights-and-jeff-draco-drops-long-awaited-new-music\",\"post_type\":\"post\",\"post_id\":779019});\n\t\t<\/script><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source washingtoncitypaper.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ari Lennox, Vacancy With Vacancy, her first album in nearly four years, D.C. R&amp;B singer Ari Lennox (nee Courtney Shanade Salter) continues her personal neo-soul musical journey\u2014something she\u2019s been doing since she began uploading her music to the internet in 2009. Keeping up with the originators of the genre, Erykah Badu and Jill Scott, Lennox [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2270899,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[418976,21800],"class_list":["post-2270898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-beats-me","tag-music"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/02\/Beats-Me-Ari-Lennox-Takes-Neo-Soul-to-New-Heights-and.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2270898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2270898"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2270898\/revisions"}],"predecessor-version":[{"id":2270900,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2270898\/revisions\/2270900"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2270899"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2270898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2270898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2270898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}