{"id":2296361,"date":"2026-02-23T22:18:10","date_gmt":"2026-02-23T22:18:10","guid":{"rendered":"https:\/\/celebrity.land\/en\/?p=2296361"},"modified":"2026-02-23T22:18:10","modified_gmt":"2026-02-23T22:18:10","slug":"the-wildest-multiverse-thriller-of-the-year-was-10-years-in-the-making","status":"publish","type":"post","link":"https:\/\/celebrity.land\/en\/the-wildest-multiverse-thriller-of-the-year-was-10-years-in-the-making\/","title":{"rendered":"The Wildest Multiverse Thriller Of The Year Was 10 Years In The Making"},"content":{"rendered":"<p><\/p>\n<div data-adroot=\"true\">\n<p>When Kevin and Matthew McManus conceived of <em>Redux Redux<\/em>, a lean and mean revenge thriller about a grieving mother named Irene (Michaela McManus) who travels infinite parallel universes to seek revenge against the killer of her daughter, the multiverse was barely a glimmer in Marvel Studios\u2019 eye. <em><a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.inverse.com\/entertainment\/everything-everywhere-all-at-once-review\">Everything Everywhere All at Once<\/a><\/em> was still six years away from winning Best Picture at the Oscars, and general audiences couldn\u2019t even conceive of \u201c<a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.inverse.com\/entertainment\/multiverse-fatigue-superhero-movies-doctor-strange-the-flash-spider-verse\">multiverse fatigue<\/a>.\u201d <\/p>\n<p>It was a decade ago when the sibling directing duo, best known for their work on Netflix shows <em>Cobra Kai<\/em> and <em>American Vandal<\/em>, first began working on <em>Redux Redux<\/em>. And in the years since, the multiverse has gone from novel idea to next great thing in Hollywood to tired gimmick. \u201cWe rode that whole thing,\u201d Matthew McManus tells <em>Inverse.<\/em><\/p>\n<p>\u201cWhen we were first coming up with this idea 10 years ago, there [weren\u2019t] that many parallel universe movies and shows out there, and so it felt like an exciting subgenre to dive back into and remind audiences of,\u201d McManus adds. \u201cAnd sure enough, after we wrote it, it really took off and has become so ubiquitous.\u201d<\/p>\n<blockquote class=\"rs0\"><p>\u201cSo many multiverse stories feel like they\u2019re taking advantage of how wild the worlds can get.\u201d<\/p><\/blockquote>\n<p>But the idea of using the multiverse conceit in a revenge thriller was still fairly unheard of. So the McManus brothers stuck to their guns and were finally able to bring <em>Redux Redux<\/em> over the finish line, premiering the film at the 2025 South by Southwest Film &amp; TV Festival, where it was met with <a rel=\"nofollow\" target=\"_blank\" href=\"https:\/\/www.rottentomatoes.com\/m\/redux_redux\" target=\"_blank\" rel=\"noreferrer\">universal praise<\/a>. And despite the fatigue that general audiences are feeling for anything multiverse, <em>Redux Redux<\/em> manages to feel fresh, shocking, and completely novel. It\u2019s a taut, original take on the sci-fi revenge movie, one that makes you forget that you ever felt tired of multiverse stories. \u201cLuckily, people seem to be OK with it so far,\u201d McManus says wryly.<\/p>\n<p><em>Inverse <\/em>spoke with Kevin and Matthew McManus about the challenges of making a low-budget multiverse movie, how <em>Terminator<\/em> inspired them, and why they never even considered time travel.<\/p>\n<p><em>This interview has been edited for clarity and brevity<\/em>.<\/p>\n<div style=\"max-width:854px;\" class=\"sWr iGR\">\n<div>\n<figure class=\"VE7\">\n<div>\n<p><noscript><\/p>\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Redux Redux - Official Trailer (2026) Michaela McManus, Stella Marcus\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Y3p8pt8Q52s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><\/noscript><\/p>\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<p><strong>I watched the movie, and it\u2019s such a good, tight little thriller with a fun, high-concept premise. Where did the idea for <\/strong><em><strong>Redux Redux <\/strong><\/em><strong>come from?<\/strong><\/p>\n<p><strong>Kevin McManus: <\/strong>I think it really came from a desire to try and tell a multiverse story in a more personal and intimate way. So many multiverse stories feel like they\u2019re taking advantage of how wild the worlds can get. How do we tell fantastical stories within the multiverse scope? We kept wondering: \u201cWhat would the opposite of that look like? What if in an infinite amount of universes, the changes between them are just infinitely small? How frustrating would that be to someone who\u2019s trying to change their circumstances, traversing a multiverse, trying to find a world where their circumstances were different, where something they regretted was different?\u201d Of course, in this case, we try to dial it up as far as possible with a parent losing their child. Seeing how every universe is so identical, what would that do to their humanity? What would that do to their drive? And, of course, it sends Irene on a violent path.<\/p>\n<p><strong>The setup for this movie, it feels like it could have gone in almost a time-travel direction. For this premise, most people would be like, \u201cOh, yeah, she has a machine. She\u2019ll go time-travel and kill him again.\u201d Why parallel universes instead?<\/strong><\/p>\n<p><strong>Matthew McManus: <\/strong>It was our way in, in a lot of ways. When we were first coming up with this idea 10 years ago, there [weren\u2019t] that many parallel universe movies and shows out there, and so it felt like an exciting subgenre to dive back into and remind audiences of. And sure enough, after we wrote it, it really took off and has become so ubiquitous. But it also felt like a subgenre where the rules can be really simple and you don\u2019t actually have to complicate it too much. Time travel, you can really run into so many paradoxes. It can be a tricky thing to navigate. I think that was really exciting for us is you get a lot of the fun that you get with time travel without all of the messy complications.<\/p>\n<div class=\"sWr iGR\">\n<div class=\"gDT\">\n<figure class=\"Qf5 CMk\">\n<div class=\"pxF CgC mvL s-2033430821\"><noscript><picture><source media=\"(min-width:1025px)\" srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/0d7b7d23\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_01_09_16still003.jpg?w=825&amp;h=346&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/0d7b7d23\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_01_09_16still003.jpg?w=825&amp;h=346&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><source media=\"(min-width:768px)\" srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/0d7b7d23\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_01_09_16still003.jpg?w=688&amp;h=288&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/0d7b7d23\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_01_09_16still003.jpg?w=688&amp;h=288&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><source srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/0d7b7d23\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_01_09_16still003.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/0d7b7d23\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_01_09_16still003.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><\/picture><\/noscript><\/div><figcaption class=\"rv9 tm3\">\n<div>\n<p>Irene sets off on a multiversal revenge mission.<\/p>\n<\/div>\n<p><cite class=\"Afu _Nh\">Saban Films<\/cite><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<p><strong>You talked about how this movie has been 10 years in the making. How different is the final product from what you originally started working on all those years ago?<\/strong><\/p>\n<p><strong>MM: <\/strong>Honestly, it\u2019s remarkably similar. A few moments that we had to change for the budget. But the nice thing was that we didn&#8217;t have to sacrifice too many of the set pieces and the things we wanted to do. We just had to execute them and make sure that we didn\u2019t blow up three or four cars instead of just the one. There\u2019s a few changes. There was one change in the middle where they run to the smugglers. They used to be at a flea market. And the idea was there\u2019s some box truck in the middle of this flea market, and you\u2019re like, \u201cWhat are these people even selling?\u201d And they bring you into the box truck, and they have this clandestine meeting. But that\u2019s one of those things that would\u2019ve been really cool, but would\u2019ve been a fortune for the production design and all the extras and to try to make it work.<\/p>\n<p>A desert was a much less expensive version of that. There were a couple of tweaks like that, where it was like you\u2019re not going to lose much of the spectacle by making those changes. We still got to do all the shoot-outs and all sorts of other things. We added some things actually, as we\u2019re going to production. But the man on fire was never in the script. But it felt like that would be a great way to open it. And so we were really lucky. We had a really great team behind us, and we really didn\u2019t have to sacrifice too much.<\/p>\n<blockquote class=\"rs0\"><p>\u201cNow, audiences know the rules. They know what the multiverse is.\u201d<\/p><\/blockquote>\n<p><strong>Did you find that, in the long journey to getting this film made, there was a tide shift in the way that multiverse movies started to be perceived in Hollywood that made it easier to get it made?<\/strong><\/p>\n<p><strong>MM: <\/strong>There\u2019s a crest. When a genre takes over, the zombie genre was there for 10 years. And for a minute there, everybody goes, \u201cHey, these things are doing well. Hey, these things are great. We should all get behind this.\u201d And then eventually goes over the crest and people go, \u201cI am so tired of that subgenre.\u201d We rode that whole thing, and then we\u2019re like, \u201cI hope people are still going to be willing to watch this movie.\u201d But luckily, people seem to be OK with it so far.<\/p>\n<p><strong>Like you said, the multiverse is becoming trendy almost nowadays. How do you tackle this concept in a fresh and innovative way, when <em>Everything Everywhere All at Once<\/em> won Oscars for it and every other Marvel movie is doing it?<\/strong><\/p>\n<p><strong>KM: <\/strong>One of the ways is trying to keep the story much smaller, but in another way, the convenient thing about it becoming so ubiquitous was that now audiences know the rules. They know what the multiverse is. You don\u2019t have to educate them on that. There used to be a whole monologue describing what the multiverse was and how it worked, and then everything that went into the machinations of it. In a great way, we\u2019re able to strip all that out and take all that exposition out because the audience using context clues is going to be able to figure it out and already know the rules immediately.<\/p>\n<div class=\"sWr iGR\">\n<div class=\"gDT\">\n<figure class=\"Qf5 CMk\">\n<div class=\"pxF CgC mvL s-2033430821\"><noscript><picture><source media=\"(min-width:1025px)\" srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/4ee63bdc\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_34_23_23still120.jpg?w=825&amp;h=346&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/4ee63bdc\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_34_23_23still120.jpg?w=825&amp;h=346&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><source media=\"(min-width:768px)\" srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/4ee63bdc\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_34_23_23still120.jpg?w=688&amp;h=288&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/4ee63bdc\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_34_23_23still120.jpg?w=688&amp;h=288&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><source srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/4ee63bdc\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_34_23_23still120.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/4ee63bdc\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_34_23_23still120.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><img decoding=\"async\" alt=\"Redux Redux\" src=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/4ee63bdc\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_34_23_23still120.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces&amp;dpr=2\" class=\"N4z B9M\"\/><\/picture><\/noscript><\/div><figcaption class=\"rv9 tm3\">\n<div>\n<p><em>Redux Redux<\/em> is a notably sparse film, with just two main characters on the road.<\/p>\n<\/div>\n<p><cite class=\"Afu _Nh\">Saban Films<\/cite><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<p><strong>Was there a temptation to go bigger with the world-building, expand the lore of this agency that helps people travel between the multiverses?<\/strong><\/p>\n<p><strong>MM: <\/strong>It\u2019s something we certainly geek out on and talk about, and we think this could be really cool and that could be really cool. But whenever we\u2019re trying to tell these stories, we\u2019re trying to make sure that it&#8217;s as character-forward as possible. And a lot of that is stripping out and killing your darlings and making sure that all of that lore is a bit at arm\u2019s length. Because as an audience member, those are the movies that I connect with the most. That was a big discussion we would have along the way. There\u2019s a section in the middle of the movie that gives you the most glimpses into the lore and stuff we\u2019ve messed around with. But it was all by design to try to keep it very clean and accessible for an audience.<\/p>\n<p><strong>The fact that each universe has very minimal differences \u2014 was that something that was within the original plan or the treatment for the movie, or was that something that came out because of budget reasons?<\/strong><\/p>\n<p><strong>MM: <\/strong>Yeah, really, it was part of the plan all along. It felt like an exciting way to tackle this. We just kept thinking if there\u2019s an infinite amount of universes, then there would be so many that would be remarkably similar and how frustrating that would be. If you have this technology and you can\u2019t find that one change you\u2019re looking for, it\u2019s like finding a needle in a haystack. That would actually make the journey just so much more brutal. It was just an exciting thing. <\/p>\n<p>We like science fiction. It feels really grounded. <em>The Terminator<\/em> is our North Star. We love that. If you just turn on <em>The Terminator<\/em> in the middle of the movie, you might think it\u2019s an L.A. noir movie for 20 minutes before you realize his face is falling off and there\u2019s a robot underneath there.<\/p>\n<p><strong>As I was watching this movie, my mind went to Christopher Nolan\u2019s <\/strong><em><strong>Memento<\/strong><\/em><strong>, which I think is the quintessential revenge thriller done in a very creative way with its alternating timelines and flashbacks. Were there any other movies, apart from <\/strong><em><strong>Terminator<\/strong><\/em><strong>, that inspired <\/strong><em><strong>Redux Redux<\/strong><\/em><strong>?<\/strong><\/p>\n<p><strong>KM: <\/strong>Totally. I think the other big one that we really referenced quite a bit was <em>Blue Ruin<\/em>. A great revenge flick. What we love about it is, a great deal, the first 30 minutes of that movie, so much of it\u2019s said without any dialogue at all. It\u2019s really the camerawork and the staging and the process the character is going through that tells you that whole story. It was really a fascinating thing to look at, how just camerawork alone and how really great staging can do the heavy lift. And then you can know exactly what the main character is doing at any given time throughout that, just by virtue of where they\u2019re bringing the camera.<\/p>\n<div class=\"sWr iGR\">\n<div class=\"gDT\">\n<figure class=\"Qf5 CMk\">\n<div class=\"pxF CgC mvL s-2033430821\"><noscript><picture><source media=\"(min-width:1025px)\" srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/e806f3c9\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_59_57_01still183.jpg?w=825&amp;h=346&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/e806f3c9\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_59_57_01still183.jpg?w=825&amp;h=346&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><source media=\"(min-width:768px)\" srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/e806f3c9\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_59_57_01still183.jpg?w=688&amp;h=288&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/e806f3c9\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_59_57_01still183.jpg?w=688&amp;h=288&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><source srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/e806f3c9\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_59_57_01still183.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/e806f3c9\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_59_57_01still183.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><img decoding=\"async\" alt=\"Redux Redux\" src=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/e806f3c9\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_59_57_01still183.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces&amp;dpr=2\" class=\"N4z B9M\"\/><\/picture><\/noscript><\/div><figcaption class=\"rv9 tm3\">\n<div>\n<p>Irene and Mia (Stella Marcus) form the beating heart of the movie.<\/p>\n<\/div>\n<p><cite class=\"Afu _Nh\">Saban Films<\/cite><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<p><strong>I think the central duo of Irene and Mia is great and adds a lone wolf and cub dynamic to the movie after being a very straightforward revenge thriller. What was important to you about fleshing out this dynamic and making that central to the movie?<\/strong><\/p>\n<p><strong>KM:<\/strong> I think it works on two different levels. On the one level, it very much speaks to the theme of the movie of what Irene is going through, giving her this surrogate daughter relationship and one that\u2019s not exactly warm and cozy all the time. But it\u2019s a teenage daughter where you\u2019re dealing with that and you have to mother her in some ways. But on the other hand, it\u2019s also that character we have a lot of fun with.<\/p>\n<p>I think if we were just with Irene the whole time, the movie could get really grim really fast. It was Mia\u2019s character that came in that I think really started to give it a little bit of a lift and give our audience a bit of a break from how morose the story really could have gone into. It works on that device level of trying to find out places where we can lighten things up. But also pretty central to Irene\u2019s story for sure.<\/p>\n<blockquote class=\"rs0\"><p>\u201cWe\u2019re crazy about sci-fi tech that looks beat-up.\u201d<\/p><\/blockquote>\n<p><strong>I want to ask about the design of the machine. It\u2019s very simple, like an industrial-looking coffin. Where did the idea for the design come about?<\/strong><\/p>\n<p><strong>MM: <\/strong>We\u2019re crazy about sci-fi tech that looks beat-up. It\u2019s got a million miles on it. I think it\u2019s anybody who watched<em> Back to the Future<\/em> and saw the DeLorean or watched <em>Star Wars<\/em> and saw the Millennium Falcon, you\u2019re like, \u201cThat\u2019s what she wants. It feels mechanical and crummy, and it\u2019s just the best you could do.\u201d That was the hope was to come up with our own design that felt like that. In the script, it was referenced as something between a coffin and a refrigerator. And then we were talking to our production designer and our art director, trying to come up with what it was going to be. And we did this way in advance of shooting the movie. It was months and months we knew this was going to be the central piece to the movie.<\/p>\n<p>They were asking us questions about it. And then Kevin was like, \u201cI think the best way to describe this is maybe to just make a silly version with balsa wood.\u201d He carved this thing up and spray-painted it and showed them this little, almost like a toy version of it. I was like, \u201cThis is overthinking, a little hand carve on the back of it, that whole 9 yards.\u201d He\u2019s like, \u201cAll right, I get it. I know what you want.\u201d Him and Stephen Dudro, his art director, came together and 3D built&#8230; a prototype of what it could look like, and then built it for real. And we couldn\u2019t be happier with how it turned out.<\/p>\n<div class=\"sWr iGR\">\n<div class=\"gDT\">\n<figure class=\"Qf5 CMk\">\n<div class=\"pxF CgC mvL s-2033430821\"><noscript><picture><source media=\"(min-width:1025px)\" srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/76608908\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_46_14_14still138.jpg?w=825&amp;h=346&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/76608908\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_46_14_14still138.jpg?w=825&amp;h=346&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><source media=\"(min-width:768px)\" srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/76608908\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_46_14_14still138.jpg?w=688&amp;h=288&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/76608908\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_46_14_14still138.jpg?w=688&amp;h=288&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><source srcset=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/76608908\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_46_14_14still138.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces, https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/76608908\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_46_14_14still138.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces&amp;dpr=2 2x\"\/><img decoding=\"async\" alt=\"Redux Redux\" src=\"https:\/\/imgix.bustle.com\/uploads\/image\/2026\/2\/22\/76608908\/redux_20250606_4k_scope_2398_rec709g24_8trk_saban00_46_14_14still138.jpg?w=374&amp;h=157&amp;fit=crop&amp;crop=faces&amp;dpr=2\" class=\"N4z B9M\"\/><\/picture><\/noscript><\/div><figcaption class=\"rv9 tm3\">\n<div>\n<p>Despite its high-concept premise, <em>Redux Redux<\/em> has only a handful of major effects.<\/p>\n<\/div>\n<p><cite class=\"Afu _Nh\">Saban Films<\/cite><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<p><strong>And the biggest effect is when the machine goes off, sending everyone in the vicinity flying back. Was that the biggest technical challenge for you on this film?<\/strong><\/p>\n<p><strong>MM:<\/strong> In a lot of ways. It was definitely one that we were trying to get. It\u2019s described in the script as an implosion, which is hard to articulate on screen because everything would be going&#8230; The trick of exploding out is certainly easier. I think we imagined it like a bit of a cyclone on set, where it goes out one way, it comes in the other way. When the police officer is at the door, and it goes off, he gets sucked in towards where the thing disappeared. And then, of course, beyond that, it appears in the next universe. That was one of the more fun things to try to design a way for it to drop on its own and have a little explosion happen. Our special effects guy built hydraulics into the machine itself so he could lift it up and then drop it down, and he\u2019d let a little squib go off to give us a little flash bang.<\/p>\n<p>It was so much fun to do it in real life that he\u2019d set it all up, and it would look like a low rider on hydraulics coming up. Eventually, it gave out, and it broke, right at a critical time when we\u2019re running out of time and needed it to work again. You go from the hydraulic method, which is high-tech and cool to&#8230; big Dixie cups with fishing line under it. We gently put it on these little Dixie cups, which would hold it up, and then the fishing line would collapse the Dixie cups, and bam, it would fall. Honestly, I think those even look better than the hydraulics.<\/p>\n<p><strong>KM: <\/strong>And the machine is ridiculously heavy. It was inspired. He\u2019s like, \u201cIt\u2019s funny if you stand on these things just perfectly, it can hold your weight. And so I\u2019ve got a good feeling this is going to work.\u201d I don\u2019t think anybody believed him, and he did it. And afterwards he took a bow, and everybody&#8217;s very impressed. It was an impressive physics experiment.<\/p>\n<p><strong>After this movie, what do you have your eye on next? Do you want to continue in the genre field? Or are you going to try going back to comedies like <em>American Vandal<\/em>, which I really enjoyed your work on, by the way. I\u2019m still mourning its cancellation.<\/strong><\/p>\n<p><strong>KM: <\/strong>So are we.<\/p>\n<p><strong>MM: <\/strong>I think on the feature side of things, our love is really in the genre space. We\u2019d love to do more genre, certainly granted sci-fi is always playing in the back of our heads. We\u2019d love to do a true-blue horror film. Those are the things I think we\u2019re thinking about a lot lately. Of course, I think the <em>American Vandal<\/em> guys start up a new show. We would drop everything to do it.<\/p>\n<p><strong>KM: <\/strong>That\u2019s one of the things we&#8217;re proudest of. I hope both. I hope that very soon you\u2019ll see us doing both of those things again.<\/p>\n<h4><em>Redux Redux<\/em> is playing now in limited theaters.<\/h4>\n<aside class=\"fX2 rhF gYu jIS\">\n<div>\n<div style=\"display:block;\" class=\"lqj dsa TnP\"><label class=\"oHL\">Learn Something New Every Day<\/label><\/div>\n<\/div>\n<\/aside>\n<\/div>\n<p><em> \u2018 The preceding article may include information circulated by third parties \u2019 <\/em><\/p>\n<p><em> \u2018 Some details of this article were extracted from the following source www.inverse.com \u2019 <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Kevin and Matthew McManus conceived of Redux Redux, a lean and mean revenge thriller about a grieving mother named Irene (Michaela McManus) who travels infinite parallel universes to seek revenge against the killer of her daughter, the multiverse was barely a glimmer in Marvel Studios\u2019 eye. Everything Everywhere All at Once was still six [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2296364,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"footnotes":""},"categories":[25172],"tags":[21741,77042,420438,444996,21912,444995,319412,393037,444997],"class_list":["post-2296361","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-entertainment","tag-homepage","tag-hp-latest","tag-inverse-interview","tag-movies","tag-multiverse","tag-science-fiction","tag-thriller","tag-tv-movie-director-interviews"],"jetpack_featured_media_url":"https:\/\/celebrity.land\/en\/wp-content\/uploads\/2026\/02\/The-Wildest-Multiverse-Thriller-Of-The-Year-Was-10-Years.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2296361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/comments?post=2296361"}],"version-history":[{"count":1,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2296361\/revisions"}],"predecessor-version":[{"id":2296365,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/posts\/2296361\/revisions\/2296365"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media\/2296364"}],"wp:attachment":[{"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/media?parent=2296361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/categories?post=2296361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/celebrity.land\/en\/wp-json\/wp\/v2\/tags?post=2296361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}