{"id":2279492,"date":"2026-02-12T21:41:22","date_gmt":"2026-02-12T21:41:22","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2279492"},"modified":"2026-02-12T21:41:22","modified_gmt":"2026-02-12T21:41:22","slug":"interview-with-annahstasia-the-new-star-of-folk","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/interview-with-annahstasia-the-new-star-of-folk\/","title":{"rendered":"Interview with Annahstasia, the new star of folk"},"content":{"rendered":"<p><\/p>\n<div>\n<div class=\"introduction\">\n<p>With her debut album <em>Tether<\/em>, singer Annahstasia, 30, has delivered one of the most beautiful records of 2025. A record that bears the mark left by a romantic conflict and explores the effects love has on the body, language and memory. Around her narrative, the minimalist instrumentation hems the silences, colours the breaths, and highlights her smooth, resplendent voice.<\/p>\n<\/div>\n<li class=\"credits d-flex\">\n<p>\n\t\t\t\t\t\t\t\t\t\t\tBy\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/numero.com\/contributeur\/alexis-thibault\/\">Alexis Thibault<\/a>.\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/li>\n<p>\t\t\t\t\t\t\t<!-- \n\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n --><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">&#13;<br \/>\n&#13;<figcaption class=\"wp-element-caption\">Annahstasia \u2013 <em>Satisfy Me <\/em>(2025).<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">An artist following in the footsteps of Sade and Tracy Chapman<\/h2>\n<p>American singer <strong>Annahstasia<\/strong> keeps her distance from labels. Still, the artist can be placed somewhere between <strong>Tracy Chapman<\/strong>\u2018s narrative solemnity and <strong>Sade<\/strong>\u2018s nocturnal velvet. But the comparison ends there. She now asserts her own sound, with her signature dizzying crescendos. Meanwhile, her album cover recalls the early records of <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/numero.com\/en\/culture-en\/interview-with-bjork-i-see-a-lot-of-hope-in-mushrooms\/\"><strong>Bj\u00f6rk<\/strong><\/a> or <strong>Fiona Apple<\/strong>. The latter appeared in front of the camera with a steady gaze and no artifacts. <strong>Annahstasia<\/strong> was looking for the same clarity. A frontal gesture that said, \u201c<em>Hi, it\u2019s me. I have nothing left to hide<\/em>.\u201d<\/p>\n<p>She grew up in <strong>Koreatown<\/strong>, a Los Angeles neighbourhood still haunted by the memory of the <strong>1992 riots<\/strong>. At night, the city writes itself through the piercing wail of sirens, the screech of tires and the sharp crack of gunshots ricocheting between walls. At dawn, the world takes a fresh shape to the rhythm of street vendors\u2019 carts, schoolchildren\u2019s laughter and blasting radios switched on a little too early.<\/p>\n<p>From this cacophony, <strong>Annahstasia<\/strong> draws an essential lesson\u2026 Sound, assembled from fragments, creates images. You can grasp what is unfolding outside without ever seeing a thing. Her music follows the same logic. It shines a light on what we would rather leave unsaid.<\/p>\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;698e051b526a3&quot;}\" data-wp-interactive=\"core\/image\" class=\"wp-block-image size-full wp-lightbox-container\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Enlarge\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><br \/>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewbox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\"\/>\n\t\t\t<\/svg><br \/>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Singer Annahstasia. \u00a9 Yana Yatsuk.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">A standout show at the Pitchfork Festival<\/h2>\n<p>This is how she stands at the crossroads of folk and soul music. <strong><em>Tether<\/em><\/strong> was recorded instinctively, entirely in live takes. A way of breaking free from an industry that, for a time, tried to force her into a pop mould that was never truly hers.<\/p>\n<p><strong>Annahstasia<\/strong> surrounded herself with demanding producers, like <strong>Jason Lader<\/strong> (<strong><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/numero.com\/en\/culture\/what-to-expect-from-frank-oceans-first-film-produced-by-a24\/\">Frank Ocean<\/a><\/strong>, <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/numero.com\/en\/culture-en\/what-we-know-about-lana-del-reys-upcoming-album\/\"><strong>Lana Del Rey<\/strong><\/a>), <strong>Andrew Lappin<\/strong> (L\u2019Rain), and <strong>Aaron Liao<\/strong> (Moses Sumney). Her record is shaped with the same precision, through carefully chosen collaborations, from poet <strong>Aja Monet<\/strong> to <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/numero.com\/en\/culture-en\/obongjayar-the-captivating-nigerian-singer-acclaimed-by-little-simz\/\"><strong>Obongjayar<\/strong><\/a>. Love, grief and resilience permeate the album.<\/p>\n<p>In November 2025, she performed at <strong>Caf\u00e9 de la Danse<\/strong> in Paris as part of the <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/numero.com\/en\/culture-en\/pitchfork-festival-2025-the-must-see-artists\/\"><strong>Pitchfork Music Festival<\/strong><\/a>. During her show, a large part of the audience was moved to tears. <strong>Annahstasia<\/strong>\u2019s music possesses something tactile, almost palpable. It conjures up the taste of the earth you bring to your mouth despite yourself, the light filtering through trees before a busy day, the soft embrace of someone you had deeply missed.<\/p>\n<blockquote class=\"instagram-media\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DTs6slMj1wP\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\/>\n<h2 class=\"wp-block-heading\">Interview with singer Annahstasia<\/h2>\n<p><strong><em>Num\u00e9ro<\/em>: Do you consider your album Tether to be a minimalist record?&#13;<br \/>\n&#13;<br \/>\n<\/strong><strong>Annahstasia:<\/strong> In my world, one of a lower middle-class girl, there are always things everywhere. Objects are piling up, each one telling a different story. So I prefer to speak of \u201carticulated opulence,\u201d because I\u2019ve always found the very idea of minimalism somewhat oppressive. It\u2019s often those with means who can afford to be minimal. Everything exists in contrast to silence. Against total silence, even the smallest addition becomes a form of opulence. Then, that richness highlights the luxury of silence itself.<\/p>\n<p><strong>The frequent use of guitar arpeggios seems to structure the narrative of your album. Are they essential to translate your emotions into music?<\/strong><\/p>\n<p>The arpeggio allows me to lay down a musical foundation, a ground on which the story can be built. It\u2019s a technique rooted in West African culture. There\u2019s often a rhythm or a repeated motif, a kind of steady pulse over which a story is told, always returning to that base note, that \u201cdrone.\u201d Most of my favorite songs feature a single guitar note that I keep strumming, resisting any chord changes. It\u2019s my way of creating a sonic palette on which I can build everything else\u2026<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">&#13;<br \/>\n&#13;<figcaption class=\"wp-element-caption\">Annahstasia \u2013 <em>Villain<\/em> (2025).<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading has-text-align-center\">\n<h2 style=\"text-align: center;\">\u201c<em>At 18, it\u2019s easy for people to tell you what to do. I was writing, they were producing.<\/em>\u201d \u2014 Annahstasia<\/h2>\n<\/h2>\n<p><strong>Do you feel like your music evolved from your EP <em>Revival<\/em> (2023) to your new record?&#13;<br \/>\n&#13;<br \/>\n<\/strong>Let\u2019s say I\u2019ve gone from a solitary flame to a collective fire. I\u2019m now fueled by the support and collaboration of everyone who has gravitated toward my music. I never collaborate with strangers. Most of the time, I work with people I\u2019ve known for years, and when the right moment comes, everything falls into place. <strong><em>Revival<\/em><\/strong> was my rebirth. That\u2019s when I stepped into my role as a producer, a project leader and guardian of my own sound. I realised that I could do it, that I could create music from the songs I\u2019d written on guitar in my bedroom.<\/p>\n<p><strong>It seemed that, early on, people tried to force a pop R\u2019n\u2019B image onto you that didn\u2019t quite fit you\u2026<\/strong><\/p>\n<p>That\u2019s true. I signed with a major label very young. At the time, I had only written a handful of songs. I knew nothing about production or how the industry really worked. At 18, it\u2019s easy for people to tell you what to do. I was writing, they were producing. And since asking a teenage girl to talk more about sex in her lyrics is frowned upon, the suggestion came in a more subtle way\u2026 \u201c<em>You should write about this person. Let\u2019s explore that aesthetic! Don\u2019t you have a love story to tell?<\/em>\u201d What felt most uncomfortable was the disconnect. I had been sold the promise of being myself, and once I got in, everything about me seemed to become a flaw, as though I were somehow inadequate.<\/p>\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;698e051b52c23&quot;}\" data-wp-interactive=\"core\/image\" class=\"wp-block-image size-full wp-lightbox-container\"><img decoding=\"async\" width=\"1000\" height=\"1000\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/annahstasia-numero-10.jpg\" alt=\"The album cover of Tether (2025) by Annahstasia.\" class=\"wp-image-796212\" srcset=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/annahstasia-numero-10.jpg 1000w, https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/annahstasia-numero-10-300x300.jpg 300w, https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/annahstasia-numero-10-150x150.jpg 150w, https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/annahstasia-numero-10-768x768.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\"\/><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Enlarge\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><br \/>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewbox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\"\/>\n\t\t\t<\/svg><br \/>\n\t\t<\/button><figcaption class=\"wp-element-caption\">The album cover of <em>Tether <\/em>(2025) by Annahstasia. \u00a9\u00a0Yana Yatsuk.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading has-text-align-center\">\n<h2 style=\"text-align: center;\">\u201c<em>You never really \u2018lose\u2019 people. You meet them, and you share a part of your life with them<\/em>.\u201d \u2014 Annahstasia<\/h2>\n<\/h2>\n<p><strong>The main topic of the album is love. Do you think that breakups are necessarily failures?&#13;<br \/>\n&#13;<br \/>\n<\/strong>That\u2019s what I believed for a long time. But one day, the person sitting across from me said, \u201c<em>We didn\u2019t fail, you know? We had beautiful moments, we tried, we learned<\/em>.\u201d As a matter of fact, you never really \u201close\u201d people. You meet them, and you share a part of your life with them. You learn how to love better and how to be loved better in return.<\/p>\n<p><strong>If a movie about your life were to be made, which director would you entrust it to?&#13;<br \/>\n&#13;<br \/>\n<\/strong>Probably <strong>Gaspar No\u00e9<\/strong>, for the way he plays with time. He bends and stretches it. His vision aligns with how I perceive my own life \u2013 non-linear and outside of time.<\/p>\n<p><strong>What is the most beautiful word you know?<\/strong><\/p>\n<p>\u201c<em>Petrichor<\/em>.\u201d It refers to the scent that rises from the earth when rain begins to fall after a period of drought. You can almost touch the word itself, don\u2019t you think?<\/p>\n<p><em>Tether (2025) by Annahstasia, available now.<\/em><\/p>\n<\/p><\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source numero.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With her debut album Tether, singer Annahstasia, 30, has delivered one of the most beautiful records of 2025. A record that bears the mark left by a romantic conflict and explores the effects love has on the body, language and memory. Around her narrative, the minimalist instrumentation hems the silences, colours the breaths, and highlights [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2279493,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25179],"tags":[],"class_list":["post-2279492","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/02\/Interview-with-Annahstasia-the-new-star-of-folk.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2279492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2279492"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2279492\/revisions"}],"predecessor-version":[{"id":2279494,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2279492\/revisions\/2279494"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2279493"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2279492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2279492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2279492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}